Quotes about parting
page 33

Benoît Mandelbrot photo
Paul Robeson photo

“Films make me into some cheap turn…You bet they'll never let me play a part in a film where a Negro is on top.”

Paul Robeson (1898–1976) American singer and actor

As quoted in Paul Robeson : The Whole World in His Hands (1981) by Susan Robeson, p. 92

Maurice Glasman, Baron Glasman photo
Rod Serling photo
Stanley Baldwin photo
Nelson Mandela photo
John Gray photo
Errol Morris photo

“There's the Mike Wallace approach, or you can call it the Michael Moore approach, which is the adversarial approach. In the end, that is not in the service of finding out anything. It's in service of dramatizing a received view: Namely, "This guy is an asshole, and now I will illustrate how this guy is an asshole by showing his inability to answer the questions I put to him." It's not what I'm about. It's not that one approach is good and the other is bad. They just have different valences. I like confrontation as much as the next guy. I'll give you the best example I can think of for why I like my method. [During] my interview with Emily Miller, one of the wacko eyewitnesses in The Thin Blue Line, she volunteered that she had failed to pick out Randall Adams in a police lineup. It wasn't me saying to her, "Emily Miller, how come you failed to pick out Randall Adams in a police lineup?" Why? Because I didn't know she failed to do it, because part of the trial record said she had successfully picked him out. When I heard this, not in response to some adversarial question, just her telling me her story, I asked her, "How did you know you failed to pick out Randall Adams?"”

Errol Morris (1948) American filmmaker and writer

She said, "I know because the policeman sitting next to me told me I had picked out the wrong person and pointed out the right person so I wouldn't make that mistake again."
Source: Pitch Weekly http://www.tipjar.com/dan/errolmorris.html

Edward Heath photo
Stephen Foster photo

“The day goes by like a shadow o’er the heart,
With sorrow where all was delight;
The time has come when the darkies have to part:
Then my old Kentucky home, good night!”

Stephen Foster (1826–1864) American songwriter

My Old Kentucky Home. Reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Algernon Charles Swinburne photo
Chris Matthews photo
Letitia Elizabeth Landon photo
Orson Welles photo

“Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight… for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool…. Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen… [motions to Dean] you are looking at the end result!”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given at a Dean Martin Celebrity Roast. Viewable here http://www.youtube.com/watch?v=VlKR0i-51S4.

Klaus Kinski photo

“I am not the official Church Jesus who is accepted by policemen, bankers, judges, executioners, officers, church bosses, politicians and similar representatives of power. I am not your Superstar who keeps playing his part for you on the cross, and whom you hit in the face when he steps out of his role, and who therefore cannot call out to you, "I am fed up with all your pomp and all your rituals! Your incense is disgusting. It stinks of burnt human flesh. I can't bear your holy celebrations and holidays any longer. You can pray as much as you like, I'm not listening. Keep all your idiotic honours and laudations. I won't have anything to do with them. I do not want them. I am no pillar of peace and security. Security that you achieve with tear gas and with billy clubs. I am no guarantee for obedience and order either. Order and obedience at reform schools, prisons, penal institutions, insane asylums. I am the disobedient one, the restless one who does not live in any house. Nor am I a guarantee for success, savings accounts and possessions. I am the homeless one without a permanent home who stirs up trouble wherever he goes. I am the agitator, the invoker, I am the scream. I am the hippie, bum, Black Power, Jesus people. I want to free the prisoners. I want to make the blind see. I want to redeem the tortured. I want to cast love into your hearts, the love that reaches out beyond everything that exists. I want to turn you into living human beings, immortals.”

Klaus Kinski (1926–1991) German actor

Jesus Christus Erlöser (1971)

Thomas Carlyle photo
Nicholas Murray Butler photo

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Aldo Leopold photo
Ron Richard photo
Amir Taheri photo
Brooks D. Simpson photo

“The so-called lessons of history are for the most part the rationalizations of the victors. History is written by the survivors.”

Max Lerner (1902–1992) American journalist and educator

It Is Later Than You Think: The Need for a Militant Democracy http://books.google.com/books?id=szVGoBq-dkEC&q=%22actually+The+so-called+lessons+of+history+are+for+the+most+part+the+rationalizations+of+the+victors+history+is+written+by+the+survivors%22&pg=PA255#v=onepage (1939)

Adyashanti photo
R. C. Majumdar photo

“Dr. R. C. Majumdar has summed up the situation so far in the following words: “India south of the Vindhyas was under Hindu rule in the 13th century. Even in North India during the same century, there were powerful kingdoms not yet subjected to Muslim rule, or still fighting for their independence… Even in that part of India which acknowledged the Muslim rule, there was continual defiance and heroic resistance by large or small bands of Hindus in many quarters, so that successive Muslim rulers had to send well-equipped military expeditions, again and again, against the same region… As a matter of fact, the Muslim authority in Northern India, throughout the 13th century, was tantamount to a military occupation of a large number of important centres without any effective occupation, far less a systematic administration of the country at large.” …. The situation during the 14th and the 15th centuries has been summed up by Dr. R. C. Majumdar in the following words: “The Khalji empire rose and fell during the brief period of twenty years (A. D 1300-1320). The empire of Muhammed bin Tughlaq… broke up within a decade of his accession (A. D. 1325), and before another decade was over, the Turkish empire passed away for ever… Thus barring two every short-lived empires under the Khaljis and Muhammad bin Tughlaq… there was no Turkish empire in India. This state of things continued for nearly two centuries and a half till the Mughals established a stable and durable empire in the second half of the sixteenth century A. D.””

R. C. Majumdar (1888–1980) Indian historian

Quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. Chapter 8 ISBN 9788185990231

Calvin Coolidge photo
Alfred M. Mayer photo
Robert A. Dahl photo

“The democratic process in governing a country is not necessarily enhanced by democratizing subsidiary parts of the process.”

Robert A. Dahl (1915–2014) American political scientist

After the Revolution? (1970; 1990), Ch. 1 : Three Criteria for Authority

Calvin Coolidge photo
José Ortega Y Gasset photo
Nicolas Chamfort photo
John Desmond Bernal photo
Sarah Schulman photo
Augustus De Morgan photo
George Long photo
Maimónides photo
Henri Poincaré photo
Samuel Johnson photo
John L. Lewis photo

“Though its fame is much restricted by its specialized nature, there is no doubt that Panini's grammar is one of the greatest intellectual achievements of any ancient civilization, and the most detailed and scientific grammar composed before the 19th century in any part of the world.”

Pāṇini ancient Sanskrit grammarian

Professor A. L. Basham in: Daya Kishan Thussu Communicating India's Soft Power: Buddha to Bollywood https://books.google.co.in/books?id=Ab_QAQAAQBAJ&pg=PA47, Palgrave Macmillan, 24 October 2013, p. 47.

Jozef Israëls photo

“Take care for purity in the paint and not so stinky thick of grease, thin, thin, thin! And just on the light [parts in the painting] here and there a small push of thick [paint].... thick house-interiors are unpleasant - long drawing before you start and arrange pleasantly together all things before you start to paint - if the money does not bother you, it is always useful to visit Rott. [Rotterdam].”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Zorg voor zuiverheid in de verf en niet zoo stinkerig dik van smeerderij, dun, dun, dun, en zo op het licht hier en daar een zetje dik[ke verf].. ..dikke binnenhuizen zijn onaangenaam - lang teekenen voor je begint en het prettig bij elkaar arrangeren voor gij aan het verwen gaat - als het geld u niet begroot, is het altijd nuttig om eens naar Rott. [Rotterdam!?] te gaan.
Quote of a letter by Jozef Israels to painter David de la Mar, 1867; as cited in Mythen van het Atelier, ed. Mayken Jonkman & Eva Geudeker; d'jonge Hond, Zwolle/The Hague, 2010 – ISBN 9789089102065 ( source online http://delamar.bntours.nl/!mad1832-bronnen.html)
Israels' painting technique did develop only rather slowly. In 1867 he still gave this rather traditional academic advice to the young painter nl:David de la Mar
Quotes of Jozef Israels, 1840 - 1870

Jadunath Sarkar photo
Joseph Strutt photo
William Herschel photo

“and so the shadows ripple on
until it's time to part”

Flora Thompson (1876–1947) English author and poet

Shallows- a poem in the anthology Bog Myrtle & Peat (1921)
Poetry

Amir Taheri photo
Cecil Rhodes photo
G. E. M. Anscombe photo
Michael Moorcock photo
Henri de Saint-Simon photo

“I have divided [the different sections of mankind] into three classes. The first, to which you and I have the honour to belong, marches under the banner of the progress of the human mind. It is composed of scientists, artists and all those who hold liberal ideas. On the banner of the second is written 'No innovation!' All proprietors who do not belong in the first category are part of the second. The third class, which rallies round the slogan of 'Equality' is made up of the rest of the people.”

Henri de Saint-Simon (1760–1825) French early socialist theorist

[J]e me propose en m'adressant à différentes fractions de l'humanité, que je divise en trois classes: la première, celle à laquelle vous et moi avons l'honneur d'appartenir, marche sous l'étendard des progrès de l'esprit humain; elle marche sous l'étendard des progrès de l'esprit humain; elle est composée des savants, des artistes et de tous les hommes qui ont des idées libérales. Sur la bannière de la seconde il est écrit: point d'innovation; tous les propriétaires qui n'entrent point dans la première sont attachés à la seconde. La troisième, qui se rallie au mot égalité, renferme le surplus de l'humanité.
Oeuvres choisies: précédées d'un essai sur sa doctrine (1839), p. 15

Alasdair MacIntyre photo
John Napier photo
Ernest Hemingway photo
Michael Lewis photo
Dan Quayle photo
Emma Goldman photo
Julian of Norwich photo
David Morrison photo
Vanna Bonta photo

“The body knows no pain, not like the soul. At least a nerve has limits, a body part a name. But the soul … the soul … There is no bandage -- even crying is in vain.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"Only the Soul"
Degrees: Thought Capsules and Micro Tales (1989)

Julien Offray de La Mettrie photo
Adolfo Bioy Casares photo

“Even more so than when we are awake, we are ourselves when we are asleep. We play all the parts.”

Adolfo Bioy Casares (1914–1999) Argentine novelist

"Más exclusivamente que en la vigilia, en el sueño somos nosotros. Contribuimos con todo el reparto."
Descanso de caminantes, 2001.

Leonid Kantorovich photo
Plutarch photo
Ann Coulter photo
André Maurois photo
Joseph Kosuth photo
Neil Peart photo
Pierre Hadot photo

“…to replace, as far as possible, works in the concrete conditions wherein they were written, spiritual conditions in part, that is to say, philosophical, rhetorical or poetic tradition, material conditions in part, that is to say, scholarly and social milieu, constraints stemming from the material support of writing, historical circumstances. Every work must be replaced in the praxis from which it emanates.”

Pierre Hadot (1922–2010) French historian and philosopher

...replacer, autant que possible, les œuvres dans les conditions concrètes où elles ont été écrites, conditions spirituelles d’une part, c’est-à-dire tradition philosophique, rhétorique ou poétique, conditions matérielles d’autre part, c’est-à-dire milieu scolaire et social, contraintes venues du support matériel de l’écriture, circonstances historiques. Toute œuvre doit être replacée dans la praxis dont elle émane.
La Philosophie comme manière de vivre (2001)

Paul Karl Feyerabend photo
Ilana Mercer photo

“As the left sees it, if America isn't going to police the world; it must at least provide shelter to all people from unpoliced parts of the world.”

Ilana Mercer South African writer

"A Global 'Right of Return' To The US? Who Knew?" https://townhall.com/columnists/ilanamercer/2018/06/15/a-global-right-of-return-to-the-us-who-knew-n2490978 Townhall.com, June 15, 2018.
2010s, 2018

Lois McMaster Bujold photo

“The joys of command — well, you know. You taught them to me. One part glory to ten parts shoveling manure.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Source: World of the Five Gods series, The Curse of Chalion (2000), p. 76

Andrew Scheer photo
William Burges photo

“Nothing is more perishable than worn-out apparel, yet, thanks to documentary evidence, to the custom of burying people of high rank in their robes, and to the practice of wrapping up relics of saints in pieces of precious stuffs, we are enabled to form a veiy good idea of what these stuffs were like and where they came from. In the first instance they appear to have come from Byzantium, and from the East generally; but the manufacture afterwards extended to Sicily, and received great impetus at the Norman conquest of that island; Roger I. even transplanting Greek workmen from the towns sacked by his army, and settling them in Sicily. Of course many of the workers would be Mohammedans, and the old patterns, perhaps with the addition of sundry animals, would still continue in use; hence the frequency of Arabic inscriptions in the borders, the Cufic character being one of the most ornamental ever used. In the Hotel de Clu^ny at Paris are preserved the remains of the vestments of a bishop of Bayonne, found when his sepulchre was opened in 1853, the date of the entombment being the twelfth century. Some of these remains are cloth of gold, but the most remarkable is a very deep border ornamented with blue Cufic letters on a gold ground; the letters are fimbriated with white, and from them issue delicate red scrolls, which end in Arabic sort of flowers: this tissue probably is pure Eastern work. On the contrary, the coronation robes of the German emperors, although of an Eastern pattern, bear inscriptions which tell us very clearly where they were manufactured: thus the Cufic characters on the cope inform us that it was made in the city of Palermo in the year 1133, while the tunic has the date of 1181, but then the inscription is in the Latin language. The practice of putting Cufic inscriptions on precious stuffs was not confined to the Eastern and Sicilian manufactures; in process of time other Italian cities took up the art, and, either because it was the fashion, or because they wished to pass off" their own work as Sicilian or Eastern manufacture, imitations of Arabic characters are continually met with, both on the few examples that have come down to us of the stuffs themselves, or on painted statues or sculptured effigies. These are the inscriptions which used to be the despair of antiquaries, who vainly searched out their meaning until it was discovered that they had no meaning at all, and that they were mere ornaments. Sometimes the inscriptions appear to be imitations of the Greek, and sometimes even of the Hebrew. The celebrated ciborium of Limoges work in the Louvre, known as the work of Magister G. Alpais, bears an ornament around its rim which a French antiquary has discovered to be nothing more than the upper part of a Cufic word repeated and made into a decoration.”

William Burges (1827–1881) English architect

Quote was introduced with the phrase:
In the lecture on the weaver's art, we are reminded of the superiority of Indian muslins and Chinese and Persian carpets, and the gorgeous costumes of the middle ages are contrasted with our own dark ungraceful garments. The Cufic inscriptions that have so perplexed antiquaries, were introduced with the rich Eastern stuffs so much sought after by the wealthy class, and though, as Mr. Burges observes
Source: Art applied to industry: a series of lectures, 1865, p. 85; Cited in: " Belles Lettres http://books.google.com/books?id=0EegAAAAMAAJ&pg=PA143" in: The Westminster Review, Vol. 84-85. Baldwin, Cradock, and Joy, 1865. p. 143

Winston S. Churchill photo

“For my part, I consider that it will be found much better by all Parties to leave the past to history, especially as I propose to write that history myself.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech in the House of Commons (January 23, 1948), cited in The Yale Book of Quotations (2006), Fred R. Shapiro, Yale University Press, p. 154 ISBN 0300107986
This quote may be the basis for a statement often attributed to Churchill : History will be kind to me. For I intend to write it.
Post-war years (1945–1955)

George Holmes Howison photo
Ambrose Bierce photo
Jack Layton photo
Robert Grosseteste photo
Thomas Jefferson photo
Richard Dawkins photo

“I want to say that killing for God is not only hideous murder — it is also utterly ridiculous. (Part 1, 00:44:39)”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Root of All Evil? (January 2006)

Mike Tomlin photo

“People aren't very good listeners, by nature … Part of being a good communicator is recognizing and understanding that and trying to make the complex simple. I try to capture a concept, an idea or a moment in a few words. If they remember it, job done.”

Mike Tomlin (1972) head coach of the National Football League's Pittsburgh Steelers

As quoted in "Inside Tomlin's style: Humility, words matter for Steelers coach" by Jarrett Bell, in USA Today (31 January 2009)

Richard Stallman photo

“The use of “hacker” to mean “security breaker” is a confusion on the part of the mass media. We hackers refuse to recognize that meaning, and continue using the word to mean someone who loves to program, someone who enjoys playful cleverness, or the combination of the two.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

"The GNU Project", originally published in Open Sources (1998) http://www.gnu.org/gnu/thegnuproject.html
1990s

Will Cuppy photo

“Tragabigzanda was a rather large girl. Later on, Captain Smith named a portion of Massachusetts after her. [Footnote: This was afterwards changed to Cape Ann, because you really can't have a part of Massachusetts named Tragabigzanda. ]”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part VI: Now We're Getting Somewhere, Captain John Smith

James Madison photo

“The road leading to a goal does not separate you from the destination; it is essentially a part of it.”

Charles de Lint (1951) author

"Romano Drom" in Dreams Underfoot : The Newford Collection (2003), p. 118

Nigel Cumberland photo

“You may discover that part of your problem is that you accept too much work and do not say no enough times.”

Nigel Cumberland (1967) British author and leadership coach

Source: Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, Managing Teams in a Week (2013) https://books.google.ae/books?idqZjO9_ov74EC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIIDAB#vonepage&qnigel%20cumberland&ffalse, Secrets of Success at Work – 50 techniques to excel (2014) https://books.google.ae/books?id4S7vAgAAQBAJ&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIJjAC#vonepage&qnigel%20cumberland&ffalse, p.18

Jane Roberts photo
Alfred Denning, Baron Denning photo
Francisco De Goya photo

“To occupy my imagination, which has been depressed by dwelling on my misfortunes, and to compensate at least in part for some of the considerable expenses I have incurred, I set myself to painting a series of cabinet pictures.... they depict themes that cannot usually be dealt with in commissioned works, where 'capricho' [whim] and invention do not have much of a role to play. I thought of sending them to the academy..”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, deputy of the Royal Academy of San Fernando in Madrid, Jan. 1794; as quoted in 'Goya and Iriarte', in Goya his Life and Work, P. Gassier and J. Wilson, 1971, p. 382
cabinet paintings were small portable paintings, which did not need a lot of wall-space and could be moved around at the owner's whim. Goya's famous series 'Caprichos' really begin after physical and probably mental breakdown in 1792. He was 46, and thereafter deaf until his death in 1828
1790s

Mario Cuomo photo
Ralph Waldo Trine photo