Quotes about writing
page 40

Richard Dawkins photo
Kurt Schwitters photo
Anton Chekhov photo

“Everyone judges plays as if they were very easy to write. They don’t know that it is hard to write a good play, and twice as hard and tortuous to write a bad one.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (May 4, 1889)
Letters

Camille Paglia photo
Salvador Dalí photo
Ryan C. Gordon photo

“I find if you're targeting Windows, Linux, and Mac OS X right from the start, your code will probably work anywhere else that you might try it later… Writing code that is cross-platform from the start requires more discipline, but I find it is worth the effort.”

Ryan C. Gordon (1978) Computer programmer

Quoted in Luboš Doležel, "Interview: Ryan C. Gordon" http://www.abclinuxu.cz/clanky/rozhovor-ryan-c.-gordon-icculus?page=1 AbcLinuxu.cz (2011-03-08)

Richard Blackmore photo

“The Inclinations of Men, in this their degenerate State, carry them with great Force to those voluptuous Objects, that please their Appetites and gratify their Senses; and which not only by their early Acquaintance and Familiarity, but as they are adapted to the prevailing Instincts of Nature, are more esteem'd and pursu'd than all other Satisfactions. As those inferior Enjoyments, that only affect the Organs of the Body are chiefly coveted, so next to these, that light and facetious Qualification of the Mind, that diverts the Hearers and is proper to produce Mirth and Alacrity, has, in all Ages, by the greatest Part of Mankind, been admir'd and applauded. No Productions of Human Understanding are receiv'd with such a general Pleasure and Approbation, as those that abound with Wit and Humour, on which the People set a greater Value, than on the wisest and most instructive Discourses. Hence a pleasant Man is always caress'd above a wise one, and Ridicule and Satyr, that entertain the Laughers, often put solid Reason and useful Science out of Countenance. The wanton Temper of the Nation has been gratify'd so long with the high Seasonings of Wit and Raillery in Writing and Conversation, that now almost all Things that are not accommodated to their Relish by a strong Infusion of those Ingredients, are rejected as the heavy and insipid Performances of Men of a plain Understanding and meer Masters of Sense.”

Richard Blackmore (1654–1729) English poet and physician

Essay upon Wit http://www.gutenberg.org/files/13484/13484-8.txt (1711)

“I thought I'd write you a lovesong
And I sang it to you over the phone”

Beef Bonanza punk rock musician in The Bones

Half of nothing
Lyrics

Jacques Derrida photo

“Sir, please do not write anything about me. I am an insignificant person. If you wish to write anything, then write about Sri Ramakrishna and Swami Vivekananda. That will benefit humanity.”

When Sharat Chandra Chakrabarty, a disciple fo Vivekananda asked Adbhutananda for permission to write his biography.
Source: God Lived with Them, p.395

Neil Gaiman photo

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”

Neil Gaiman (1960) English fantasy writer

"somewhat less sinister ducks" Blog entry (23 April 2004) http://www.neilgaiman.com/journal/2004/04/somewhat-less-sinister-ducks.asp

Hilary Duff photo

“I actually didn't want to have control of the writing on my first album. To write, you have to have time to connect with yourself. I don't have that time right now, because I'm so busy.”

Hilary Duff (1987) American actress and singer

Binelli, Mark. "Teenager of the Year" http://www.rollingstone.com/news/story/5940065/teenager_of_the_year. Rolling Stone. August 27 2003. Retrieved October 25 2006.
On Metamorphosis (2003).

Christopher Titus photo
William H. Pryor Jr. photo

“It may sound paradoxical, but verbal fluency is the product of many hours spent writing about nothing, just as musical fluency is the product of hours spent repeating scales.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 26

“But some years after, a letter, which he received from Dr. Hooke, put him on inquiring what was the real figure, in which a body let fall from any high place descends, taking the motion of the earth round its axis into consideration. Such a body, having the same motion, which by the revolution of the earth the place has whence it falls, is to be considered as projected forward and at the same time drawn down to the centre of the earth. This gave occasion to his resuming his former thoughts concerning the moon, and Picard in France having lately measured the earth, by using his measures the moon appeared to be kept in her orbit purely by the power of gravity; and consequently, that this power decreases, as you recede from the centre of the earth, in the manner our author had formerly conjectured. Upon this principle he found the line described by a falling body to be an ellipsis, the centie of the earth being one focus. And the primary planets moving in such orbits round the sun, he had the satisfaction to see, that this inquiry, which he had undertaken merely out of curiosity, could be applied to the greatest purposes. Hereupon he composed near a dozen propositions, relating to the motion of the primary planets about the sun. Several years after this, some discourse he had with Dr. Halley, who at Cambridge made him a visit, engaged Sir Isaac Newton to resume again the consideration of this subject; and gave occasion to his writing the treatise, which he published under the title of Mathematical Principles of Natural Philosophy. This treatise, full of such a variety of profound inventions, was composed by him, from scarce any other materials than the few propositions before mentioned, in the space of a year and a half.”

Henry Pemberton (1694–1771) British doctor

Republished in: Stephen Peter Rigaud (1838) Historical Essay on the First Publication of Sir Newton's Principia http://books.google.com/books?id=uvMGAAAAcAAJ&pg=RA1-PA49. p. 519
Preface to View of Newton's Philosophy, (1728)

Van Morrison photo
John D. Carmack photo

“Programming in the abstract sense is what I really enjoy. I enjoy lots of different areas of it… I'm taking a great deal of enjoyment writing device drivers for Linux. I could also be having a good time writing a database manager or something because there are always interesting problems.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

Quoted in Bob Colayco, "John Carmack Interview" http://www.firingsquad.com/features/carmack/page3.asp Firing Squad(2000-02-09)

George Saintsbury photo
Giorgio Morandi photo

“Among the painters of our day who have helped me develop are Carlo Carra [famous Futurist painter] and Ardengo Soffici; their work and writings have in my opinion been a beneficial influence on where Italian art is going today.”

Giorgio Morandi (1890–1964) Italian painter

in Autobiografia, G. Morandi; (1928); as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 44
1925 - 1945

Nathanael Greene photo

“I find, by your Excellency's letter to General Sullivan, that you expect the enemy are going to evacuate New York, and that it is probable they are coming eastward. I can hardly think they mean to make an attempt upon Boston, notwithstanding the object is important; and, unless they attack Boston, there is no other object worthy their attention in New England. I am rather inclined to think they mean to leave the United States altogether. What they hold here now, they hold at a great risk and expense. But, suppose they actually intend to quit the Continent, they will endeavour to mislead our attention, and that of our allies, until they can get clear of the coast. The Admiral is fortifying for the security of his fleet; but I am told his batteries are all open in the rear, which will be but a poor security against a land force. General Heath thinks there ought to be some Continental troops sent here : but the Council will not turn out the militia; they are so confident the enemy are not coming here. If your Excellency thinks the enemy really design an attack upon Boston, it may not be useless for you to write your opinion to the Council Board, for I suspect they think the General here has taken the alarm without sufficient reasons. The fortifications round this place are very incomplete, and little or nothing doing upon them. I have given General Heath my opinion what parts to take possession of, if the enemy should attempt the place before the Continental army gets up. From four to five hundred troops have arrived at Halifax; their collective strength will make a formidable army.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (September 1778)

Michael Szenberg photo
Montesquieu photo
Eric S. Raymond photo
Roger Manganelli photo
Muhammad photo
David Mumford photo
Brandon Boyd photo

“Female artists are the perfect example of a creator: They know how to make life and art with their bodies. Life comes from their bodies, so on a very basic level, they have more to write about.”

Brandon Boyd (1976) American rock singer, writer and visual artist

RS, on some of his favorite female artists such as Ani DiFranco and Bjork

Lionel Robbins photo

“I shall always regard this aspect of my dispute with Keynes as the greatest mistake of my professional career, and the book, The Great Depression, which I subsequently wrote, partly in justification of this attitude, as something which I would willingly see be forgotten. […] Now I still think that there is much in this theory as an explanation of a possible generation of boom and crisis. But, as an explanation of what was going on in the early ’30s, I now think it was misleading. Whatever the genetic factors of the pre-1929 boom, their sequelae, in the sense of inappropriate investments fostered by wrong expectations, were completely swamped by vast deflationary forces sweeping away all those elements of constancy in the situation which otherwise might have provided a framework for an explanation in my terms. The theory was inadequate to the facts. Nor was this approach any more adequate as a guide to policy. Confronted with the freezing deflation of those days, the idea that the prime essential was the writing down of mistaken investments and the easing of capital markets by fostering the disposition to save and reducing the pressure on consumption was completely inappropriate. To treat what developed subsequently in the way which I then thought valid was as unsuitable as denying blankets and stimulants to a drunk who has fallen into an icy pond, on the ground that his original trouble was overheating.”

Lionel Robbins (1898–1984) British economist

Autobiography of an Economist (1971), p. 154.

Daniel Levitin photo
Van Morrison photo
François-René de Chateaubriand photo
Carole Morin photo

“Writing is prophesy.
Don’t write anything unless you want it to come true.”

Carole Morin British writer

Spying on Strange Men (2013)

Charles Lamb photo
Isaac Asimov photo

“Science Digest asked me to see the movie Close Encounters of the Third Kind and write an article for them on the science it contained. I saw the picture and was appalled. I remained appalled even after a doctor’s examination had assured me that no internal organs had been shaken loose by its ridiculous soundwaves. (If you can’t be good, be loud, some say, and Close Encounters was very loud.) … Hollywood must deal with large audiences, most of whom are utterly unfamiliar with good science fiction. It has to bend to them, meet them at least half-way. Fully appreciating that, I could enjoy Planet of the Apes and Star Wars. Star Wars was entertainment for the masses and did not try to be anything more. Leave your sophistication at the door, get into the spirit, and you can have a fun ride. … Seeing a rotten picture for the special effects is like eating a tough steak for the smothered onions, or reading a bad book for the dirty parts. Optical wizardry is something a movie can do that a book can’t but it is no substitute for a story, for logic, for meaning. It is ornamentation, not substance. In fact, whenever a science fiction picture is praised overeffusively for its special effects, I know it’s a bad picture. Is that all they can find to talk about?”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

"Editorial: The Reluctant Critic", in Isaac Asimov’s Science Fiction Magazine, Vol. 2, Issue 6, (12 November 1978) https://archive.org/stream/Asimovs_v02n06_1978-11-12/<!-- Asimovs_v02n06_1978-11-12_djvu.txt -->
General sources

George Eliot photo
George II of Great Britain photo

“Who is this Pope that I hear so much about? I cannot discover what is his merit. Why will not my subjects write in prose?”

George II of Great Britain (1683–1760) British monarch

As quoted in Sir James Prior's Life of Edmond Malone (1860), p. 369.
Attributed

Wendell Phillips photo

“Write on my gravestone: "Infidel, Traitor" — infidel to every church that compromises with wrong; traitor to every government that oppresses the people.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

As quoted in the American Federation of Labor Bulletin, Vol. 8, Issues 11-18 (1926), p. 69

William Styron photo
Leo Tolstoy photo

“This divergence and perversion of the essential question is most striking in what goes today by the name of philosophy. There would seem to be only one question for philosophy to resolve: What must I do? Despite being combined with an enormous amount of unnecessary confusion, answers to the question have at any rate been given within the philosophical tradition on the Christian nations. For example, in Kant´s Critique of Practical Reason, or in Spinoza, Schopenhauer and specially Rousseau.

But in more recent times, since Hegel´s assertion that all that exists is reasonable, the question of what one must do has been pushed to the background and philosophy has directed its whole attention to the investigation of things as they are, and to fitting them into a prearranged theory. This was the first step backwards.

The second step, degrading human thought yet further, was the acceptance of the struggle for existence as a basic law, simply because that struggle can be observed among animals and plants. According to this theory the destruction of the weakest is a law which should not be opposed. And finally, the third step was taken when the childish originality of Nietzsche´s half-crazed thought, presenting nothing complete or coherent, but only various drafts of immoral and completely unsubstantiated ideas, was accepted by the leading figures as the final word in philosophical science. In reply to the question: what must we do? the answer is now put straightforwardly as: live as you like, without paying attention to the lives of others.

If anyone doubted that the Christian world of today has reached a frightful state of torpor and brutalization (not forgetting the recent crimes committed in the Boers and in China, which were defended by the clergy and acclaimed as heroic feats by all the world powers), the extraordinary success of Nietzsche´s works is enough to provide irrefutable proof of this.

Some disjointed writings, striving after effect in a most sordid manner, appear, written by a daring, but limited and abnormal German, suffering from power mania. Neither in talent nor in their basic argument to these writings justify public attention. In the days of Kant, Leibniz, or Hume, or even fifty years ago, such writings would not only have received no attention, but they would not even have appeared. But today all the so called educated people are praising the ravings of Mr. N, arguing about him, elucidating him, and countless copies of his works are printed in all languages.”

Leo Tolstoy (1828–1910) Russian writer

Source: What is Religion, of What does its Essence Consist? (1902), Chapter 11

Bran Ferren photo

“In 250 years, reading and writing will have turned out to be a fad.”

Bran Ferren (1953) American technologist

The Creators, The New York Times Magazine, September 8, 2013 http://partners.nytimes.com/library/magazine/millennium/m4/ferren.html,

Elmore Leonard photo

“After 58 years you'd think writing would get easier. It doesn't. If you're lucky, you become harder to please. That's all right, it's still a pleasure.”

Elmore Leonard (1925–2013) American novelist and screenwriter

"Making It Up as I Go Along", AARP Magazine 52 (4A), July/August 2009

Neil Gaiman photo

“I don't know what it's like to be God — obviously …until that very first moment when you get to sit down and type the words in your script: INTERIOR. TARDIS. … Suddenly I got a very good idea of what it must feel like. I went: "I'm writing it now this scene in the Tardis. I'm writing it!"”

Neil Gaiman (1960) English fantasy writer

And that was amazing, it was wonderful.
On writing the script for the episode of Doctor Who, "The Doctor's Wife" (originally titled "House of Nothing"), as quoted in "Neil Gaiman reveals power of writing Doctor Who" by Tim Masters at BBC News (24 May 2010) http://www.bbc.co.uk/news/10146657

Vitruvius photo
Koenraad Elst photo
Bill Hybels photo
Ludwig Feuerbach photo

“We have busied ourselves and contented ourselves long enough with speaking and writing; now at last we demand that the word become flesh, the spirit matter; we are as sick of political as we are of philosophical idealism; we are determined to become political materialists.”

Ludwig Feuerbach (1804–1872) German philosopher and anthropologist

Lecture I, Occasion and Context
Lectures on the Essence of Religion http://www.marxists.org/reference/archive/feuerbach/works/lectures/index.htm (1851)

David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Rex Stout photo

“There are only two kinds of books which you can write and be pretty sure you're going to make a living — cook books and detective stories.”

Rex Stout (1886–1975) American writer

Rex Stout, page 3
Royal Decree: Conversations with Rex Stout

Jimmy Wales photo

“Quite frankly, several of the people who contributed to the article should be banned from coming near a keyboard until they have learned to engage in proper encyclopedia writing.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Source: In a discussion about Wikipedia article http://en.wikipedia.org/w/index.php?title=Talk:BonziBUDDY&diff=74314772&oldid=74246581 (07 September 2006)

Ambrose Bierce photo

“A popular author is one who writes what the people think. Genius invites them to think something else.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 356

Ernest Hemingway photo

“Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similies (bring me my dictionary) are like defective ammunition”

Ernest Hemingway (1899–1961) American author and journalist

the lowest thing I can think of at this time
Letter (20 March 1953); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Phillip Guston photo
Karl Kraus photo

“Most writers have no other quality than the reader: taste. But the latter has the better taste, because he does not write - and the best if he does not read.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Jeet Thayil photo
Firuz Shah Tughlaq photo
Jackie DeShannon photo
Gore Vidal photo
Robert E. Howard photo
L. Frank Baum photo

“The scenery and costumes of 'The Wizard of Oz' were all made in New York — Mr. Mitchell was a New York favorite, but the author was undoubtedly a Chicagoan, and therefore a legitimate butt for the shafts of criticism. So the critics highly praised the Poppy scene, the Kansas cyclone, the Scarecrow and the Tin Woodman, but declared the libretto was very bad and teemed with 'wild and woolly western puns and forced gags.' Now, all that I claim in the libretto of 'The Wizard of Oz' is the creation of the characters of the Scarecrow and the Tin Woodman, the story of their search for brains and a heart, and the scenic effects of the Poppy Field and the cyclone. These were a part of my published fairy tale, as thousands of readers well know. I have published fifteen books of fairy tales, which may be found in all prominent public and school libraries, and they are entirely free, I believe, from the broad jokes the New York critics condemn in the extravaganza, and which, the New York people are now laughing over. In my original manuscript of the play were no 'gags' nor puns whatever. But Mr. Hamlin stated positively that no stage production could succeed without that accepted brand of humor, and as I knew I was wholly incompetent to write those 'comic paper side-splitters' I employed one of the foremost New York 'tinkerers' of plays to write into my manuscript these same jokes that are now declared 'wild and woolly' and 'smacking of Chicago humor.' If the New York critics only knew it, they are praising a Chicago author for the creation of the scenic effects and characters entirely new to the stage, and condemning a well-known New York dramatist for a brand of humor that is palpably peculiar to Puck and Judge. I am amused whenever a New York reviewer attacks the libretto of 'The Wizard of Oz' because it 'comes from Chicago.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Letter to "Music and the Drama", The Chicago Record-Herald (3 February 1903)
Letters and essays

“Beware the fictionist writing his own life. Even candor becomes a strategy.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"V. S. Pritchett: Midnight Oil" (1972), p. 223
The Good Word & Other Words (1978)

Ludwig Boltzmann photo

“Bring forward what is true, Write it so that it is clear, Defend it to your last breath!”

Ludwig Boltzmann (1844–1906) Austrian physicist

S. Rajasekar, N.Athavan, "Ludwig Edward Boltzmann"
Attributed

Joel Mokyr photo
Richard Rodríguez photo
Robert E. Howard photo
Michael Bond photo

“The bear bent down to do up its case again. As he did so, Mrs. Brown caught a glimpse of the writing on the label. It said, simply, PLEASE LOOK AFTER THIS BEAR. THANK YOU.”

Michael Bond (1926–2017) English author, creator of Paddington the Bear

Page 10.
A Bear Called Paddington (1958)

A. P. Herbert photo

“For I must write to The Times tonight, and save the world from sin.”

A. P. Herbert (1890–1971) British politician

"The Saviours", Laughing Ann (1925).

Oliver Cowdery photo
Martin Amis photo
François Fénelon photo
Donald Barthelme photo

“As Jules Renard said, no matter how much care an author takes to write as few books as possible, there will be people who haven’t heard of some of them.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“You Are Cordially Invited”
Flying to America: 45 More Stories (2007)

“Be Godzilla. Don't do anything else. Write books about playing Godzilla, talk to reporters about playing Godzilla, but don't do anything else. Just be Godzilla.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

Pearl S.  Buck photo
George Hendrik Breitner photo

“Bosboom has just as anyone else fussed around things [paintings] from time to time to get his money. Only very few people can escape this... It is almost impossible that an artist who doesn't have the gift to work for the market as well, will always have to make good things. Because, when he has no money he has to earn it. And he will have to strain himself. For something he appreciates the least of all. He can never neglect this... The examples you can see everywhere. If you may write something about him [Bosboom] again, I hope you will take this into account too.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van zijn brief aan nl:Jan Veth, in het Nederlands:) Bosboom heeft net zoo goed als een ander wel eens dingen afgepeuterd om aan geld te komen. daar ontsnappen maar heel weinig menschen aan.. .Het is bijna onmogelijk dat een artist die niet de gaaf heeft om tegelijk voor de verkoop te werken altijd heeft goede dingen te maken. omdat hij als hij geen geld heeft het moet verdienen. En hij zich zal moeten inspannen. Voor iets waar hij minst voor voelt. Dat nooit nalaten kan.. .De voorbeelden zijn voor 't grijpen. Als je soms iets over hem mocht schrijven hoop ik dat je dit ook in aanmerking zult nemen.
quote of Breitner in a letter to Jan Veth, Amsterdam, Fall 1891; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/80
Jan Veth wrote an memorial on Johannes Bosboom, shortly after Bosboom's death
1890 - 1900

Muhammad bin Tughluq photo
Rupert Boneham photo
Fritjof Capra photo
Donald Barthelme photo
John Mayer photo

“Who says I can’t be free?
From all of the things that I used to be.
Re-write my history.
Who says I can’t be free?”

John Mayer (1977) guitarist and singer/songwriter

Who Says
Song lyrics, Battle Studies (2009)

Freeman Dyson photo
Joanna MacGregor photo
Joey Comeau photo

“I write to reach eternity.”

James Jones (1921–1977) American author

As quoted in "From Eternity to Here" in Newsweek (13 January 1958)

John Byrne photo
Henry Wadsworth Longfellow photo
Carson Cistulli photo
Jeff VanderMeer photo

“I could not move or speak for several minutes, frozen in the belief that the book itself had changed and was now writing me.”

AppendiX, "A note from Dr. V to Dr. Simpkin"
City of Saints and Madmen (2001–2004)

Carrie Fisher photo
John Denham photo

“Such is our pride, our folly, or our fate,
That few but such as cannot write, translate.”

John Denham (1615–1669) English poet and courtier

To Sir Richard Fanshaw, Upon his Translation of Pastor Fido (1648), line 1.