Quotes about mood
page 3

Paula Modersohn-Becker photo
Zygmunt Bauman photo
Jimmy Carter photo
George Eliot photo
Kate Bush photo

“I spend a lot of my time looking at blue,
The colour of my room and my mood…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Burkard Schliessmann photo
E. B. White photo
Arshile Gorky photo
William Wordsworth photo

“In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.”

Source: Lyrical Ballads (1798–1800), Lines Written in Early Spring, st. 1 (1798).

Paula Modersohn-Becker photo
Joyce Kilmer photo
Ernst Kaltenbrunner photo

“All offices of the SD and the security police are to be informed that pogroms of the populace against English and American terror-fliers were not to be interfered with; on the contrary, this hostile mood is to be fostered.”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

Quoted in "Tyranny on Trial: The Evidence at Nuremberg" by Whitney R. Harris - Law - 1954 - Page 235

Edvard Munch photo

“By painting colours and lines and forms seen in a quickened mood I was seeking to make this mood vibrate as a phonograph does.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

1896 - 1930
Source: Diary Saint Cloud, 1898; Munch, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 105

Raymond Poincaré photo

“The most powerful figure in French politics after the retirement of Clemenceau was ex-President Poincaré. He disliked the Treaty [of Versailles] intensely. For several years after the withdrawal of Clemenceau, the policy of France was dominated by this rather sinister little man. He represented the vindictive and arrogant mood of the governing classes in France immediately after her terrible sacrifices and her astounding victory. He directly and indirectly governed France for years. All the Premiers who followed after Clemenceau feared Poincaré. Millerand was his creature. Briand, who was all for the League and a policy of appeasement, was thwarted at every turn by the intrigues of Poincaré. Under his influence, which continued for years after his death, the League became not an instrument of peace and goodwill amongst all men, including Germans; it was converted into an organisation for establishing on a permanent footing the military and thereby the diplomatic supremacy of France. That policy completely discredited the League as a body whose decisions on disputes between nations might be trusted to be as impartial as those of any ordinary tribunal in any civilised country. The obligations entered into by the Allies as to disarmament were not fulfilled. British Ministers put up no fight against the betrayal of the League and the pledges as to disarmament. Hence the Nazi Revolution, which has for the time—maybe for a long time—destroyed the hopes of a new era of peaceful co-operation amongst free nations.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

David Lloyd George, The Truth about the Peace Treaties. Volume II (London: Victor Gollancz, 1938), p. 1410.
About

Letitia Elizabeth Landon photo
Ai Weiwei photo
Steve Martin photo
Letitia Elizabeth Landon photo
Douglas Coupland photo

“Nevertheless Kosovo is not the only indicator of a change of mood, of the sort of moral interventionist internationalism which has come to be associated particularly with Tony Blair. […] in fact, after a quarter of a century of doing nothing, the 'international community' in precisely the same year as Kosovo did engineer the independence of East Timor.”

Adrian Hastings (1929–2001) Roman Catholic priest, historian and author

Adrian Hastings (June 2001) " Chomsky and Kosova - book review http://www.bosnia.org.uk/bosrep/report_format.cfm?articleid=802&reportid=151" in Human Rights Review: About American benevolence

Barend Cornelis Koekkoek photo

“I really believe that the general, happy mood of the people here [in Elberfeld, Germany] is largely caused by nature. At least I am experiencing that in places like these people are much more natural than in regions where nature offers them little or nothing to subtract their heart for some time from the hypocrisy of the world, and to taste a not-deceitful delight.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik geloof dat de algemeene, hier heerschende gelukkige gemoedsstemming der menschen [in Elberfeld, Germany] grotendeels door den natuur wordt veroorzaakt. Ik ten minste ben van gevoelen, dat in oorden, zooals deze de mensch natuurlijker is, dan in streken waar de natuur hem weinig of niets aanbiedt, om zijn hart eenige tijd van de huichelarij der wereld af te trekken, en een niet bedrieglijk genot te smaken.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 47

Koichi Tohei photo
Statius photo

“Give not rein to your hot mood, give time, a little delay; impulse is ever a bad servant.”
Ne frena animo permitte calenti, da spatium tenuemque moram, male cuncta ministrat impetus.

Source: Thebaid, Book X, Line 703. Variant translation: Give not reins to your inflamed passions: take time and a little delay; impetuosity manages all things badly.

Prem Rawat photo
Shawn Lane photo
Christopher Gérard photo
Mohammad Hidayatullah photo

“I was never in the mood of Lord Macaulay who said – I shall retire early I am very tired– I know that life meant that one must continue to occupy his time with work.”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

Speech By Mr. S. G. Page, Government Pleader, High Court, Bombay, Made On Monday, 28 September, 1992

Marie-Louise von Franz photo
Robert Sheckley photo
Uwe Boll photo

“Postal will be so politically incorrect and harsh, it's like a mirror to American society, and I don't think the movie will be well received by anybody. For example, Osama Bin Laden will be one of the lead characters—I think that shows the mood of the movie.”

Uwe Boll (1965) German restaurateur and former filmmaker

Uwe Boll Bites Back, 2006-06-13, Ellie Gibson, Eurogamer, 2006-02-15 http://www.eurogamer.net/article.php?article_id=62899,
2000s

Abdel Fattah el-Sisi photo

“There is no way a military commander like el-Sisi who has no political background should be expected to believe in democracy as we see it in the West. El-Sisi, rightly or wrongly, is a reflection of the mood on the street, which has discovered that the cost of democracy is way too high.”

Abdel Fattah el-Sisi (1954) Current President of Egypt

Negad Borai, Egyptian rights activist; as reported in Al Arabiya, 20 Dec 2013 http://english.alarabiya.net/en/perspective/features/2013/12/20/Egypt-Leaks-help-not-hurt-el-Sissi-s-image.html.
About

Roger Ebert photo
Donald Barthelme photo

“Prokofiev had a particular talent for creating a fully identifiable mood within the first notes of a piece, passage, or theme.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

Theodore L. Cuyler photo
Letitia Elizabeth Landon photo
Béla Lugosi photo
Jack Johnson (musician) photo
Rousas John Rushdoony photo
G. I. Gurdjieff photo

“Man has no permanent and unchangeable I. Every thought, every mood, every desire, every sensation, says "I."”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

In Search of the Miraculous (1949)

Conrad Aiken photo
George William Russell photo
Paul Klee photo

“Tunis. My head is full of the impressions of last night's walk. Art-Nature-Self. Went to work at once and painted in watercolour in the Arab quarter. Began the synthesis of urban architecture and pictorial architecture. Not yet pure, but quite attractive, somewhat too much of the mood, the enthusiasm of traveling in it-the Self, in a word. Things will no doubt get more objective later, once the intoxication has worn off a bit.”

Paul Klee (1879–1940) German Swiss painter

Diary-note, 7 April 1914; # 926-f; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html
The evening of their arrival, Dr. Jaggi took the 3 artists Klee, August Macke and Louis Moilliet on 'a nocturnal walk through the Arab city' Tunis. Klee wrote this note next day.
1911 - 1914, Diary-notes from Tunisia' (1914)

Friedrich Hayek photo

“Life at Cambridge during those war years was to me particularly congenial, and it completed the process of thorough absorption in English life which, from the beginning, I had found very easy. Somehow the whole mood and intellectual atmosphere of the country had at once proved extraordinarily attractive to me, and the conditions of a war in which all my sympathies were with the English greatly speeded up the process of becoming thoroughly at home—much more than in my native Austria from which I had already become somewhat estranged during the conditions of the 1920s. While neither on my early visit to the United States nor during my later stay there or still later in Germany did I feel that I really belonged there, English ways of life seemed so naturally to accord with all my instincts and dispositions that, if it had not been for very special circumstances, I should never have wished to leave the country again. And of all the forms of life, that at one of the colleges of the old universities…still seems to me the most attractive. The evenings at the High Table and the Combinations Room at King's are among the pleasantest recollections of my life, and some of the older men I came then to know well, especially J. H. Clapham, remained, while they lived, dear friends.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Stephen Kresge and Leif Wenar (eds.), Hayek on Hayek: An Autobiographical Dialogue (London: Routledge, 1994), p. 86
1980s and later

Herbert Read photo
Dafydd ap Gwilym photo

“Matins, he reads the lesson,
A chasuble of plumage on.
His cry from a grove, his brightshout
Over countrysides rings out,
Hill prophet, maker of moods,
Passion's bright bard of glenwoods.”

Dafydd ap Gwilym (1320–1380) Welsh poet

Plygain y darllain deirllith,
Plu yw ei gasul i'n plith.
Pell y clywir uwch tiroedd
Ei lef o lwyn a'i loyw floedd.
Proffwyd rhiw, praff awdur hoed,
Pencerdd gloyw angerdd glyngoed.
"Y Ceiliog Bronfraith" (The Thrush), line 7; translation from Anthony Conran and J. E. Caerwyn Williams (trans.) The Penguin Book of Welsh Verse (Harmondsworth: Penguin, 1967) p. 145.

Edward Bulwer-Lytton photo

“There are times when the mirth of others only saddens us, especially the mirth of children with high spirits, that jar on our own quiet mood.”

Edward Bulwer-Lytton (1803–1873) English novelist, poet, playwright, and politician

Kenelm Chillingly; His Adventures and Opinions (1873).

Edward Bellamy photo
George William Russell photo
Sören Kierkegaard photo

“Confession should be only in secret before God, who knows everything anyway, and thus it could remain hidden in one‘s innermost being. But at a dinner – and a woman! A dinner-it is not some hidden, remote place, nor is the lighting dim, nor is the mood like that among graves, nor are the listeners silent or invisibly present.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Three Discourses at Friday Communion November 14, 1849 Hong translation 1997 P. 139
1840s, Three Discourses at the Communion on Fridays (1849)

George Gordon Byron photo

“The distance in form, intention, mood and expression between Schubert's songs for voice and piano and those of, say, Adele is remarkably small.”

Howard Goodall, Howard Goodall's Story of Music. Episode 3, BBC, February 2014

Raymond Cattell photo
Wilson Chandler photo
Henry David Thoreau photo
George Eliot photo
George Chapman photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Willa Cather photo
Anton Chekhov photo
Emil M. Cioran photo
Orson Scott Card photo
B.K.S. Iyengar photo
John Buchan photo
Francis Picabia photo

“The aim of art is to get us to dream, just like music, for it expresses a mood projected onto the canvas, which arouses identical sensations in the viewer.”

Francis Picabia (1879–1953) French painter and writer

two short quotes of Picabia, in 'A Paris painter', by Hapgood, published in 'The Globe and Commercial Advertiser', 20 Febr. 1913, p. 8
1910's

George Takei photo
Jozef Israëls photo

“.. it [his watercolor 'New Flower' ['Het Bloempje', 1880] is one of those pictures, I did my best to finish it highly, as the story is nice and pleasant [where] other pictures may be more necessarily rough or strong being paint in an other mood. But this new flower needed a tender hand and conspicuous attention for details.”

Jozef Israëls (1824–1911) Dutch painter

Quote from his letter, 23 Nov 1906, to E.D. Libbey in Toledo (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
E.D. Libbey was one of the initiators of the Toledo-museum; the watercolor was in his private collection till 1925
Quotes of Jozef Israels, after 1900

Alex Salmond photo

“The prevailing mood in my country is one of optimism and opportunity. Scotland is restless for change and keen to expand its influence and to reach out beyond our shores.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Scotland and Northern Ireland (June 18, 2007)

Logan Pearsall Smith photo

“Perhaps not only in his attitude towards truth, but in his attitude towards himself, Montaigne was a precursor. Perhaps here again he was ahead of his own time, ahead of our time also, since none of us would have the courage to imitate him. It may be that some future century will vindicate this unseemly performance; in the meanwhile it will be of interest to examine the reasons which he gives us for it. He says, in the first place, that he found this study of himself, this registering of his moods and imaginations, extremely amusing; it was an exploration of an unknown region, full of the queerest chimeras and monsters, a new art of discovery, in which he had become by practice “the cunningest man alive.” It was profitable also, for most people enjoy their pleasures without knowing it; they glide over them, and fix and feed their minds on the miseries of life. But to observe and record one’s pleasant experiences and imaginations, to associate one’s mind with them, not to let them dully and unfeelingly escape us, was to make them not only more delightful but more lasting. As life grows shorter we should endeavour, he says, to make it deeper and more full. But he found moral profit also in this self-study; for how, he asked, can we correct our vices if we do not know them, how cure the diseases of our soul if we never observe their symptoms? The man who has not learned to know himself is not the master, but the slave of life: he is the “explorer without knowledge, the magistrate without jurisdiction, and when all is done, the fool of the play.””

Logan Pearsall Smith (1865–1946) British American-born writer

“Montaigne,” p. 6
Reperusals and Recollections (1936)

Jack Vance photo

“The colour, noise and festivity failed to elevate Carfilhiot’s mood; in fact—so he told himself—never had he witnessed so much pointless nonsense.”

Source: Lyonesse Trilogy (1983-1989), Suldrun's Garden (1983), Chapter 25, section 3 (p. 280)

Leon M. Lederman photo

“Particle physics suffers more from being infected by the socio-political mood of the day than from lack of spectacular opportunities for major and profound discoveries.”

Leon M. Lederman (1922–2018) American mathematician and physicist

Remark by Lederman during 2002 interview.
"Future of the field calls for charisma and courage" Kurt Riesselmann, FermiNews Volume 25, June 28, 2002, Number 11 http://www.fnal.gov/pub/ferminews/ferminews02-06-28/p3.html

Honoré de Balzac photo

“Love may be the fairest gem which Society has filched from Nature; but what is motherhood save Nature in her most gladsome mood? A smile has dried my tears.”

Honoré de Balzac (1799–1850) French writer

L’amour est le plus joli larcin que la Société ait su faire à la Nature; mais la maternité, n’est-ce pas la Nature dans sa joie? Un sourire a séché mes larmes.
Part I, ch. XXVIII.
Letters of Two Brides (1841-1842)

Asger Jorn photo
Kurt Lewin photo
Berthe Morisot photo
Colin Wilson photo
Christian Chelman photo

“My father would take me to the playground, and put me on mood swings.”

Jay London (1966) American comedian

One-liners

Perry Anderson photo
John Rupert Firth photo
Thomas Carlyle photo

“The panting breathless haste and vehemence of a man struggling in the thick of battle for life and salvation; this is the mood he is in!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Michael Moorcock photo
George W. Bush photo

“The poet faces his heart, his soul and his mood.”

Max Michelson (1880–1953) American poet

Review of 'Cadences' by F. S. Flint , Poetry ,vol 8, no 5 1916

“The Tibetan missionaries in their mood of bright confidence disconcerted the imperial governments by laughing the new movement into frustration. For a sham faith cannot stand ridicule.”

Olaf Stapledon (1886–1950) British novelist and philosopher

Part VII, 1. Harking Back to the Tibetan Revolution
Darkness and the light (1941/42)