Quotes about grass
page 2

F. Scott Fitzgerald photo
Rob Sheffield photo
Edna St. Vincent Millay photo
Violette Leduc photo
Karen Blixen photo
Carl Sagan photo
Charles Bukowski photo
Jeanne Birdsall photo

“Am I odd? Is there something wrong with me, like Mrs. Tifton Said?"

Skye knelt down on the wet grass and looked straight into Batty's eyes. "No you stupid idiot, there's nothing wrong. with you.”

Jeanne Birdsall (1951) American children's writer

Source: The Penderwicks: A Summer Tale of Four Sisters, Two Rabbits, and a Very Interesting Boy

Frank O'Hara photo
Dogen photo

“Gather leaves and grasses,
Love, to-day;
For the Autumn passes
Soon away.
Chilling winds are blowing.
It will soon be snowing.”

John Henry Boner (1845–1903) American writer

Gather Leaves and Grasses, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Cesare Pavese photo

“Maybe it's better like this, better that everything should go up in a blaze of dry grass and that people should begin again.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

Source: The moon and the bonfire (1950), Chapter XXVI, p. 148

Isoroku Yamamoto photo

“You cannot invade the mainland United States. There would be a rifle behind every blade of grass.”

Isoroku Yamamoto (1884–1943) Japanese Marshal Admiral

It has been declared this attribution is "unsubstantiated and almost certainly bogus, even though it has been repeated thousands of times in various Internet postings. There is no record of the commander in chief of Japan’s wartime fleet ever saying it.", according to source Brooks Jackson in "Misquoting Yamamoto" at Factcheck.org (11 May 2009) http://www.factcheck.org/2009/05/misquoting-yamamoto/, which cites source Donald M. Goldstein, sometimes called "the dean of Pearl Harbor historians", writing "I have never seen it in writing. It has been attributed to the Prange files [the files of the late Gordon W. Prange, chief historian on the staff of Gen. Douglas MacArthur] but no one had ever seen it or cited it from where they got it."
Misattributed

Oscar Hammerstein II photo

“He's a meticulously hard worker and yet he'll roam the grass of his farm for hours and sometimes for days before he can bring himself to put a word on paper.”

Oscar Hammerstein II (1895–1960) American librettist, theatrical producer, and (usually uncredited) theatre director of musicals

Richard Rodgers, quoted in Richard Rodgers & Oscar Hammerstein II, 2007-12-12, 2004 http://c250.columbia.edu/c250_celebrates/remarkable_columbians/rodgers_hammerstein.html,
About

Vasil Bykaŭ photo

“Suffering makes us human. A person without suffering is just grass.”

Vasil Bykaŭ (1924–2003) Belarusian writer

Васіль Быкаў. Трэцяя ракета http://rv-blr.com/literature/charter/11223 // rv-blr.com (in Belarusian)

Francesco Petrarca photo
Letitia Elizabeth Landon photo
Alfred Noyes photo
Henry Miller photo
John F. Kennedy photo

“I have seen in many places housing which has been developed under government influences, but I have never seen any projects in which governments have played their part which have fountains and statues and grass and trees, which are as important to the concept of the home as the roof itself.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Remarks at the Unidad Independencia Housing Project, City of Mexico (269)" (30 June 1962) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx
1962

Han-shan photo
Samuel Beckett photo
Anna Akhmatova photo

“I go forth to seek —
To seek and claim the lovely magic garden
Where grasses softly sigh and Muses speak.”

Anna Akhmatova (1889–1966) Russian modernist poet

Translated by Irina Zheleznova

Bruce Springsteen photo
Charles Bukowski photo
Poul Anderson photo
Clarence Darrow photo

“Wars always bring about a conservative reaction. They overwhelm and destroy patient and careful efforts to improve the condition of man. Nothing can be heard in the cannon's roar but the voice of might. All the safeguards laboriously built to preserve individual freedom and foster man's welfare are blown to pieces with shot and shell. In the presence of the wholesale slaughter of men the value of life is cheapened to the zero point. What is one life compared with the almost daily records of tens of thousands or more mowed down like so many blades of grass in a field? Building up a conception of the importance of life is a matter of slow growth and education; and the work of generations is shattered and laid waste by machine guns and gases on a larger scale than ever before. Great wars have been followed by an unusually large number of killings between private citizens and individuals. These killers have become accustomed to thinking in terms of slaying and death toward all opposition, and these have been followed in turn by the most outrageous legal penalties and a large increase in the number of executions by the state. It is perfectly clear that hate begets hate, force is met with force, and cruelty can become so common that its contemplation brings pleasure, when it should produce pain.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), Ch. 26 "The Aftermath Of The War"

“The fields are sufficiently full of tares, vetches, clover-grass, hop-clover, sanfoil, ray-grass, trefoil, cinquefoil, hops, wood, flax, hemp, rape-seed, lucern, Dantzick flax, canary seed, mustard seed, &c.”

Edward Chamberlayne (1616–1703) English writer

p. 40 http://books.google.com/books?id=VcEPAAAAQAAJ&pg=PA40; Cited by Patrick Edward Dove, Elements of Political Science. Edinburgh, 1854. p. 406
Angliæ Notitia, 1676, 1704

T.S. Eliot photo
Winthrop Mackworth Praed photo
Gertrude Stein photo

“Pigeons on the grass alas.
Pigeons on the grass alas.
Short longer grass short longer longer shorter yellow grass.
Pigeons large pigeons on the shorter longer yellow grass alas pigeons on the grass.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Four Saints in Three Acts (1927)
Operas and Plays (1932)

Arthur Symons photo
Van Morrison photo

“Look at the ivy on the cold clinging wall
Look at the flowers and the green grass so tall
It's not a matter of when push comes to shove
It's just an hour on the wings of a dove.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Warm Love
Song lyrics, Hard Nose the Highway (1973)

David Attenborough photo
Griff Rhys Jones photo

“For me real peace is lying on a river bank in summer with a sprig of grass in my mouth. I have friends who jet off to a luxury hotel. I think, 'How can you enjoy such ghastly luxury?”

Griff Rhys Jones (1953) British actor and comedian

Michael Odell, "This much I know: Griff Rhys Jones", The Guardian, November 5 2006.
Talking about holidays

Dion Boucicault photo
Robin Williams photo
Ellen G. White photo
Umberto Veronesi photo
James Macpherson photo
John Dear photo
Ursula K. Le Guin photo
George William Russell photo
Charles Perrault photo
Ernst Gombrich photo
Israel Zangwill photo
Roger Bacon photo

“I use the example of the rainbow and of the phenomena connected with it, of which sort are the circle around the sun and the stars, likewise the rod lying at the side of the sun or of a star which appears to the eye in a straight line… called the rod by Seneca, and the circle is called the corona, which often has the colors of the rainbow. But neither Aristotle nor Avicenna, in their Natural Histories, has given us knowledge of things of this sort, nor has Seneca, who composed a special book on them. But Experimental Science makes certain of them. [The experimenter] considers rowers and he finds the same colors in the falling drops dripping from the raised oars when the solar rays penetrate drops of this sort. It is the same with waters falling from the wheels of a mill; and when a man sees the drops of dew in summer of a morning lying on the grass in the meadow or the field, he will see the colors. And in the same way when it rains, if he stands in a shady place and if the rays beyond it pass through dripping moisture, then the colors will appear in the shadow nearby; and very frequently of a night colors appear around the wax candle. Moreover, if a man in summer, when he rises from sleep and while his eyes are yet only partly opened, looks suddenly toward an aperture through which a ray of the sun enters, he will see colors. And if, while seated beyond the sun, he extend his hat before his eyes, he will see colors; and in the same way if he closes his eye, the same thing happens under the shade of the eyebrow; and again, the same phenomenon occurs through a glass vessel filled with water, placed in the rays of the sun. Or similarly if any one holding water in his mouth sprinkles it vigorously into the rays and stands to the side of the rays; and if rays in the proper position pass through an oil lamp hanging in the air, so that the light falls on the surface of the oil, colors will be produced. And so in an infinite number of ways, as well natural as artificial, colors of this sort appear, as the careful experimenter is able to discover.”

6th part Experimental Science, Ch.2 Tr. Richard McKeon, Selections from Medieval Philosophers Vol.2 Roger Bacon to William of Ockham
Opus Majus, c. 1267

Eino Leino photo

“Outbursts blossom in Lapland rapidly
. in earth, in barley, grass, dwarf birches too.
This I have pondered very frequently
when people’s daily lives there I review.

Oh why are all our beautiful ones dying
and why do great ones rot in disarray?
Oh why among us many minds are losing?
Oh why so few the kantele now play?

Oh why here everywhere a man soon crashes
like hay when scythed – ambitious man indeed,
a man of honour, sense – it all soon smashes,
or breaks apart one day in life of need?

Elsewhere, a fire still glints in greying tresses,
in old ones glows still spirit of the sun.
But here our new-born infants death possesses
and youth will grave’s dull earth soon press upon.

And what of me? Why ponder I so sadly?
An early sign, be sure, of grim old age.
Oh why the blood-spent rule keep I not gladly,
but sigh instead at people’s mortal wage?

One answer is there only: Lapland’s summer.
In thinking then my mind is soon distressed.
In Lapland birdsong, joy are short – a glimmer –
as flowers’ blooms and gladness wilt and rest.

But winter’s wrath is only long. Dear moment
when resting thoughts delay and don’t take flight,
in search of lands where blazing sun is potent
and take their leave of Lapland’s icy bite.

Oh, great white birds, you guests of summer Lapland,
with noble thoughts we’ll greet you, when you’re here!
Oh, tarry here among us, build your nests and
a while delay your southern journey near!

Oh, from the swan now learn a lesson wholesome!
They leave in autumn, come back in the spring.
It’s our own peaceful shore that us-wards pulls them,
Our sloping fell’s kind shelter will them bring.

Batter the air with whooping wings and leave us!
Wonders perform, enlighten other lands!
But when you see that winter’s gone relieve us –
I beg, beseech, re-clasp our weary hands!”

Eino Leino (1878–1926) Finnish poet and journalist
Sarah Dessen photo
Jonathan Swift photo
Bashō Matsuo photo

“The summer grasses—
For many brave warriors
The aftermath of dreams.”

夏草や
兵どもが
夢の跡
natsukusa ya
tsuwamonodomo ga
yume no ato
Donald Keene, Travelers of a Hundred Ages, New York, 1999, p. 316 (Translation: Donald Keene)
The summer grasses—
Of brave soldiers' dreams
The aftermath.
Matsuo Bashō, The Narrow Road to Oku, Tokyo, 1996, p. 87 (Translation: Donald Keene)
Also: Classical Japanese Database, Translation #222 http://carlsensei.com/classical/index.php/translation/view/222
Oku no Hosomichi

Iain Banks photo
Karel Appel photo

“The wastelands belong to my youth [c. 1930's]. When I was young I played in the outskirts of the city - watching the cranes at the harbour. There was no law but garbage, grass and wildflowers like boys and girls, rough, hot and sexual and full of hidden pleasures. Life and death are overlapping in the wastelands like in my paintings.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Appel's quote is referring to his youth in Amsterdam, in the outskirts and the ports of the Dutch city
Source: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)

Ursula K. Le Guin photo
Simone de Beauvoir photo
Pearl S.  Buck photo

“A man is educated and turned out to work. But a woman is educated — and turned out to grass.”

Pearl S. Buck (1892–1973) American writer

Of Men and Women (1941), Ch. 4

Franklin D. Roosevelt photo

“When I
and stallion
blend
the grass gets cropped.”

John Carder Bush (1944) British artist; brother of Kate Bush

Control: A translation (1974)

Timothy Levitch photo
Karel Appel photo
Wallace Stevens photo

“She walked upon the grass,
Still quavering.
The winds were like her maids,
On timid feet,
Fetching her woven scarves,
Yet wavering.”

Wallace Stevens (1879–1955) American poet

Peter Quince at the Clavier (1915)

David Foster Wallace photo
Tom Petty photo
William Julius Mickle photo
Henry Temple, 3rd Viscount Palmerston photo

“I must make a protest against the sort of exaggerations in which the noble Lord has indulged. He has described the railway launching 2,000 or 3,000 ruffians upon some quiet neighbourhood in a manner that might lead one to imagine the train conveyed a set of banditti to plunder, rack, and ravage the country, murder the people, burn the houses, and commit every sort of atrocity…they may conceive it to be a very harmless pursuit…Some people look upon it as an exhibition of manly courage, characteristic of the people of this country. I saw the other day a long extract from a French newspaper describing this fight as a type of the national character for endurance, patience under suffering of indomitable perseverance, in determined effort, and holding it up as a specimen of the manly and admirable qualities of the British race…I do not perceive why any number of persons, say 1,000 if you please, who assemble to witness a prize fight, are in their own persons more guilty of a breach of the peace than an equal number of persons who assemble to witness a balloon ascent. There they stand; there is no breach of the peace; they go to see a sight, and when that sight is over they return, and no injury is done to any one. They only stand or sit on the grass to witness the performance, and as to the danger to those who perform themselves, I imagine the danger to life in the case of those who go up in balloons is certainly greater than that of two combatants who merely hit each other as hard as they can, but inflict no permanent injury upon each other.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech http://hansard.millbanksystems.com/commons/1860/may/15/papers-moved-for-1 in the House of Commons (15 May 1860) on the illegal prize-fight between Tom Sayers and J. C. Heenan. The Radical MP Colonel Dickson replied that although "He sat on a different side of the House from the noble Lord, and did not often find himself in the same lobby with him on a division; but he would say for the noble Viscount, that if he had one attribute more than another which endeared him to his countrymen it was his thoroughly English character and his love for every manly sport". Palmerston was rumoured to have attended the fight and he contributed the first guinea to the collection for Sayers in the House of Commons.
1860s

Jeffrey Tucker photo

“If the GOP’s “big tent” is destined to collapse, there’s no one better to be standing under it than Kemp. If the party does not collapse-and it elites continue to ignore the views of its grass roots-it will be too left-wing for any true freedom lover to support.”

Jeffrey Tucker (1963) American writer

Source: "Jack Kemp, American Socialist" by Jeffrey Tucker, The Rothbard-Rockwell Report, September 1996, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1996sep-00001,

“Lovers lie around in it
Broken glass is found in it
Grass
I like that stuff”

Adrian Mitchell (1932–2008) British writer

"Stufferation", from Adrian Mitchell's Greatest Hits (1991).
Other stanzas follow this pattern. Roger McGough wrote a version with the refrain "I like that stuff".

Sylvia Plath photo
David Bowie photo
Nathanael Greene photo
Tom Petty photo
Han-shan photo
Sister Nivedita photo
Zisi photo
Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

Norah Jones photo

“I want to walk with you
On a cloudy day
In fields where the yellow grass grows knee high”

Norah Jones (1979) American singer-songwriter and multi-instrumentalist

"Come Away With Me", Come Away With Me (2002)
Song lyrics

John Ruskin photo
Wallace Stevens photo
Charles Pratt, 1st Earl Camden photo

“The great end, for which men entered into society, was to secure their property. That right is preserved sacred and incommunicable in all instances, where it has not been taken away or abridged by some public law for the good of the whole. The cases where this right of property is set aside by private law, are various. Distresses, executions, forfeitures, taxes etc are all of this description; wherein every man by common consent gives up that right, for the sake of justice and the general good. By the laws of England, every invasion of private property, be it ever so minute, is a trespass. No man can set his foot upon my ground without my license, but he is liable to an action, though the damage be nothing; which is proved by every declaration in trespass, where the defendant is called upon to answer for bruising the grass and even treading upon the soil. If he admits the fact, he is bound to show by way of justification, that some positive law has empowered or excused him. The justification is submitted to the judges, who are to look into the books; and if such a justification can be maintained by the text of the statute law, or by the principles of common law. If no excuse can be found or produced, the silence of the books is an authority against the defendant, and the plaintiff must have judgment.”

Charles Pratt, 1st Earl Camden (1714–1794) English lawyer, judge and Whig politician

Entick v. Carrington, 19 Howell’s State Trials 1029 (1765), Constitution Society, United States, 2008-11-13 http://www.constitution.org/trials/entick/entick_v_carrington.htm,

Cormac McCarthy photo
Andrei Codrescu photo
Thomas R. Marshall photo
Auguste Rodin photo
Richard Long photo
Nikolai Gogol photo
Oliver Wendell Holmes photo
William Saroyan photo
Tsangyang Gyatso, 6th Dalai Lama photo
Luther Burbank photo
Tommaso Campanella photo
Han-shan photo
Sara Teasdale photo

“I would live in your love as the sea-grasses live in the sea,
Borne up by each wave as it passes, drawn down by each wave that recedes.”

Sara Teasdale (1884–1933) American writer and poet

"I Would Live in Your Love"
Helen of Troy and Other Poems (1911)

Aldo Leopold photo
Ray Comfort photo
Richard Henry Dana Jr. photo
Henri Lefebvre photo