“I first listen to someone who speaks the language and who reads the lyrics to me. I pay great attention to pronunciation. Once I hear the words spoken, I write the song lines phonetically in Hindi and then sing. By the grace of god, my songs in other languages – including Bengali – have been appreciated. People say they are good and the words have been correctly pronounced.”

— Lata Mangeshkar

Above two quotes about her singing in Urdu and other languages in Lata Mangeshkar has to thank Dilip Kumar for her Urdu skills!, 29 Npvember 2013, India Today http://www.deccanherald.com/content/10118/,

Adopted from Wikiquote. Last update June 3, 2021. History

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Lata Mangeshkar6

Indian singer 1929

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“Oh, I have a special way of writing the lyrics when it is dictated to me. No matter what the language of the song, even if it is Bengali, I write it in Hindi. I have certain notations and markings to indicate the way it should be pronounced. I feel the Devanagari script is the closest to the phonetics of the language. English alphabets are not very good for that purpose. Moreover, I listen carefully and try to grasp as much as possible when the lyrics are read to me.”

Shreya Ghoshal (1984) Indian playback singer

Getting it right (Singing) http://www.thehindu.com/features/metroplus/queen-of-the-charts/article390455.ece

“With Moondance, I wrote the melody first. I played the melody on a soprano sax and I knew I had a song so I wrote lyrics to go with the melody. That's the way I wrote that one. I don't really have any words to particularly describe the song, sophisticated is probably the word I'm looking for. For me, Moondance is a sophisticated song. Frank Sinatra wouldn't be out of place singing that.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

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“I write music with my mouth — first lyrics, then song, then rhythm.”

Tato Laviera (1950–2013) Puerto Rican writer

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Niniola (1986) Nigerian singer-songwriter

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“I’ve been listening to my father’s songs lately. He was a wonderful composer; I love his songs very much. My father used to say to me, “My son Ranariddh sang my songs the best,” because you had to sing it with your own heart. I used to sing a lot. He didn't like to sing his own songs, so I used to do it.”

Norodom Ranariddh (1944) Cambodian politician

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“Speaking involves inflection, it involves an understanding of the language. Too many young people today play their instruments most wonderfully – they have such command of their instrument – but it’s as though they’re speaking a foreign language, phonetically. They pronounce all the words, but they have no idea of what they’re saying. And I think that’s one of the big differences between the great artists of the time and this level of expertise that is constantly expanding and rising. As I’ve said for a long time, the level of mediocrity is constantly rising.”

Leon Fleisher (1928) American conductor and pianist

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“The first Bengali with a scientific insight to attack the problems of the language was the poet Rabindranath Tagore; and it is flattering for the votaries of philology, to find in one who is the greatest writer in the language, and a great poet and seer for all time, a keen philologist as well, distinguished alike by an assiduous enquiry into the facts of the language as by a scholarly appreciation of the methods and findings of the modern Western philologist. The work of Rabindranath is in the shape of a few essays (now collected in one volume) on Bengali Phonetics, Bengali Onomatopoetics, and on the Bengali noun, and on other topics, the earliest of which appeared in the early nineties, and some fresh papers appeared only several years ago. These papers may be said to have shown to the Bengali enquiring into the problems of his language the proper lines of approaching them.”

Suniti Kumar Chatterji (1890–1977) Bengali linguist

S.K. Chatterji (1926) in: S.K. Chatterji. " Visva-manah Vak-pati http://books.google.nl/books?id=9x-Peh32rw8C&pg=PA124" in: Rabindranath Tagore: A Centenary. S. Radhakrishnan eds. Sahitya Akademi. 1990. p. 124

“For three years I studied very assiduously an Arabic dialect spoken by the Bedouins of the Sahara, and I began by writing this language phonetically in Latin characters; the very strange appearance of the grammatical forms which resulted from it caused me to see that our spoken language is as remote from written language as this Saharan dialect can be from literary Arabic, and that our language written phonetically by a foreigner in the same way as I wrote the spoken language in El Golea, presented grammatical forms as strange (and as fascinating) as my Arabic jargon. It is then that the idea came to me to try to draft a small text written phonetically. I had the feeling that by becoming”

Jean Dubuffet (1901–1985) sculptor from France

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“I am a writer an a singer of the words I write I am no speaker nor any politician an my songs speak for me because I write them in the confinement of my own mind an have t cope with no one except my own self.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

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“My obsession was the preservation of the Gaelic language so that there would be people left in the world who could hear its great songs as they really were. No poetry could be translated, still less could song poetry, and the great language of Gaelic song made me fanatical about the beauty of the Gaelic language and its astonishing ability to indicate shades and positions of emphasis with natural inversions and the use of particles.”

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