Quotes about wording
page 74

Orson Scott Card photo
Francis Escudero photo
William Morris photo
Samuel Johnson photo
Bayard Taylor photo
John Marshall photo
José Ortega Y Gasset photo
John Hall photo
Will Rogers photo

“I have no Politics. I am for the Party that is out of Power, no matter which one it is. But I will give you my word that, in case of my appointment, I will not be a Republican; I will do my best to pull with you, and not embarrass you. In fact, my views on European affairs are so in accord with you, Mr. President, that I might almost be suspected of being a Democrat.”

Will Rogers (1879–1935) American humorist and entertainer

Humorous letter to Republican US President Warren Harding, facetiously offering to replace the American ambassador to the Court of St. James in England.
The Illiterate Digest (1924)

Stig Dagerman photo
Hayley Williams photo
Georg Christoph Lichtenberg photo
George Steiner photo

“The new pornographers subvert this last, vital privacy; they do our imagining for us. They take away the words that were of the night and shout them over the roof-tops, making them hollow.”

George Steiner (1929–2020) American writer

"Night Words," Encounter (October 1965).
Language and Silence: Essays 1958-1966 (1967)

Amir Taheri photo
Max Horkheimer photo
John Scalzi photo
George W. Bush photo

“As you serve others, you can inspire others. I’ve been inspired by the examples of many selfless servants. Winston Churchill, a leader of courage and resolve, inspired me during my Presidency—and, for that matter, in the post-presidency. Like Churchill, I now paint. Unlike Churchill, the painting isn’t worth much without the signature. In 1941, he gave a speech to the students of his old school during Britain’s most trying times in World War II. It wasn’t too long, and it is well-remembered. Prime Minister Churchill urged, 'Never give in… in nothing, great or small, large or petty. Never give in except to convictions of honor and good sense'. I hope you’ll remember this advice. But there’s a lesser-known passage from that speech that I also want to share with you. 'These are not dark days. These are great days. The greatest our country has ever lived; and we must all thank God that we have been allowed, each of us according to our stations, to play a part in making these days memorable in the history of our race'. When Churchill uttered these words, many had lost hope in Great Britain’s chance for survival against the Nazis. Many doubted the future of freedom. Today, some doubt America’s future, and they say our best days are behind us. I say, given our strengths—one of which is a bright new generation like you—these are not dark days. These are great days.”

George W. Bush (1946) 43rd President of the United States

2010s, 2015, Remarks at the SMU 100th Spring Commencement (May 2015)

Buckminster Fuller photo

“Follett was always preoccupied with the dynamic view of organization, with the thing in process, so to speak. Authority, Power, Leadership, the Giving of Orders, Conflict, Conciliation — all her keywords are active words. There is a static or structural approach to the problem of organization which has its value; but those who are most convinced of the importance of such structural analysis would be the first to admit that it is only a step on the journey, an instrument of thought; it is not and cannot be complete in itself; it is only the anatomy of the subject. As in medicine, the study of anatomy may be an essential discipline, but it is in the physiology and psychology of the individual patient that that discipline finds its working justification.
Thus the four principles which she finally arrived at to express her view of organization were all active principles. In her own words, they are:
"1. Co-ordination by direct contact of the responsible people concerned.
2. Co-ordination in the early stages.
3. Co-ordination as a reciprocal relating of all the features in a situation.
4. Co-ordination as a continuing process."”

Henry C. Metcalf (1867–1942) American business theorist

Since these principles are carefully explained and illustrated by Miss Follett herself in the final paper in this volume, we must content ourselves here with merely this concise statement of them.
Source: Dynamic administration, 1942, p. xxvi

Camille Pissarro photo
Charles II of England photo

“If we are understood, more words are unnecessary; if we are not likely to be understood, they are useless.”

Charles II of England (1630–1685) King of England, Ireland and Scotland

To the Earl of Manchester, as quoted in the notes to Hudibras (1674), Part 1, Canto 1, by Samuel Butler, edited by Henry George Bohn, (1859)

Myron Tribus photo
John Denham photo
Harry Schwarz photo
Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Maurice Merleau-Ponty photo
William H. McNeill photo
Gloria Estefan photo
Doug Stanhope photo

“If you're offended by any word, in any language, it's probably because your parents were unfit to raise a child.”

Doug Stanhope (1967) American stand-up comedian, actor, and author

Before Turning the Gun on Himself (2012)

Firuz Shah Tughlaq photo

“[Sultan Firoz Tughlaq] convened a meeting of the learned Ulama and renowned Mashaikh and suggested to them that an error had been committed: the Jiziyah had never been levied from Brahmans: they had been held excused, in former reigns. The Brahmans were the very keys of the chamber of idolatry, and the infidels were dependent on them (kalid-i-hujra-i-kufr und va kafiran bar ishan muataqid und). They ought therefore to be taxed first. The learned lawyers gave it as their opinion that the Brahmans ought to be taxed. The Brahmans then assembled and went to the Sultan and represented that they had never before been called upon to pay the Jiziyah, and they wanted to know why they were now subjected to the indignity of having to pay it. They were determined to collect wood and to burn themselves under the walls of the palace rather than pay the tax. When these pleasant words (kalimat-i-pur naghmat) were reported to the Sultan, he replied that they might burn and destroy themselves at once for they would not escape from the payment. The Brahmans remained fasting for several days at the palace until they were on the point of death. The Hindus of the city then assembled and told the Brahmans that it was not right to kill themselves on account of the Jiziyah, and that they would undertake to pay it for them. In Delhi, the Jiziyah was of three kinds: Ist class, forty tankahs; 2nd class, twenty tankahs; 3rd class, ten tankahs. When the Brahmans found their case was hopeless, they went to the Sultan and begged him in his mercy to reduce the amount they would have to pay, and he accordingly assessed it at ten tankahs and fifty jitals for each individual.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 6 https://archive.org/stream/cu31924073036737#page/n381/mode/2up

Slavoj Žižek photo
Sohrab Sepehri photo

“By contemplation I swear,
By the beginning of speech,
By the flight of a dove from the mind.
A word is in the cage”

Sohrab Sepehri (1928–1980) Iranian poet and painter

From We Are Nothing But a Gaze (Ma Heech, Ma Negah); cited in: Bahiyeh Afnan Shahid (2013) Sohrab Sepehri: A Selection of Poems from the Eight, p. 16.

Allan Kaprow photo

“In April of 1959, ten of this country's leading scholars forgathered on the campus of Purdue University to discuss the nature of information and the nature of decision… What interests do these men have in common?… To answer these questions it is necessary to view the changing aspect of the scientific approach to epistemology, and the striking progress which has been wrought in the very recent past. The decade from 1940 to 1950 witnessed the operation of the first stored- program digital computer. The concept of information was quantified, and mathematical theories were developed for communication (Shannon) and decision (Wald). Known mathematical techniques were applied to new and important fields, as the techniques of complex- variable theory to the analysis of feedback systems and the techniques of matrix theory to the analysis of systems under multiple linear constraints. The word "cybernetics" was coined, and with it came the realization of the many analogies between control and communication in men and in automata. New terms like "operations research" and "system engineering" were introduced; despite their occasional use by charlatans, they have signified enormous progress in the solution of exceedingly complex problems, through the application of quantitative ness and objectivity.”

Robert E. Machol (1917–1998) American systems engineer

Source: Information and Decision Processes (1960), p. vii

William Westmoreland photo
Charlton Heston photo
Kofi Annan photo
Goran Višnjić photo

“I don't understand the word 'hunk.”

Goran Višnjić (1972) Croatian actor

Reported by the Caglary Sun (30 January 2000) http://erikisdrdave.tripod.com/er/articles/calgary_sun.htm

John Dryden photo

“A knockdown argument: 'tis but a word and a blow.”

Amphitryon (1690), Act I scene i.

“We have six of the most distinguished people in the field on the committee, but you'll just have to take my word for it because I'm not allowed to disclose their names.”

Richard Mottram (1946) British civil ervant

April 2004, explaining to the Commons committee on public administration who was on the committee that recommended scientists for honours Hoggart, Simon. 'Sir Humphrey reveals his Dusty Springfield side' http://politics.guardian.co.uk/redbox/comment/0,9408,1206669,00.html, The Guardian (30 April 2004).

Samuel Butler (poet) photo
Henry Wadsworth Longfellow photo
John Theophilus Desaguliers photo
Barbara Walters photo

“A great many people think that polysyllables are a sign of intelligence and refinement so they think they will impress others with their command of obscure words.”

Barbara Walters (1929) American broadcast journalist, author, and television personality

How to Talk With Practically Anybody About Practically Anything (1970), p. 136.

Ray Lewis (American football) photo

“Remove the word black and say 'lives matter'… Stop sending mothers back home empty. You can never replace a mother's child. If we want black lives matter, let's make it matter to us. That's the new call.”

Ray Lewis (American football) (1975) former American football linebacker

As quoted in "Former NFL Player Ray Lewis: 'Let's Make Lives Matter'" https://web.archive.org/web/20150917002938/http://www.nbcnews.com/news/nbcblk/former-nfl-de-ray-lewis-lets-make-lives-matter-n424971 (2015), by Khorri Atkinson, NBC News.
2010s, 2015

Robert Mueller photo
Margaret Chase Smith photo
Roy Lichtenstein photo
S. Nambi Narayanan photo
Charles Tart photo
Cesare Pavese photo

“The thing most feared in secret always happens.
I write: oh Thou, have mercy. And then?
All it takes is a little courage.
The more the pain grows clear and definite, the more the instinct for life asserts itself and the thought of suicide recedes.
It seemed easy when I thought of it. Weak women have done it. It takes humility, not pride.
All this is sickening.
Not words. An act. I won't write any more.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

, end. Nine days later he committed suicide, leaving this message: «I forgive everyone and to everyone I ask forgiveness. Well enough? Don't gossip too much».
This Business of Living (1935-1950)

N. K. Jemisin photo

“I think one word we can agree Bob is, uh? Epic, classic. Thriller, block-buster. I think all the clichés were made real. I mean? You woke up this morning, saying you felt nervous about this game. Now, I know why.”

Ian Darke (1950) British association football and boxing commentator

Brazil v. United States http://www.listenonrepeat.com/watch/?v=ke8XNArZvVU (10 July 2011).
2010s, 2011, 2011 FIFA Women's World Cup

Norbert Wiener photo
Voltairine de Cleyre photo
John Ralston Saul photo
Mark Rothko photo
Nicolás Gómez Dávila photo

“The word "modern" no longer has an automatic prestige except among fools.”

Nicolás Gómez Dávila (1913–1994) Colombian writer and philosopher

Sucesivos Escolios a un Texto Implícito (1992)

Ken Ham photo
Octavia E. Butler photo
Joel Chandler Harris photo
Robert G. Ingersoll photo
Anastacia photo

“I'm a singer who touches millions of people and my words and my knowledge of what I'm learning from cancer can help millions. And if I can help millions, even if I help one person, that's one person more than none.”

Anastacia (1968) American singer-songwriter

Pop Star Anastacia Battles Cancer http://abcnews.go.com/2020/story?id=123686&page=2, ABC News.com, May 2, 2004.
General Quotes

Ian Paisley photo

““It happened that Mahmud had long been planning an expedition into Bhardana, and Gujarat, to destroy the idol temple of Somnat, a place of great sanctity to all Hindus. So as soon as he had returned to Ghazni from his Khurasan business, he issued a farman to the General of the army, ordering him to leave a confidential officer in charge of the fort of Kabuliz, and himself to join the court with his son Salar Mas‘ud…
“It is related in the Tarikh-i Mahmudi that the Sultan shortly after reached Ghazni, and laid down the image of Somnat at the threshold of the Mosque of Ghazni, so that the Musulmans might tread upon the breast of the idol on their way to and from their devotions. As soon as the unbelievers heard of this, they sent an embassy to Khwaja Hasan Maimandi, stating that the idol was of stone and useless to the Musulmans, and offered to give twice its weight in gold as a ransom, if it might be returned to them. Khwaja Hasan Maimandi represented to the Sultan that the unbelievers had offered twice the weight of the idol in gold, and had agreed to be subject to him. He added, that the best policy would be to take the gold and restore the image, thereby attaching die people to his Government. The Sultan yielded to the advice of the Khwaja, and the unbelievers paid the gold into the treasury.
“One day, when the Sultan was seated on his throne, the ambassadors of the unbelievers came, and humbly petitioned thus: ‘Oh, Lord of the world! we have paid the gold to your Government in ransom, but have not yet received our purchase, the idol Somnat.’ The Sultan was wroth at their words, and, falling into reflection, broke up the assembly and retired, with his dear Salar Mas‘ud, into his private apartments. He then asked his opinion as to whether the image ought to be restored, or not? Salar Mas‘ud, who was perfect in goodness, said quickly, ‘In the day of the resurrection, when the Almighty shall call for Ãzar, the idol-destroyer, and Mahmud, the idol-seller, Sire! what will you say?’ This speech deeply affected the Sultan, he was full of grief, and answered, ‘I have given my word; it will be a breach of promise.’ Salar Mas‘ud begged him to make over the idol to him, and tell the unbelievers to get it from him. The Sultan agreed; and Salar Mas‘ud took it to his house, and, breaking off its nose and ears, ground them to powder.
“When Khwaja Hasan introduced the unbelievers, and asked the Sultan to give orders to restore the image to them, his majesty replied that Salar Mas‘ud had carried it off to his house, and that he might send them to get it from him. Khwaja Hasan, bowing his head, repeated these words in Arabic, ‘No easy matter is it to recover anything which has fallen into the hands of a lion.’ He then told the unbelievers that the idol was with Salar Mas‘ud, and that they were at liberty to go and fetch it. So they went to Mas‘ud’s door and demanded their god.
“That prince commanded Malik Nekbakht to treat them courteously, and make them be seated; then to mix the dust of the nose and ears of the idol with sandal and the lime eaten with betel-nut, and present it to them. The unbelievers were delighted, and smeared themselves with sandal, and ate the betel-leaf. After a while they asked for the idol, when Salar Mas‘ud said he had given it to them. They inquired, with astonishment, what he meant by saying that they had received the idol? And Malik Nekbakht explained that it was mixed with the sandal and betel-lime. Some began to vomit, while others went weeping and lamenting to Khwaja Hasan Maimandi and told him what had occurred…”
“Afterwards the image of Somnat was divided into four parts, as is described in the Tawarikh-i-Mahmudi. Mahmud’s first exploit is said to have been conquering the Hindu rebels, destroying the forts and the idol temples of the Rai Ajipal (Jaipal), and subduing the country of India. His second, the expedition into Harradawa and Guzerat, the carrying off the idol of Somnat, and dividing it into four pieces, one of which he is reported to have placed on the threshold of the Imperial Palace, while he sent two others to Mecca and Medina respectively. Both these exploits were performed at the suggestion, and by the advice, of the General and Salar Mas‘ud; but India was conquered by the efforts of Salar Mas‘ud alone, and the idol of Somnat was broken in pieces by his sold advice, as has been related. Salar Sahu was Sultan of the army and General of the forces in Iran…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Somnath (Gujarat), Mir‘at-i-Mas‘udi Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Ward Cunningham photo
Pearl S.  Buck photo

“Had Japan been a tenth as wise as Abraham Lincoln, had Hitler been a hundredth part as sensible, we today, the United States and England, would not have a chance in this war. Had those two enemies of ours coveted the lands upon subject peoples dwell today and had they whispered the magic word freedom to those peoples, they might have set half the world against us in a moment. But they have lost because they attacked lands already free, and because they have enslaved peoples accustomed to freedom. By this one thing alone, if by no other, they are doomed. They have misread the hearts and minds of men. By their enslavement of the peoples whom they have made subject by force of arms, they have aroused against themselves a greater force than can be found in any army, in any weapon. It is this- the will of men everywhere to be free. Let us learn today from Abraham Lincoln, as we fight this war still so far from victory. He could not win that war until he lit the fire in the hearts of men and women enslaved. Nothing had been enough to make men rise up and shout aloud for victory until that moment. A few men like war and enjoy it as a game. But most men and all women hate war. They will not fight with their whole hearts unless they are set aflame. And the torch is always the same words. Whisper those words and men and women will shout them aloud and sing them as they march. The words are simple but they are the most potent in the universe- they are the spiritual dynamite of victory. The words? "All persons held as slaves… are and henceforward shall be free."”

Pearl S. Buck (1892–1973) American writer

Source: What America Means to Me (1943), p. 195

James A. Garfield photo
Count Basie photo
Alfred George Gardiner photo
Nancy Pelosi photo

“The word 'campaign' is a war term. So when you go into a campaign you just prepare to go to war. If you think this is an exercise in civic activity…then you are going to be surprised.-1985”

Nancy Pelosi (1940) American politician, first female Speaker of the House of Representatives, born 1940

[Herrnson, Paul S., Women Running "as Women": Candidate Gender, Campaign Issues, and Voter-Targeting Strategies, The Journal of Politics, 2003, 65 no. 1]
2000s

Stephen King photo

“When asked, "How do you write?" I invariably answer, "one word at a time."”

The Stand (Uncut), Preface (part 2)
The Stand (1978)

Lawrence Weiner photo
Clive Barker photo
Ernst Röhm photo

“… I examined the concept, 'word sense'. It was not found to be sufficiently well-defined to be a workable basic unit of meaning.”

Adam Kilgarriff (1960–2015) linguist from England

in I don't believe in word senses http://www.kilgarriff.co.uk/Publications/1997-K-CHum-believe.pdf (1997), p. 25

William Hazlitt photo

“Horus non numero nisi serenas—"I count only the hours that are serene"—is the motto of a sundial near Venice. There is a softness and a harmony in the words and in the thought unparalleled.”

William Hazlitt (1778–1830) English writer

" On a Sun-Dial http://www.blupete.com/Literature/Essays/Hazlitt/Sundial.htm" (New Monthly Magazine, October 1827)
Men and Manners: Sketches and Essays (1852)

Mircea Eliade photo

“For those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality. In other words, for those who have a religious experience all nature is capable of revealing itself as cosmic sacrality.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

The Sacred and the Profane: The Nature of Religion: The Significance of Religious Myth, Symbolism, and Ritual within Life and Culture (1961).

Dave Eggers photo
José Ortega Y Gasset photo
Sri Aurobindo photo
Lata Mangeshkar photo
Adlai Stevenson photo

“The first principle of a free society is an untrammeled flow of words in an open forum.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

As quoted in The New York Times (19 January 1962)

Michel De Montaigne photo

“In plain truth, lying is an accursed vice. We are not men, nor have any other tie upon another, but by our word.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Book I, Ch. 9
Attributed

Ben Carson photo

“You can sense their anger before they even say a word.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Take The Risk (2008), p. 77

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