Quotes about reason
page 42

Michael Moorcock photo
Ariel Sharon photo
Sarvepalli Radhakrishnan photo
John F. Kennedy photo
Hendrik Verwoerd photo
Joan Baez photo
Jacoba van Heemskerck photo

“I got the idea to paint people, in the way I see them. From one face I take to my own idea some very characteristic features of it and then I make of the whole a picture in colors and lines, in the way how I meet that person. The whole thing becomes not at all a portrait in the usual sense... I have tried to make types, but will built in more and more personal qualities and all that kind of things... Everything will be figured out fully abstract of course, it is just a personal feeling and no system at all.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Meine Idee ist es die Menschen zu malen, wie ich sie sehe. Ich nehme aus einem Gesicht einige meiner Ansicht nach am meisten sprechende Züge und ich mache dann vom ganzen ein Bild in den Farben und Linien, wie die Person mir entgegentritt. Das Ganze ist gar kein Porträt im gewöhnlichen Sinne.. .Ich habe mich bemüht, jetz noch Typen zu machen und werde mehr und mehr persönliche Eigenschaften und alle mögliche hereinbringen.. .Alles muss man sich natürlich ganz abstrakt denken, es ist ein persönliches Gefühl und gar kein System.
in a letter to Herwarth Walden, 6 Feb. 1918; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 20
1910's

Peter Atkins photo
Gautama Buddha photo
Ervin László photo
E. B. White photo

“A good farmer is nothing more nor less than a handy man with a sense of humus.”

E. B. White (1899–1985) American writer

"The Practical Farmer" http://books.google.com/books?id=njRHAAAAYAAJ&q=%22A+good+farmer+is+nothing+more+nor+less+than+a+handy+man+with+a+sense+of+humus%22&pg=PA218#v=onepage ( October 1940 http://books.google.com/books?id=SvAvAAAAMAAJ&q=%22A+good+farmer+is+nothing+more+nor+less+than+a+handy+man+with+a+sense+of%22&pg=PA555#v=onepage)
One Man's Meat (1942)

Warren Farrell photo
Dwight D. Eisenhower photo

“We are—proudly—a people with no sense of class or caste. We judge no man by his name or inheritance, but by what he does—and for what he stands.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

1950s, Address at the Philadelphia Convention Hall (1956)

Arthur Waley photo
Maimónides photo
Stephen Fry photo
Otto Pfleiderer photo
E. W. Hobson photo

“Perhaps the least inadequate description of the general scope of modern Pure Mathematics—I will not call it a definition—would be to say that it deals with form, in a very general sense of the term; this would include algebraic form, functional relationship, the relations of order in any ordered set of entities such as numbers, and the analysis of the peculiarities of form of groups of operations.”

E. W. Hobson (1856–1933) British mathematician

Source: Presidential Address British Association for the Advancement of Science, Section A (1910), p. 287; Cited in: Robert Edouard Moritz. Memorabilia mathematica; or, The philomath's quotation-book https://archive.org/stream/memorabiliamathe00moriiala#page/4/mode/2up, (1914), p. 5: Definitions and objects of mathematics.

Fritz Leiber photo

“To understand why George fell for this story, one must remember his stifled romanticism, his sense of personal failure, his deep need to believe. The thing came to him like, or rather instead of, a religious conversion.”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“Time Fighter” (p. 67); originally published in Fantastic Universe, March 1957
Short Fiction, A Pail of Air (1964)

Euripidés photo

“Man's most valuable trait
is a judicious sense of what not to believe.”

The Complete Greek Tragedies: Euripides II: Helen. Hecuba. Andromache. The Trojan women. Ion. Rhesus. The suppliant women by David Grene, Richmond Alexander Lattimore (eds.), Modern Library, 1963, p. 73

Anna Sui photo

“I love history. I love art. I like to mix it all together, but in the end it somehow has to all make sense.”

Anna Sui (1964) American fashion designer

Interview Magazine (December 15, 2010)

Derren Brown photo
Klaus Kinski photo
Stanley Kubrick photo
Archibald Macleish photo
David Spade photo
Daniel Handler photo
Bell Hooks photo

“To be in the margin is to be part of the whole but outside the main body. As black Americans living in a small Kentucky town, the railroad tracks were a daily reminder of our marginality. Across those tracks were paved streets, stores we could not enter, restaurants we could not eat in, and people we could not look directly in the face. Across those tracks was a world we could work in as maids, as janitors, as prostitutes, as long as it was in a service capacity. We could enter that world but we could not live there. We had always to return to the margin, to cross the tracks, to shacks and abandoned houses on the edge of town. There were laws to ensure our return. To not return was to risk being punished. Living as we did-on the edge-we developed a particular way of seeing reality. We looked both from the outside in and and from the inside out. We focused our attention on the center as well as on the margin. We understood both. This mode of seeing reminded us of the existence of a whole universe, a main body made up of both margin and center. Our survival depended on an ongoing public awareness of the separation between margin and center and an ongoing private acknowledgment that we were a necessary, vital part of that whole. This sense of wholeness, impressed upon our consciousness by the structure of our daily lives, provided us an oppositional world view-a mode of seeing unknown to most of our oppressors, that sustained us, aided us in our struggle to transcend poverty and despair, strengthened our sense of self and our solidarity. … Much feminist theory emerges from privileged women who live at the center, whose perspectives on reality rarely include knowledge and awareness of the lives of women and men who live in the margin. As a consequence, feminist theory lacks wholeness, lacks the broad analysis that could encompass a variety of human experiences. Although feminist theorists are aware of the need to develop ideas and analysis that encompass a larger number of experiences, that serve to unify rather than to polarize, such theory is complex and slow in formation. At its most visionary, it will emerge from individuals who have knowledge of both margin and center.”

p. xvii https://books.google.com/books?id=ClWvBAAAQBAJ&pg=PT8.
Feminist Theory: From Margin to Center (1984), Preface

Eric R. Kandel photo
Peter Sellars photo
Michael Crichton photo
Karl Barth photo
John Maynard Keynes photo
Al-Biruni photo
Frances Kellor photo
Nisargadatta Maharaj photo

“Prokofiev’s music is usually based on a firm sense of tonality. Whatever tonal uncertainty and ambiguity one experiences, mainly in developmental passages, they are mostly short-lived.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Richard A. Posner photo

“I wish in closing to emphasize how little corporate philanthrophy (the practical meaning of “creative capitalism,” a terrible expression that implies nonaltruistic capitalism is uncreative) is actually philanthropic, in the sense of being driven by altruism rather than by profit maximization.”

Richard A. Posner (1939) United States federal judge

" Against Creative Capitalism, Part Two https://web.archive.org/web/20080821055810/http://creativecapitalism.typepad.com:80/creative_capitalism/2008/08/against-creativ.html" (2008), published in Creative Capitalism: A Conversation with Bill Gates, Warren Buffett, and Other Economic Leaders.

Amrita Sher-Gil photo
Thomas Bradwardine photo
Alain Aspect photo

“The main difficulty in popularizing quantum physics is that we do not really know how to make images of it in our world. In this sense it is really counterintuitive.”

Alain Aspect (1947) French physicist

La principale difficulté pour vulgariser la physique quantique, c'est qu'on ne sait pas très bien comment en fabriquer des images dans notre monde. C'est en ce sens qu'elle est vraiment contre-intuitive.
Interview http://www.canalacademie.com/Alain-Aspect.html on the occasion of the CNRS Gold Medal Award Ceremony in December 2005.

Aron Ra photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Margaret Mead photo
Hillary Clinton photo
Jane Roberts photo
Franklin D. Roosevelt photo

“On each national day of inauguration since 1789, the people have renewed their sense of dedication to the United States.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1940s, Third inaugural address (1941)

Yukteswar Giri photo
George Holmes Howison photo
Alfred Stieglitz photo
Boris Sidis photo
Roberto Mangabeira Unger photo

“The extreme moment of shock in battle presents in heightened and distorted form some of the distinctive characteristics of a whole society involved in war. These characteristics in turn represent a heightening and distortion of many of the traits of a social world cracked open by transformative politics. The threats to survival are immediate and shifting; no mode of association or activity can be held fixed if it stands as an obstacle to success. The existence of stable boundaries between passionate and calculating relationships disappears in the terror of the struggle. All settled ties and preconceptions shake or collapse under the weight of fear, violence, and surprise. What the experience of combat sharply diminishes is the sense of variety in the opportunities of self-expression and attachment, the value given to the bonds of community and to life itself, the chance for reflective withdrawal and for love. In all these ways, it is a deformed expression of the circumstance of society shaken up and restored to indefinition. Yet the features of this circumstance that the battle situation does share often suffice to make the boldest associative experiments seem acceptable in battle even if they depart sharply from the tenor of life in the surrounding society. Vanguardist warfare is the extreme case. It is the response of unprejudiced intelligence and organized collaboration to violence and contingency.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 160

James Russell Lowell photo
Charles Baudelaire photo

“It is imagination that has taught man the moral sense of color, of contour, of sound and of scent. It created, in the beginning of the world, analogy and metaphor. It disassembles creation, and with materials gathered and arranged by rules whose origin is only to be found in the very depths of the soul, it creates a new world, it produces the sensation of the new. As it has created the world (this can be said, I believe, even in the religious sense), it is just that it should govern it.”

Charles Baudelaire (1821–1867) French poet

C'est l'imagination qui a enseigné à l'homme le sens moral de la couleur, du contour, du son et du parfum. Elle a créé, au commencement du monde, l'analogie et la métaphore. Elle décompose toute la création, et, avec les matériaux amassés et disposés suivant des règles dont on ne peut trouver l'origine que dans le plus profond de l'âme, elle crée un monde nouveau, elle produit la sensation du neuf. Comme elle a créé le monde (on peut bien dire cela, je crois, même dans un sens religieux), il est juste qu'elle le gouverne.
"Lettres à M. le Directeur de La revue française," III: La reine des facultés http://fr.wikisource.org/wiki/Salon_de_1859_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#III._.E2.80.94_La_reine_des_facult.C3.A9s
Salon de 1859 (1859)

Robert Rauschenberg photo
Alice A. Bailey photo
Pendleton Ward photo
Gulzarilal Nanda photo

“Underneath the shifting appearances of the world as perceived by our unreliable senses, is there, or is there not, a bedrock of objective reality?”

Hans Christian von Baeyer (1938) American physicist

Source: Information, The New Language of Science (2003), Chapter 8, The Oracle of Copenhagen, Science is about information, p. 64

Luís de Camões photo

“You saw, with what unheard of insolence
The highest heavens they did invade of yore:
You saw, how (against reason, against sense)
They did invade the sea with sail and oar:
Actions so proud, so daring, so immense,
You saw; and we see daily more, and more:
That in few years (I fear) of heaven and sea,
Men, will be called gods; and but men, we.”

Luís de Camões (1524–1580) Portuguese poet

Vistes que, com grandíssima ousadia,
Foram já cometer o Céu supremo;
Vistes aquela insana fantasia
De tentarem o mar com vela e remo;
Vistes, e ainda vemos cada dia,
Soberbas e insolências tais, que temo
Que do Mar e do Céu, em poucos anos,
Venham Deuses a ser, e nós, humanos.
Stanza 29 (tr. Richard Fanshawe); council of the sea gods.
Epic poetry, Os Lusíadas (1572), Canto VI

Mayim Bialik photo
John F. Kennedy photo
Thomas Hobbes photo
Adam Roberts photo
Henry Suso photo
Fernand Léger photo
Atal Bihari Vajpayee photo

“I would like this house to join me in paying fulsome tribute to our scientists, engineers and defence personnel whose singular achievements have given us a renewed sense of national pride and self confidence.”

Atal Bihari Vajpayee (1924–2018) 10th Prime Minister of India

Extract from Suo Motto statement made in the Parliament, after India’s underground nuclear tests conducted on 11 May 1998.[Sujata K. Dass, Atal Bihari Vajpayee: Prime Minister of India, http://books.google.com/books?id=N8wnA7EtB0IC, 1 January 2004, Gyan Publishing House, 978-81-7835-277-0, 39]

Jacques Ellul photo
Nadine Gordimer photo
Michael Dummett photo
Peter Wentz photo
Glen Cook photo
Robert Fulghum photo
Edward B. Titchener photo

“Common sense is the very antipodes of science.”

Edward B. Titchener (1867–1927) American psychologist

Edward B. Titchener, Systematic Psychology: Prolegomena (1972), p. 48

David Lynch photo
Elfriede Jelinek photo
Richard Holbrooke photo

“The situation also gave U. N. Secretary-General Boutros-Ghali a chance to start the U. N.'s disegagement from Bosnia, something he had long wanted to do. After a few meetings with him, I concluded that this elegant and subtle Egyptian, whose Coptic family could trace its origins back over centuries, had disdain for the fractious and firty peoples of the Balkans. Put bluntly, he never liked the place. In 1992, during his only visit to Sarajevo, he made the comment that shocked the journalists on the day I arrived in the beleaguered capital: "Bosnia is a rich man's war. I understand your frustration, but you have a situation here that is better than ten other places in the world. … I can give you a list." He complained many times that Bosnia was eating up his budget, diverting him from other priorities, and threatening the whole U. N. system. "Bosnia has created a distortion in the work of the U. N.", he said just before Srebrenica. Sensing that our diplomatic efforts offered an opportunity to disengage, he informed the Security Council on September 18 that he would be ready to end the U. N. role in the forme Yugoslavia, and allow all key aspects of implementation to be placed with others. Two days later, he told Madeleine Albright that the Contact Group should create its own mechanism for implementation - thus volunteering to reduce the U. N.'s role at a critical moment. Ironically, his weakness simplified our task considerably.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), pp. 174-175

Samuel Beckett photo
Rob Enderle photo

“I was recently at a meeting of analysts and vendors, and got into a conversation about Apple with one of the ex-Apple executives at the meeting. I got the sense that Tim Cook was hired because he was good at everything Jobs didn't like to do, and Phil Schiller was basically Jobs' internal fan club chairman. In other words, you really don't have a viable company without someone doing what Jobs did.”

Rob Enderle (1954) American financial analyst

No magic, no Apple: Cupertino's identity crisis in the fading afterglow of Jobs http://digitaltrends.com/opinion/no-magic-no-apple-cupertinos-identity-crisis-in-the-fading-afterglow-of-jobs in Digital Trends (10 August 2013)

Georges Braque photo

“You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.”

Georges Braque (1882–1963) French painter and sculptor

Quote from The Power of Mystery (7 December 1957), a London Observer interview with John Richardson, as quoted in Braque: The Late Works (1997), by John Golding, Introduction, p. 10
unsourced variant translation: I made a great discovery. I don't believe in anything anymore. Objects do not exist for me, except that there is a harmonious relationship among them, and also between them and myself. When one reaches this harmony, one reaches a sort of intellectual void. This was everything becomes possible, everything becomes legitimate, and life is a perpetual revelation. This is true song.
1946 - 1963

Gordon Brown photo

“Luckily for the world economy, however, Gordon Brown and his officials are making sense. And they may have shown us the way through this crisis.”

Gordon Brown (1951) British Labour Party politician

" Gordon Does Good http://www.nytimes.com/2008/10/13/opinion/13krugman.html", New York Times, 12 October 2008.
Paul Krugman, winner of the 2008 Prize in memory of Alfred Nobel for Economics.
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Percy Bysshe Shelley photo
John Gray photo