Quotes about mood (453 quotes, page 4) | Quotes of famous people

“It has been the tragic lesson of the history of many a country in the world that the hostile elements within the country pose a far greater menace to national security than aggressors from outside. Is it true that all pro-Pakistani elements have gone away to Pakistan? It was the Muslims in Hindu majority provinces led by U. P. who provided the spearhead for the movement for Pakistan right from the beginning. And they have remained solidly here even after Partition. In those elections Muslim League had contested making the creation of Pakistan its election plank. The Congress also had set up some Muslim candidates all over the country. But at almost every such place, Muslims voted for the Muslim League candidates and the Muslim candidates of Congress were utterly routed. NWFP was an exception. It only means that all the crores of Muslims who are here even now, had en bloc voted for Pakistan. Have those who remained here changed at least after that? Has their old hostility and murderous mood, which resulted in widespread riots, looting, arson, raping and all sorts of orgies on an unprecedented scale in 1946-47, come to a halt at least now? It would be suicidal to delude ourselves into believing that they have turned patriots overnight after the creation of Pakistan. On the contrary, the Muslim menace has increased a hundred fold by the creation of Pakistan which has become a springboard for all their future aggressive designs on our country.”

M. S. Golwalkar book Bunch of Thoughts

Bunch of Thoughts
Bunch of Thoughts

Hostility , World , History , Suicide

“Now is the time for celebration, for South Africans to join together to celebrate the birth of democracy. I raise a glass to you all for working so hard to achieve what can only be called a small miracle. Let our celebrations be in keeping with the mood set in the elections, peaceful, respectful and disciplined, showing we are a people ready to assume the responsibilities of government.
I promise that I will do my best to be worthy of the faith and confidence you have placed in me and my organisation, the African National Congress. Let us build the future together, and toast a better life for all South Africans.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

1990s, Victory speech (1994)

Life , People , Peace , Faith

“The experiences of the years…have brought the country, particularly its young people, to a mood of depression, disillusion, and withdrawal from the effort to affect the world.”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), Purpose of the Book

People , World , Effort , Country

“Somehow it doesn't seem long since I trudged in a picket-line; in the street here, and in the rain. A fairly muted demonstration against the Museum, which wasn't always in a mood for showing abstract paintings by Americans. It was fun I suppose-needless to say, the picketing produced no results. Yet a majority of the picketers are visible through their works at the moment, upstairs on the third floor, where it's warm and out of the rain. However, this is no time to celebrate in fact it's better if artists never celebrate. New abstract picket-lines are doubtless assembling, to protest the former picketers.”

George L.K. Morris (1905–1975) American painter and sculptor

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Time , Painting

“The moods of the dark night skies are variously represented like soft black velvet, like the shining black of a scarab beetle, like the patina-ed surface of Indian-inked paper, soft blotting-paper soaked in dark blue ink for forty days, like a black cat's fur shining in moonlight…”

Peter Greenaway (1942) British film director

Prospero's Books

Cats , Night

“Come fresh from an election like the last,
The greatest vote a people ever cast,
So close yet sure to be abided by,
It is no miracle our mood is high.”

Robert Frost (1874–1963) American poet

1960s, Dedication (1960)

People

“In the heart of the sphere of everything that keeps changing, there one thing that never changes—life. Life is the one thing that stays with me until the very end. Today, people may like me. Tomorrow, they may not. But my life is still there. It is not subject to good and bad. Human beings are the thinkers—homo sapiens—the ones with the brains. We can think about things, and in our thoughts, everything keeps changing. In our moods, everything keeps changing. Yet, in our beings, there is the heart, and the heart does not change because it is consistent with only one thing. Our needs on the outside change all the time, but the heart's need never changes. It is consistently the same, and always will be.”

Prem Rawat (1957) controversial spiritual leader

Hong Kong, China May 6, 1990
1990s

Life , People , Thinking , Change

“The most successful behaviour-liars are those who, instead of consciously concentrating on modifying specific signals, think themselves into the basic mood they wish to convey and then let the small details take care of themselves. This method is frequently used with great success by professional liars, such as actors and actresses. Their entire working lives are spent performing behavioural lies, a process which can sometimes be extremely damaging to their private lives. Politicians and diplomats are also required to perform an undue amount of behavioural lying, but unlike the actors they are not socially 'licensed to lie', and the resultant guilt feelings tend to interfere with their performances. Also, unlike the actors, they do not undergo prolonged training courses.”

Desmond Morris book The Naked Ape

(2000), p. 116
The Naked Ape (1967)

Lie , Feeling , Lying , Thinking

“If you're in the mood for something that's completely visceral and mindless (really mindless — the plot is a joke, filled with contrivances and coincidences), this movie will fit the bill. Parts of it are excruciatingly bad, but there are numerous examples of well-directed action that, on balance, compensate for the worst gaffes. This is a poor man's Die Hard. It has the explosions, gunplay, and spectacular stunts, but little of the wit and intelligence. In other words, it's a typical summer action flick.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1556 of Cliffhanger (1993).
Two star reviews

Intelligence , Summer , Parting

“Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.”

Colin Wilson book The Outsider

Source: The Outsider (1956), p. 103

Life , Painting

“.. that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].... to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.”

Carlo Carrà (1881–1966) Italian painter

Quote in The painting of Sounds, Noises and Smells Carrà, in 'Lacerba' vol. 1. no. 17, 1,Florence, 1 September 1913, pp. 186-187
1910's

Way , Sense , Light , Universe

“Decade after decade, artists came to paint the light of Provincetown, and comparisons were made to the lagoons of Venice and the marshes of Holland, but then the summer ended and most of the painters left, and the long dingy undergarment of the gray New England winter, gray as the spirit of my mood, came down to visit.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Timothy Madden, in Tough Guys Don't Dance (1984), Ch. 1

Light , Winter , Summer , Painting

“There's always a sense of camaraderie between bands. The only thing that I ever remember that starts to go outside of the normal healthy competition was when Kurt [Cobain] was slamming Pearl Jam. Once you get outside of your local little scene, lot of cases, writers will bait you and lead you down that path as cunningly as they can. I've seen it happen dozens of times. I've had people say, "Well, so-and-so said this about you, what do you say about that?" And they might be misquoting them, or maybe that's not what that person meant, or maybe that person was just in a bad mood. It's provoked out of you. They'll get you in a position where you start firing and they'll throw out little things about different people. But everyone that anyone would know as a successful Seattle band, or even an integral part of the scene, are all friends. Always have been.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Soundgarden Era

People , Sense , Time , Success

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Basshunter Calling Time

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Love , People , Music , Thinking

“No doubt markets transmit information in the way that Hayek claimed. But what reason is there to believe that – unlike any other social institution – they have a built-in capacity to correct their mistakes? History hardly supports the supposition. Moods of irrational exuberance and panic can, and often do, swamp the price-discovery functions of markets.”

John Gray (1948) British philosopher

The Friedrich Hayek I knew, and what he got right - and wrong (2015)

Way , History , Support

“From his high pedestal, Prof. Sharma could afford to disregard the 'very few authors whose work effectively addresses the feudalism thesis in a critical manner', and he 'appears to have been in no mood to take heed of criticism levelled at his work'. This disregarding and ignoring of counter-evidence is tactically the best way to prolong your dominant position (which is why this tactic was adopted by most secularists in the Ayodhya debate): it denies publicity and respectability to the critic's alternative thesis. But to the progress of science, this upholding of dogma and suppression of debate is detrimental. According to Prof. Wink, the effect has been this : 'Under the impact of the feudalism thesis the historiography of the period is still in utter disarray.”

Koenraad Elst (1959) orientalist, writer

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Way , Appearance , Science

“Who o'er the herd would wish to reign,
Fantastic, fickle, fierce, and vain!
Vain as the leaf upon the stream,
And fickle as a changeful dream;
Fantastic as a woman's mood,
And fierce as Frenzy's fever'd blood.
Thou many-headed monster thing,
Oh who would wish to be thy king!”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto V, stanza 30.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Dreams , Change

“For me Ruisdael is the true man of poetry, the real poet. There is a world of sad, serious and beautiful thoughts in his paintings. They possess a soul and a voice that sounds deep, sad and dignified. They tell melancholic stories, speak of gloomy things and are witnesses of a sad spirit. I see him wander, turned in on himself, his heart opened to the beauties of nature, in accordance with his mood, on the banks of that dark gray stream that rustles and splashes along the reeds. And those skies!... In the skies one is completely free, untied, all of himself.... what a genius he is! He is my ideal and almost something perfect. When it storms and rains, and heavy, black clouds fly back and forth, the trees whiz and now and then a strange light breaks through the air, and falls down here and there on the landscape, and there is a heavy voice, a grand mood in nature; that is what he paints; that is what he [Ruysdael] is imaging.”

Gerard Bilders (1838–1865) painter from the Netherlands

(version in original Dutch / citaat van Bilders' brief, in het Nederlands:) Ruisdael is voor mij de ware man der poezië, de echte dichter. Daar is een wereld van droevige, ernstige schone gedachten in zijn schilderijen. Ze hebben een ziel en een stem, die diep, treurig, deftig klinkt. Zij doen weemoedige verhalen, spreken van sombere dingen, getuigen van een treurige geest. Ik zie hem dwalen, in zichzelf gekeerd, het hart geopend voor de schoonheden der natuur, in overeenstemming met zijn gemoed, aan de oevers van die donkere grauwe stroom die ritselt en plast langs het riet. En die luchten!.. .In de luchten is men geheel vrij, ongebonden, geheel zichzelf.. ..welke een genie is hij [Ruisdael]! Hij is mijn ideaal en bijna iets volmaakts.Als het stormt en regent, en zware, zwarte wolken heen en weer vliegen, de bomen suizen en nu en dan een wonderlijk licht door de lucht breekt en hier en daar op het landschap neervalt, en er een zware stem, een grootse stemming in de natuur is, dat schildert hij, dat geeft hij weer.
Source: 1860's, Vrolijk Versterven' (from Bilders' diary & letters), pp. 51+52, - quote from Bilders' diary, 24 March 1860, written in Amsterdam

World , Sadness , Beauty , Soul

“I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don't see how it could be disassociated from the nature of drawing.... I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.... the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it's just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

Feeling , Nature , Reality , Drawing

“To be a student of Stuck [1898 - 1900] sounded good. In reality, however, it was not half so splendid. Instead of coming to him with a sound mind I brought a thousand pains and many prejudices. In the realm of colour I found it hard to progress. Since the tone provided by mood predominated strongly in my mastery of form, I sought to find as much profit as possible here at least. And, in this respect, a great deal really was to be gained at Stuck's. Naturally I was not the only one, at this time, to be deficient in the realm of color. Later, in his monograph, Kandinsky passed a similar judgement on this school [of Stuck].”

Paul Klee (1879–1940) German Swiss painter

Quote (1900), # 121, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Pain , School , Color , Nature

“That's what I'm saying about Christmas, I might not be in the mood for it; December 25th”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

The Podfather Trilogy, Episode 3 Christmas
On Christmas

Christmas

“It was the same story all over again - music before a mosque, or a pig in a Muslim mohalla, or a private fracas between two toughs belonging to the two communities. The Muslims have never needed a more substantial excuse whenever they are in a nasty mood. Nor has the nasty mood been able to mend itself for long because of the continued Muslim failure to recapture power all over India and re-establish their ‘lost empire’. In case the Hindus failed to provide the necessary provocation, the Muslims could always slaughter a cow in the presence of Hindus, or abduct and molest a Hindu girl in keeping with the best behests of Islam, or take out a rowdy tãjiã procession through a thoroughfare thickly populated by Hindus.”

Sita Ram Goel (1921–2003) Indian activist

Defence of Hindu Society (1983)

Music , Girl , Communication , Failure

“Finally, in the dim region where art, magic, and religion meet and overlap, human beings have evolved the “metaphor that is meant,” the flag which men will die to save, and the sacrament that is felt to be more than “an outward and visible sign, given unto us.” Here we can recognize an attempt to deny the difference between map and territory, and to get back to the absolute innocence of communication by means of pure mood-signs.”

Gregory Bateson book Steps to an Ecology of Mind

From Part 4, section 2: A Theory of Play and Fantasy
Steps to an Ecology of Mind (1972)

Men , Religion , Art , Communication

“From the poet's viewpoint a lyric is a poem which embodies a single or simple emotional attitude that expresses directly an uninterrupted mood or inspiration.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

“The Cubists used the figure, but they broke it up... But there was escape, too, even in those days, for there was Whistler living in the grey mists with a faded orange moon. The nocturne transformed itself into dreamy rooms with Chopin's music creating a mood that softened the hard core of self.”

Mark Tobey (1890–1976) American abstract expressionist painter

quote from conversation with Seitz
1950's
Source: 'Reminiscence and Reverie', Mark Tobey, Magazine of Art, 44, October 1951, pp. 228, 231

Music , Quotes

“Mr Hearn began really to count as a writer only when his Hellenic qualities of mind, stunted at first by the conditions of life in North America, were at last developed among a people distinguished by somewhat of that instinctive feeling for beauty which formed an incomparable element in the genius of ancient Greece. His æsthetic sense luxuriated in a land where fineness of taste is still a common characteristic. Through the gate of their art he entered, not only into the ways of life of the Japanese, but into their moods and their religion.”

Lafcadio Hearn (1850–1904) writer

Edward Wright, [The Romance of the Outlands, The Quarterly Review, 203, 47–72, https://babel.hathitrust.org/cgi/pt?id=hvd.32044092529163;view=1up;seq=77] July 1905, p. 63
Criticism

Life , People , Religion , Beauty

“Mossadeq, the orator, is difficult to judge as a politician because of the perpetual contradictions between his words and his acts, and because of his sudden changes of mood from elation to depression before one's very eyes. His absolute certainty, violently expressed in hysterical speeches, would turn to tears and sobbing. He had frequent "diplomatic" illensses and he played out macabre comedies in which he would exclaim: "I am a-dying…" and so forth. He has been compared to Robespierre, to Renzi and even to characters from the Commedia dell' Arte.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 53
Publications, The Shah's Story (1980), On world leaders and statesmen

Art , Tear , Change

“Now, given that picture of a rapid change of society, one would expect to see a rapid evolution of the institutions charged with preparing the young for it. We do not see this. We see a much slower rate of evolution of the school and that means we're seeing a bigger and bigger gap between school and society. This gap is what I believe is responsible for the deterioration of performance in our schools and our educational systems. Because the children can see this; they can see that school is irrelevant. They feel that the pace of school and the mood of the school culture is out of sync with the society in which they live. And so it becomes harder and harder to get them to buy into the idea that school is satisfying their needs, that school is a bridge to the 21st century, as our political leaders keep on reiterating.”

Seymour Papert (1928–2016) MIT mathematician, computer scientist, and educator

The 11th Colin Cherry Memorial Lecture on Communication http://www.connectedfamily.com/frame4/cf0413seymour/recent_essays/cf0413_cherry_3.html (1998)

Children , Education , School , Feeling

“"Mani Madhava Chakyar's forte was Satwikabhinaya. Endowed with expressive eyes; that can speak a thousand moods and a countenance that can reflect the range of human emotions in its entirety, Mani Madhava Chakkiar was the master at work"
- Mani Madhava Chakkyar: The Master at Work (film), 1994”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Mani Madhava Chakkyar: The Master at Work, K.N. Panikar, Sangeet Natak Akademi New Delhi, 1994

“The reciprocal relation of color to color produces a phenomenon of a more mysterious order. This new phenomenon is psychological. A high sensitivity is necessary in order to expand color into the sphere of the surreal without losing creative ground. Color stimulates certain moods in us. It awakens joy or fear in accordance with its figuration. In fact, the whole world, as we experience it visually, comes to us through the mystic realm of color. Our entire being is nourished by it. This mystic quality of color should likewise find expression in a work of art.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)

World , Fear , Art , Color

“Sheer power of a great poem is enough to guarantee that it will ultimately make itself felt, if the reader is in a receptive mood.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Interview Michael Garvey @Irish Literary Supplement' Fall 1998
Poetry Quotes

“Automatic poetry comes straight out of the poet's bowels or out of any other of his organs that has accumulated reserves... He crows, swears, moans, stammers, yodels, according to his mood... His poems are like nature; they stink, laugh, and rhyme like nature. Foolishness, or at least what men calls foolishness is as precious to him as a sublime piece of rhetoric. For in nature a broken twig is equal in beauty and importance to the clouds and the stars.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1940s, Abstract Art, Concrete Art (c. 1942), p. 118-119

Men , Beauty , Star , Nature

“The matter of color is more confusing. Not every property of a system can be stated as a definite spatio-temporal state of affairs. A system's tendency, for instance, to move from State A to State B, but not from State B to State A... a tendency like this is not any specific event which you can point to in space and time. These nonspecific properties correspond to overall gestalts in the Hilbert Space coloring. Alternating bands of red and green light might, for example, represent a particle which is moving from left to right but which has no specific location. A good mood could be a golden haze not tied to any particular cause.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 134

Color , Light , Time

“This mood hath known all beauty for it sees
O'erwhelmed majesties
In these pale forms, and kingly crowns of gold
On brows no longer bold,
And through the shadowy terrors of their hell
The love for which they fell,
And how desire which cast them in the deep
Called God too from his sleep.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Love , God , Beauty , Hell

“In the developed world taxation is always a political construct, a living organism that is always changing due to endless modifications imposed by lawmakers who are themselves sensitive to the public mood and to changes in social ideology. This is a haphazard scaffolding without an architect that lacks rationality and coherency, with tax and social expenditures- referred to here as social and tax expenditures - constituting a superstructure that is all the more complex given its roots in a tax system whose benchmark standards are subject to innumerable exceptions.”

Éric Pichet (1960) economist

Tax policy, Tax and Social Expenditures

World , Change

“I have not built any theory. I have only tried to build up sensitive eyes, as my book says. And I have tried to achieve that by aiming at very distinct color relationships again – like how do they influence each other? Change each other in light and in intensity, in transparency, opacity? How do they change each other in all different directions? That we make all the students aware, through experience, that color is the most relative medium in art, and that we never really see what we see. All neighboring means which occur every minute different, not only in changing light but also by our changing moods. And in the end, the study of color again is a study of ourselves.”

Josef Albers (1888–1976) German-American artist and educator

Homage to the square' (1964), Oral history interview with Josef Albers' (1968)

Books , Art , Color , Study

“It seemed to me that I now saw the Star Maker in two aspects: as the spirit’s particular creative mood that had given rise to me, the cosmos; and also, most dreadfully, as something incomparably greater than creativity, namely as the eternally achieved perfection of the absolute spirit.
Barren, barren and trivial are these words. But not barren the experience.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 161)

Star , Perfection

“Faced with low productivity despite improved equipment, and with drift from the pits despite both higher wages and better amenities… a point seems to have been reached where the [coal] industry is in a mood to question a method it has taken for granted.”

Eric Trist (1909–1993) British scientist

Source: "Some Social and Psychological Consequences of the Long Wall Method of Coal-Getting", 1951, p. 5

Question

“A religion is a system of symbols which acts to establish powerful, pervasive, and long-lasting moods in men by formulating conceptions of a general order of existence and clothing those conceptions with such an aura of factuality that the moods and motivations seem uniquely realistic.”

Clifford Geertz book The Interpretation of Cultures

Source: The Interpretation of Cultures (1973), p. 90

Men , Religion , Motivation , Clothes

“Donald Trump I really truly believe is a very dangerous man. If you listen to the things he said this weekend… '. He has joked about killing reporters — and 'not' killing reporters like Putin does… We don't change with the mood of the country. That is the problem with our country right now. The Constitution is to anchor us in principles that help temper the mood of the country… The mood of the country is very angry, but you never make a good decision when you are angry… The worst thing we can do is to now start looking at, who is going to get revenge? One of the things that Donald Trump does, when you have a guy who is angry and then has an enemies list and starts to just take people down over and over and over again — if you disagree with him, he destroys you. If that is the mood of the country, we are in more trouble than I thought.”

Glenn Beck (1964) U.S. talk radio and television host

interview on New Day http://www.cnn.com/2016/01/25/politics/glenn-beck-donald-trump-dangerous/index.html (January 2016), CNN.
2010s, 2016

People , Guy , Revenge , Problem

“How ungenerously in later life we disclaim the virtuous moods of our youth, living in retrospect long, summer days of unreflecting dissipation. There is no candour in a story of early manhood which leaves out of account the home-sickness for nursery morality, the regrets and resolutions of amendment, the black hours which, like zero on the roulette table, turn up with roughly calculable regularity.”

Evelyn Waugh book Brideshead Revisited

Brideshead Revisited (1945)

Life , Youth , Home , Summer

“My mood, I say, was one of exaltation. I felt as a seeing man might do, with padded feet and noiseless clothes, in a city of the blind. I experienced a wild impulse to jest, to startle people, to clap men on the back, fling people's hats astray, and generally revel in my extraordinary advantage.”

H. G. Wells book The Invisible Man

Source: The Invisible Man (1897), Chapter 21: In Oxford Street

Men , People , Clothes

“It is odd enough to see how the entrance of a person of the opposite sex into an assemblage of either men or women calms down the little discordances and the disturbance of mood.”

Elizabeth Gaskell book Wives and Daughters

Wives and Daughters, ch. 11
Wives and Daughters

Women , Men , Sex , Personality

“I am not a good enough writer to have an agenda or come up with a message and try to put it into a song, […] It's more like you write what comes to you… You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave…”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

L.A. Times 5/1/94, "He Didn't Ask for All This".

Music , Cars , Feeling , Time

“The nature of the firmis not simply a minimizer of transaction costs, but a kind of protective enclave from the potentially volatile and sometimes destructive, ravaging speculation of a competitive market. In the market the rational calculus depends upon the fragile price conven- tion which can often depend on ‘whim or sentiment or chance’. Habits and traditions within the firm are necessarily more enduring because they embody skills and information which cannot always or easily be codified or made subject to a rational calculus. what the tlrm achieves is an institutionalization of these rules and routines within a durable organizational structure. In consequence they are given some degree of permanence and guarded to some extent from the mood waves of speculation in the market.”

Geoffrey Hodgson (1946) British economist

Source: Economics and Institutions, 1988, p. 208

Nature , Chance , Dependency

“With head upraised, and look intent,
And eye and ear attentive bent,
And locks flung back, and lips apart,
Like monument of Grecian art,
In listening mood, she seemed to stand,
The guardian Naiad of the strand.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto I, stanza 17.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Art

“When I was first aware that I had been laid low by the disease, I felt a need, among other things, to register a strong protest against the word “depression.” Depression, most people know, used to be termed “melancholia,” a word which appears in English as early as the year 1303 and crops up more than once in Chaucer, who in his usage seemed to be aware of its pathological nuances. “Melancholia” would still appear to be a far more apt and evocative word for the blacker forms of the disorder, but it was usurped by a noun with a bland tonality and lacking any magisterial presence, used indifferently to describe an economic decline or a rut in the ground, a true wimp of a word for such a major illness. It may be that the scientist generally held responsible for its currency in modern times, a Johns Hopkins Medical School faculty member justly venerated — the Swiss-born psychiatrist Adolf Meyer — had a tin ear for the finer rhythms of English and therefore was unaware of the semantic damage he had inflicted by offering “depression” as a descriptive noun for such a dreadful and raging disease. Nonetheless, for over seventy-five years the word has slithered innocuously through the language like a slug, leaving little trace of its intrinsic malevolence and preventing, by its very insipidity, a general awareness of the horrible intensity of the disease when out of control.
As one who has suffered from the malady in extremis yet returned to tell the tale, I would lobby for a truly arresting designation. “Brainstorm,” for instance, has unfortunately been preempted to describe, somewhat jocularly, intellectual inspiration. But something along these lines is needed. Told that someone’s mood disorder has evolved into a storm — a veritable howling tempest in the brain, which is indeed what a clinical depression resembles like nothing else — even the uninformed layman might display sympathy rather than the standard reaction that “depression” evokes, something akin to “So what?” or “You’ll pull out of it” or “We all have bad days.””

William Styron book Darkness Visible

The phrase “nervous breakdown” seems to be on its way out, certainly deservedly so, owing to its insinuation of a vague spinelessness, but we still seem destined to be saddled with “depression” until a better, sturdier name is created.
Source: Darkness Visible (1990), IV

People , Disease , School , Way

“I feel in an executioner mood, I am going to punish him and punish him slowly.”

Bernard Hopkins (1965) American boxer

On a scheduled fight with Joe Calzaghe, as quoted in "Hopkins issues chilling warning" (19 February 2008) http://news2.thdo.bbc.co.uk/sport1/hi/boxing/7253985.stm
2000s, 2008

Feeling

“O beauty of the midnight skies!
O mystery of each distant star!
O dreaming hours, whose magic lies
In rest and calm, with Day afar!
Thanks for the higher moods that wake
Our thoughtful and immortal part!—
Out on our life, could we not make
A spiritual temple of the heart?”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Meditation
Heath's book of Beauty, 1833 (1832)

Life , Beauty , Dreams , Star

“It was good to be back in the wilderness again, where everything seems as peace. I was alone - just me and the animals. It was a great feeling - free once more to plan and do as I pleased. Beyond was all around me. My dream was a dream no longer. I suppose I was here because this was something I had to do - not just dream about it but do it. I suppose too I was here to test myself - not that I had never done it before but this time it was to be a more thorough and lasting examination. What was I capable of that I didn't know yet? Could I truly enjoy my own company for an entire year? And was I equal to everything this wild land could throw at me? I had seen its moods in late spring, summer, and early fall but what about the winter? Would I love the isolation then, with its bone-stabbing cold, its ghostly silence? At age 51, I intended to find out.”

Richard Proenneke (1916–2003) American hermit

Alone in the Wilderness DVD, Bob Swerer Productions
Paraphrase by Sam Keith for One Man's Wilderness: An Alaskan Odyssey Dick's exact words are not known.

Love , Age , Peace , Dreams

“Say what some poets will, Nature is not so much her own ever-sweet interpreter, as the mere supplier of that cunning alphabet, whereby selecting and combining as he pleases, each man reads his own peculiar lesson according to his own peculiar mind and mood.”

Herman Melville book Pierre: or, The Ambiguities

Bk. XXV, ch. 4
Pierre: or, The Ambiguities (1852)

Nature , Reading

“Flowing along independently of the problems and policy streams is the political stream, composed of such things as public mood, pressure group campaigns, election results, partisan or ideological distributions in Congress, and changes of administration.”

John W. Kingdon (1940) American political scientist

Source: Agendas, Alternatives, and Public Policies - (Second Edition), Chapter 7, The Political Stream, p. 145

Problem , Change

“It all has to do with my feelings, my mood or state of mind. Most times my experiences, things I desire, it could be good depends on how the listener’s level of perception is structured.”

Slim Burna (1988) Nigerian singer and record producer

On what inspires his lyrics
During an interview with Africa Upcoming http://www.africaupcoming.com/exclusive-interview-meet-gabriel-soprinye-halliday-idaomienyenimim-a-k-a-slim-burna/ (September 12, 2013)

Feeling , Time , Dependency

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age , Dreams , Music , Search

“Little man stood at the Mayor's door,
No one had ever seen him before,
Dressed in clothes of a gayer mood
Than ever are seen in Hollywood.”

Malvina Reynolds (1900–1978) American folk singer

Song The Pied Piper

Clothes

“I knew that scent was important and I discovered that if I put on different clothes or washed or at different food, the beta male would start nipping me again until he was satisfied that the new smell didn't mean I was going to react differently to his approach or that my mood had changed. The other high-ranking wolves did the same thing, but it didn't involve every wolf in the enclosure. The lower-ranking members of the pack, I was to learn, don't question what the higher-ranking members decide; they are foot soldiers - they have an important job to do, but it is not to think for themselves.”

Shaun Ellis (1977) American football player, defensive end

The Man who lives with Wolves (2010)

Food , Question , Thinking , Learning

“Here, in seeing that Final Cause — causation at the call of self-posited aim or end — is the only full and genuine cause, we further see that Nature, the cosmic aggregate of phenomena and the cosmic bond of their law which in the mood of vague and inaccurate abstraction we call Force, is after all only an effect.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Limits of Evolution, p.39

Law , Nature

“Of course after the conference a desperate attempt was made by Mr. Bonham-Carter to show that of course they weren't committed to federation at all. Well I prefer to go by what Mr. Grimond says; I think he's more important. And when he was asked about this question there was no doubt about his answer; it was on television. And the question was [laughter] I see what you mean, I see what you mean. Yes was the question: "But the mood of your conference today was that Europe should be a federal state. Now if we had to choose between a federal Europe and the Commonwealth, this would have to be a choice wouldn't it? You couldn't have the two." And Mr. Grimond replied in these brilliantly clear sentences: "You could have a Commonwealth linked, though not of course a direct political link, you could have a Commonwealth link of other sorts. But of course a federal Europe I think is a very important point. Now the real thing is that if you are going to have a democratic Europe, if you are going to control the running of Europe democratically, you've got to move towards some form of federalism and if anyone says different to that they're really misleading the public." That's one in the eye for Mr. Bonham-Carter. [laughter] Now we must be clear about this, it does mean, if this is the idea, the end of Britain as an independent nation-state. I make no apology for repeating it, the end of a thousand years of history. You may say: "All right let it end." But, my goodness, it's a decision that needs a little care and thought. [clapping] And it does mean the end of the Commonwealth; how can one really seriously suppose that if the mother country, the centre of the Commonwealth, is a province of Europe, which is what federation means, it could continue to exist as the mother country of a series of independent nations; it is sheer nonsense.”

Hugh Gaitskell (1906–1963) British politician

Labour Party Annual Conference Report 1962, page 159.
Speaking against the Liberal Party's policy of British membership of the European Communities, Labour Party Conference, 2 October 1962.
See the video clip here http://newsvote.bbc.co.uk/1/hi/programmes/the_daily_politics/6967366.stm

History , Idea , Question , Thinking

“The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Opening", opening
Forty Stories (1987)

Music , Feeling , Speed

“Nature's purpose in relation to the visual arts is to provide stimulus — not imitation... From its ceaseless urge to create springs all Life — all movement and rhythm — time and light, color and mood — in short, all reality in Form and Thought.”

Hans Hofmann (1880–1966) American artist

As quoted in Hans Hofmann (2000) by James Yohe
1970s and later

Life , Art , Color , Spring

“There are two things you need for a jolly good hymn. The first is a set of words that expresses the mood or sentiment of the worshipper. The second—and perhaps even more important—is a good tune … with a simple popular melody.”

John Betjeman (1906–1984) English poet, writer and broadcaster

citation needed

“The study of economics does not seem to require any specialized gifts of an unusually high order. Is it not, intellectually regarded, a very easy subject compared with the higher branches of philosophy and pure science? Yet good, or even competent, economists are the rarest of birds. An easy subject, at which very few excel! The paradox finds its explanation, perhaps, in that the master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher – in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light of the past for the purposes of the future. No part of man's nature or his institutions must lie entirely outside his regard. He must be purposeful and disinterested in a simultaneous mood; as aloof and incorruptible as an artist, yet sometimes as near the earth as a politician. Much, but not all, of this many-sidedness Marshall possessed. But chiefly his mixed training and divided nature furnished him with the most essential and fundamental of the economist's necessary gifts – he was conspicuously historian and mathematician, a dealer in the particular and the general, the temporal and the eternal, at the same time.”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), Alfred Marshall, p. 170; as cited in: Donald Moggridge (2002), Maynard Keynes: An Economist's Biography, p. 424

Lie , Understanding , Nature , Bird

“I've been worrying about God a little bit lately. It seems as if he's been lashing out, you know, destroying cities, annihilating places. It seems like he's been in a bad mood. And I think it has to do with the quality of lovers he's been getting. If you look at the people who love God now, you know, if I was God, I'd need to destroy something.”

Salman Rushdie (1947) British Indian novelist and essayist

Real Time with Bill Maher TV show (7 October 2005)

Love , God , People , Lovers

“We are not empire builders. How important this fact is no American who has not lived in Asia can appreciate. It goes against our conscience, which is a very tender part of the American spirit. Therefore we are learning how to hold our allies, not by force of arms and government, but by mutual benefit and friendship. So much is already clear…
I am therefore hopeful. In spite of dismaying contradictions in individuals in our national scene, I feel the controlling spirit or our people, generous, decent, and sane. In this mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.”

Pearl S. Buck (1892–1973) American writer

Source: My Several Worlds (1954), p. 407, This has sometimes been quoted as "In a mood of faith and hope..."

Friendship , People , Books , Faith

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

Way

“I am essentially a painter of the kind of still-life composition that communicates a sense of tranquility and privacy, moods which I have always valued above all.”

Giorgio Morandi (1890–1964) Italian painter

Source: 1945 - 1964, Interview, 1960, p. 106

Life , Communication , Sense

“The Hindus of this region had been victims of Muslim high-handedness for a long time, particularly in respect of their women. Murshid Qulî Khãn, the faujdãr of Mathura who died in 1638, was notorious for seizing “all their most beautiful women” and forcing them into his harem. “On the birthday of Krishna,” narrates Ma’sîr-ul-Umara, “a vast gathering of Hindu men and women takes place at Govardhan on the Jumna opposite Mathura. The Khan, painting his forehead and wearing dhoti like a Hindu, used to walk up and down in the crowd. Whenever he saw a woman whose beauty filled even the moon with envy, he snatched her away like a wolf pouncing upon a flock, and placing her in the boat which his men kept ready on the bank, he sped to Agra. The Hindu [for shame] never divulged what had happened to his daughter.” Another notorious faujdãr of Mathura was Abdu’n Nabî Khãn. He plundered the people unscrupulously and amassed great wealth. But his worst offence was the pulling down of the foremost Hindu temple in the heart of Mathura and building a Jãmi‘ Masjid on its site. This he did in AD 1660-61. Soon after, in 1665, Aurangzeb imposed a pilgrim tax on the Hindus. In 1668, he prohibited celebration of all Hindu festivals, particularly Holi and Diwali. The Jats who rightly regarded themselves as the defenders of Hindu hounour were no longer in a mood to take it lying. (Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 )”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Women , Men , People , Beauty

“The ideologies of the super-tribes exercised absolute power over all individual minds under their sway.
In civilized regions the super-tribes and the overgrown natural tribes created an astounding mental tyranny. In relation to his natural tribe, at least if it was small and genuinely civilized, the individual might still behave with intelligence and imagination. Along with his actual tribal kinsmen he might support a degree of true community unknown on Earth. He might in fact be a critical, self-respecting and other-respecting person. But in all matters connected with the super-tribes, whether national or economic, he behaved in a very different manner. All ideas coming to him with the sanction of nation or class would be accepted uncritically and with fervor by himself and all his fellows. As soon as he encountered one of the symbols or slogans of his super-tribe he ceased to be a human personality and became a sort of de-cerebrate animal, capable only of stereotyped reactions. In extreme cases his mind was absolutely closed to influences opposed to the suggestion of the super-tribe. Criticism was either met with blind rage or actually not heard at all. Persons who in the intimate community of their small native tribe were capable of great mutual insight and sympathy might suddenly, in response to tribal symbols, be transformed into vessels of crazy intolerance and hate directed against national or class enemies. In this mood they would go to any extreme of self-sacrifice for the supposed glory of the super-tribe. Also they would show great ingenuity in contriving means to exercise their lustful vindictiveness upon enemies who in favorable circumstances could be quite as kindly and intelligent as themselves.”

Olaf Stapledon book Star Maker

Source: Star Maker (1937), Chapter V: Worlds Innumerable; 2. Strange Mankinds (p. 62)

Hate , Exercises , Imagination , Intelligence

“Islam is one of the world's great religions. Let me be explicit about what I, as a historian of Islam who is not a Muslim, mean by that. Islam has brought comfort and peace of mind to countless millions of men and women. It has given dignity and meaning to drab and impoverished lives. It has taught people of different races to live in brotherhood and people of different creeds to live side by side in reasonable tolerance. It inspired a great civilization in which others besides Muslims lived creative and useful lives and which, by its achievement, enriched the whole world. But Islam, like other religions, has also known periods when it inspired in some of its followers a mood of hatred and violence. It is our misfortune that part, though by no means all or even most, of the Muslim world is now going through such a period, and that much, though again not all, of that hatred is directed against us.”

Bernard Lewis (1916–2018) British-American historian

Books, The Roots of Muslim Rage (1990)

Women , Men , People , World

“They know it's a forty-minute showdown, you versus them. … They have you by the balls and you created the situation, man. You didn't have to talk to them like that. They don’t care about your mood, your headache, your troubles. They have their own problems, and you are one of them.”

Frank McCourt book Teacher Man

Teacher Man (2005)

Problem

“I stopped my song and almost heart,
For any eye is an evil eye
That looks in onto a mood apart.”

Robert Frost (1874–1963) American poet

" A Mood Apart http://www.cod.edu/dept/kiesback/lizkies/frost.htm#mood" (1947)
1940s

Evil , Heart

“Art deals with profound and simple moods.... Let us suppose that the artist – in this instance [the artist] Picabia – gets a certain impression by looking at our skyscrapers, our city, our way of life, and that he tries to reproduce it.... he will convey it in plastic ways on the canvas, even though we see neither skyscrapers nor city on it.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

quote from an interview in 'A Paris painter', H. Hapgood; in 'Globe and commercial Advertiser', 20 February 1913, p. 8 / 10
1910's

Life , Art , Way

“But one day, some painter used 'Abstraction' as a title for one of his paintings. It was a still life. And it was a very tricky title. And it wasn’t really a very good one. From then on the idea became something extra. Immediately it gave some people the idea that they could free art from itself. Until then, Art meant everything that was in it – not what you could take off it. There was only one thing you could take out of it sometime when you were in the right mood – that abstract and indefinable sensation, the aesthetic part – and still leave it were it was…”

Willem de Kooning (1904–1997) Dutch painter

Quote from De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.
1950's

Life , People , Art , Idea

“Arts may ply fantastic anatomy but nature is always herself in her wildest moods of extravagence.”

John Clare (1793–1864) English poet

'Essay on Landscape'
Other

Art , Nature

“Memory strength is also a function of how much we care about the experience. …If I'm playing an instrument I like, and whose sound pleases me in and of itself… caring leads to attention, and together they lead to measurable neurochemical changes. Dopamine, the neurotransmitter associated with emotional regulation, alertness, and mood, is released, and the dopaminergic system aids in encoding the memory trace.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Memory , Change

“Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason and courted wonderful creations of sound, and wonderful beauties of feeling and mood that were never pressed home to reality, has left the greater part of its practical gifts to decay. None of us intellectuals is at home in reality. We are strange to it and hostile. That is why the part played by intellect even in our own German reality, in our history and politics and public opinion, has be so lamentable a one.”

Hermann Hesse book Steppenwolf

Steppenwolf (1927)

Hostility , Beauty , Feeling , Home

“Children are holy and pure. Even those of bandits and crocodiles belong among the angels…. They must not be turned into a plaything of one’s mood, first to be tenderly kissed, then rabidly stomped at.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to his brother, A.P. Chekhov (January 2, 1889)
Letters

Children , Angels , Kiss

“The "ultimate" questions referred to above do not always come up in the encounter with the shadow. Much more often behind him or her another inner figure emerges as a personification of the unconscious. This takes the form of a woman in a man, and in a woman, that of a man. Often it is they who are at work behind the shadow, throwing up new problems. C. G. Jung called them anima and animus. The anima embodies all feminine psychic qualities in a man-moods, feelings, intuitions, receptivity to the irrational, his personal capacity for love, his sense of nature, and most important of all, his relationship to the unconscious.”

Marie-Louise von Franz (1915–1998) Swiss psychologist and scholar

Archetypal Dimensions of the Psyche (1994), The Anima as the Woman within the Man

Love , Feeling , Question , Nature

“I have mood swings, but I can deal with that by watching Netflix and eating pickles.”

Abby Stein (1991) Trans activist, speaker, and educator

Interview with Haaretz, February 14, 2017 http://www.haaretz.com/jewish/features/.premium-1.771440
2017

““I believe in God,” says my nan, in a way that makes the idea of an omnipotent, unifying frequency of energy manifesting matter from pure consciousness sound like a chore. An unnecessary chore at that, like cleaning under the fridge. I tell her, plucky little seven-year-old that I was, that I don’t. This pisses her off. Her faith in God is not robust enough to withstand the casual blasphemy of an agnostic tot. “Who do you think made the world, then?” I remember her demanding as fiercely as Jeremy Paxman would later insist I provide an instant global infrastructure for a post-revolutionary utopia. “Builders,” I said, thinking on my feet. This flummoxed her and put her in a bad mood for the rest of the walk. If she’d hit back with “What about construction at a planetary or galactic level?” she’d’ve had me on the ropes. At that age I wouldn’t’ve been able to riposte with “an advanced species of extraterrestrials who we have been mistakenly ascribing divine attributes to due to our own technological limitations” or “a spontaneous cosmic combustion that contained at its genesis the code for all subsequent astronomical, chemical, and biological evolution.” I probably would’ve just cried. Anyway, I’m supposed to be explaining the power of forgiveness, not gloating about a conflict in the early eighties in which I fared well against an old lady. Since getting clean from drugs and alcohol I have been taught that I played a part in the manufacture of all the negative beliefs and experiences from my past and I certainly play a part in their maintenance. I now look at my nan in another way. As a human being just like me, trying to cope with her own flaws and challenges. Fearful of what would become of her sick daughter, confused by the grandchild born of a match that she was averse to. Alone and approaching the end of her life, with regret and lacking a functioning system of guidance and comfort. Trying her best. Taking on the responsibility of an unusual little boy with glib, atheistic tendencies, she still behaved dutifully. Perhaps this very conversation sparked in me the spirit of metaphysical inquiry that has led to the faith in God I now have.”

Russell Brand book Revolution

Revolution (2014)

Life , God , Alcohol , Age

“I just revelled in that High Mass at Beuron Abbey on All Saints' Day.. Of course it's a spectacle, but that's just what makes sense, the very same sense as monasticism in general…ritual as the reflection of glory. How marvellously impersonal it is - the strict anonymity of the monks, even more impressive when they raise their hoods. They are just figures and voices. What an achievement to divest oneself of everything private, individual, to enact this holy drama day after day, indifferent to one's personal mood, representing all of us simply as mouth of the Church.”

Ida Friederike Görres (1901–1971) Austrian writer and noble

Broken Lights Letters 1951-59.

Sense , Personality , Indifference

“I remember, when I was young,
How easily my mood changed from sad to gay.
… But now that age comes,
A moment of joy is harder and harder to get.”

Bai Juyi (772–846) Chinese poet of the Tang Dynasty

"The Chrysanthemums in the Eastern Garden" (A.D. 812)
Arthur Waley's translations

Age , Sadness , Change , Joy

“For a first visit to Chartres, choose some pleasant morning when the lights are soft, for one wants to be welcome, and the Cathedral has moods, at times severe. At best, the Beauce is a country none too gay.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Light , Time , Country

“Like as the wind, stopped by some wood or hill,
Grows strong and fierce, tears boughs and trees in twain,
But with mild blasts, more temperate, gentle, still,
Blows through the ample field or spacious plain;
Against the rocks as sea-waves murmur shrill,
But silent pass amid the open main:
Rinaldo so, when none his force withstood,
Assuaged his fury, calmed his angry mood.”

Torquato Tasso (1544–1595) Italian poet

Qual vento a cui s'oppone o selva o colle,
Doppia nella contesa i soffj e l'ira;
Ma con fiato più placido e più molle
Per le campagne libere poi spira.
Come fra scoglj il mar spuma e ribolle:
E nell'aperto onde più chete aggira.
Così quanto contrasto avea men saldo,
Tanto scemava il suo furor Rinaldo.
Canto XX, stanza 58 (tr. Fairfax)
Gerusalemme Liberata (1581)

Tear , Tree , Strong , Sea

“As a child, I devoted much of my leisure to drawing sketches of relatives and friends, familiar sights and scenes, a view that suddenly moved me or appealed to me. I always concentrated on depicting nature as I saw or felt it, in terms of lines, and obtaining a kind of psychological likeness which would convey the personality of my model or the mood of the moment.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 114

Nature , Drawing , Personality

“It seemed perfectly possible that, in spite of my certainty of my own genius, I might die of some illness, or perhaps even in a street accident, before I had ever glimpsed the meaning of life. My moods of happiness and self-confidence convinced me that I had a "destiny" to become a famous writer, and to be remembered as one of the most important thinkers of the century.”

Colin Wilson (1931–2013) author

Source: The Books in My Life (1998), p. 67

Life , Confidence , Self-confidence , Happiness

“Since time immemorial, questions regarding the relationship between free will and destiny have plagued the minds of great philosophers. How do we reconcile these two apparently contradictory concepts: free will and destiny? In the higher realms of understanding, any deep philosophical or spiritual subject matter will present seemingly paradoxical perspectives at first. However, the more we genuinely explore and analyze these questions, we see that their resolutions lie less in the realm of ‘either/or,’ and more in an interplay between both concepts. Some contemporary philosophers call such an idea ‘diunital,’ as it encapsulates seemingly opposing terms. Often, when we study different polarities, we notice that taken together, they give us a greater understanding of the whole. This is particularly applicable to the nature of the soul and of God. For example, sometimes it may seem that God’s laws for governing the universe are at odds with those prescribed by humankind, but if we explore the situation in a prayerful mood, we will often be able to appreciate the congruency that emerges between them.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Sri Isopanisad - Mantra Two
Books, Reflections on Sacred Teachings, Volume IV: Sri Isopanisad (Hari-Nama Press, )

God , Lie , Law , Soul

“Yes we feel bad in winter. We act a little bit strange. The dark sky threatens me daily. Makes me alter and mood change, change, change, change.”

Ed Harcourt (1977) British musician

God Protect Your Soul.

Feeling , Winter , Change

“My schoolmates could not understand why anyone would want to write a story; and, above all, they could not understand why I had called it The Voodoo of Hell’s Half-Acre. The mood out of which a story was written was the most alien thing conceivable to them.”

Richard Wright book Black Boy

Black Boy (1945)

Hell , Understanding

“I believe that civilization is not only the natural destiny of man, but the enfranchisement, elevation, and refinement of all his powers, and think that it is only in such moods as may lead him to envy the cud — chewing cattle, that a man who is free to the advantages of civilization could look with regret upon the savage state.”

Henry George book Progress and Poverty

Progress and Poverty (1879)
Context: I am no sentimental admirer of the savage state. I do not get my ideas of the untutored children of nature from Rousseau, or Chateaubriand, or Cooper. I am conscious of its material and mental poverty, and its low and narrow range. I believe that civilization is not only the natural destiny of man, but the enfranchisement, elevation, and refinement of all his powers, and think that it is only in such moods as may lead him to envy the cud — chewing cattle, that a man who is free to the advantages of civilization could look with regret upon the savage state. But, nevertheless, I think no one who will open his eyes to the facts can resist the conclusion that there are in the heart of our civilization large classes with whom the veriest savage could not afford to exchange. It is my deliberate opinion that if, standing on the threshold of being, one were given the choice of entering life as a Tierra del Fuegan, a black fellow of Australia, an Esquimau in the Arctic Circle, or among the lowest classes in such a highly civilized country as Great Britain, he would make infinitely the better choice in selecting the lot of the savage. For those classes who in the midst of wealth are condemned to want, suffer all the privations of the savage, without his sense of personal freedom; they are condemned to more than his narrowness and littleness, without opportunity for the growth of his rude virtues; if their horizon is wider, it is but to reveal blessings that they cannot enjoy.
There are some to whom this may seem like exaggeration, but it is only because they have never suffered themselves to realize the true condition of those classes upon whom the iron heel of modern civilization presses with full force. As De Tocqueville observes, in one of his letters to Mme. Swetchine, "we so soon become used to the thought of want that we do not feel that an evil which grows greater to the sufferer the longer it lasts becomes less to the observer by the very fact of its duration"; and perhaps the best proof of the justice of this observation is that in cities where there exists a pauper class and a criminal class, where young girls shiver as they sew for bread, and tattered and barefooted children make a home in the streets, money is regularly raised to send missionaries to the heathen! Send missionaries to the heathen! It would be laughable if it were not so sad. Baal no longer stretches forth his hideous, sloping arms; but in Christian lands mothers slay their infants for a burial fee! And I challenge the production from any authentic accounts of savage life of such descriptions of degradation as are to be found in official documents of highly civilized countries — in reports of sanitary commissioners and of inquiries into the condition of the laboring poor.

Nature , Thinking , Envy

“The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.”

Celia Thaxter (1835–1894) American writer

"Already" in Drift-Weed (1878), p. 103.
Context: O brief, bright smile of summer!
O days divine and dear
The voices of winter's sorrow
Already we can hear.And we know that the frosts will find us,
And the smiling skies grow rude,
While we look in the face of Beauty,
And worship her every mood.

Smile , Beauty , Winter

“When I first discovered for myself how near was the King in His beauty I thought I would be the singer of the happiest songs. Forgive me, Spirit of my spirit, for this, that I have found it easier to read the mystery told in tears and understood Thee better in sorrow than in joy; that, though I would not, I have made the way seem thorny, and have wandered in too many byways, imagining myself into moods which held Thee not.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

Preface to Collected Poems (1913)
Context: When I first discovered for myself how near was the King in His beauty I thought I would be the singer of the happiest songs. Forgive me, Spirit of my spirit, for this, that I have found it easier to read the mystery told in tears and understood Thee better in sorrow than in joy; that, though I would not, I have made the way seem thorny, and have wandered in too many byways, imagining myself into moods which held Thee not. I should have parted the true from the false, but I have not yet passed away from myself who am in the words of this book. Time is a swift winnower, and that he will do quickly for me.

Beauty , Way , Imagination , Forgiveness

“Desperate in mood, angry at failure, cunning in purpose, individuals and groups are seeking to make Communism an issue in an election where Communism is not a controversy between the two major parties.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Address at the Democratic State Convention, Syracuse, New York (1936)
Context: Desperate in mood, angry at failure, cunning in purpose, individuals and groups are seeking to make Communism an issue in an election where Communism is not a controversy between the two major parties.
Here and now, once and for all, let us bury that red herring, and destroy that false issue. You are familiar with my background; you know my heritage; and you are familiar, especially in the State of New York, with my public service extending back over a quarter of a century. For nearly four years I have been President of the United States. A long record has been written. In that record, both in this State and in the national capital, you will find a simple, clear and consistent adherence not only to the letter, but to the spirit of the American form of government.

Communication , Failure

“The mood and temper of the public in regard to the treatment of crime and criminals is one of the most unfailing tests of the civilisation of any country.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech https://api.parliament.uk/historic-hansard/commons/1910/jul/20/class-iii#column_1354 in the House of Commons (20 July 1910)
Early career years (1898–1929)
Context: The mood and temper of the public in regard to the treatment of crime and criminals is one of the most unfailing tests of the civilisation of any country. A calm and dispassionate recognition of the rights of the accused against the State, and even of convicted criminals against the State, a constant heart-searching by all charged with the duty of punishment, a desire and eagerness to rehabilitate in the world of industry all those who have paid their dues in the hard coinage of punishment, tireless efforts towards the discovery of curative and regenerating processes, and an unfaltering faith that there is a treasure, if you can only find it, in the heart of every man—these are the symbols which in the treatment of crime and criminals mark and measure the stored-up strength of a nation, and are the sign and proof of the living virtue in it.

Country

“Love, in spite of all rational knowledge to the contrary, is always in the mood of believing in miracles.”

John Cowper Powys (1872–1963) British writer, lecturer and philosopher

Source: The Meaning of Culture (1929), p. 170
Context: The influence of friendship upon culture differs from that of love, in that it assumes the basic idiosyncrasies of personal taste to be unalterable. Love, in spite of all rational knowledge to the contrary, is always in the mood of believing in miracles.

Love , Knowledge

“It was common talk that the King's moods shifted this way and that you never knew what to expect.”

Hilda Lewis book The Gentle Falcon

The Gentle Falcon (1957)
Context: Nobody seemed to know where the King was. He was at Windsor choosing new furnishings for the little Queen's rooms; he was hunting at Eltham; he was at Leeds Castle; he was at Havering. He was here, he was there, restless as quicksilver. Certainly I never set eyes on him. I was disappointed. And yet I was relieved, too. It was common talk that the King's moods shifted this way and that you never knew what to expect. <!-- p. 60

Way

“Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass”

Alfred Noyes (1880–1958) English poet

The Barrel Organ
Poems (1906)
Context: Yes; as the music changes,
Like a prismatic glass,
It takes the light and ranges
Through all the moods that pass;
Dissects the common carnival
Of passions and regrets,
And gives the world a glimpse of all
The colours it forgets.

Music , Light , Change

“The public is moved by mood more than logic, by instinct more than reason,”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: Straight From The Heart (1985), Chapter Three, The Business Of politics, p. 67
Context: A successful politician must not only be able to read the mood of the public, he must have the skill to get the public on his side. The public is moved by mood more than logic, by instinct more than reason, and that is something that every politician must make use of or guard against

“I'm a rootless man, but I'm neither psychologically distraught nor in any wise particularly perturbed because of it. Personally, I do not hanker after, and seem not to need, as many emotional attachments, sustaining roots, or idealistic allegiances as most people. I declare unabashedly that I like and even cherish the state of abandonment, of aloneness; it does not bother me; indeed, to me it seems the natural, inevitable condition of man, and I welcome it. I can make myself at home almost anywhere on this earth and can, if I've a mind to and when I'm attracted to a landscape or a mood of life, easily sink myself into the most alien and widely differing environments.”

Richard Wright (1908–1960) African-American writer

White Man, Listen! (1957)

Life , People , Home , Nature

“The thing with pretending you're in a good mood is that sometimes you can actually trick yourself into feeling better.”

Charles de Lint (1951) author

"Journal Entries", p. 186
Memory and Dream (1994)
Context: I've always had these bouts of depression; I hide them well but doesn't mean they aren't there. … I didn't have anyone around for whom I had to put on a cheerful mask. The thing with pretending you're in a good mood is that sometimes you can actually trick yourself into feeling better.

Feeling

Quotes about mood page 4

Quotes about mood
page 4