Quotes about writing
page 39

William Soutar photo

“My life's purpose is to write poetry — but behind the poetry must be the vision of a fresh revelation for men.”

William Soutar (1898–1943) British poet

Diary, 29th August 1932.
Quotation posted with the permission of the National Scottish Library, Edinburgh, Scotland.

Abraham Pais photo

“Deliberately or not, every author is of course present in every book he or she writes — even in a scientific text.”

Abraham Pais (1918–2000) American Physicist

Prologue, p. xv
A Tale of Two Continents (1997)

Tyler Perry photo

“I have to thank Eddie Murphy, 'cause after I saw him do the Klumps [in Nutty Professor II], I said, "I'm going to try my hand at a female character." It was the brilliance of Eddie Murphy. I need to write him a check. Say thank you”

Tyler Perry (1966) American actor, director, screenwriter, playwright, producer, author, and songwriter

On how Madea was created
Interview with Oprah Winfrey

“The first sentence of the actual Life of Alexander lives up to Plutarch's warning words. 'Alexander's descent, as a Heraclid on his father's side from Caranus, and as an Aeacid on his mother's side from Neoptolemus, is one of the matters which have been completely trusted.' While the Heraclid and Aeacid descent went unquestioned by ancient writers, the citation of Caranus as the founding father in Macedonia and so analogous to Neoptolemus in Molossia was not only controversial but must have been known to be controversial by Plutarch. For he was conversant with the histories of Herodotus and Thucydides. which had looked to Perdiccas as the founding father in Macedonia. Caranus was inserted as a forerunner of Perdiccas in Macedonia only at the turn of the fifth century: he appeared as such in the works of fourth-century writers, such as Marsyas the Macedonian historian (FGrH 135/6 i- 14) who on my analysis was used by Pompeius Trogus (Prologue 7 'origines Macedonicae regesque a conditorc gentis Carano'). Thus the dogmatic statement of Plutarch, that Caranus was the forerunner, should have been qualified, if he had been writing scientific history. But because the statement conveyed a belief which Alexander certainly held in his lifetime it was justified in the eyes of a biographer and in the eyes of those who were more concerned with biographical background than with historical facts. If Plutarch had been challenged, he would no doubt have claimed that his belief was based on his own wide reading of authors who had studied the origins of Macedonia and provided 'completely trusted' data.”

N. G. L. Hammond (1907–2001) British classical scholar

"Sources for Alexander the Great: An Analysis of Plutarch's 'Life' and Arrian's 'Anabasis Alexandrou'", p.5, Cambridge Classical Studies

Dana Gioia photo

“What we conceal
Is always more than what we dare confide.
Think of the letters that we write our dead.”

Dana Gioia (1950) American writer

"Unsaid" http://www.danagioia.net/poems/unsaid.htm
Poetry, Interrogations at Noon (2001)

David Hume photo
Mark J. Green photo

“I won't be running for office again. But I'll continue to advocate, write and teach.”

Mark J. Green (1945) American lawyer

As quoted in "Saving Air America" at TruthDig (2 April 2007) http://www.truthdig.com/podcast/item/saving_air_america

Herbert Read photo
Maya Angelou photo
Robert Louis Stevenson photo
Ai Weiwei photo

“If Shakespeare were alive today, he might be writing on Twitter.”

Ai Weiwei (1957) Chinese concept artist

Osnos, Evan. “ It’s Not Beautiful: An Artist Takes On the System http://www.newyorker.com/reporting/2010/05/24/100524fa_fact_osnos?currentPage=all.” New Yorker, May 24, 2010, 54–63.
2010-, 2010

Thomas Carlyle photo

“In every man's writings, the character of the writer must lie recorded.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Goethe (1828).
1820s, Critical and Miscellaneous Essays (1827–1855)

Georgia O'Keeffe photo
Tom Stoppard photo

“I write plays because dialogue is the most respectable way of contradicting myself.”

Tom Stoppard (1937) British playwright

"Tom Stoppard," profile by Kenneth Tynan, The New Yorker (1977-12-19).
Interviews and profiles

Maimónides photo

“There are seven causes of inconsistencies and contradictions to be met with in a literary work. The first cause arises from the fact that the author collects the opinions of various men, each differing from the other, but neglects to mention the name of the author of any particular opinion. In such a work contradictions or inconsistencies must occur, since any two statements may belong to two different authors. Second cause: The author holds at first one opinion which he subsequently rejects: in his work, however, both his original and altered views are retained. Third cause: The passages in question are not all to be taken literally: some only are to be understood in their literal sense, while in others figurative language is employed, which includes another meaning besides the literal one: or, in the apparently inconsistent passages, figurative language is employed which, if taken literally, would seem to be contradictories or contraries. Fourth cause: The premises are not identical in both statements, but for certain reasons they are not fully stated in these passages: or two propositions with different subjects which are expressed by the same term without having the difference in meaning pointed out, occur in two passages. The contradiction is therefore only apparent, but there is no contradiction in reality. The fifth cause is traceable to the use of a certain method adopted in teaching and expounding profound problems. Namely, a difficult and obscure theorem must sometimes be mentioned and assumed as known, for the illustration of some elementary and intelligible subject which must be taught beforehand the commencement being always made with the easier thing. The teacher must therefore facilitate, in any manner which he can devise, the explanation of those theorems, which have to be assumed as known, and he must content himself with giving a general though somewhat inaccurate notion on the subject. It is, for the present, explained according to the capacity of the students, that they may comprehend it as far as they are required to understand the subject. Later on, the same subject is thoroughly treated and fully developed in its right place. Sixth cause: The contradiction is not apparent, and only becomes evident through a series of premises. The larger the number of premises necessary to prove the contradiction between the two conclusions, the greater is the chance that it will escape detection, and that the author will not perceive his own inconsistency. Only when from each conclusion, by means of suitable premises, an inference is made, and from the enunciation thus inferred, by means of proper arguments, other conclusions are formed, and after that process has been repeated many times, then it becomes clear that the original conclusions are contradictories or contraries. Even able writers are liable to overlook such inconsistencies. If, however, the contradiction between the original statements can at once be discovered, and the author, while writing the second, does not think of the first, he evinces a greater deficiency, and his words deserve no notice whatever. Seventh cause: It is sometimes necessary to introduce such metaphysical matter as may partly be disclosed, but must partly be concealed: while, therefore, on one occasion the object which the author has in view may demand that the metaphysical problem be treated as solved in one way, it may be convenient on another occasion to treat it as solved in the opposite way. The author must endeavour, by concealing the fact as much as possible, to prevent the uneducated reader from perceiving the contradiction.”

Guide for the Perplexed (c. 1190), Introduction

Andrei Tarkovsky photo
Marianne Moore photo

“One writes because one has a burning desire to objectify what it is indispensable to one's happiness to express.”

Marianne Moore (1887–1972) American poet and writer

Idiosyncrasy and Technique 1958

Natalie Merchant photo
Peter Abelard photo

“St. Jerome, whose heir methinks I am in the endurance of foul slander, says in his letter to Nepotanius: "The apostle says: 'If I yet pleased men, I should not be the servant of Christ.' He no longer seeks to please men, and so is made Christ's servant" (Epist. 2). And again, in his letter to Asella regarding those whom he was falsely accused of loving: "I give thanks to my God that I am worthy to be one whom the world hates" (Epist. 99). And to the monk Heliodorus he writes: "You are wrong, brother, you are wrong if you think there is ever a time when the Christian does not suffer persecution. For our adversary goes about as a roaring lion seeking what he may devour, and do you still think of peace? Nay, he lieth in ambush among the rich."
Inspired by those records and examples, we should endure our persecutions all the more steadfastly the more bitterly they harm us. We should not doubt that even if they are not according to our deserts, at least they serve for the purifying of our soul. And since all things are done in accordance with the divine ordering, let every one of true faith console himself amid all his afflictions with the thought that the great goodness of God permits nothing to be done without reason, and brings to a good end whatsoever may seem to happen wrongfully. Wherefore rightly do all men say: "Thy will be done." And great is the consolation to all lovers of God in the word of the Apostle when he says: "We know that all things work together for good to them that love God" (Rom. viii, 28). The wise man of old had this in mind when he said in his Proverbs: "There shall no evil happen to the just" (Prov. xii, 21). By this he clearly shows that whosoever grows wrathful for any reason against his sufferings has therein departed from the way of the just, because he may not doubt that these things have happened to him by divine dispensation. ///Even such are those who yield to their own rather than to the divine purpose, and with hidden desires resist the spirit which echoes in the words, "Thy will be done," thus placing their own will ahead of the will of God. Farewell.”

Peter Abelard (1079–1142) French scholastic philosopher, theologian and preeminent logician

Source: Historia Calamitatum (c. 1132), Ch. XV

Jane Austen photo
Bhakti Tirtha Swami photo
Martin Lomasney photo

“Don't write when you can talk; don't talk when you can nod your head.”

Martin Lomasney (1859–1933) American politician

Van Nostrand, Albert D. (December 1948). "The Lomasney Legend". The New England Quarterly. 21 (4): 437. JSTOR 361565 https://www.jstor.org/stable/361565

Patrick Stump photo
John Updike photo

“When I write, I aim in my mind not toward New York but toward a vague spot a little to the east of Kansas.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Quoted in George Plimpton ed Writers at Work' Viking (1976)

William Saroyan photo

“This was such bad writing that it was good.”

William Saroyan (1908–1981) American writer

The Daring Young Man on the Flying Trapeze (1934), A Cold Day

Jack London photo

“Too much is written by the men who can't write about the men who do write.”

Source: Martin Eden (1909), Ch. XXXII

Thomas Szasz photo
Abby Stein photo
Orrin H. Pilkey photo

“If a model itself is “a poor representation of reality,” they write, “determining the sensitivity of an individual parameter in the model is a meaningless pursuit.””

Orrin H. Pilkey (1934) American ecologist

Cornelia Dean, " The Problems in Modeling Nature, With Its Unruly Natural Tendencies http://www.nytimes.com/2007/02/20/science/20book.html?_r=1&em&ex=1172034000&en=66b1bbb4657b7f9d&ei=5087%0A&oref=slogin", The New York Times (February 20, 2007).
Useless Arithmetic: Why Environmental Scientists Can’t Predict the Future (2007)

C. N. R. Rao photo
Elias Canetti photo
Nigel Cumberland photo

“Stop trying to be a Jack-of-all-trades and be a master of one thing. Whether it’s writing an email, kicking a ball around with your kids, driving through the city or simply being alone and meditating. For those ten minutes you’re doing something – or for whatever period of time it takes – do it with 100-per-cent focus.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Piper Laurie photo

“The act of writing the book was painful at times, but it was easier than talking to someone.”

Piper Laurie (1932) actress

About writing her memoir. Theodore P. Mahne, "Actress Piper Laurie charms audience, interviewer at Tennessee Williams Festival" (25 March 2012), Times-Picayune at nola.com (New OrleansNet) http://www.nola.com/arts/index.ssf/2012/03/actress_piper_laurie_charms_au.html

Andrea Dworkin photo
Paul Graham photo
James Macpherson photo

“Sir, a man might write such stuff for ever, if he would abandon his mind to it.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Samuel Johnson, quoted in James Boswell Life of Johnson (Oxford: Oxford University Press, 1989) p. 1207.
Criticism

Benoît Mandelbrot photo
Jahangir photo
Nora Ephron photo
Tom Robbins photo
Gabriel García Márquez photo
Philip Roth photo
Mary Eberstadt photo

“The sheer decibel level of unreason surrounding the issue of abortion in academic writing about animal rights tells us something interesting. It suggests that, contrary to what the utilitarians and feminists working this terrain wish, the dots between sympathy for animals and sympathy for unborn humans are in fact quite easy to connect—so easy, you might say, that a child could do it. … Since ethical vegetarianism as a practice appears commonly rooted in an a priori aversion to violence against living creatures, so does it often appear to begin in the young. … A sudden insight, igniting empathy on a scale that did not exist before and perhaps even a life-transforming realization—this reaction should indeed be thought through with care. It is not only the most commonly cited feature of the decision to become a vegetarian. It is also the most commonly cited denominator of what brings people to their convictions about the desperate need to protect unborn, innocent human life. … Despite those who act and write in their name, actual vegetarians and vegans are far more likely to be motivated by positive feelings for animals than by negative feelings for human beings. As a matter of theory, the line connecting the dots between “we should respect animal life” and “we should respect human life” is far straighter than the line connecting vegetarianism to antilife feminism or antihumanist utilitarianism.”

Mary Eberstadt American writer

"Pro-Animal, Pro-Life" https://www.firstthings.com/article/2009/06/pro-animal-pro-life, in First Things (June 2009).

“Alexander Gardner who later became the Colonel of Artillery in the service of Maharaja Ranjit Singh, had travelled extensively in Central Asia from 1819 to 1823 C. E. He saw a lot of slave-catching in Kafiristan, a province of Afghanistan, which was largely inhabited by infields at that time. He found that the area had been reduced to “the lowest state of poverty and wretchedness” as a result of raids by the Muslim king of Kunduz for securing slaves and supplying them to the slave markets in Balkh and Bukhara. He writes:
“All this misery was caused by the oppression of the Kunduz chief, who not content with plundering his wretched subjects, made an annual raid into the country south of Oxus, and by chappaos (night attacks) carried off all the inhabitants on whom his troops could lay their hands. These, after the best had been selected by the chief and his courtiers, were publicly sold in the bazaars of Turkestan. The principal providers of this species of merchandise were the Khan of Khiva, the king of Bokhara (the great hero of the Mohammedan faith), and the robber beg of Kunduz.
“In the regular slave markets, or in transactions between dealers, it is the custom to pay for slaves in money; the usual medium being either Bokharan gold tillahs (in value about 5 or 51/2 Company rupees each), or in gold bars or gold grain. In Yarkand, or on the Chinese frontier, the medium is the silver khurup with the Chinese stamp, the value of which varies from 150 to 200 rupees each. The price of a male slave varies according to circumstances from 5 to 500 rupees. The price of the females also necessarily varies much, 2 tillahs to 10,000 rupees. Even the double the latter sum has been known to have been given.
“However, a vast deal of business is also done by barter, of which we had proof at the holy shrine of Pir-i-Nimcha, where we exchanged two slaves for a few lambs’ skins! Sanctity and slave dealing may be considered somewhat akin in the Turkestan region, and the more holy the person the more extensive are generally his transactions in flesh and blood.””

Alexander Gardner subsequently found a Muslim fruit merchant at Multan “who was proved by his own ledger to have exchanged a female slave girl for three ponies and seven long-haired, red-eyed cats, all of which he disposed of, no doubt to advantage, to the English gentlemen at this station.”
Memoirs of Alexander Gardner, edited by Major Hugh Pearce, first published in 1898, reprint published from Patiala in 1970, quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 1

Gloria Estefan photo
Alberto Manguel photo

“A society can exist - many do exist - without writing, but no society can exist without reading.”

Alberto Manguel (1948) writer

The Last Page, p. 7.
A History of Reading (1996)

Victor Villaseñor photo
Will Cuppy photo
William Beckford photo

“I fear I shall never be…good for anything in this world, but composing airs, building towers, forming gardens, collecting old Japan, and writing a journey to China or the Moon.”

William Beckford (1760–1844) English novelist

Letter to Catherine, Lady Hamilton, April 1781; cited from Lewis Melville The Life and Letters of William Beckford of Fonthill (London: William Heinemann, 1910) p. 92.

Ammon Hennacy photo
Ralph Waldo Emerson photo

“Variation: If a man can write a better book, preach a better sermon, or make a better mousetrap than his neighbor, though he builds his house in the woods the world will make a beaten path to his door.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Investigations have failed to confirm this in Emerson's writings (John H. Lienhard. "A better moustrap" http://www.uh.edu/engines/epi1163.htm, Engines of our Ingenuity). Also reported as a misattribution in Paul F. Boller, Jr., and John George, They Never Said It: A Book of Fake Quotes, Misquotes, & Misleading Attributions (1989), p. 25. Note that Emerson did say, as noted above, "I trust a good deal to common fame, as we all must. If a man has good corn, or wood, or boards, or pigs, to sell, or can make better chairs or knives, crucibles or church organs, than anybody else, you will find a broad hard-beaten road to his house, though it be in the woods".
Misattributed

Jorge Luis Borges photo

“Writing long books is a laborious and impoverishing act of foolishness: expanding in five hundred pages an idea that could be perfectly explained in a few minutes. A better procedure is to pretend that those books already exist and to offer a summary, a commentary.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Preface; Variant translations:
It is a laborious madness and an impoverishing one, the madness of composing vast books — setting out in five hundred pages an idea that can be perfectly related orally in five minutes. The better way to go about it is to pretend that those books already exist, and offer a summary, a commentary on them... A more reasonable, more inept, and more lazy man, I have chosen to write notes on imaginary books.
The composition of vast books is a laborious and impoverishing extravagance. To go on for five hundred pages developing an idea whose perfect oral exposition is possible in a few minutes! A better course of procedure is to pretend that these books already exist, and then to offer a resume, a commentary . . . More reasonable, more inept, more indolent, I have preferred to write notes upon imaginary books.
The Garden of Forking Paths (1942)

William H. Macy photo

“Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.”

William H. Macy (1950) American actor, screenwriter, teacher and director in theater, film and television

As quoted in Wordcatcher : An Odyssey into the World of Weird and Wonderful Words (2010), by Phil Cousineau, p. 219.

Stevie Wonder photo
Amy Tan photo
Peter Greenaway photo
Jim Butcher photo

“When I finally got tired of arguing with her and decided to write a novel as if I was some kind of formulaic, genre writing drone, just to prove to her how awful it would be, I wrote the first book of the Dresden Files.”

Jim Butcher (1971) American author

A Conversation With Jim Butcher, The SF Site, McCune, Alisa, 2004, 2008-02-04 http://www.sfsite.com/08b/jb182.htm,

Kathy Griffin photo
Simon Phipps photo
Joseph Joubert photo
Thomas Gainsborough photo

“Dear Sir Joshua, - I am just to write what I fear you will not read - after lying in a dying state for 6 months [in reality much shorter]. The extreme affection which I am informed of by a Friend which Sir Joshua has expresd induces me to beg a last favor, which is to come once under my Roof and look at my things, my woodman you never saw, if what I ask now is not disagreeable to your feeling that I may have the honour to speak to you. I can from a sincere Heart say that I always admired and sincerely loved Sir Joshua Reynolds. 'Tho. Gainsborough.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

A last letter of Gainsborough to Sir Joshua Reynolds, End of July 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 307
Gainsborough, on the occasion of that last visit, actually had many of his unfinished canvases brought to his bedside to show to Sir Joshua
1770 - 1788

Cesare Pavese photo

“The thing most feared in secret always happens.
I write: oh Thou, have mercy. And then?
All it takes is a little courage.
The more the pain grows clear and definite, the more the instinct for life asserts itself and the thought of suicide recedes.
It seemed easy when I thought of it. Weak women have done it. It takes humility, not pride.
All this is sickening.
Not words. An act. I won't write any more.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

, end. Nine days later he committed suicide, leaving this message: «I forgive everyone and to everyone I ask forgiveness. Well enough? Don't gossip too much».
This Business of Living (1935-1950)

Larry Wall photo

“I wouldn't ever write the full sentence myself, but then, I never use goto either.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199709032332.QAA21669@wall.org, 1997]
Usenet postings, 1997

Gene Wolfe photo

“Every so often I get optimistic and explain the best method of learning to write for students. I don't believe any of them has ever tried it.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

The Best of Gene Wolfe (2009), afterword to "The Boy Who Hooked the Sun", p. 381
Nonfiction

Margaret Hughes photo
Miguel de Cervantes photo

“It is not the hand but the understanding of a man that may be said to write.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Book III, Author's Preface
Don Quixote de la Mancha (1605–1615), Part II (1615), Book III

“It is to be hoped—I mean, I hope—that the poetry I have been writing since 1992 squares up to, takes the measure of, weighs up, the violent evasions and stock affronts of the oligarchy of fraud. I don't, even so, write poems to be polemical; I write to create a being of beautiful energy.”

Geoffrey Hill (1932–2016) English poet and professor

A matter of timing: The Guardian, Saturday 21 September 2002 http://www.guardian.co.uk/books/2002/sep/21/featuresreviews.guardianreview28/print

Brandon Boyd photo
John Selden photo

“Few men make themselves masters of the things they write or speak.”

John Selden (1584–1654) English jurist and scholar of England's ancient laws and constitution, and of Jewish law

Learning.
Table Talk (1689)

Yogi Berra photo

“I dunno. This game is getting funnier and funnier. We do everything but punch 'em in the nose and here we are all tied up in the Series. We flatten 'em by scores of 16-3, 10-0 and 12-0 and we still need one more to win. How do you figure that? Don't write this, but even if they beat us tomorrow, we're the better club.”

Yogi Berra (1925–2015) American baseball player, manager, coach

On the 1960 World Series; as quoted in "We Flattened 'Em, Yet We're Only Tied'" https://news.google.com/newspapers?id=PtpaAAAAIBAJ&sjid=uWwDAAAAIBAJ&pg=3807%2C3562090 by Joe Reichler (AP), in The Pittsburgh Post-Gazette (October 13, 1960), p. 35

George S. Patton IV photo
Ward Cunningham photo
Martin Luther King, Jr. photo

“You know, several years ago, I was in New York City autographing the first book that I had written. And while sitting there autographing books, a demented black woman came up. The only question I heard from her was, "Are you Martin Luther King?"
And I was looking down writing, and I said yes. And the next minute I felt something beating on my chest. Before I knew it I had been stabbed by this demented woman. I was rushed to Harlem Hospital. It was a dark Saturday afternoon. And that blade had gone through, and the X-rays revealed that the tip of the blade was on the edge of my aorta, the main artery. And once that's punctured, you drown in your own blood — that's the end of you.
It came out in the New York Times the next morning, that if I had sneezed, I would have died. Well, about four days later, they allowed me, after the operation, after my chest had been opened, and the blade had been taken out, to move around in the wheel chair in the hospital. They allowed me to read some of the mail that came in, and from all over the states, and the world, kind letters came in. I read a few, but one of them I will never forget. I had received one from the President and the Vice-President. I've forgotten what those telegrams said. I'd received a visit and a letter from the Governor of New York, but I've forgotten what the letter said. But there was another letter that came from a little girl, a young girl who was a student at the White Plains High School. And I looked at that letter, and I'll never forget it. It said simply, "Dear Dr. King: I am a ninth-grade student at the Whites Plains High School." She said, "While it should not matter, I would like to mention that I am a white girl. I read in the paper of your misfortune, and of your suffering. And I read that if you had sneezed, you would have died. And I'm simply writing you to say that I'm so happy that you didn't sneeze."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

And I want to say tonight, I want to say that I am happy that I didn't sneeze.
1960s, I've Been to the Mountaintop (1968)

Walter Savage Landor photo

“Wearers of rings and chains!
Pray do not take the pains
To set me right.
In vain my faults ye quote;
I write as others wrote
On Sunium’s hight.”

Walter Savage Landor (1775–1864) British writer

The last Fruit of an old Tree, Epigram cvi, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Heinrich Heine photo

“If one has no heart, one cannot write for the masses.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Letter to Julius Campe (March 18, 1840)

Gertrude Stein photo
George Saintsbury photo

“We shall not busy ourselves with what men ought to have admired, what they ought to have written, what they ought to have thought, but with what they did think, write, admire.”

George Saintsbury (1845–1933) British literary critic

Vol. 1, pp. 4–5
A History of Criticism and Literary Taste in Europe from the Earliest Texts to the Present Day

Stephen King photo

“When asked, "How do you write?" I invariably answer, "one word at a time."”

The Stand (Uncut), Preface (part 2)
The Stand (1978)

Han-shan photo
Roger Manganelli photo
K. Barry Sharpless photo
Ray Bradbury photo
Robert Penn Warren photo

“The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

The New York Times (16 December 1969)

Jack Kerouac photo

“It is not my fault that certain so-called bohemian elements have found in my writings something to hang their peculiar beatnik theories on.”

Jack Kerouac (1922–1969) American writer

The New York Journal-American (8 Dec 1960)

Montesquieu photo
Thomas Carlyle photo
Mau Piailug photo

“My grandfather Raangipi taught me the stars, but I didn't write it down like you are doing. I kept everything in my head. This is called paafu.”

Mau Piailug (1932–2010) Micronesian navigator from the Carolinian island of Satawal and a teacher of traditional, non-instrument wa…

The Last Navigator (1987)

Lata Mangeshkar photo
John Rogers photo

“This…is why screenwriting pays so well. They don't pay me to write. I'd write for free. They pay me NOT to punch people in the neck.”

John Rogers writer, comedian and producer from the United States

Comment posted on David Brin's blog, 2013-02-06 http://davidbrin.blogspot.com/2006/02/watch-my-other-awful-movie-adaptation.html?showComment=1141100368536#c114110036853202234,