Quotes about writer
page 14

“I am late with the new Doris Lessing [The Golden Notebook]. I make no apology: it has taken me a long time to read (568 pages of close print) and at the end of it all I feel cheated. This talented writer has attempted an experiment which has failed, essayed a scale which is beyond her…. This is a book of revolt – political, social, sexual. Anna [the heroine] became a Communist in South Africa, seeing in Communism a "moral energy" not to be found in other creeds or in the long-entrenched privileged class. Anna is also concerned with being a "free woman" – rebelling against traditional male dominance – and with achieving maximal erotic fulfilment…. There is no doubt about the great moral virtues here – intelligence, honesty, integrity – but it is the aesthetic virtues that seem to be lacking. The characters do not really interest us: when we have dialogue it is strangely unnatural … Mrs Lessing’s old singleness of vision, her strength as a writer, is not to be found here. [Review in the English provincial newspaper the Yorkshire Post, 1962]”

Anthony Burgess (1917–1993) English writer

People, Joseph Conrad, Doris Lessing

Books, Feeling, Intelligence, Communication

“There's an old saying that states something about leaving the best for last. [Writer/producer] George Lucas certainly didn't follow that adage when crafting the original Star Wars trilogy. Return of the Jedi, the final installment of the series, is easily the least innovative and most hokey of the three films. In fact, most of the enjoyment derived from this motion picture comes from the simple act of getting together with old friends and enemies one more time. If Luke, Han, Leia, and Vader were replaced by nameless, faceless characters, Return of the Jedi wouldn't be a whole lot more interesting than Independence Day.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw3.html of Star Wars Episode VI: Return of the Jedi (1983). Three star reviews

War, Star, Time

“It would certainly be better if a writer like Leacock knew always what was best to do and what would look best in the eyes of posterity, but such unnatural foresight cannot be required of any man.”

Robertson Davies book A Voice from the Attic

A Voice from the Attic (1960)

“How simple the writing of literature would be if it were only necessary to write in another way what has been well written. It is because we have had such great writers in the past that a writer is driven far out past where he can go, out to where no one can help him.”

Ernest Hemingway (1899–1961) American author and journalist

Nobel Prize Speech (1954)

Way, Literature, Past, Help

“When I was first in Czechoslovakia, it occurred to me that I work in a society where as a writer everything goes and nothing matters, while for the Czech writers I met in Prague, nothing goes and everything matters. This isn't to say I wished to change places. I didn't envy their persecution and the way in which it heightens their social importance. I didn't even envy them their seemingly more valuable and serious themes. The trivialization, in the West, of much that's deadly serious in the East is itself a subject, one requiring considerable imaginative ingenuity to transform into compelling fiction.”

Philip Roth (1933–2018) American novelist

Paris Review Interview (1986)

Way, Imagination, Change, Envy

“When we first started, they basically went John and Paul's way because they were the writers and they would say, "This is the song," and I would play as creatively as I could. Sometimes I would have three people telling me how to do it. They were saying play it this like on that track. I'm saying, "For Christ's sake, there are two drummers there." They could never hear that, you know. You'd have to have four arms to do half the stuff they wanted me to do.”

Ringo Starr (1940) British musician, former member of the Beatles

Interview in Viva magazine (1978)

People, Way, Christ

“It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born?”

Jeff VanderMeer book City of Saints and Madmen

"The Strange Case of X", p. 196
City of Saints and Madmen (2001–2004)

World, Literature, Question, Nature

“There are events which are so great that if a writer has participated in them his obligation is to write truly rather than assume the presumption of altering them with invention.”

Ernest Hemingway (1899–1961) American author and journalist

Preface to The Great Crusade (1940) by Gustav Regler

“All writers are conventional, because all writers have the same problem of transferring their language from direct speech to the imagination. For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

People, Imagination, Literature, Problem

“Writers on international law... cannot make the law … it must have received the assent of the nations who are to be bound by it. This assent may be express … or may be implied from established usage.”

Sir Alexander Cockburn, 12th Baronet (1802–1880) Lord Chief Justice

The Queen v. Keyn; "The Franconia" (1876), 2 L. R. Ex. D. 202.

Law

“I think whenever you write something you want people to like it. The best way to do that, usually, is to write what you think is good. That’s basically what everyone tries to do… just to write what they think is good. Part of that is staying true to the characters and the world (which makes it a kids show by it’s design)… and part of that is introducing deeper concepts that we, as writers, are curious about exploring”

Patrick McHale (artist) (1983) writer, storyboard artist, animator, filmmaker

which makes it more interesting for adults Interview with Pat McHale (Adventure Time, Over the Garden Wall writer) https://crackplot.com/2015/06/13/interview-with-pat-mchale-adventure-time-over-the-garden-wall-writer/ (June 13, 2015)

People, World, Way, Thinking

“As a writer, I must keep writing, poems can never be forced, the muses will not be raped, so I feel this kind of prose (autobiography), however inadequate, share some of the exploratory features of the poetic use of language.”

Vernon Scannell (1922–2007) British boxer and poet

Tiger and the Rose, 1971

Feeling

“A man must pretend not to be a writer.”

William Saroyan (1908–1981) American writer

Seventy Thousand Assyrians (1934)

“Viennese life at the turn of the century provided opportunities in salons and coffeehouses for scientists, writers, and artists to come together in an atmosphere that was at once inspiring, optimistic, and politically engaged. …science was no longer the narrow and restrictive province of scientists but had become an integral part of Viennese culture. …a paradigm for how an open dialogue can be achieved.”

Eric R. Kandel (1929) American neuropsychiatrist

The Age of Insight (2012)

Life, Science, Parting

“On the one hand, the student has been informed by some writers that the only certain way lies in the use of the entropy-function and the thermodynamic potentials; on the other hand, he is told with equal authority that the method used by the original investigators has been the consideration of cyclic processes, and that the former method is nothing but a mathematical (perhaps unnecessary) refinement of the results obtained by the latter. These extreme attitudes appear to me to be unfortunate, and more especially when one observes the physical clearness introduced by the use of cyclic processes, but at the same time remembers that most of the results obtained by separate investigators using cyclic processes had, with a great many more, previously been found by J. Willard Gibbs by means of a purely analytical method.”

J. R. Partington (1886–1965) British chemist

A Text-Book of Thermodynamics with Special Reference to Chemistry (1913)

Way, Mathematics, Appearance, Time

“An Hispanic-American writer tells me, ‘I will never give up my family language; I would as soon give up my soul.’ Thus he holds to his chest a skein of words, as though it were the source of his family ties. He credits to language what he should credit to family members. A convenient mistake. For as long as he holds on to words, he can ignore how much else has changed in his life.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)

Life, Family, Soul, Change

“I always think twice before reading the biography of a writer I admire. Biographers sometimes latch onto small details, unreliable eyewitness accounts, character traits that appear puzzling or disappointing – all of which is like the crackling sound that messes with radio transmissions, making the music and the voices impossible to hear. It is only by actually reading his books that we gain intimacy with a writer. This is when he is at his best and he is speaking to us in a low voice without any of the static.”

Patrick Modiano (1945) French writer

From Nobel Lecture (2014)

Books, Music, Disappointment, Thinking

“I have known a handful of producers who actually were equal or superior to the writers with whom they worked. These producers were a new kind of nonwriting writer hatched by the movies—as Australia produced wingless birds. They wrote without pencils or even words. Using a sort of mime-like talent, they could make up things like writers.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

Bird

“We are all familiar with the passionate and closely argued appeal against censorship by the outstanding Soviet writer A. Solzhenitsyn. He as well as G. Vladimov, G. Svirsky, and other writers who have spoken out on the subject have clearly shown how incompetent censorship destroys the living soul of Soviet literature, but the same applies of course to all other manifestations of social thought, causing stagnation and dullness and preventing fresh and deep ideas.
Such ideas, after all, can arise only in discussion, in the face of objections, only if there is a potential possibility of expressing not only true but also dubious ideas. This was clear to the philosophers of ancient Greece and hardly anyone nowadays would have any doubts on that score. But after fifty years of complete domination over the minds of an entire nation, our leaders seem to fear even allusions to such a discussion.”

Andrei Sakharov (1921–1989) Soviet nuclear physicist and human rights activist

Progress, Coexistence and Intellectual Freedom (1968), Dangers, The Threat to Intellectual Freedom

Fear, Soul, Literature, Idea

“I'm 82 years old, wherever I go everybody knows me, but here's why… I'm a merchandiser, I'm not just a writer, I stay in every avenue you can think of.”

Mickey Spillane (1918–2006) American writer

Crime Time interview (2001)

Thinking

“The subject that interests most writers is, of course, themselves and it is easy subject to talk about. But you know it is always easier if you are a poet or a novelist because you are used to talking in your voice. You suspend your whole life talking as writer directly to the audience. The problem is being playwright is that everything that you write is for someone else to say.”

Girish Raghunath Karnad (1938–2019) Indian playwright

Expressed to R.K.Dhavan, quoted here [Sahu, Nandini title=The Post-colonial Space: Writing the Self and the Nation, http://books.google.com/books?id=xs_tj0tDnnwC&pg=PA59, 2007, Atlantic Publishers & Dist, 978-81-269-0777-9, 116]

Life, Problem

“A writer’s subconscious is one of the filthiest places there are: as a matter of fact, you can find the whole world there.”

Romain Gary (1914–1980) French writer and diplomat

The Dance of Genghis Cohn (1967)

World

“Israel has extended its hand in peace from the moment it was established… In Israel our hope for peace never wanes. Our scientists, doctors, and innovators apply their genius to improve the world of tomorrow. Our artists, our writers, enrich the heritage of humanity. Now, I know that this is not exactly the image of Israel that is often portrayed…”

Benjamín Netanyahu (1949) Israeli prime minister

2010s, 2011 Source: Address to the U.N. General Assembly https://web.archive.org/web/20130615172321/http://www.mfa.gov.il/mfa/pressroom/2011/pages/remarks_pm_netanyahu_un_general%20_assembly_23-sep-2011.aspx (23 September 2011).

World, Peace, Hope

“Good writers indulge their audience; great writers know better.”

Tom Heehler American author

The Well-Spoken Thesaurus (2011)

“How could Leonardo da Vinci not have painted? How could Shakespeare not have written? In Letters to a Young Poet, Rilke tells a young writer to write only if he has to. We are to do what there is a deep psychological and emotional imperative for us to do. That’s our point of power, the source of our brilliance. Our power is not rationally or willfully called forth. It’s a divine dispensation, an act of grace.”

Marianne Williamson (1952) American writer

Source: A Return to Love: Reflections on the Principles of "A Course in Miracles" (1992), Ch. 7 : Work, §3 : Personal Power

Painting

“But with the passing of time, a peasant became a tribal and from tribal a beast. William Finch, writing at Agra about 1610 C. E., describes how Jahangir and his nobles treated them - during Shikar. A favourite form of sport in Mughal India was the Kamargha, which consisted in enclosing a tract of country by a line of guards, and then gradually contracting the enclosure until a large quantity of game was encircled in a space of convenient size. “Whatever is taken in this enclosure” (Kamargha or human circle), writes Finch, “is called the king’s shikar or game, whether men or beasts… The beasts taken, if man’s meat, are sold… if men they remain the King’s slaves, which he sends yearly to Kabul to barter for horses and dogs: these being poor, miserable, thievish people, that live in woods and deserts, little differing from beasts.”89 W. H. Moreland adds: “Other writer (also) tell it besides Finch.””

Jahangir (1569–1627) 4th Mughal Emperor

Finch, William, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7

Men, People, Dogs, Game

“The dead are friends whom death is powerless to take from us. Great writers are immortal companions who can embellish our old age as they enchanted our young days. Music, too, is an extraordinarily faithful friend. To those of us who have lost our faith in human nature, it offers refuge in other pleasant worlds.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Growing Old

Death, Age, World, Faith

“Readers of histories and novels can hardly fail to be struck by their similarities. There are many histories that could pass for novels, and many novels that could pass for histories, considered in purely formal (or, I should say, formalist) terms. Viewed simply as verbal artifacts histories and novels are indistinguishable from one another. We cannot easily distinguish between them on formal grounds unless we approach them with specific preconceptions about the kinds of truths that each is supposed to deal in. But the aim of the writer of a novel must be the same as that of the writer of a history.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

Truth, History

“A writer is unfair to himself when he is unable to be hard on himself.”

Marianne Moore (1887–1972) American poet and writer

Interview in Writers at Work, Second Series, ed. George Plimpton (1963)

“The bourgeois novel is the greatest enemy of truth and honesty that was ever invented. It's a vast, sentimentalizing structure that reassures the reader, and at every point, offers the comfort of secure moral frameworks and recognizable characters. This whole notion was advanced by Mary McCarthy and many others years ago, that the main function of the novel was to carry out a kind of moral criticism of life. But the writer has no business making moral judgments or trying to set himself up as a one-man or one-woman magistrate's court. I think it's far better, as Burroughs did and I've tried to do in my small way, to tell the truth.”

J. G. Ballard (1930–2009) British writer

"J.G. Ballard on William S. Burrough's Naked Truth" by Richard Kadrey in Salon (2 September 1997) http://web.archive.org/web/20000511215816/http://www.salon.com/sept97/wsb2970902.html

Life, Truth, Way, Business

“Samuel Hartlib, a celebrated writer on husbandry in the last century, a gentleman much beloved and esteemed by Milton, in his preface to the work, commonly called his Legacy, laments greatly that no public director of husbandry was established in England By Authority; and that we had not adopted the Flemish custom of letting farms upon improvement… Cromwell, in consequence of this admirable performance, allowed Hartlib a pension of 100l. a year; and Hartlib afterwards, the better to fulfil the intentions of his benefactor, procured Dr. Beati's excellent annotations on the Legacy, with other valuable pieces from bis numerous correspondents.”

Walter Harte (1709–1774) poet and historian

Source: Essays on Husbandry (1764), p. 3.

“GRUBSTREET — The name of a street near Moorsfield, London, much inhabited by writers of small histories, dictionaries, and temporary poems.”

Samuel Johnson book A Dictionary of the English Language

A Dictionary of the English Language (1755)

History

“Writers are not, by nature, respectable: their function is to be subversive.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

Nature

“Mr Hearn began really to count as a writer only when his Hellenic qualities of mind, stunted at first by the conditions of life in North America, were at last developed among a people distinguished by somewhat of that instinctive feeling for beauty which formed an incomparable element in the genius of ancient Greece. His æsthetic sense luxuriated in a land where fineness of taste is still a common characteristic. Through the gate of their art he entered, not only into the ways of life of the Japanese, but into their moods and their religion.”

Lafcadio Hearn (1850–1904) writer

Edward Wright, [The Romance of the Outlands, The Quarterly Review, 203, 47–72, https://babel.hathitrust.org/cgi/pt?id=hvd.32044092529163;view=1up;seq=77] July 1905, p. 63
Criticism

Life, People, Religion, Beauty

“Respecting the cosmogony of the Egyptian priests, we gather much information from writers of the Grecian sects, who borrowed almost all their tenets from Egypt, and amongst others that of the former successive destruction and renovation of the world.”

Charles Lyell book Principles of Geology

Chpt.2, p. 10
Principles of Geology (1832), Vol. 1

World, Success

“My final word about editing. I was to appear on the cover of a business magazine, and the writer who came to interview me was intrigued with engineers, scientists, PhDs founding and running companies. It was somewhat more unusual back in those days than now, although it was not without ample precedents in the past. So the question he put to me right away starting the interview was, "Would you say, Dr. Ramo, that engineers make the best managers?" And I said, "Engineers make the best engineers." It may be that some engineers will have managerial talents, and be in the right place at the right time, just as may be true of lawyers or accountants or salesmen, or tax experts or whatever. Now, on the magazine then, here was this picture of me, and here was this quote: "Engineers make the best engineers." Well, someone, before the cover actually got out, knew that that was a mistake. Obviously that had been a misprint. So looking at the text, and seeing the question that was asked of me, he changed it to: "Engineers make the best managers." "I quote Dr. Ramo on engineers."”

Simon Ramo (1913–2016) Father of the ICBM

All right. An Interview Conducted by Frederik Nebeker, Center for the History of Electrical Engineering, 27 February 1995; Republished at Oral-History:Simon Ramo http://www.ieeeghn.org/wiki/index.php/Oral-History:Simon_Ramo, at ieeeghn.org, accessed May 30, 2014.

Quotes, Question, Business, Appearance

“a writer once asked what I'd say if i ever met my biggest hater. I paused, thought deeply and said, "probably 'suk a dog dik, motherfuker'"”

Ezra Koenig (1984) American rock musician

Tweeted on Twitter

Dogs

“His fiction – radical, satirical, polyvalent, sexually courageous, global – extended the mainstream novel, and led it somewhere else. Still not fully recognized, he was one of Britain's greatest late-twentieth-century writers.”

Angus Wilson (1913–1991) british author

Malcolm Bradbury, in the Oxford Dictionary of National Biography http://www.oxforddnb.com/view/article/50701 Criticism

Courage

“An understandable hunger for … potential clients tempts many [career counseling therapists] to overpromise, like creative writing teachers who, out of greed or sentimentality, sometimes imply that all of their students could one day produce worthwhile literature, rather than frankly acknowledging the troubling truth, anathema to a democratic society, that the great writer, like the contented worker, remains an erratic and anomalous event, … immune to the methods of factory farming.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 126-127.

Hunger, Truth, Literature, Understanding

“[Oblomov:] "Picture a thief or a fallen woman or a cheated fool, if you like, but do not forget the rest of mankind. What about humanity, pray? Writers like yourself try to write only with the head. What? Do you suppose the intellect can work separately from the heart? Why, the intellect needs love to fertilize it. Rather, stretch out your hand to the fallen and raise him, weep over him if he is lost beyond recall, but in no case make sport of him, for he is one to whom there should be extended only compassion. See in him yourself, and act accordingly. That done, I will read you, and bow my head before you."”

Ivan Goncharov book Oblomov

[...] "Give me man, and man alone" said Oblomov. "And, having given me him, do you try to love him."
"Oblomov", Part I Chapter II by I. Goncharov, translated by C. J. Hogarth

Love, Fools, Sport, Reading

“During my stay in Germany in 1922 I collaborated with the writer Ehrenburg, on the Magazine 'Veshch' (Gegenstand) [= Object] (first pro-Soviet edition). [I] Took part in organizing the First Russian Art Exhibition 1922-23 in Berlin and Amsterdam. My works were purchased by European and American collectors and museums. The museum in New York acquired a 'Proun' from the Soviet Exhibition. At this time, in 1923, I contracted pulmonary tuberculosis.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1926 - 1941, Autobiography of the artist' (1941)

Art, Time, Parting

“I saw that the writers on vegetarianism had examined the question very minutely, attacking it in its religious, scientific, practical and medical aspects. Ethically they had arrived at the conclusion that man's supremacy over the lower animals meant not that the former should prey upon the latter, but that the higher should protect the lower, and that there should be mutual aid between the two as between man and man.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Part I, Chapter 17, Experiments in Dietetics
1920s, An Autobiography (1927)

Question, Animals

“The Catholic writer understands the necessary relationship between truth and beauty, which is not mere social convention or cultural accident but an essential form of human knowledge--intuitive, holistic, and experiential. Art is a form of knowing--distinct and legitimate--rooted in feeling and delight--that discovers, in the words of Jacques Maritain, "The splendor of the secrets of being radiating into intelligence.”

Dana Gioia (1950) American writer

34
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

Truth, Secret, Beauty, Art

“In comparing various authors with one another, I have discovered that some of the gravest and latest writers have transcribed, word for word, from former works, without making acknowledgment.”

Pliny the Elder book Natural History

Book I, Dedication, sec. 22.
Naturalis Historia

“We writers are shy, nocturnal creatures. Push us into the light and the light blinds us.”

John Banville (1945) Irish writer

14th time lucky (2005)

Light

“The goat thing, I went out, I was drinking some beers with the writers - writers I couldn't stand, and they didn't like me either. They were all like Harvard, Yale, and [imperious voice] 'We've been studying comedy for seven years, and…we've never been on stage, but we know comedy! Bwahahaha!' So I said 'Listen, I know this is a little out there, but what about a guy…who has Tourette's of a goat?' And these guys just stare at me like 'Man, Breuer's HIGH out of his MIND!' I said 'The more he drinks, the more he starts eating the curtains, and he gets nuts and sings karaoke at the end of the night.' And then about two weeks later, this guy came back, he's like, 'Hey, I've got an idea for that weird goat thing you were talking about.' He said 'What if he only sings 80's?' And I thought that was the DUMBEST…thing I've ever heard in my life! And then, we tried it, and now I've got people drunk out of their minds in a bar trying to 'baa' at me. [drunken voice] 'Hey, man! Yo, yo man, it's the sheep dude right here! [drunken 'baa'ing] I shouldn'ta had that hot dog, man!”

Jim Breuer (1967) American actor and comedian

Just hammered, baaing at me in the street.
Explaining the origin of Goat Boy on Mancow's Morning Madhouse
Unsourced

Life, People, Dogs, Guy

“LEXICOGRAPHER — A writer of dictionaries, a harmless drudge.”

Samuel Johnson book A Dictionary of the English Language

A Dictionary of the English Language (1755)

“There is only one thing a writer can write about: what is in front of his senses at the moment of writing… I am a recording instrument… I do not presume to impose "story "plot" "continuity"… Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function… I am not an entertainer.”

William S. Burroughs book Naked Lunch

Atrophied Preface
Naked Lunch (1959)

Sense

“The writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit — for gallantry in defeat — for courage, compassion and love. In the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.
I hold that a writer who does not passionately believe in the perfectibility of man, has no dedication nor any membership in literature.”

John Steinbeck (1902–1968) American writer

Nobel Prize acceptance speech (1962)

Love, War, Hope, Literature

“You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do — and they don’t. They have prejudices.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

Thinking, Learning, Teachers

“Tolstoy, the Russian writer, said in War and Peace: “I cannot conceive of a man not being free unless he is dead.” While this statement sounds a bit exaggerated, it gets at a basic truth. What Tolstoy is saying in substance is that the absence of freedom is the presence of death. Any nation or government that deprives an individual of freedom is in that moment committing an act of moral and spiritual murder. Any individual who is not concerned about his freedom commits an act of moral and spiritual suicide.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

[http://mlk-kpp01.stanford.edu/primarydocuments/Vol5/17July1959_AddressattheFiftiethAnnualNAACPConvention.pdf Address at the Fiftieth Annual NAACP Convention (17 July 1959)
1950s

Death, War, Truth, Peace

“I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.”

Erica Jong (1942) Novelist, poet, memoirist, critic

"Into the lion's den" in The Guardian (26 October 2000) http://www.guardian.co.uk/theguardian/2000/oct/26/features11.g2

God, Hate, War, World

“Literary imagination is an aesthetic object offered by a writer to a lover of books.”

Gaston Bachelard (1884–1962) French writer and philosopher

A Retrospective Glance at the Lifework of a Master of Books
Fragments of a Poetics of Fire (1988)

Books, Imagination, Lovers

“I don’t think writers choose the genre, the genre chooses us. I wrote out of the wish to create order out of disorder, the liking of a pattern.”

P. D. James (1920–2014) English crime writer

Interview with Jake Kerridge, The Telegraph, 26 Sep 2009 http://www.telegraph.co.uk/culture/books/bookreviews/6227400/PD-James-Queen-of-Detective-Fiction-Interview.html. Other

Thinking

“After the writer’s death, reading his journal is like receiving a long letter.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

On the journal of Franz Kafka; diary entry (7 June 1953); Past Tense: Diaries Vol. 2 (1988)

Death, Reading

“High expectations are a powerful driving force, helping you become better than you already are. Sometimes you need to go one step further and step out on faith, even when you don’t have history or research to predict success. As the biblical writer said: ‘Now faith is being sure of what you hope for and certain of what you do not see’ (Heb. 11:1). Yes, past performance is the greatest predictor of future performance—but if we lived by that credo alone, no one would do anything bold and new. Sometimes we need good, old-fashioned faith.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 105. On Striving for Excellence

Faith, Hope, History, Fashion

“Whenever they tell me children want this sort of book and children need this sort of writing, I am going to smile politely and shut my earlids. I am a writer, not a caterer. There are plenty of caterers. But what children most want and need is what we and they don't know they want and don't think they need, and only writers can offer it to them.”

Ursula K. Le Guin (1929–2018) American writer

"A Message About Messages" in CBC Magazine https://web.archive.org/web/20051128074549/http://www.cbcbooks.org/cbcmagazine/meet/leguin_ursula_k.html

Children, Books, Smile, Thinking

“Historians are concerned with events which can be assigned to specific timespace locations, events which are (or were) in principle observable or perceivable, whereas imaginative writers – poets, novelists, playwrights – are concerned with both these kinds of events and imagined, hypothetical, or invented ones.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

Imagination

“I'm not an intellectual, I'm just a writer.”

Vanna Bonta book Flight: A Quantum Fiction Novel

Source: Flight: A Quantum Fiction Novel (1995), Ch. 17

“Marston is a writer of great merit, who rose to tragedy from the ground of comedy, and whose forte was not sympathy, either with the stronger or softer emotions, but an impatient scorn and bitter indignation against the vices and follies of men, which vented itself either in comic irony or in lofty invective. He was properly a satirist.”

John Marston (1576–1634) English writer

William Hazlitt Lectures on the Dramatic Literature of the Age of Elizabeth ([1820] 1845) Lecture 3, p. 57.
Criticism

Men

“It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.”

Stendhal (1783–1842) French writer

Ce sera la noblesse de leur style qui, dans quarante ans, rendra illisibles nos écrivains de 1840.
Marginalia note, first edition of La Chartreuse de Parme (1840)

“The story and its analyses are not mirror-opposites of each other. They are not reflections, either one. Criticism indeed is an art, as a story is, but only the story is to some degree a vision; there is no explanation outside fiction for what the writer is learning to do.”

Eudora Welty (1909–2001) American author

On Writing (2002)

Art, Learning

“If it was easy, everyone would do it rather than going around telling you their ideas and saying how they could be a writer if they had the time.”

Arthur M. Jolly (1969) American writer

Arthur M. Jolly, interview with Write On Online http://writeononline.com/2009/09/11/author-qa-playwright-arthur-jolly/ (2009) Interviews and profiles

Idea, Time

“[Being peppered with invitations to travel far and wide to give lectures] has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world.”

J.M. Coetzee (1940) South African writer

Dagens Nyheter http://www.dn.se/kultur-noje/an-exclusive-interview-with-j-m-coetzee interview with David Attwell (December 8, 2003)

People, World, Travel, Thinking

“People ask where writers get ideas.
Take my advice. Some cool, clear night, drive to a country place where city lights don’t block your view. Turn off the car lights. Get out and look up. And see our real neighborhood.”

C. J. Cherryh book Downbelow Station

Author’s introduction (p. 3)
Downbelow Station (1981)

People, Cars, Idea, Light

“All you can be sure about in a political-minded writer is that if his work should last you will have to skip the politics when you read it. Many of the so-called politically enlisted writers change their politics frequently… Perhaps it can be respected as a form of the pursuit of happiness.”

Ernest Hemingway (1899–1961) American author and journalist

Paris Review interview (1958)

Happiness, Change, Reading

“In Woodstock Nation there are no writers—only poet-warriors.”

Abbie Hoffman book Woodstock Nation

Landing a Man on the Earth Without the Help of Norman Mailer
Woodstock Nation (1969)

“A writer without confidence is like a metaphor without something to compare itself to.”

Neil Simon (1927–2018) playwright, writer, academic

Rewrites (New York: Simon & Schuster, 1996) p. 105

Confidence

“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 2: The Mandarin Dialect (p. 13)

Feeling

“Hello, I'm the writer and director. Now take your clothes off and get on top of Morena.”

Joss Whedon (1964) American director, writer, and producer for television and film

Reportedly said on the set of Serenity to Phillip Sternborg on his first day of filming, as quoted in the DVD commentary of Firefly boxset (2003).

Clothes

“As a young child Audrey Carsons wanted to be writers because writers were rich and famous. They lounged around Singapore and Rangoon smoking opium in a yellow pongee silk suit. They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful native boy and lived in the native quarter of Tangier smoking hashish and languidly caressing a pet gazelle.”

William S. Burroughs (1914–1997) American novelist, short story writer, essayist, painter, and spoken word performer

"The Lemon Kid"
Exterminator! A Novel (1971)

Faith, Boy

“An author that's in now might be out in ten years. And vice-versa. Who knows when the final sifting is done, in the year 2050, say, who will be read of my generation? You'd like to think you will be one. But there has to be a constant weeding that goes on. The Victorians read all kinds of writers who we don't have time for now. Who reads Thackeray? An educated person reads Dickens, or reads some Dickens. But Thackeray?”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Salon interview (2000)

Education, Thinking, Time, Reading

“The Greek writers who have treated incidentally of agriculture are more than fifty in number. Those whom you may consult with profit are Hieron of Sicily and Attalus Philometor, among the philosophers; Democritus the physicist; Xenophon the disciple of Socrates; Aristotle and Theophrastus, the peripatetics; Archytas the pythagorean; likewise the Athenian Amphilochus, Anaxipolis of Thasos, Apollodorus of Lemnos, Aristophanes of Mallos, Antigonus of Cyme, Agathocles of Chios, Apollonius of Pergamum, Aristandrus of Athens, Bacchius of Miletus, Bion of Soli, Chaeresteus and Chaereas of Athens, Diodorus of Priene, Dion of Colophon, Diophanes of Nicaea, Epigenes of Rhodes, Evagon of Thasos, Euphronius of Athens, and his name sake of Amphipolis, Hegesias of Maronea, the two Menanders, one of Priene, the other of Heraclaea, Nicesius of Maronea, Pythion of Rhodes. Among the rest whose countries I do not know, are Andiotion, Aeschrion, Aristomenes, Athenagoras, Crates, Dadis, Dionysius, Euphiton, Euphorion, Eubulus, Lysimachus, Mnaseas, Menestratus, Plentiphanes, Persis, and Theophilus.”

Marcus Terentius Varro (-116–-27 BC) ancient latin scholar

Bk. 1, ch. 1 ( online https://archive.org/stream/cu31924062805209#page/n75/mode/2up); De Re Rustica

Country

“… The fame of Gibbon is highest among writers; those especially who have studied for years particular periods included in his theme (and how many those are; for in the East and West he has set his mark on all that is great for ten centuries!) acutely feel and admiringly observe how difficult it would be to say so much, and leave so little untouched; to compress so many telling points; to present in so few words so apt and embracing a narrative of the whole.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. I—Edward Gibbon, National Review, 2, January 1856, 1–42, https://babel.hathitrust.org/cgi/pt?id=nyp.33433081643169;view=1up;seq=43] (quote p. 31)
Edward Gibbon (1856)

Feeling, Study

“So, keep your powder dry and dig in for a long, fruitful life of being a writer, that storyteller around the campfire of your people and your generation. Your trade is as old as time, and your main job is to uplift the human heart so that then we can go on with dignity and fair play. That’s it”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Life, People, Time, Heart

“Galt was the first writer to show the effects of the burgeoning industrial revolution, making him the first political novelist in the English language, and though his reputation has been overshadowed by Scott and Hogg, he is now recognised as one of the great writers of the age.”

John Galt (novelist) (1779–1839) British writer

Carl MacDougall, "Reformers and radicals in Scottish literature" http://www.bbc.co.uk/scotland/arts/writingscotland/learning_journeys/reformers_and_radicals/. Criticism

Age

“.. an original Jewish art can only come into existence when the Jews have own ground under their feet and live in freedom [Bainin asked him: 'is that not what Zionism wants to reach?'] Yes, Zionism is a noble thought, but who knows whether they will reach their goal? Herzl visited me [in The Hague, Oct. 1898], he is a noble man and believes in his idea. But who will know... Now it is our duty to fight against Antisemitism, to protest against the injustice and violence that is done to us.... what is the essence of Jewish art should be determined by writers and art critics: we painters must work and not philosophize.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in Dutch (citaat van Jozef Israëls, in het Nederlands): ..een oorspronkelijke joodse kunst [kan] alleen tot stand komen, wanneer de joden eigen grond onder de voeten hebben en een vrij leven leiden [Bainin vroeg hem dan: 'is dat niet wat het Zionisme wil?'] Ja, het nl:Zionisme is een edele gedachte, maar wie weet of ze hun doel bereiken? Herzl heeft mij bezocht [in Den Haag, Oct. 1898], hij is een nobel mens en gelooft in zijn idee. Maar wie weet.. .Nu is het onze plicht het antisemitisme te bestrijden, tegen het onrecht en het geweld dat ons wordt aangedaan te protesteren.. ..wat het wezen is van de joodse kunst moeten schrijvers en kunstcritici maar bepalen: wij schilders moeten werken en niet filosoferen.
Quote in an interview with interviewer Bainin, 27 April 1902; as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 59
At the moment Jozef was working on his painting 'De joodse wetschrijver' or 'De Joodse Bruiloft'
Quotes of Jozef Israels, after 1900

Art, Idea, Freedom, Fight

“Asking a working writer what he thinks about critics is like asking a lamp-post what it feels about dogs.”

Christopher Hampton (1946) British playwright, screenwriter and film director

Sunday Times Magazine (London, October 16, 1977)

Dogs, Feeling, Thinking

“This book will present some aspects of what the writer has termed the pedagogy of the oppressed, a pedagogy which must be forged with, not for, the oppressed (whether individuals or peoples) in the incessant struggle to regain their humanity.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 1

People, Books

“According to some of the pious writers of antiquity, they made large fires, which might be seen at a great distance, upon the vigil of this saint [John], in token that he was said in holy writ to be "a shining light." Others, agreeing with this, add also, these fires were made to drive away the dragons and evil spirits hovering in the air; and one of them gravely says, in some countries they burned bones, which was called a bone-fire; for "the dragons hattyd nothyng mor than the styncke of brenyng bonys." This, says another, habent ex gentilibus, they have from the heathens. The author last cited laments the abuses committed upon thes occasions. "this vigil," says he, "ought to be held with cheerfulness and piety, but not with such merriment as is shewn by the profane lovers of this world, who make great fires in the streets, and indulge themselves with filthy and unlawful games, to which they add glotony and drunkenness, and the commission of many other shameful indecencies."”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 360
The Sports and Pastimes of the People of England (1801), Bonfires

World, Game, Lovers, Light

“"The Itch" was an accident. I responded to [co-writer] Billy Steinberg's lyric because I thought even though we set it in this particular story of a girl in a relationship who isn't getting what she needs, it's really a metaphor for desire. Everything just coincided without my realizing it. I was playing Lucy in Dracula 2000, and she's a character who is totally open, sexual and curious and definitely has "The Itch" on many different levels. And it was just coincidence that all this stuff kind of like came together for me. Because I get the itch all the time. And to me that really means something.”

Colleen Fitzpatrick (1972) American singer and actress

Attributed

Girl, Time

“Profound thanks to Columbia Pictures and the lovely forms of Lisa Henson, Gary Wiggan, and Mark Canter for hiring a first-time writer; to James Shamus for his rare intelligence; to Sidney Pollack for asking all the right questions, like 'Why couldn't these women go out and get a job?' Why, indeed. To the cast and crew, for being impeccable. To my friend and my teacher, Lindsay Doran, for being the single most frustrating reason why I can't claim all the credit for myself. And finally, I would like with your permission to dedicate this Oscar to our director, Ang Lee. Ang, wherever you are, this is for you. [Beaming smile]”

Emma Thompson (1959) British actress and writer

68th Academy Awards speech (1996)

Love, Women, Smile, Intelligence

“People tend to fall into three psychological types, all differently motivated. There is the type, motivated by economic factors, money…And there is the type motivated by ‘face,’ or pride. This type is a spender, fighter, boaster, lover, sportsman, gambler; he has a will to power and an itch for glory. And there is the professional type, which claims to follow a code of ethics rather than simply seeking money or glory—priests and ministers, teachers, scientists, medical men, some artists and writers. The idea is that such a man believes that he is devoting his life to some purpose more important than his individual self. You follow me?”

Robert A. Heinlein book Space Cadet

Source: Space Cadet (1948), Chapter 9 “Long Haul”, p. 111

Life, Men, Money, People

“The best of causes ruins as quickly as the worst; and the road to Limbo is paved with writers who have done everything—I am being sympathetic, not satiric—for the very best reasons.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Changes of Attitude and Rhetoric in Auden’s Poetry”, p. 149
The Third Book of Criticism (1969)

“ARTS is a somewhat conservative magazine but it is not uniformly, simply or blindly conservative, and the several conservative writers vary. And I am certainly not a conservative and neither is Miss Harrison. I decidedly disagree with the basic positions of Mr. Kramer, Miss Raynor and Mr. Tillim, though not with some of their evaluations, both of conservative and nonconservative artists. I think Ben Johnson's paintings, for example, are relatively uninteresting and powerless and that the work of some of the dop artists is full of true emotion. uninteresting and powerless and that the work of some of the dop artists is full of true emotion. The conservatism of Mr. Kramer and Mr. Mellow as successive editors lies only in the publication of more articles on conservative artists than on unconservative ones. Neither editors ever suggested to me that the magazine should have a uniform position or attempt to control my reviews, which are often contrary to Mr. Kramer’s opinions.”

Donald Judd (1928–1994) artist

1960s
Source: Arts Magazine, Vol. 38, (1963) p. 7

Art, Thinking, Success, Painting

“The creative writer uses his life as well as being its victim; he can control, in his work, the self-presentation that in actuality is at the mercy of a thousand accidents.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Writers on Themselves (1986)

Life

“Bob Dylan: The media is all-pervasive. What can a writer think of to write that you don't see every day in a newspaper or on television?
Interviewer: …Do you think that TV and the media have killed poetry and literature?
Bob Dylan: Oh, absolutely. Absolutely. … What's a writer to do if every idea is exposed in the media before he can get to it or let it evolve? What's a writer gonna write about? … We're living in a science-fiction world. We're living in a world that Disney has conquered. Disney's science fiction. Theme parks, trendy streets, it's all science fiction. So I would say, if a writer has got something to say, he'll have to do it in that–
Interviewer: Outside of the real world?
Bob Dylan: There is a real world. Science fiction has become the real world. Whether we realize it or not, it has.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

The Rome Press Conference (23 July 2001)

World, Literature, Idea, Thinking

“A real writer […] doesn't look up to any other writer but himself.”

Indro Montanelli (1909–2001) Italian journalist

I protagonisti, Rizzoli, 1976, p. 207.
1950s - 1990s

“If you never look just wrong to your contemporaries you will never look just right to posterity — every writer has to try to be, to some extent, sometimes, a law unto himself.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Three Books”, p. 230
Poetry and the Age (1953)

Law

“The history of most fictions would be far stranger than the fictions themselves; but it would be a dark and sad chronicle. Half the works that constitute the charm of our leisure, that give their own interest to the long November evening, or add to the charm of a summer noon beneath the greenwood tree, are the offspring of poverty and of pain. … How often is the writer obliged to put his own trouble, his suffering, or his sorrow aside, to finish the task! The hand may tremble, the eyes fill with unbidden tears, and the temples throb with feverish pain, yet how often is there some hard and harsh necessity, which says, "the work must be done.””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Pain, Sadness, History, Tear

“I do not think writers ought ever to sit down and think they must write about some cause, or theme… If they write about their own experiences, something true is going to emerge.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

"Literature Nobel Awarded to Writer Doris Lessing" http://www.npr.org/templates/story/story.php?storyId=15195588 All Things Considered NPR (11 October 2007)

Thinking

“In a sense [Lawrence] is the patron saint of all writers who have never had an Oxford or Cambridge education who are somewhat despised by those who have.”

Anthony Burgess book 1985

'The Rage of D.H. Lawrence', The South Bank Show (TV), 1985
People, Joseph Conrad, D.H. Lawrence

Education, Sense

“Well, if you compare my album even as late as two years ago, I think as a writer I am much more at the forefront. I wrote all the lyrics and lots of the music on that album. It shows humor of the writer side of me. But I have evolved since then.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to question "How different is your music now from what it was 20 years ago?"
2006

Music, Thinking

“When Andy [Andrew Wood] died, I couldn't listen to his songs for about two years after that, and it was for that reason — his lyrics often seem as though they can tell that story. But then again, my lyrics often could tell the same one. In terms of seeing everything as a matter of life and death — if that's what you're feeling at the time, then that's what you're going to write. It's sort of a morbid exchange when somebody who is a writer like that dies, and then everyone starts picking through all their lyrics. In Kurt [Cobain]'s case, whatever he was thinking and whatever he was writing, there wasn't an arrow pointing at what his demise was. It's a stream of thought, it's a possibility — it's definitely something that somebody was feeling when they were writing. It doesn't mean that it's going to happen. But it doesn't necessarily mean that it isn't, either.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell: The Rolling Stone Interview, Alec Foege, Rolling Stone, 29 December 1994 http://www.rollingstone.com/music/features/the-rolling-stone-interview-chris-cornell-19941229, Soundgarden Era

Life, Death, Feeling, Thinking

“The lazy and the foolish compare him to Hemingway, which is a terrible injustice as Jim is both a better writer and a better man.”

Anthony Bourdain (1956–2018) Chef and food writer

On novelist and poet Jim Harrison
Medium Raw (2010)

“I am not a good enough writer to have an agenda or come up with a message and try to put it into a song, […] It's more like you write what comes to you… You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave…”

Eddie Vedder (1964) musician, songwriter, member of Pearl Jam

L.A. Times 5/1/94, "He Didn't Ask for All This".

Music, Cars, Feeling, Mood

“Central Europe has several recognizably common architectural features that make some towns in Galicia look remarkably like towns in Transylvania and Slovakia; shared musicians—Liszt, Chopin, Mahler, Dvořák, Smetana, Bartók, Kodály; shared writers, such as Musil, Gombrowicz, Koestler, Brod, Mickiewicz, Kafka, Roth, Zweig, Faludy; and some peculiar shared traditions, such as the tiny coffee spoon and the oversweet desserts with whipping cream.”

Anna Porter

[Anne Porter, The Ghosts of Europe: Journeys through Central Europe's Troubled Past and Uncertain Future, http://books.google.com/books?id=8iPa2Q1HtP8C&pg=PA19, 23 September 2010, Douglas & McIntyre, 978-1-55365-637-1, 19]

Coffee

“In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all of them, have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia), Bela Kun (Hungary), Rosa Luxemburg (Germany), and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilisation and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognisable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Rt. Hon. Winston Churchill ‘Bolshevism versus Zionism; a struggle for the soul of the Jewish people’ in Illustrated Daily Herald, 8 February 1920.
Early career years (1898–1929)

Men, People, World, Faith

“At the risk of appearing disingenuous, I don’t really think of myself as "writing humor." I’m simply reporting on the world I observe, which is frequently hilarious. Here’s the thing. Most of what we witness in life is too complex to take in whole. Because of this we unconsciously edit what we see, select what to really record and what to ignore, which is why people who look at the same thing don’t necessarily see the same thing… Comic writers don’t so much invent funny things as strip away the distractions, the impediments to laughter.”

Richard Russo (1949) American novelist, short story writer and screenwriter

Life, People, World, Thinking

“The works of the great writers of the past are very beautiful even from without. And yet their visible beauty is sheer ugliness, compared with the beauty of those hidden treasures which disclose themselves only after very long, never easy, but always pleasant work. This always difficult but always pleasant work is, I believe, what the philosophers had in mind when they recommended education. Education, they felt, is the only answer to the always pressing question, to the political question par excellence, of how to reconcile order which is not oppression with freedom which is not license.”

Leo Strauss book Persecution and the Art of Writing

Source: Persecution and the Art of Writing (1952), Persecution and the Art of Writing, p. 37

Education, Beauty, Question, Freedom

Quotes about writer page 14

Quotes about writer
page 14