Quotes about writing
page 40

“I first listen to someone who speaks the language and who reads the lyrics to me. I pay great attention to pronunciation. Once I hear the words spoken, I write the song lines phonetically in Hindi and then sing. By the grace of god, my songs in other languages – including Bengali – have been appreciated. People say they are good and the words have been correctly pronounced.”

Lata Mangeshkar (1929) Indian singer

Above two quotes about her singing in Urdu and other languages in Lata Mangeshkar has to thank Dilip Kumar for her Urdu skills!, 29 Npvember 2013, India Today http://www.deccanherald.com/content/10118/,

God, People, Singing, Reading

“This…is why screenwriting pays so well. They don't pay me to write. I'd write for free. They pay me NOT to punch people in the neck.”

John Rogers writer, comedian and producer from the United States

Comment posted on David Brin's blog, 2013-02-06 http://davidbrin.blogspot.com/2006/02/watch-my-other-awful-movie-adaptation.html?showComment=1141100368536#c114110036853202234,

People

“Just because science can't in practice explain things like the love that motivates a poet to write a sonnet, that doesn't mean that religion can. It's a simple and logical fallacy to say, ' If science can't do something, therefore religion can.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Love, Religion, Motivation, Science

“Nevertheless I like being in Norway [to escape the Nazi threat Schwitters fled to Norway, c. 1937], for it is a country of unparalleled beauty... I paint landscapes and portraits, model portrait, glue and paint abstract pictures and glue abstract plastic art; besides, I write poetry in German... What distresses me most of all is that I cannot live in my 'Merzraum' [a sculptured studio-space, Schwitters had built in Germany in the 1920's, but bomb-damaged in the war] and that it may be given up to destruction. For that reason I ask you once more, can you keep your ear to the ground again, to see if anyone in America is willing to give me an opportunity to shape a three-dimensional room?”

Kurt Schwitters (1887–1948) German artist

In a letter to w:Galka Scheyer, 24 July 1937; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 41.
1930s
Source: http://www.sprengel-museum.de/bilderarchiv/sprengel_deutsch/fotos/merzbau1933_530.jpg

War, Beauty, Art, Painting

“Everyone judges plays as if they were very easy to write. They don’t know that it is hard to write a good play, and twice as hard and tortuous to write a bad one.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (May 4, 1889)
Letters

“The most serious flaw of Foucault's system is in the area of sex. I view his hurried, compulsive writing as a massive rationalist defense-formation to avoid thinking about (a) woman, (b) nature, (c) emotion, and (d) the sexual body. His attempt to make the body passive property of male society is an evasion of the universal fact so intolerable to him: that we are all born of human mothers. By turning women into ciphers, he miniaturizes and contains them.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 230

Women, Sex, Nature, Thinking

“It was in 1929 that Salvador Dali [Dali is writing about himself] brought his attention to hear upon the internal mechanism of paranoiac phenomena and envisaged the possibility of an experimental method based on the sudden power of the systematic associations proper to paranoia; this method afterwards became the delirio-critical synthesis which hears the name of "paranoiac-critical activity". Paranoia: delirium of interpretive association bearing a systematic structure. Paranoiac-critical activity: spontaneous method of irrational knowledge based upon the interpretive-critical association of delirious phenomena.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 15

Knowledge

“I find if you're targeting Windows, Linux, and Mac OS X right from the start, your code will probably work anywhere else that you might try it later… Writing code that is cross-platform from the start requires more discipline, but I find it is worth the effort.”

Ryan C. Gordon (1978) Computer programmer

Quoted in Luboš Doležel, "Interview: Ryan C. Gordon" http://www.abclinuxu.cz/clanky/rozhovor-ryan-c.-gordon-icculus?page=1 AbcLinuxu.cz (2011-03-08)

Effort

“The Inclinations of Men, in this their degenerate State, carry them with great Force to those voluptuous Objects, that please their Appetites and gratify their Senses; and which not only by their early Acquaintance and Familiarity, but as they are adapted to the prevailing Instincts of Nature, are more esteem'd and pursu'd than all other Satisfactions. As those inferior Enjoyments, that only affect the Organs of the Body are chiefly coveted, so next to these, that light and facetious Qualification of the Mind, that diverts the Hearers and is proper to produce Mirth and Alacrity, has, in all Ages, by the greatest Part of Mankind, been admir'd and applauded. No Productions of Human Understanding are receiv'd with such a general Pleasure and Approbation, as those that abound with Wit and Humour, on which the People set a greater Value, than on the wisest and most instructive Discourses. Hence a pleasant Man is always caress'd above a wise one, and Ridicule and Satyr, that entertain the Laughers, often put solid Reason and useful Science out of Countenance. The wanton Temper of the Nation has been gratify'd so long with the high Seasonings of Wit and Raillery in Writing and Conversation, that now almost all Things that are not accommodated to their Relish by a strong Infusion of those Ingredients, are rejected as the heavy and insipid Performances of Men of a plain Understanding and meer Masters of Sense.”

Richard Blackmore (1654–1729) English poet and physician

Essay upon Wit http://www.gutenberg.org/files/13484/13484-8.txt (1711)

Men, People, Pleasure, Age

“I thought I'd write you a lovesong
And I sang it to you over the phone”

Beef Bonanza punk rock musician in The Bones

Half of nothing
Lyrics

“In writing what he does not speak, what he would never say and, in truth, would probably never even think, the author of the written speech is already entrenched in the posture of the sophist; the man of non-presence and non-truth. Writing is thus already on the scene. The incompatibility between written and the trueis clearly announced at the moment Socrates starts to recount the way in which men are carried out themselves by pleasure, become absent from themselves, forget themselves and die in the thrill of song.”

Jacques Derrida (1930–2004) French philosopher (1930-2004)

Plato's Pharmacy, Pharmacia
Dissemination (1972)

Men, Pleasure, Truth, Way

“Sir, please do not write anything about me. I am an insignificant person. If you wish to write anything, then write about Sri Ramakrishna and Swami Vivekananda. That will benefit humanity.”

Swami Adbhutananda Disciple

When Sharat Chandra Chakrabarty, a disciple fo Vivekananda asked Adbhutananda for permission to write his biography.
Source: God Lived with Them, p.395

Personality

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”

Neil Gaiman (1960) English fantasy writer

"somewhat less sinister ducks" Blog entry (23 April 2004) http://www.neilgaiman.com/journal/2004/04/somewhat-less-sinister-ducks.asp

Hell

“I actually didn't want to have control of the writing on my first album. To write, you have to have time to connect with yourself. I don't have that time right now, because I'm so busy.”

Hilary Duff (1987) American actress and singer

Binelli, Mark. "Teenager of the Year" http://www.rollingstone.com/news/story/5940065/teenager_of_the_year. Rolling Stone. August 27 2003. Retrieved October 25 2006. On Metamorphosis (2003).

Business, Time

“[on his father's last wishes before dying] "I want to be cremated. Then I want to you to take the ashes, I want you to put them in a douche bottle, find a hooker, and run me through one more time." [groans and disgusted laughs] On my children, I did not write that. I am repeating it.”

Christopher Titus (1964) actor, writer, podcaster

The Fifth-Annual End-of-the-World Tour (2007)

Children, Time

“I don’t particularly like the term "States' rights." I can’t say I’ve totally avoided it in my political career. But much more often than not, I refer to federalism. I believe in a balance of Federal and State power. I’ve expressed that perspective on a number of my writings and speeches.”

William H. Pryor Jr. (1962) American judge

Confirmation Hearing on the Nomination of William H. Pryor, Jr. to be Circuit Judge for the Eleventh Circuit (June 11, 2003)

“It may sound paradoxical, but verbal fluency is the product of many hours spent writing about nothing, just as musical fluency is the product of hours spent repeating scales.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 26

Music

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519 Preface to View of Newton's Philosophy, (1728)

Appearance, Time, Sun

“Kuhn's revolution was not yet a Kuhnian revolution, although he dated his intention to write the book that became Structure to the time of his wrestle with Aristotle. What he needed was a historical exemplar. He found it in the Copernican revolution.”

John L. Heilbron (1934) American historian

Thomas Samuel Kuhn: 18 July 1922-17 June 1996 (1998)

Books, Time

“Like I say, the way I write songs is, you know, inspirational. I have to wait for it to happen. And when it happens I get lines, and I just write them down, you know. I'm not sort of a Tin Pan Alley sort of songwriter. I just sort of write down what I get - without censoring or questioning what it is and what it means, you know. Like later on I look at what it means, but not at the time.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

"Nights in Copenhagen with Van Morrison" (1985) interview by Al Jones

Way, Question, Time, Waiting

“Programming in the abstract sense is what I really enjoy. I enjoy lots of different areas of it… I'm taking a great deal of enjoyment writing device drivers for Linux. I could also be having a good time writing a database manager or something because there are always interesting problems.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in Bob Colayco, "John Carmack Interview" http://www.firingsquad.com/features/carmack/page3.asp Firing Squad(2000-02-09)

Problem, Sense, Time

“When people cannot write good literature it is perhaps natural that they should lay down rules how good literature should be written.”

George Saintsbury (1845–1933) British literary critic

Source: A Last Vintage, p. 172

People, Literature, Nature

“It's funny. People come to my house because I was recommended to them to do some writing. They've never heard of me, and you can see the reticence written all over their faces. Then they look at the walls and see the platinum and gold albums and they say, "Oh. That one's from Prince! That's from Robert Palmer! Oh my God, Paul McCartney!" And then they say, "You're a really fine composer"--without having heard any of my music.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

God, People, Music, Housing

“Among the painters of our day who have helped me develop are Carlo Carra [famous Futurist painter] and Ardengo Soffici; their work and writings have in my opinion been a beneficial influence on where Italian art is going today.”

Giorgio Morandi (1890–1964) Italian painter

in Autobiografia, G. Morandi; (1928); as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1925 - 1945

Art, Help

“I find, by your Excellency's letter to General Sullivan, that you expect the enemy are going to evacuate New York, and that it is probable they are coming eastward. I can hardly think they mean to make an attempt upon Boston, notwithstanding the object is important; and, unless they attack Boston, there is no other object worthy their attention in New England. I am rather inclined to think they mean to leave the United States altogether. What they hold here now, they hold at a great risk and expense. But, suppose they actually intend to quit the Continent, they will endeavour to mislead our attention, and that of our allies, until they can get clear of the coast. The Admiral is fortifying for the security of his fleet; but I am told his batteries are all open in the rear, which will be but a poor security against a land force. General Heath thinks there ought to be some Continental troops sent here : but the Council will not turn out the militia; they are so confident the enemy are not coming here. If your Excellency thinks the enemy really design an attack upon Boston, it may not be useless for you to write your opinion to the Council Board, for I suspect they think the General here has taken the alarm without sufficient reasons. The fortifications round this place are very incomplete, and little or nothing doing upon them. I have given General Heath my opinion what parts to take possession of, if the enemy should attempt the place before the Continental army gets up. From four to five hundred troops have arrived at Halifax; their collective strength will make a formidable army.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (September 1778)

Confidence, Thinking, Parting

“In the world of music, it is a rarity to find a person who is both a gifted composer and a top conductor. So it is in economics as well. Paul is that rarity. When Paul is writing, the sun is always out. His writing—ever eloquent, ever stirring—is done with the kind of verve that one seldom finds today.”

Michael Szenberg (1934) American economist

10.Paul Samuelson is a Great Maestro.
Ten Ways to Know Paul A. Samuelson (2006)

World, Music, Sun, Personality

“And yet there is nothing so badly imagined: nature seems to have provided, that the follies of men should be transient, but they by writing books render them permanent. A fool ought to content himself with having wearied those who lived with him: but he is for tormenting future generations; he is desirous that his folly should triumph over oblivion, which he ought to have enjoyed as well as his grave; he is desirous that posterity should be informed that he lived, and that it should be known for ever that he was a fool.”

Montesquieu (1689–1755) French social commentator and political thinker

Commonly paraphrased as "An author is a fool who, not content with having bored those who have lived with him, insists on boring future generations".
No. 66. (Rica writing to * * *)
Lettres Persanes (Persian Letters, 1721)

Men, Books, Fools, Imagination

“Ugly programs are like ugly suspension bridges: they're much more liable to collapse than pretty ones, because the way humans (especially engineer-humans) perceive beauty is intimately related to our ability to process and understand complexity. A language that makes it hard to write elegant code makes it hard to write good code.”

Eric S. Raymond (1957) American computer programmer, author, and advocate for the open source movement

Why Python? http://www.linuxjournal.com/article/3882

Beauty, Way, Understanding

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

Music, Way, Parting, Dependency

“The clerk of Al-Mughira bin Shu'ba narrated, "Muawiya wrote to Al-Mughira bin Shu'ba: Write to me something which you have heard from the Prophet (p. b. u. h)." So Al-Mughira wrote: I heard the Prophet saying, "Allah has hated for you three things: 1. Vain talks, (useless talk) that you talk too much or about others. 2. Wasting of wealth (by extravagance) 3. And asking too many questions (in disputed religious matters) or asking others for something (except in great need). (See Hadith No. 591, Vol. Ill)”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Sunni Hadith

Hate, Question, Wealth

“The scale and effectiveness of conversions by force are clearly detailed in al-Kufi's Chachnama (for Muhammad Qasim in Sindh), Utbi's Tarikh-i-Yamini (for Mahmud of Ghazni) Hasan Nizami's Taj-ul-Maasir (for Muhammad Ghauri, Qutbuddin Aibak etc.) and Minhaj Siraj's. Tabqat-i-Nasiri (for the early years of the Sultanate period). All Muslim chronicles from the thirteenth to the eighteenth century write with pride about forcible conversions by rulers and nobles.”

K. S. Lal book Theory and Practice of Muslim State in India

Theory and Practice of Muslim State in India (1999)

“Two roads diverged in a wood, I took the one less travelled
I'm patient so that's one less hassle
If I dream it, I can live it
I've seen the light with vivid imagery
I need to write with fits of energy
But it's hard tryin' to get where I'm goin'
Without a hint or an omen
It's too late to turn around
Perseverance, gotta learn it now
But I'm stubborn how
Am I supposed to survive this rollercoaster hurtlin' to the ground?”

Danny! (1983) American rapper

"F.O.O.D."
Albums, F.O.O.D. (2005)

Dreams, Light, Learning

“John Tate and I were asked by Nature magazine to write an obituary for Alexander Grothendieck. Now he is a hero of mine, the person that I met most deserving of the adjective "genius". I got to know him when he visited Harvard and John, Shurik (as he was known) and I ran a seminar on "s". His devotion to math, his disdain for formality and convention, his openness and what John and others call his naiveté struck a chord with me.”

David Mumford (1937) American mathematician

David Mumford. " Can one explain schemes to biologists http://www.dam.brown.edu/people/mumford/blog/2014/Grothendieck.html," at dam.brown.edu/people/mumford/blog, December 14, 2014.

Nature, Personality

“Female artists are the perfect example of a creator: They know how to make life and art with their bodies. Life comes from their bodies, so on a very basic level, they have more to write about.”

Brandon Boyd (1976) American rock singer, writer and visual artist

RS, on some of his favorite female artists such as Ani DiFranco and Bjork

Life, Art, Perfection

“I shall always regard this aspect of my dispute with Keynes as the greatest mistake of my professional career, and the book, The Great Depression, which I subsequently wrote, partly in justification of this attitude, as something which I would willingly see be forgotten. […] Now I still think that there is much in this theory as an explanation of a possible generation of boom and crisis. But, as an explanation of what was going on in the early ’30s, I now think it was misleading. Whatever the genetic factors of the pre-1929 boom, their sequelae, in the sense of inappropriate investments fostered by wrong expectations, were completely swamped by vast deflationary forces sweeping away all those elements of constancy in the situation which otherwise might have provided a framework for an explanation in my terms. The theory was inadequate to the facts. Nor was this approach any more adequate as a guide to policy. Confronted with the freezing deflation of those days, the idea that the prime essential was the writing down of mistaken investments and the easing of capital markets by fostering the disposition to save and reducing the pressure on consumption was completely inappropriate. To treat what developed subsequently in the way which I then thought valid was as unsuitable as denying blankets and stimulants to a drunk who has fallen into an icy pond, on the ground that his original trouble was overheating.”

Lionel Robbins (1898–1984) British economist

Autobiography of an Economist (1971), p. 154.

Books, Way, Idea, Thinking

“Prior to the invention of writing, our ancestors had to rely on memory, sketches, or music to encode and preserve important information.”

Daniel Levitin book The Organized Mind

The Organized Mind (2014)

Music, Memory

“You know what they're writing about
Baby you know what they're writing about
It's a thing called love down through the ages
Makes you wanna cry sometimes
Makes you feel like you wanna lay down and die sometimes
Makes you high sometimes
But when you really get in it lifts you right up.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

You Know What They're Writing About
Song lyrics, Into the Music (1979)

Love, Age, Feeling, Baby

“Achilles exists only through Homer. Take away the art of writing from this world, and you will probably take away its glory.”

François-René de Chateaubriand book Les Natchez

Les Natchez (1826).

World, Art

“Writing is prophesy.
Don’t write anything unless you want it to come true.”

Carole Morin British writer

Spying on Strange Men (2013)

“MY dearest friend — White or some of my friends or the public papers by this time may have informed you of the terrible calamities that have fallen on our family. I will only give you the outlines. My poor dear dearest sister in a fit of insanity has been the death of her own mother. I was at hand only time enough to snatch the knife out of her grasp. She is at present in a mad house, from whence I fear she must be moved to an hospital. God has preserved to me my senses, — I eat and drink and sleep, and have my judgment I believe very sound. My poor father was slightly wounded, and I am left to take care of him and my aunt. Mr. Norris of the Bluecoat school has been very very kind to us, and we have no other friend, but thank God I am very calm and composed, and able to do the best that remains to do. Write, —as religious a letter as possible— but no mention of what is gone and done with. —With me “the former things are passed away,” and I have something more to do that [than] to feel. God almighty have us all in his keeping.”

Charles Lamb (1775–1834) English essayist

Lamb in September 27, 1796. In his letter to Coleridge; after the family tragedy. As quoted in Works of Charles and Mary Lamb. Letters (1905).

Death, God, Fear, School

“Every now and then it's nice to stop and just look over what you've been writing and the way you've been writing it and sort of reassess it, and see if you've fallen into bad habits or there's something you'd like to get better at. One way of reexamining your own work is to work with somebody else. It's a learning experience. I don't want to get into a rut.”

Roger Zelazny (1937–1995) American speculative fiction writer

As quoted in "Forever Amber" (October 1991) http://web.archive.org/web/20080212112534/http://zelazny.corrupt.net/amberever.html

Way, Learning

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/ General sources

War, Books, Way, Star

“But these things are often unknown to the world; for there is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman for ever beggared of peace and joy, yet kept secret by the sufferer – committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed in no human ear.”

George Eliot book Felix Holt, the Radical

Introductory chapter (at page 11-12 – page numbers per the 'Wordsworth Classics' edition 1997.)
Felix Holt, the Radical (1866)

Life, Pain, Secret, World

“Who is this Pope that I hear so much about? I cannot discover what is his merit. Why will not my subjects write in prose?”

George II of Great Britain (1683–1760) British monarch

As quoted in Sir James Prior's Life of Edmond Malone (1860), p. 369.
Attributed

“Write on my gravestone: "Infidel, Traitor" — infidel to every church that compromises with wrong; traitor to every government that oppresses the people.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

As quoted in the American Federation of Labor Bulletin, Vol. 8, Issues 11-18 (1926), p. 69

People

“I discovered that I had, in the past two decades, written a far greater amount in the essay form than I remembered. Certainly I have written enough of it to demonstrate that I harbor no disdain for literary journalism or just plain journalism, under whose sponsorship I have been able to express much that has fascinated me, or alarmed me, or amused me, or otherwise engaged my attention when I was not writing a book.”

William Styron (1925–2006) American novelist and essayist

"A note to the reader" - This Quiet Dust and Other Writings (1982)

Books, Past

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

People, World, Education, Law

“In 250 years, reading and writing will have turned out to be a fad.”

Bran Ferren (1953) American technologist

The Creators, The New York Times Magazine, September 8, 2013 http://partners.nytimes.com/library/magazine/millennium/m4/ferren.html,

Reading

“After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure.”

Elmore Leonard (1925–2013) American novelist and screenwriter

"Making It Up as I Go Along", AARP Magazine 52 (4A), July/August 2009

Pleasure, Thinking

“I don't know what it's like to be God — obviously …until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. … Suddenly I got a very good idea of what it must feel like. I went: "I'm writing it now this scene in the Tardis. I'm writing it!"”

Neil Gaiman (1960) English fantasy writer

And that was amazing, it was wonderful. On writing the script for the episode of Doctor Who, "The Doctor's Wife" (originally titled "House of Nothing"), as quoted in "Neil Gaiman reveals power of writing Doctor Who" by Tim Masters at BBC News (24 May 2010) http://www.bbc.co.uk/news/10146657

God, Feeling, Idea

“But as for me, Emperor, nature has not given me stature, age has marred my face, and my strength is impaired by ill health. Therefore, since these advantages fail me, I shall win your approval, as I hope, by the help of my knowledge and my writings.”

Vitruvius book De architectura

Introduction, Sec. 4
De architectura (The Ten Books On Architecture) (~ 15BC), Book II

Health, Age, Hope, Nature

“Hindus suffered such attempted extermination in East Bengal in 1971, when the Pakistani Army killed 1 to 3 million people, with Hindus as their most wanted target. This fact is strictly ignored in most writing about Hindu-Muslim relations, in spite (or rather because) of its serious implication that even the lowest estimate of the Hindu death toll in 1971 makes Hindus by far the most numerous victims of Hindu-Muslim violence in the post-colonial period. It is significant that no serious count or religion-wise breakdown of the death toll has been attempted: the Indian, Pakistani and Bangladeshi ruling classes all agree that this would feed Hindu grievances against Muslims…. Even apart from the 1971 genocide, "ordinary" pogroms in East Pakistan in 1950 alone killed more Hindus than the total number of riot victims in India since 1948.”

Koenraad Elst (1959) orientalist, writer

Koenraad Elst, "Was There an Islamic "Genocide" of Hindus?" http://www.academia.edu/16578319/Was_There_an_Islamic_Genocide_of_Hindus 2000s

Death, People, Religion, Suffering

“I soon began writing out my whole prayer and reading it back to God. Previously I'd get no further than "Dear God" and I'd already be thinking of the person I was going to meet for lunch or the board meeting agenda or what my family members and I would be doing later that evening. But when I began to move pen across paper, it became much easier to remain focused.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

God, Family, Thinking, Reading

“We have busied ourselves and contented ourselves long enough with speaking and writing; now at last we demand that the word become flesh, the spirit matter; we are as sick of political as we are of philosophical idealism; we are determined to become political materialists.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Lecture I, Occasion and Context Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)

Business

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Life, Money, People, Age

“I find free verse very, very difficult to write.”

John Hollander (1929–2013) American poet

“There are only two kinds of books which you can write and be pretty sure you're going to make a living — cook books and detective stories.”

Rex Stout (1886–1975) American writer

Rex Stout, page 3
Royal Decree: Conversations with Rex Stout

Books, Cooking

“Quite frankly, several of the people who contributed to the article should be banned from coming near a keyboard until they have learned to engage in proper encyclopedia writing.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Source: In a discussion about Wikipedia article http://en.wikipedia.org/w/index.php?title=Talk:BonziBUDDY&diff=74314772&oldid=74246581 (07 September 2006)

People, Learning

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 356

People, Thinking

“Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similies (bring me my dictionary) are like defective ammunition”

Ernest Hemingway (1899–1961) American author and journalist

the lowest thing I can think of at this time
Letter (20 March 1953); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Thinking, Time, Reading

“Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It's a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.... I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.... you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.... it was as if you had to prove to yourself that truly the act of creation was still possible.... I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 66

School, Music, Way, Imagination

“The Prologue of the Messenger.
For as much as man is naturally prone
To evil from his youth, as Scripture doth recite,
It is necessary that he be speedily withdrawn
From concupiscence of sin, his natural appetite:
An order to bring up youth Ecclesiasticus doth write,
An untamed horse will be hard, saith he,
And a wanton child wilful will be.”

Robert Wever (1500) English poet

Lusty Juventus http://www.umm.maine.edu/faculty/necastro/drama/juventus.txt (1557)

Youth, Nature, Evil, Horse

“Most writers have no other quality than the reader: taste. But the latter has the better taste, because he does not write - and the best if he does not read.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Reading

“I’ve spent a lot of time in London over the last few years and I liked the idea of the Mughal emperor Babur meeting with modern-day disaffected youth and talking to them about their actions. He was a sharp literary critic who could be very sweeping and cruel about poetry if he thought it was bad poetry, and he said some fantastic things that I quoted word for word in the opera. I read the Baburnama – the memoirs of Babur – and quoted lines from it. “Writing badly will make you ill.” What a beautiful thing to say. I read that book and I thought, how dramatic! If he had been a figure in western history it would have been an opera. War, murder, love, tragedy, poetry. It always jumped out at me as something worth doing.”

Jeet Thayil (1959) Indian writer

Jeet Thayil: Confessions of an Indian Opium-Eater

Love, War, Books, Youth

“I’m surprised that multiple personalities are so much less common in reality than in fiction: what a little disorder it would take, a distraction, a sleep, for one of our minor characters to imagine he was the star, to speak out for everyone else. And that’s what it would be, a change of billing, not of authorship. For you do not write your play—you are just the character in it called The Playwright. The real writer, you never meet.”

James Richardson (1950) American poet

#139
Vectors: Aphorisms and Ten Second Essays (2001)

Imagination, Star, Reality, Sleep

“Sultan Firoz Tughlaq writes in his Fatuhat that he appeased by means of gifts the heirs of those who had been deprived of a limb, nose, eye, hand or foot in the time of his late lord and patron Sultan Muhammad Shah. Firoz Tughlaq is known for his kind-heartedness but, according to Shams Siraj Afif, he killed one lakh 80 thousand Bengalis in war. Towers of skulls of the killed were erected. The chronicler adds, "Firoz Shah was near the mound of skulls with all magnificence; and glory and was inspecting the counting of the heads."”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif, quoted in Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 3

War, Time

“When I was writing songs or performing or producing or dabbling in movies or even putting my career on hold to go to art school, I was just following my muse. A woman who did that then was criticized for having no direction. Today they call it versatility.”

Jackie DeShannon (1941) American singer-songwriter

Biography magazine (April 2002)

School, Art

“There was more of a flow to my output of writing in the past, certainly. Having no contemporaries left means you cannot say, "Well, so-and-so will like this," which you do when you're younger. You realize there is no so-and-so anymore. You are your own so-and-so. There is a bleak side to it.”

Gore Vidal (1925–2012) American writer

2000s, What I've Learned (2008)

Past

“One cannot write about Robert E. Howard without writing about Texas. This is inevitable, and particularly so when discussing any aspect of Howard's biography. To ignore the presence of the Lone Star State in Robert E. Howard's life and writing invites, at the very least, a few wrongheaded conclusions, and at worst, abject character assassination. This doesn't keep people from plunging right in and getting it wrong every time.”

Robert E. Howard (1906–1936) American author

~ Mark Finn, 2006, p. 249, Blood and Thunder, ISBN 978-1-932265-21-7
About

Life, People, Star, Time

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

People, Books, School, Search

“Beware the fictionist writing his own life. Even candor becomes a strategy.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"V. S. Pritchett: Midnight Oil" (1972), p. 223
The Good Word & Other Words (1978)

Life

“Bring forward what is true, Write it so that it is clear, Defend it to your last breath!”

Ludwig Boltzmann (1844–1906) Austrian physicist

S. Rajasekar, N.Athavan, "Ludwig Edward Boltzmann"
Attributed

“Hooykaas (1972, p. 100) writes that especially commercial and industrial cities were intellectually dynamic, far more so than sleepy university towns. These cities also tended to be more tolerant of different religions and multilingual. Modern research has found that especially cities involved in Atlantic trade were institutionally dynamic.”

Joel Mokyr (1946) Israeli American economic historian

Joel Mokyr (2016), A Culture of Growth: The Origins of the Modern Economy. p. 174

Religion, Universe

“Somehow the inclination to write about my private life in public is related to the ability to do so. It is not enough to say that my mother and father do not want to write their autobiographies. It needs also to be said that they are unable to write to a public reader. They lack the skill. Though both of them can write in Spanish and English, they write in a hesitant manner. Their syntax is uncertain. Their vocabulary limited. The man who sits in his chair so many hours, and the woman at the ironing board—‘keeping busy because I don’t want to get old’—will never be able to believe that any description of their personal lives could be understood by a stranger far from home.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)

Life, Home, Business, Personality

“One objection I have heard voiced to works of this kind—dealing with Texas—is the amount of gore spilled across the pages. It can not be otherwise. In order to write a realistic and true history of any part of the Southwest, one must narrate such things, even at the risk of monotony.”

Robert E. Howard (1906–1936) American author

From a letter to August Derleth (March 1933)
Letters

History, Parting

“The bear bent down to do up its case again. As he did so, Mrs. Brown caught a glimpse of the writing on the label. It said, simply, PLEASE LOOK AFTER THIS BEAR. THANK YOU.”

Michael Bond (1926–2017) English author, creator of Paddington the Bear

Page 10.
A Bear Called Paddington (1958)

“For I must write to The Times tonight, and save the world from sin.”

A. P. Herbert (1890–1971) British politician

"The Saviours", Laughing Ann (1925).

World, Time

“After writing the account given of the Savior’s ministry to the remnant of the seed of Jacob, upon this continent, it was easy to be seen, as the prophet said it would be, that darkness covered the earth and gross darkness the minds of the people. On reflecting further it was as easy to be seen that amid the great strife and noise concerning religion, none had authority from God to administer the ordinances of the Gospel. For the question might be asked, have men authority to administer in the name of Christ, who deny revelations, when His testimony is no less than the spirit of prophecy, and His religion based, built, and sustained by immediate revelations, in all ages of the world when He has had a people on earth? If these facts were buried, and carefully concealed by men whose craft would have been in danger if once permitted to shine in the faces of men, they were no longer to us; and we only waited for the commandment to be given ‘Arise and be baptized.”

Oliver Cowdery (1806–1850) American Mormon leader

Men, God, People, Age

“Someone watches over us when we write. Mother. Teacher. Shakespeare. God.”

Martin Amis book London Fields

London Fields (1989)

God, Teachers

“O God, the creature knows not to what end Thou hast made Him; teach him, and write in the depths of his soul that the clay must suffer itself to be shaped at the will of the potter.”

François Fénelon (1651–1715) Catholic bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 543.

God, Soul, Suffering

“As Jules Renard said, no matter how much care an author takes to write as few books as possible, there will be people who haven’t heard of some of them.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“You Are Cordially Invited”
Flying to America: 45 More Stories (2007)

People, Books

“Be Godzilla. Don't do anything else. Write books about playing Godzilla, talk to reporters about playing Godzilla, but don't do anything else. Just be Godzilla.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

Books

“We are not empire builders. How important this fact is no American who has not lived in Asia can appreciate. It goes against our conscience, which is a very tender part of the American spirit. Therefore we are learning how to hold our allies, not by force of arms and government, but by mutual benefit and friendship. So much is already clear…
I am therefore hopeful. In spite of dismaying contradictions in individuals in our national scene, I feel the controlling spirit or our people, generous, decent, and sane. In this mood of faith and hope my work goes on. A ream of fresh paper lies on my desk waiting for the next book. I am a writer and I take up my pen to write.”

Pearl S. Buck (1892–1973) American writer

Source: My Several Worlds (1954), p. 407, This has sometimes been quoted as "In a mood of faith and hope..."

Friendship, People, Books, Faith

“Bosboom has just as anyone else fussed around things [paintings] from time to time to get his money. Only very few people can escape this... It is almost impossible that an artist who doesn't have the gift to work for the market as well, will always have to make good things. Because, when he has no money he has to earn it. And he will have to strain himself. For something he appreciates the least of all. He can never neglect this... The examples you can see everywhere. If you may write something about him [Bosboom] again, I hope you will take this into account too.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek version in original Dutch (citaat van zijn brief aan nl:Jan Veth, in het Nederlands:) Bosboom heeft net zoo goed als een ander wel eens dingen afgepeuterd om aan geld te komen. daar ontsnappen maar heel weinig menschen aan.. .Het is bijna onmogelijk dat een artist die niet de gaaf heeft om tegelijk voor de verkoop te werken altijd heeft goede dingen te maken. omdat hij als hij geen geld heeft het moet verdienen. En hij zich zal moeten inspannen. Voor iets waar hij minst voor voelt. Dat nooit nalaten kan.. .De voorbeelden zijn voor 't grijpen. Als je soms iets over hem mocht schrijven hoop ik dat je dit ook in aanmerking zult nemen. quote of Breitner in a letter to Jan Veth, Amsterdam, Fall 1891; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/80 Jan Veth wrote an memorial on Johannes Bosboom, shortly after Bosboom's death 1890 - 1900

Money, People, Hope, Time

“Writing about the days of Sultan Muhammad bin Tughlaq (1325-51), Shihabuddin Al-Umari writes:
“The Sultan never ceases to show the greatest zeal in making war upon the infidels… Every day thousands of slaves are sold at a very low price, so great is the number of prisoners… (that) the value at Delhi of a young slave girl, for domestic service, does not exceed eight tankahs. Those who are deemed fit to fill the parts of domestic and concubine sell for about fifteen tankahs. In other cities prices are still lower…” Probably it was so because Ibn Battuta while in Bengal says that a pretty Kaniz (slave girl) could be had there for one gold dinar (or 10 silver tankahs). “I purchased at this price a very beautiful slave girl whose name was Ashura. A friend of mine also bought a young slave named Lulu for two gold coins.”32…Umari continues, “but still, in spite of low price of slaves, 20000 tankahs, and even more, are paid for young Indian girls. I inquired the reason… and was told that these young girls are remarkable for their beauty, and the grace of their manners.””

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Battuta, Mahdi Husain, 235; Quaunah Turks, 155 n. ; Masalik-ul-Absar, E.D., III, 580-81. (Shihabuddin al-Umri, Masalik-ul-Absar fi Mumalik-ul-Amar) quoted from Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 10

War, Beauty, Girl, Parting