Quotes about reason
page 43

Carlo Carrà photo
Daniel Patrick Moynihan photo
Thomas Carlyle photo

“Man is not the creature and product of Mechanism; but, in a far truer sense, its creator and producer: it is the noble People that makes the noble Government; rather than conversely.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Richard Bertrand Spencer photo
Wilfred Owen photo

“This book is not about heroes. English poetry is not yet fit to speak of them.
Nor is it about deeds, or lands, nor anything about glory, honour, might, majesty, dominion, or power, except War.
Above all I am not concerned with Poetry.
'My subject is War, and the pity of War.
The Poetry is in the pity.
Yet these elegies are to this generation in no sense consolatory. They may be to the next. All a poet can do today is warn. That is why the true Poets must be truthful.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Draft for a preface http://www.oucs.ox.ac.uk/ltg/projects/jtap/tutorials/intro/owen/preface.html to a collection of war poems he hoped to publish in 1919 (c. May 1918) and used in Poems of Wifred Owen (Memoir and notes).ed Edmund Blunden (1933).Chatto & Windus 1964.ASIN: B000GLY9CI

Hayao Miyazaki photo

“Frege's pair of concepts (nominatum and sense) is compared with our pair (extension and intension). The two pairs coincide in ordinary (extensional) contexts, but not in oblique (nonextensional) contexts.”

Rudolf Carnap (1891–1970) German philosopher

Source: Meaning And Necessity (1947), p. 124 as cited in: E. Cornell Way (1991) Knowledge Representation and Metaphor. p. 183

Ludwig Feuerbach photo
H.L. Mencken photo
Justine Frischmann photo
Wan Azizah Wan Ismail photo

“This is a new government, a new environment in that sense. The change of democracy happened peacefully. The harmony that we show and practice is important.”

Wan Azizah Wan Ismail (1952) Malaysian politician

Wan Azizah Wan Ismail (2018) cited in " China and Malaysia ties continue to prosper: Wan Azizah http://www.thesundaily.my/news/2018/07/21/china-and-malaysia-ties-continue-prosper-wan-azizah" on The Sun Daily, 21 July 2018

Anton Chekhov photo
James Soong photo

“The appointment (as special envoy to APEC 2016) fills me with a deep sense of responsibility. It is a mission rather than a job. This mission is not about personal glory, but the entrustment of a responsibility to present to the international community the achievements Taiwan has made in the past decades.”

James Soong (1942) Chairman of People First Party, former Governor of Taiwan Province

James Soong (2016) cited in " Beijing knew I would be envoy: Soong http://www.taipeitimes.com/News/front/archives/2016/10/07/2003656671" on Taipei Times, 7 October 2016

James Clapper photo

“Of course, the Russian effort affected the outcome. Surprising even themselves, they swung the election to a Trump win. To conclude otherwise stretches logic, common sense, and credulity to the breaking point.”

James Clapper (1941) US government official

Excerpt from Clapper's memoir Facts And Fears, quoted in [Hains, Tim, James Clapper in New Book: "Of Course" The Russians "Swung The Election To A Trump Win", https://www.realclearpolitics.com/video/2018/05/23/james_clapper_in_new_book_of_course_the_russians_swung_the_election_to_a_trump_win.html, 27 July 2018, Real Clear Politics, May 23, 2018]

Neil Gaiman photo
Henry James photo
Don Soderquist photo
R. H. Tawney photo

“The foundation of democracy is the sense of spiritual independence which nerves the individual to stand alone against the powers of this world.”

R. H. Tawney (1880–1962) English philosopher

Part IV, Ch. 4
Religion and the Rise of Capitalism (1926)

Primo Levi photo
Augustus De Morgan photo
Indra Nooyi photo

“Each of us in the US - the long middle finger - must be careful that we extend our arm in either a business or political sense, we take pains to assure that we are giving a hand, not the finger. Unfortunately, I think this is how the reset of the world looks at the US right now. Not as part of the hand-giving strength and purpose to the rest of the fingers –but instead scratching our nose and sending a signal.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

When she drew compassion with the five most populated of the seven continents of the world in a lectuere which created a furore necessitating an apology from her. Quoted in [. Branson, Douglas M ., The Last Male Bastion: Gender and the CEO Suite in America s Public Companies, http://books.google.com/books?id=wTFSa2qouSwC&pg=PA98, 15 December 2009, Routledge, 978-0-203-86566-8, 98–]

Daniel Dennett photo
Chris Cornell photo
Ayumi Hamasaki photo
Richard Long photo
Philip Roth photo
Paula Modersohn-Becker photo
Michael Powell photo
John Fisher, 1st Baron Fisher photo

“Sea fighting is pure common sense.  The first of all its necessities is SPEED, so as to be able to fight--When you like, Where you like, and How you like.”

John Fisher, 1st Baron Fisher (1841–1920) Royal Navy admiral of the fleet

Letter to Churchill, dated 16/1/1912, quoted in The World Crisis, Vol 1, 1911-14 (1923), Churchill, Thornton Butterworth (London), p. 140.

Donald J. Trump photo

“They have put political correctness above common sense, above your safety, and above all else. I refuse to be politically correct.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2016, June, Speech about the Orlando Shooting (June 13, 2016)

George W. Bush photo
Stephen L. Carter photo

“Liberalism, for all its virtues, has begun to develop a sense of entitlement, and needs time to rediscover its soul.”

Stephen L. Carter (1954) American legal academic and writer

Trump and the Fall of Liberalism (November 11, 2016)

Hal Abelson photo
Jacqueline Kennedy Onassis photo
Geoffrey Hodgson photo
Louis Sullivan photo
Gerhard Richter photo

“Picturing things, taking a view, is what makes us human; art is making sense and giving shape to that sense. It is like the religious search for God.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1962; as cited on collected quotes on the website of Gerhard Richter: 'on Art' https://www.gerhard-richter.com/en/quotes/art-1
1960's

Frederick Rolfe photo
Leo Buscaglia photo
David Brin photo
Edmund Burke photo
Joseph Goebbels photo

“The war we are fighting until victory or the bitter end is in its deepest sense a war between Christ and Marx.
Christ: the principle of love.
Marx: the principle of hate.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Der Kampf, den wir heute ausfechten bis zum Sieg oder bis zum bitteren Ende, ist im tiefsten Sinne ein Kampf zwischen Christus und Marx.
Christus: das Prinzip der Liebe.
Marx: das Prinzip des Hasses.
Michael: a German fate in diary notes (1926)

A. James Gregor photo

“It can be said, in a qualified sense, that Gentile entertained considerable sympathy for the neo-Hegelian Marxist intellectual tradition.”

A. James Gregor (1929–2019) American political scientist

Source: The Phoenix: Fascism in Our Time, (1999), p. 93

“May Heaven, if virtue claim its thought,
If justice yet avail for aught;
Heaven, and the sense of conscious right,
With worthier meed your acts requite!”

John Conington (1825–1869) British classical scholar

Source: Translations, The Aeneid of Virgil (1866), Book I, p. 29

Florence Nightingale photo
Lin Yutang photo

“He who perceives death perceives a sense of the human comedy, and quickly becomes a poet.”

Source: The Importance of Living (1937), pp. 39–40

John Galsworthy photo
William Dalrymple photo
Gerhard Richter photo

“I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed. Our eyes have evolved for survival purposes. The fact that they can also see the stars is pure accident.”

Gerhard Richter (1932) German visual artist, born 1932

Richter is questioning here the 'picture of reality'
Source: after 2000, Doubt and belief in painting' (2003), p. 87, note 13

Neil Peart photo

“I feel the sense of possibilities
I feel the wrench of hard realities
The focus is sharp in the city
-- The Camera Eye (1981)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Francis Hutcheson (philosopher) photo
Enoch Powell photo

“What happens then when majorities in the directly elected European Assembly take decisions, or approve policies, or vote budgets which are regarded by the British electorate or by the electorate of some of the mammoth constituencies as highly offensive and prejudicial to their interests? What do the European MPs say to their constituents? They say: “Don't blame me; I had no say, nor did I and my Labour (or Conservative) colleagues, have any say in the framing of these policies”. He will then either add: “Anyhow, I voted against”; or alternatively he will add: “And don't misunderstand if I voted for this along with my German, French, and Italian pals, because if I don't help roll their logs, I shall never get them to roll any of mine”. What these pseudo-MPs will not be able to say is what any MP in a democracy must be able to say, namely, either “I voted against this, and if the majority of my party are elected next time, we will put it right”, or alternatively, “I supported this because it is part of the policy and programme for which a majority in this constituency and in the country voted at the last election and which we shall be proud to defend at the next election”. Direct elections to the European Assembly, so far from introducing democracy and democratic control, will strengthen the arbitrary and bureaucratic nature of the Community by giving a fallacious garb of elective authority to the exercise of supranational powers by institutions and persons who are – in the literal, not the abusive, sense of the word – irresponsible.”

Enoch Powell (1912–1998) British politician

Speech in Brighton (24 October 1977), from Enoch Powell on 1992 (Anaya, 1989), pp. 19-20.
1970s

“For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?”

Thomas Ligotti (1953) American horror author

The Bungalow House

Alberto Manguel photo
Russell Brand photo
Hans Arp photo

“A painting or sculpture not modeled on any real object is every bit as concrete and sensuous as a leaf or a stone.... [but] it is an incomplete art which privileges the intellect to the detriment of the senses... [art must be like.. ] fruit that grows in man, like a fruit on a plant or a child in it's mother's womb.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Notes From a Dada Diary, published in 1932; as quoted by Anna Moszynska, in Abstract Art, Thames and Hudson, London, 1990, p. 113
1930s

Michael Chabon photo

“Childhood, at its best, is a perpetual adventure, in the truest sense of that overtaxed word: a setting forth into trackless lands that might have come to existence the instant before you first laid eyes on them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Maps and Legends http://exchanges.state.gov/forum/vols/vol42/no2/p35.htm, Architectural Digest (April 2001)

Lee Smolin photo

“Is the flow of time something real, or might our sense of time passing be just an illusion that hides the fact that what is real is only a vast collection of memories?”

Lee Smolin (1955) American cosmologist

as quoted by Ray Kurzweil, The Age of Spiritual Machines: When Computers Exceed Human Intelligence (2000)

Paul Cézanne photo
Bill Whittle photo
Colin Wilson photo
Lloyd Kenyon, 1st Baron Kenyon photo

“In poetry much of the sense and most of the pleasure resides in the sounds the poem make.”

Michael Schmidt (poet) (1947) American poet

The Great Modern Poets, London, 2006

Ulysses S. Grant photo
Dana Gioia photo
Werner Erhard photo

“Transformation does not negate what has gone before; rather, it fulfills it. Creating the context of a world that works for everyone is not just another step forward in human history; it is the context out of which our history will begin to make sense.”

Werner Erhard (1935) Critical Thinker and Author

[Lynne Twist, 2003, The Soul of Money: Transforming your Relationship with Money and Life, New York, New York, W.W. Norton., 252, 039305097]
Attributed

Cole Porter photo
Arthur Jensen photo
David Packard photo

“The best company management is one that combines a sense of corporate greatness and destiny, with empathy for - and fidelity to - the average employee.”

David Packard (1912–1996) American electrical engineer, co-founder of Hewlett-Packard, businessman, U.S. Deputy Secretary of Defense,…

Source: Bill & Dave, 2007, p. 393

Jane Jacobs photo

“Writing, printing, and the Internet give a false sense of security about the permanence of culture.”

Source: Dark Age Ahead (2004), Chapter One, The Hazard, p. 5

Ray Harryhausen photo

“I am often asked if I would have liked to have been involved with Jurassic Park. The plain answer is no. Although excellent, it is not with all its dollars what I would have wished to do with my career. I was always a loner and worked best that way. Since the very beginning I fought and struggled under constant pressure to keep the design and final result within my hands. As time moved on this became more difficult, until I was forced to bow to the fact that my method of working, in the financial sense, was no longer practical. Model animation has been relegated to a reflection, or a starting point for creature computer effects that has reached a high few could have anticipated. However, for all the wonderful achievements of the computer, the process creates creatures that are too realistic and for me that makes them unreal because they have lost one vital element - a dream quality. Fantasy, for me, is realizing strange beings that are so removed from the 21st century. These beings would include not only dinosaurs, because no matter what the scientists say, we still don't know how dinosaurs looked or moved, but also creatures of the mind. Fantastical creatures where the unreal quality becomes even more vital. Stop-motion supplies the perfect breath of life for them, offering a look of pure fantasy because their movements are beyond anything we know.”

Ray Harryhausen (1920–2013) American animator

Ray Harryhausen & Tony Dalton (2003), An Animated Life, Aurum Press, p. 8

Ali Shariati photo

“The enlightened soul is a person who is self-conscious of his "human condition" in his time and historical and social setting, and whose awareness inevitably and necessarily gives him a sense of social responsibility.”

Ali Shariati (1933–1977) Iranian academic and activist

Source: Where Shall We Begin, 1997-2013, p. 1 ; as cited in: Robert Deemer Lee, Overcoming tradition and modernity: the search for Islamic authenticity, (11997), p. 127.

“The success of the missions need not have been so meagre but for certain factors which may be discussed now. In the first place, the missionary brought with him an attitude of moral superiority and a belief in his own exclusive righteousness. The doctrine of the monopoly of truth and revelation, as claimed by William of Aubruck to Batu Khan when he said 'he that believeth not shall be condemned by God', is alien to the Hindu and Buddhist mind. To them the claim of any sect that it alone possesses the truth and others shall be `condemned' has always seemed unreasonable. Secondly the association of Christian missionary work with aggressive imperialism introduced political complications. National sentiment could not fail to look upon missionary activity as inimical to the country's interests. That diplomatic pressure, extra‑territoriality and sometimes support of gun‑boats had been resorted to in the interests of the foreign missionaries could not be easily forgotten. Thirdly, the sense of European superiority which the missionaries perhaps unconsciously inculcated produced also its reaction. Even during the days of unchallenged European political supremacy no Asian people accepted the cultural superiority of the West. The educational activities of the missionaries stressing the glories of European culture only led to the identification of the work of the missions with Western cultural aggression.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

Jimmy Carter photo
John Gray photo
Jack Vance photo
Brandon Boyd photo
Frederick Douglass photo
William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Mario Bunge photo
Trinny Woodall photo
Edmund Clarence Stedman photo

“Give me to die unwitting of the day,
And stricken in Life's brave heat, with senses clear!”

Edmund Clarence Stedman (1833–1908) American poet, critic, and essayist

"Mors Benefica".

Jerzy Vetulani photo
Richard Rorty photo

“My principal motive is the belief that we can still make admirable sense of our lives even if we cease to have … "an ambition of transcendence."”

Richard Rorty (1931–2007) American philosopher

Introduction to Objectivity, Relativism, and Truth: Philosophical Papers, Volume I (1991).

Jeff VanderMeer photo