Quotes about reason
page 25

Barbara W. Tuchman photo
George Holmes Howison photo
Alain de Botton photo

“Our greatest furies spring from events which violate our sense of the ground of our existence.”

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 83.

“Scotty and I became good friends. We had an immediate musical rapport that was sensational. We did a lot of listening and talking. Besides technique, he had governing, control. I think he was the first bass player who was fleet-footed in the musical sense.
[…]
What a trauma! It struck me right down—that someone I was developing such a relationship with would suddenly not be there.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

On bassist Scott LaFaro and his premature demise, as quoted in Jade Visions: The Life and Music of Scott LaFaro https://books.google.com/books?id=KnTSqVu9Zr4C&pg=PA67&dq=%22Clare+relates%22+intitle:Jade&hl=en&sa=X&ved=0CBQQ6AEwAGoVChMI-9Dphf_kxgIVCGk-Ch3DaQiT#v=onepage&q=%22Clare%20relates%22%20intitle%3AJade&f=false (2009) by Helene LaFaro-Fernandez, pp. 67-68

David Foster Wallace photo
Jane Roberts photo
Hal Abelson photo
Émile Durkheim photo
Isaiah Berlin photo

“The fundamental sense of freedom is freedom from chains, from imprisonment, from enslavement by others. The rest is extension of this sense, or else metaphor.”

Isaiah Berlin (1909–1997) Russo-British Jewish social and political theorist, philosopher and historian of ideas

Five Essays on Liberty (2002), Introduction (1969)

Pitirim Sorokin photo
Seymour Papert photo
Jennifer Beals photo

“[On yoga] Once you've completed a wonderful class, you get a sense of the deepest, purest part of yourself. You feel like you are connected to everybody else in the world.”

Jennifer Beals (1963) American actress and a former teen model

Jennifer Beals on yoga (Date unknown) http://jennifer-beals.com/media/press/yoga.html.

Giacomo Casanova photo
Bill O'Reilly photo
Joseph Story photo

“The militia is the natural defence of a free country against sudden foreign invasions, domestic insurrections, and domestic usurpations of power by rulers. It is against sound policy for a free people to keep up large military establishments and standing armies in time of peace, both from the enormous expenses, with which they are attended, and the facile means, which they afford to ambitious and unprincipled rulers, to subvert the government, or trample upon the rights of the people. The right of the citizens to keep and bear arms has justly been considered, as the palladium of the liberties of a republic; since it offers a strong moral check against the usurpation and arbitrary power of rulers; and will generally, even if these are successful in the first instance, enable the people to resist and triumph over them. And yet, though this truth would seem so clear, and the importance of a well regulated militia would seem so undeniable, it cannot be disguised, that among the American people there is a growing indifference to any system of militia discipline, and a strong disposition, from a sense of its burthens, to be rid of all regulations. How it is practicable to keep the people duly armed without some organization, it is difficult to see. There is certainly no small danger, that indifference may lead to disgust, and disgust to contempt; and thus gradually undermine all the protection intended by this clause of our national bill of rights.”

Commentaries on the Constitution of the United States (1833), p. 708 http://books.google.com/books?id=Ennw5lvHmcoC&pg=PA708&dq=%22The+right+of+the+citizens+to+keep%22.

Muma Gee photo

“[It] is all about the African woman, her beauty and how she makes herself beautiful. An African woman is therefore not to be messed up with or looked down upon because she’s feminine. Even though she’s beautiful, she’s strong and has a sense of pride.”

Muma Gee (1978) Nigerian singer and songwriter

In " The role Emeka Ike played in my marriage http://www.vanguardngr.com/2013/06/the-role-emeka-ike-played-in-my-marriage/" by Opeoluwani Ogunjimi on vanguardngr.com, June 15, 2013: On her song "African Woman Skillashy"

Henry Suso photo

“Question: Does a detached person remain unoccupied all the time, or what does he or she do?
Answer: The activity of really detached people lies in their becoming detached, and their achievement is to remain unoccupied because they remain calm in action and unconcerned about their achievements.
Question: What is their conduct toward their fellow human beings?
Answer: They enjoy the companionship of people, but without being compromised by them. They love them without attachment, and they show them sympathy without anxious concern - all in true freedom.
Question: Is such a person required to go to confession?
Answer: The confession that is motivated by love is nobler than one motivated by necessity.
Question: What is such people’s prayer like? Are they supposed to pray, too?
Answer: Their prayer is effective because they forestall the influence of the senses. God is spirit and knows whether this person has put an obstacle in the way or whether he or she has acted from selfish impulses. And then a light is enkindled in their highest power, which makes clear that God is the being, life and activity within them and that they are merely instruments.
Question: What are such a person's eating, drinking and sleeping like?
Answer: Externally, and in keeping with their sensuous nature, the outward person eats. Internally, however, they are as if not eating; otherwise, One does not arrive at the goal by asking questions. It is rather through detachment that one comes to this hidden truth they would be enjoying food and rest like an animal. This is also the case in other things pertaining to human existence.”

Henry Suso (1295–1366) Dominican friar and mystic

The Exemplar, The Little Book of Truth

Camille Paglia photo
Roberto Mangabeira Unger photo
Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

John Herschel photo
Grant Morrison photo

“Most human lives are forgotten after four generations. We build our splendid houses on the edge of the abyss then distract and dazzle ourselves with entertainers and sex while we slowly at first, then more rapidly, spin around the ever-thirsty plughole in the middle. My treasured possessions -- all the silly little mementoes and toys and special books I’ve carried with me for decades -- will wind up on flea market tables or rot on garbage heaps. Someone else will inhabit the rooms that were mine. Everything that was important to me will mean nothing to the countless generations that follow our own. In the grand sprawl of it all, I have no significance at all. I don’t believe a giant gaseous pensioner will reward or censure me when my body stops working and I don’t believe individual consciousness survives for long after brain death so I lack the consolations of religion. I wanted Annihilator to peek into that implacable moment where everything we are comes to an end so I had to follow the Black Brick Road all the way down and seriously consider the abject pointlessness of all human endeavours. I found these contemplations thrilling and I was drawn to research pure nihilism, which led me to Ray Brassier’s Nihil Unbound and back to Ligotti. I have a fundamentally optimistic and positive view of human existence and the future and I think it’s important to face intelligent, well-argued challenges to that view on a regular basis. While I agree with Ligotti that the universe is, on the face of it, a blind emergent process, driven by chance over billions of years of trial and error to ultimately produce creatures capable of little more than flamboyant expressions of the agonizing awareness of their own imminent deaths, I don’t share his slightly huffy disappointment at this state of affairs. If the universe is intrinsically meaningless, if the mindless re-arrangement of atomic debris into temporarily arising then dissipating forms has no point, I can only ask, why do I see meaning everywhere, why can I find a point in everything? Why do other human beings like me seem to see meaning in everything too? If the sun is only an apocalyptic series of hydrogen fusion reactions, why does it look like an angel and inspire poetry? Why does the flesh and fur-covered bone and jelly of my cat’s face melt my heart? Is all that surging, roaring incandescent meaning inside me, or is it out there? “Meaning” to me is equivalent to “Magic.” The more significance we bring to things, even to the smallest and least important things, the more special, the more “magical” they seem to become. For all that materialistic science and existential philosophy tells us we live in a chaotic, meaningless universe, the evidence of my senses and the accounts of other human beings seem to indicate that, in fact, the whole universe and everything in it explodes second-to-second with beauty, horror, grandeur and significance when and wherever it comes into contact with consciousness. Therefore, it’s completely down to us to revel in our ability to make meaning, or not. Ligotti, like many extreme Buddhist philosophers, starts from the position that life is an agonizing, heartbreaking grave-bound veil of tears. This seems to be a somewhat hyperbolic view of human life; as far as I can see most of us round here muddle through ignoring death until it comes in close and life’s mostly all right with just enough significant episodes of sheer joy and connection and just enough sh-tty episodes of pain or fear. The notion that the whole span of our lives is no more than some dreadful rehearsal for hell may resonate with the deeply sensitive among us but by and large life is pretty okay generally for most of us. And for some, especially in the developed countries, “okay” equals luxurious. To focus on the moments of pain and fear we all experience and then to pretend they represent the totality of our conscious experience seems to me a little effete and indulgent. Most people don’t get to be born at all, ever. To see in that radiant impossibility only pointlessness, to see our experience as malignantly useless, as Ligotti does, seems to me a bit camp.”

Grant Morrison (1960) writer

2014
http://www.blastr.com/2014-9-12/grant-morrisons-big-talk-getting-deep-writer-annihilator-multiversity
On life

Gerard Bilders photo

“To preserve the sense of the 'grey' even in the most powerful green is amazingly difficult and whoever discovers it will be a happy mortal. (translation from the Dutch original: Fons Heijnsbroek)”

Gerard Bilders (1838–1865) painter from the Netherlands

version in original Dutch / citaat van Bilders' brief, in het Nederlands: Om het sentiment van het grijze, zelfs in het krachtigste groen, te houden is verbazend moeylijk, en die het uitvindt is een gelukkig sterveling.
Quote from Gerard Bilders in his letter (July 1860) to his maecenas Johannes Kneppelhout; as cited in Dutch Art in the Nineteenth Century – 'The Hague School; Introduction' https://en.wikisource.org/wiki/Dutch_Art_in_the_Nineteenth_Century/The_Hague_School:_Introduction, by G. Hermine Marius, transl. A. Teixera de Mattos; publish: The la More Press, London, 1908
1860's

Liam Hemsworth photo

“My trainer was a great guy … who made me want to die for an hour. My character was spending most of his life in a state of hunger, and I wanted to get a sense of that, physically and mentally.”

Liam Hemsworth (1990) Australian actor

Hemsworth on physical training for The Hunger Games. — [Liam's in shape, but he loves doughnuts, The Orlando Sentinel, August 3, 2012, Tribune Newspapers, A2, Sentinel Communications Co.]

Daniel Buren photo
Abraham Joshua Heschel photo
Charles Darwin photo

“It seems to me absurd to doubt that a man may be an ardent Theist & an evolutionist. … I have never been an atheist in the sense of denying the existence of a God.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Letter http://www.darwinproject.ac.uk/letter/entry-12041 to John Fordyce, 7 May 1879
Other letters, notebooks, journal articles, recollected statements

Samuel Butler (poet) photo
Thomas Kuhn photo
Aron Ra photo

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Erik Naggum photo

“Like many older fans of Free Software and Open Source, I have discovered that it is really only free in the sense that the time you spend on it is worthless.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: The Next Generation of Lisp Programmers http://groups.google.com/group/comp.lang.lisp/msg/e239591cbc9eb18d (Usenet article).
Usenet articles, Miscellaneous

Linda McQuaig photo
Adolf Hitler photo

“Because of the lack of productive capacities of its own, the Jewish Folk cannot carry out the construction of a State, viewed in a territorial sense, but as a support of its own existence it needs the work and creative activities of other nations. Thus the existence of the Jew himself becomes a parasitical one within the lives of other Folks. Hence the ultimate goal of the Jewish struggle for existence is the enslavement of productively active Folks. In order to achieve this goal, which in reality has represented Jewry's struggle for existence at all times, the Jew makes use of all weapons that are in keeping with the whole complex of his character. Therefore in domestic politics within the individual nations he fights first for equal rights and later for superior rights. The characteristics of cunning, intelligence, astuteness, knavery, dissimulation, and so on, rooted in the character of his Folkdom, serve him as weapons thereto. They are as much stratagems in his war of survival as those of other Folks in combat. In foreign policy, he tries to bring nations into a state of unrest, to divert them from their true interests, and to plunge them into reciprocal wars, and in this way gradually rise to mastery over them with the help of the power of money and propaganda. His ultimate goal is the denationalisation, the promiscuous bastardisation of other Folks, the lowering of the racial levy of the highest Folks, as well as the domination of this racial mishmash through the extirpation of the Folkish intelligentsia and its replacement by the members of his own Folk.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

1920s, Zweites Buch (1928)

Ramana Maharshi photo
James Russell Lowell photo
Clive Staples Lewis photo
Giorgio de Chirico photo
Burkard Schliessmann photo
John Waters photo

“Life is nothing without a good sense of humor.”

John Waters (1946) American filmmaker, actor, comedian and writer

Books, Shock Value: A Tasteful Book About Bad Taste (1981)

Cassandra Clare photo

“When I asked Amin [Husain] and Katie [Davison] what Occupy Wall Street’s ultimate goal was, they said, “A government accountable to the people, freed up from corporate influence.” … Organizers described Occupy Wall Street as “a way of being,” of “sharing your life together in assembly.” … The ambitions of the core group of activists were more cultural than political, in the sense that they sought to influence the way people think about their lives. “Ours is a transformational movement,” Amin told me with a solemn air. Transformation had to occur face to face; what it offered, especially to the young, was an antidote to the empty gaze of the screen.
In meetings and elsewhere, this Tolstoyan experience of undergoing a personal crisis of meaning, both political and of the soul, seemed deeply shared. Apart from Amin, I’ve met an architect, a film editor, an advertising consultant, an unemployed stock trader, a spattering of lawyers, and people with various other jobs who, after joining OWS, found themselves psychologically unable to go about their lives as before. … Michael Ellick, the minister at Judson Memorial Church in Greenwich Village, said that when he first visited Zuccotti Park he was reminded of his years at a monastery. “When people enter a monastery, they don’t know why they’ve come,” said Ellick. “They are there to find out why they are there, why they were compelled to leave the other world.””

Michael Greenberg (1952) American author

“What Future for Occupy Wall Street?” The New York Review of Books, vol. 59, no. 2, February 9, 2012

Gunnar Myrdal photo
Herbert Hoover photo
Jacob Bronowski photo
Hermann Weyl photo
H. H. Asquith photo
Salvador Dalí photo

“In the first place, in 1950, I had a 'cosmic dream' in which I saw this image in colour and which in my dream represented the 'nucleus of the atom.' This nucleus later took on a metaphysical sense; I considered it 'the very unity of the universe,' the Christ!”

Salvador Dalí (1904–1989) Spanish artist

inscription, 1950; on the bottom of his studies for the painting 'Christ of Saint John of the Cross'; as quotes by Robert Descharnes, Dalí. New York: Harry N. Abrams, Inc., 2003.
Dalí explained his inspiration for the painting 'Christ of Saint John of the Cross'
Quotes of Salvador Dali, 1941 - 1950

Oliver Sacks photo
Wilfred Thesiger photo
Noam Chomsky photo

“If we try to keep a sense of balance, the exposures of the past several months are analogous to the discovery that the directors of Murder, Inc. were also cheating on their income tax. Reprehensible, to be sure, but hardly the main point.”

Noam Chomsky (1928) american linguist, philosopher and activist

" Watergate: A Skeptical View http://www.chomsky.info/articles/19730920.htm," New York Review of Books, September 20, 1973.
Quotes 1960s-1980s, 1970s

Colin Wilson photo
Sigmund Freud photo
Paul Cézanne photo

“Let's not eliminate nature. Too bad if we fail. You see, in his 'Dejeuner sur l'herbe', Manet ought to have added - I don't know what - a touch of this nobility, whatever it is in this picture that conveys heaven to our every sense. Look at the golden flow of the tall woman, the other one's back... They are alive and they are divine.”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 186 in: 'What he told me – II. The Louvre' [standing in the Louvre in front of the painting 'Le concert Champêtre', painted by Giorgioni (ca. 1510)

Allen C. Guelzo photo
Nick Drake photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Jane Roberts photo
Eugene V. Debs photo
Calvin Coolidge photo

“The economic problems of society are important. On the whole, we are meeting them fairly well. They are so personal and so pressing that they never fail to receive constant attention. But they are only a part. We need to put a proper emphasis on the other problems of society. We need to consider what attitude of the public mind it is necessary to cultivate in order that a mixed population like our own may dwell together more harmoniously and the family of nations reach a better state of understanding. You who have been in the service know how absolutely necessary it is in a military organization that the individual subordinate some part of his personality for the general good. That is the one great lesson which results from the training of a soldier. Whoever has been taught that lesson in camp and field is thereafter the better equipped to appreciate that it is equally applicable in other departments of life. It is necessary in the home, in industry and commerce, in scientific and intellectual development. At the foundation of every strong and mature character we find this trait which is best described as being subject to discipline. The essence of it is toleration. It is toleration in the broadest and most inclusive sense, a liberality of mind, which gives to the opinions and judgments of others the same generous consideration that it asks for its own, and which is moved by the spirit of the philosopher who declared that 'To know all is to forgive all.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

It may not be given to infinite beings to attain that ideal, but it is none the less one toward which we should strive.
1920s, Toleration and Liberalism (1925)

Alex Salmond photo
Bias of Priene photo

“Great strength of body is the gift of nature;
But to be able to advise whate'er
Is most expedient for one's country's good,
Is the peculiar work of sense and wisdom.”

Bias of Priene (-600–-530 BC) ancient Greek philosopher, one of the Seven Sages

The Lives and Opinions of Eminent Philosophers (c. 230)

Leo Igwe photo
Henry David Thoreau photo
John Davies (poet) photo
Jacques Maritain photo
Julie Taymor photo
W. Somerset Maugham photo
Alex Miller photo
Hermann Hesse photo

“But Titus said, with his uncommon sense,
When the Exclusion Bill was in suspense:
"I hear a lion in the lobby roar;
Say, Mr. Speaker, shall we shut the door
And keep him there, or shall we let him in
To try if we can turn him out again?"”

James Bramston (1694–1744) British writer

Art of Politics (1729). Colonel Titus is reported to have said, "I hope we shall not be wise as the frogs to whom Jupiter gave a stork for their king. To trust expedients with such a king on the throne would be just as wise as if there were a lion in the lobby, and we should vote to let him in and chain him, instead of fastening the door to keep him out". On the Exclusion Bill, Jan. 7, 1681.

Marshall McLuhan photo

“Computers can do better than ever what needn’t be done at all. Making sense is still a human monopoly.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 109

Robert A. Heinlein photo
Henri Matisse photo
Sarvepalli Radhakrishnan photo

“[The moral hero is] fighting for the reshaping of his own society on sounder lines [his] behavior might offend the sense of decorum of the cautious conventionalist.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Leszek Kolakowski photo
Charles Fort photo
F. E. Smith, 1st Earl of Birkenhead photo

“May I be perfectly candid? I also am still a Unionist in this sense. If I were certified of twenty years of unbroken power in this country, I am still most clearly of opinion that the solution of the Irish question which would be best for England and best for Ireland would be the prosecution during that period of the policy which, in our opinion at least, had attained so large a measure of success in the year 1906. In saying this I make it quite plain that I am conscious that there are many of my colleagues—there must be many of my colleagues—who would not take that view. You must make the reservation that you are given that power and that you are given that power for the requisite period. The late Lord Salisbury spoke of "twenty years of resolute government." The Unionist Party, in the period to the close of which I refer, had been given some ten years, and it was only given those ten years by what many members of this House would describe as the accident of the issue, with its repercussion on the Election, of the war in South Africa. That accident and that Election gave the Unionist Party some ten years of office. Is it not evident, in trying to descry what lies in front of us through the mists of the future, that no man living can claim that twenty years, or anything like twenty years, lie in front of any Party that believes in the maintenance of the relations between Ireland and this country on the lines that have existed since the passing of the Act of Union?”

F. E. Smith, 1st Earl of Birkenhead (1872–1930) British politician

Speech in the House of Lords http://hansard.millbanksystems.com/lords/1920/nov/23/government-of-ireland-bill on the Government of Ireland Bill (23 November 1920).

Mary Wollstonecraft Shelley photo
Georg Simmel photo
Charles James Fox photo
Enoch Powell photo
James C. Collins photo
Colum McCann photo
René Guénon photo