Quotes about wood
page 4

“Howdy! That's a great question, actually. The reason we fart is due to needing to periodically release gases that build up during digestion. During the digestion process of the foods you eat, naturally occurring beneficial bacteria in your body metabolize (i. e. convert the food in your body to useable energy) and produce waste as a result, some of which is the gas that makes up farts. This is typically where the methane (CH4) in farts comes from, the rest of the fart volume being from air swallowed during the course of the day. For animals like spiders and insects, there are similar processes! Some animals like termites, for example, better match us as they, too, have methane-producing bacteria in their guts which helps them break down wood! For other animals, other digestive processes make waste products and sometimes gas, so yes, spiders (and insects) do fart, in a sense! Since their exoskeletons are generally rigid, though, they may not produce the sound we associate with farting, thus, you might say that most spider and insect farts are "silent but deadly!"”

Ben Eisenkop (1986) American biologist and redditor

Posted https://www.reddit.com/r/UnidanFans/comments/1mubgx/q_for_unidan_from_my_8yo_daughter_do_spiders_fart/cccqton in response to "Do spiders fart?" (2013)

Food, Question, Nature, Sense

“Is not old wine wholesomest, old pippins toothsomest, old wood burn brightest, old linen wash whitest? Old soldiers, sweethearts, are surest, and old lovers are soundest.”

John Webster (1578–1634) English dramatist

Westward Hoe, Act II, scene ii. See also Wine, Friendship.

Lovers, Wine

“This was the greatest invasion in this war so far – probably the greatest in human history – and the sea was crowded to the horizon with uncountable ships, but we were as lost and ineffective as babes in the wood.”

Norman Lewis book Naples '44

Naples '44

War, History, Sea

“WOODSTOCK NATION is built on ELECTRICITY. It is our energy, music, politics, school, religion, play, battleground and our sensuality. I hesitate only in using the word Morality, for Morality means soul and ELECTRICITY lack soul but so too does the wood pen I scratch against the yellow pad. Morality rests in God's imagination and if we see ourselves as gods I guess we alone make those choices. Moral decisions never rest in our tools, be they electricity or pencils, flowers, or guns.”

Abbie Hoffman book Woodstock Nation

Woodstock Nation (1969)

God, School, Religion, Music

“On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-Bò.
Two old chairs, and half a candle,—
One old jug without a handle,—
These were all his worldly goods.”

Edward Lear (1812–1888) British artist, illustrator, author and poet

St. 1. The Courtship of the Yonghy-Bongy-Bò http://www.nonsenselit.org/Lear/ll/ybb.html (1877)

“In warlike pomp, with banners flowing,
The regiments of autumn stood:
I saw their gold and scarlet glowing
From every hillside, every wood.”

Henry Van Dyke (1852–1933) American diplomat

I, st. 1.
The Fall of the Leaves (1874)

Autumn

“Recently I was visited by a very good friend who had just returned from a long walk in the woods, and I asked her what she had observed. “Nothing in particular,” she replied. I might have been incredulous had I not been accustomed to such responses, for long ago I became convinced that the seeing see little.
How was it possible, I asked myself, to walk for an hour through the woods and see nothing worthy of note? I who cannot see find hundreds of things to interest me through mere touch. I feel the delicate symmetry of a leaf. I pass my hands lovingly about the smooth skin of a silver birch, or the rough, shaggy bark of a pine. In spring I touch the branches of trees hopefully in search of a bud, the first sign of awakening Nature after her winter’s sleep. I feel the delightful, velvety texture of a flower, and discover its remarkable convolutions; and something of the miracle of Nature is revealed to me.”

Helen Keller (1880–1968) American author and political activist

Three Days to See (1933)

Feeling, Search, Spring, Flowers

“The woods eats the woman and dumps her honey-body in the mud,
Her dress floats down the well and it assumes the shape of the body of a little girl,
Yeah, I recognize that girl,
She stumbled in some time last loneliness,
But I could not stand to touch her now,
My one and only onlyness.”

Nick Cave (1957) Australian musician

Song lyrics, The Bad Seed EP (1993), Deep in the Woods

Girl, Time, Loneliness

“Two slugs slithered on a yellow wood, and sorry that i could not trample both, being one trampler. long i stood and looked them down as feirce as I could to where they sat in the undergrowth…”

Darby Conley (1970) American cartoonist

Bucky Katt's Big Book of fun, page 114
Bucky Katt

“Virtually, Finnish woods are stripped so bare, so sold out and first and foremost, so long way off from genuine diverse natural forest, that the resources of language will not permit excessive words. Finnish forest economy has been compared to the ravaging of rain forests. Nevertheless, the noteworthy difference is that there is a half or two thirds left from rain forests, but from Finnish forests there is left - excluding arctic Lapland - 0,6 per cent.”

Pentti Linkola (1932) Finnish ecologist

The Forest Covering Must Be Restored In Finland (1995)

Way, Nature

“I have lingered among the nymphs of Corot, dancing in the sacred wood of Ville-d'Avray.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

quote in a letter - late in Gauguin's life, from the Marquesas-Islands; as quoted by Colin B. Bailey, in The Annenberg Collection: Masterpieces of Impressionism and Post-impressionism, publish. Metropolitan Museum of Art, New York, 2009, p. 185
1890s - 1910s

Dance

“They crossed the wood and hanged him
A long time ago
They still misunderstand him
Those who don’t know
And in the evening his love will lead the blind
In every secret corner there in your mind”

Cat Stevens (1948) British singer-songwriter

Jesus
Song lyrics, Buddha and the Chocolate Box (1974)

Love, Secret, Time

“She spent the afternoon staring at their front door. "Waiting for someone?" Yankel asked. "What color is this?" He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, "It certainly tastes like red." "Yes, it is red, isn't it?" "Seems so." She buried her head in her hands. "But couldn’t it be just a bit more red?"”

Jonathan Safran Foer book Everything Is Illuminated

Source: Everything Is Illuminated (2002), pp. 79-80

Color, Waiting

“Wherever you go in the world, it’s always nice to feel like you’re supposed to be there. Whether in a city or the woods, West or East, we all have someplace to be. You’ll know it when you arrive.”

John M. Rodgers (1928–2012) American politician

“ Two Homes, a World Apart http://www.nytimes.com/2012/05/31/opinion/two-homes-a-world-apart.html.” The New York Times. 30 May 2012.

World, Feeling

“.. it is a masterpiece [painting of Barend Cornelis Koekkoek: 'View on the Woods' 1839, with sizes 176 x 160 cm], a well-executed brave undertaking to imagine something like that on a large scale with such an elaborateness. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) ..het is een meesterstuk [groot schilderij van : 'Boschgezicht' 1839, 176 x 160 cm], een welgelukte stoute onderneming om op die schaal met die uitvoerigheid zooiets voor te stellen.
In a letter to his parents, August 1840; as cited by Marjan van Heteren in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, - ISBN13 * 978 90 6868 4322, 2006, p. 23
1840' + 1850's

Imagination, Painting

“[carving a sculpture in wood] is such a sensual pleasure when blow by blow the figure grows more and more from the trunk.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to de:Gustav Schiefler from Dresden, 27 June, 1911; as quoted in German Expressionist Sculpture, ed. Stephanie Barron, Los Angeles County Museum of Art, 1983, p. 114
1905 - 1915

Pleasure

“Fair friend, in singing I call you:
Sleep no longer, for I hear the bird sing
Who goes seeking day through the wood
And I fear that the jealous one will attack you,
And soon it will be dawn!”

Giraut de Bornelh (1138–1220) French writer

Bel companho, en chantan vos apel!
No dormatz plus, qu'eu auch chantar l'auzel
Que vai queren lo jorn per lo boschatge
Et ai paor que.l gilos vos assatge
Et ades sera l'alba.
"Reis glorios", line 11; translation from Gale Sigal Erotic Dawn-Songs of the Middle Ages (1996) p. 148.

Fear, Bird, Sleep, Singing

“You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture... The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Appel is referring to the Italian movie-maker Pasolini
Source: Karel Appel – the complete sculptures,' (1990), pp. 75-77 'Quotes', K. Appel (1989)

Love, Making love, Law, Beauty

“Another hallway led to a green steel door. "This is the execution chamber," the officer said. "The day of the execution, we take the man through this door." He opened the green door, and we blinked at the bright lights inside. A big chair filled the room. I could smell leather. "All right, boys," he said. "Line up." The kids made a straight line that led out the green door, then moved ahead, one at a time, to sit in the big wooden chair. "This is the electric chair, Tommy Ray," my dad explained. "It's where murderers are executed." The boys inched forward. Some sat longer in the chair than others. Executed meant killed, that much I knew. "This is the ultimate consequence for the ultimate act of evil," my father told the troop. When all the boys had sat in the chair, it was my turn. I reached up and felt the smooth wood, the leather straps with cold metal buckles. There was a black steel cap dangling up there like a lamp without a bulb. "Up you go, Tommy Ray," Dad said, hoisting me into the chair. The boys were staring at me. But I wasn't even a little bit afraid. My father stood right beside me. I could feel his warm hand next to the cool metal buckle. As the school bus rumbled out of the prison parking lot that afternoon, I stared back at the high walls. I had learned another important lesson. A consequence was what followed what you did. If you did good things, you'd be rewarded with further good things. If you broke the law, you'd have to pay the price. I have never forgotten that lesson.”

Tommy Franks (1945) United States Army general

Source: American Soldier (2004), p. 8

School, Law, Feeling, Boy

“She was forcing it with her scorn, the kiss she gave me, the hard curl of her lips, the mockery of her eyes, until I was like a man made of wood and there was no feeling within me except terror and a fear of her, a sense that her beauty was too much, that she was so much more beautiful than I, deeper rooted than I. She made me a stranger unto myself, she was all of those calm nights and tall eucalyptus trees, the desert stars, that land and sky, that fog outside, and I had come there with no purpose save to be a mere writer, to get money, to make a name for myself and all that piffle.”

John Fante book Ask the Dust

Ask the Dust (1939)

Money, Fear, Beauty, Feeling

“I’d say I was a tomboy… I took wood chop in high school and I was very into volleyball and football, and [was] very unaware of anything girly for a long time.”

Marisa Miller (1978) American model

[13 Questions With Marisa Miller, http://www.askmen.com/celebs/interview_200/233_marisa_miller_interview.html, AskMen.com, News Corporation, 2010-04-13]

School, Time, Football

“And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills...
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

World, Sadness, Dreams, Sun

“God has taught in the Scriptures the lesson of a universal brotherhood, and man must not gainsay the teaching. Shivering in the ice-bound or scorching in the tropical regions; in the lap of luxury or in the wild hardihood of the primeval forest; belting the globe in a tired search for rest, or quieting through life in the heart of ancestral woods; gathering all the decencies around him like a garment, or battling in fierce raid of crime against a world which has disowned him, there is an inner humanness which binds me to that man by a primitive and indissoluble bond. He is my brother, and I cannot dissever the relationship. He is my brother, and I cannot release myself from the obligation to do him good.”

William Morley Punshon (1824–1881) English Nonconformist minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 41.

Life, God, World, Search

“How many hearts with warm red blood in them are beating under cover of the woods, and how many teeth and eyes are shining! A multitude of animal people, intimately related to us, but of whose lives we know almost nothing, are as busy about their own affairs as we are about ours.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1900s, Our National Parks (1901), chapter 1: The Wild Parks and Forest Reservations of the West

People, Business, Heart, Animals

“O nightingale, that on yon bloomy spray
Warbl'st at eve, when all the woods are still.”

John Milton (1608–1674) English epic poet

Sonnet, To the Nightingale (c. 1637)

“Our roots are in the depths of the woods-on the banks of streams and among the mosses.”

Émile Gallé (1846–1904) French glass artist and cabinetmaker

Motto on Galle's studio doors (Musée de l'École de Nancy).

“Announced by all the trumpets of the sky
Arrives the snow, and, driving o'er the fields,
Seems nowhere to alight: the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden's end.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

The Snow-Storm http://www.emersoncentral.com/poems/snow_storm.htm 1840s, Poems (1847)

Housing

“Aristotle (De Anima, I. 1) makes in the first place the general remark that it appears as if the soul must, on the one hand, be regarded in its freedom as independent and as separable from the body, since in thinking it is independent; and, on the other hand, since in the emotions it appears to be united with the body and not separate, it must also be looked on as being inseparable from it; for the emotions show themselves as materialized Notions (λόγοι έννοια), as material modes of what is spiritual. With this a twofold method of considering the soul, also known to Aristotle, comes into play, namely the purely rational or logical view, on the one hand, and, on the other hand, the physical or physiological; these we still see practiced side by side. According to the one view, anger, for instance, is looked on as an eager desire for retaliation or the like; according to the other view it is the surging upward of the heartblood and the warm element in man. The former is the rational, the latter the material view of anger; just as one man may define a house as a shelter against wind, rain, and other destructive agencies, while another defines it as consisting of wood and stone; that is to say, the former gives the determination and the form, or the purpose of the thing, while the latter specifies the material it is made of, and its necessary conditions.”

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Georg Wilhelm Friedrich Hegel, Lectures on the Philosophy of History Vol 2 1837 translated by ES Haldane and Francis H. Simson first translated 1894 p. 181
Lectures on the Philosophy of History (1832), Volume 2

Soul, Thinking, Freedom, Appearance

“A stoic of the woods—a man without a tear.”

Thomas Campbell (1777–1844) British writer

Part I, stanza 23 (1809)
Gertrude of Wyoming (1809)

Tear

“I have all my life been an indweller of the town, and I frankly confess, for a constant residence, I like it better than all the pastoral charms that ever made the morality of an essay, or gave grace to poetry; still there is that about the country to which the heart always turns with a feeling of freshness and renovation. The moonlight walk through the green wood, would come back upon the memory with a spell which would not belong to a lamp-lighted ramble. The green-leaf would give its freshness, the wild-flower its sweetness; on the ear would arise the murmur of the wind in the boughs — or the song of the brook singing like a child for very gladness.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Literary Remains

Life, Feeling, Flowers, Light

“In the great fire-sacrifice of the battle – in which the bow was the beautiful ladle, Paraśurāma's anger was the fire, the battlefield was the quadrangular fire-place (Vedikā or altar), the cries of the brave soldiers were the Vedic chants, the arrows of Paraśurāma were the fascinating oblations (Āhutis), and the kings were the wood – Paraśurāma sacrificed Sahasrārjuna like a sacrifice animal. ॥ 6.97 ॥”

Rāmabhadrācārya (1950) Hindu religious leader

dhanuḥsrugabhimedure bhṛgupakopavaiśvānare
raṇāṅgaṇasucatvare subhaṭarāvavedasvare ।
śarāhutimanohare nṛpatikāṣṭhasañjāgare
sahasrabhujamadhvare paśumivājuhodbhārgavaḥ ॥
Śrībhārgavarāghavīyam

Beauty, Animals, Anger

“Lovely the woods, waters, meadows, combes, vales,
All the air things wear that build this world of Wales.”

Gerard Manley Hopkins (1844–1889) English poet

" In the Valley of the Elwy http://www.bartleby.com/122/16.html", lines 9-10 Wessex Poems and Other Verses (1918)

Love, World, Water

“He had seen fire, but only when Ara, the lightning, had destroyed some great tree. That any creature of the jungle could produce the red-and-yellow fangs which devoured wood and left nothing but fine dust surprised Tarzan greatly, and why the black warrior had ruined his delicious repast by plunging it into the blighting heat was quite beyond him. Possibly Ara was a friend with whom the Archer was sharing his food.
But, be that as it may, Tarzan would not ruin good meat in any such foolish manner, so he gobbled down a great quantity of the raw flesh, burying the balance of the carcass beside the trail where he could find it upon his return.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 9 : Man and Man

Food, Tree

“Having former knowledge and delight in Iron Works of my Fathers, when I was but a Youth; afterward at 20 years, Old, was I fetched from Oxford, then of Bayliol Colledge, Anno 1619, to look and manage 3 iron works of my fathers, 1 furnace, and 2 forges, in the Chase of Pensnet, in Worcester-shire, but Wood and Charcole, growing then scant, and Pit-coles in great quantities abounding near the furnace, did induce me to alter my furnace, and to attempt by my new invention, the making of iron with pit-cole, assuring myself in my invention, the loss to me could not be greater then others, not so great, "although my success should prove fruitless; but I found such success at first tryal animated me, for at my tryal or blast I made iron to profit with pit-cole, and found Facere est addere Invention!.”

Dud Dudley (1600–1684) British metallurgist

Source: Metallum Martis, 1665, p. 5 Cited in: Royal School of Mines (Great Britain) Records of the School of Mines and of Science Applied to the Arts, Vol. 1, (1852), p. 223.

Youth, Knowledge, Loss, Success

“Among other things he found a sharp hunting knife, on the keen blade of which he immediately proceeded to cut his finger. Undaunted he continued his experiments, finding that he could hack and hew splinters of wood from the table and chairs with this new toy.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 6 : Jungle Battles

“Two small and rather unappealing animals possess patterns of behaviour that have great relevance for the student of intelligent systems. These are the wood louse and the maggot of the common housefly, and it is the difference in their behaviour which is so illuminating. It has to do with the way in which they orient themselves to their environment. Wood lice like moist places and succeed in aggregating there by the simple device of slowing down their otherwise random movements as the humidity increases. The maggot, which, during a certain stage of its development needs to come out of the dark, finds light by a slightly more sophisticated system. It has a single, non-directional light-sensing organ at the forward end of its body and as it moves along it swings this end left and right, allowing the amount of light gathered during each swing to determine the extent of its forward motion. In this way it keeps altering its course until the amounts of light sensed are equal for both sides, by which time it must be heading straight for the light.”

Edward Ihnatowicz (1926–1988) Cybernetic sculptor

Edward Ihnatowicz. " MAGGOTY INTELLIGENCE http://www.senster.com/ihnatowicz/articles/maggoty_intelligence.pdf," Unpublished. Date unknown: pre 1988. at senster.com, 2015

Way, Intelligence, Sense, Light

“There was no death row at Cold Mountain, only E Block, set apart from the other four and about a quarter their size, brick instead of wood, with a horrible bare metal roof that glared in the summer sun like a delirious eyeball.”

Stephen King book The Green Mile

The Green Mile (1996)

Death, Mountain, Sun, Summer

“Empty hills, no one in sight,
only the sound of someone talking;
late sunlight enters the deep wood,
shining over the green moss again.”

Wang Wei (699–759) a Tang dynasty Chinese poet, musician, painter, and statesman

"Deer Fence" (鹿柴), trans. Burton Watson
Variant translations:
No one is seen in deserted hills,
Only the echoes of speech is heard.
Sunlight cast back comes deep in the woods,
And shines once again upon the green moss.
Translated by Stephen Owen
On the empty mountain, seeing no one,
Only hearing the echoes of someone's voice;
Returning light enters the deep forest,
Again shining upon the green moss.
Translated by Richard W. Bodman and Victor H. Mair

“There would be no import duties upon the supplies, machinery, etc., going from the States. The effect that would have been produced upon Cuban commerce, with these advantages to a rival, is observable at a glance. The Cuban question would have been settled long ago in favor of "free Cuba." Hundreds of American vessels would now be advantageously used in transporting the valuable woods and other products of the soil of the island to a market and in carrying supplies and emigrants to it. The island is but sparsely settled, while it has an area sufficient for the profitable employment of several millions of people.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1870s, Eighth State of the Union Address (1876)

People, Question

“Nature in her green, tranquil woods heals and soothes all afflictions.”

John Muir (1838–1914) Scottish-born American naturalist and author

August 1875, page 220
John of the Mountains, 1938

Nature, Affliction

“The elder Wood lived only to see his Circus begun. He died in 1754, and it was completed by his son. In 1766 the younger Wood acquired, in partnership with another person, a piece of land westwards of the Circus and on this he built the Royal Crescent (1767–75). This great semi-elliptical block, comprising thirty houses, is of very special importance in the history of English architecture, for it introduced a type of urban composition which was employed over and over again, with innumerable variations, until well into the nineteenth century.”

John Summerson (1904–1992) British architectural historian

Architecture in Britain, 1530–1830

History, Housing, Personality, Partnership

“Cities are hateful to me, friendly the woods.”

Francesco Petrarca Il Canzoniere

Le città son nemiche, amici i boschi.
Canzone 237, st. 5
Il Canzoniere (c. 1351–1353), To Laura in Life

Hate

“Law is not a mausoleum. It is not an antique to be taken down, dusted, admired and put back on the shelf. It is like an old but vigorous tree, having roots in history, yet continuously taking new grafts and putting out new sprouts and occasionally dropping dead wood. It is essentially a social process, the end product of which is justice and hence it must change with changing social values. Otherwise there will be estrangement between law and justice and law will cease to have legitimacy.”

P.N. Bhagwati

P.N. Bhagwati Motilal Padmapat v State of Uttar Pradesh AIR 1979 SC 621; 118 ITR 326.

Justice, Law, History, Tree

“The name-parted-in-the-middle aristocrats act in just the same way. They don’t want to be annoyed with firecrackers and the Declaration of Independence, and when they see the Fourth comin’ they hustle off to the woods like my dog. p. 71”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 17, Tammany’s Patriotism

Dogs, Way, Parting

“If a firearm is used by a criminal or psychopath with evil intentions, then it is a tool for evil. But if it is used for good (to defend life and property), then it is a tool for good. A firearm by itself has no sentience, no volition, no moral force, and no politics. The proper term for this is an adiaphorous object--something that is neither good nor evil. A firearm is simply a cleverly-designed construction of metal, wood, and plastic in the form of a precision tool.”

James Wesley Rawles (1960) Survivalist-fiction author and blogger

Source: Tools For Survival (2009), p. 150

Life, Evil

“The sounding cataract
Haunted me like a passion: the tall rock,
The mountain, and the deep and gloomy wood,
Their colours and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, nor any interest
Unborrowed from the eye.”

William Wordsworth book Lyrical Ballads

Stanza 3.
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)

Love, Feeling, Mountain, Passion

“I can't believe that a coloured girl from the back woods of Mississippi has done all that you have done”

Stedman Graham (1951) American businessman

Oprah Winfrey Surprise Spectacular

Girl

“Back in Moscow in 1925 - teacher at 'Vchutemas' of interior design and furniture at the faculty of wood and metalwork. In 1926 my most important artistic work began: designing exhibitions. In that year I was invited by the committee of the International Exhibition of Art in Dresden to design the space for contemporary art. Was sent abroad for by 'VOKS.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

[In] 1927 Exhibition of Typography in Moscow.
1926 - 1941, Autobiography of the artist' (1941)

Art, Teachers

“Heap on more wood!-the wind is chill;
But let it whistle as it will,
We’ll keep our Christmas merry still.”

Walter Scott Marmion

Canto VI, introduction, st. 1.
Marmion (1808)

Christmas

“To me, therefore, that Thracian Orpheus, that Theban, and that Methymnaean,--men, and yet unworthy of the name,--seem to have been deceivers, who, under the pretence of poetry corrupting human life, possessed by a spirit of artful sorcery for purposes of destruction, celebrating crimes in their orgies, and making human woes the materials of religious worship, were the first to entice men to idols; nay, to build up the stupidity of the nations with blocks of wood and stone,--that is, statues and images,--subjecting to the yoke of extremest bondage the truly noble freedom of those who lived as free citizens under heaven by their songs and incantations. But not such is my song, which has come to loose, and that speedily, the bitter bondage of tyrannizing demons; and leading us back to the mild and loving yoke of piety, recalls to heaven those that had been cast prostrate to the earth. It alone has tamed men, the most intractable of animals; the frivolous among them answering to the fowls of the air, deceivers to reptiles, the irascible to lions, the voluptuous to swine, the rapacious to wolves. The silly are stocks and stones, and still more senseless than stones is a man who is steeped in ignorance. As our witness, let us adduce the voice of prophecy accordant with truth, and bewailing those who are crushed in ignorance and folly: "For God is able of these stones to raise up children to Abraham;" and He, commiserating their great ignorance and hardness of heart who are petrified against the truth, has raised up a seed of piety, sensitive to virtue, of those stones--of the nations, that is, who trusted in stones. Again, therefore, some venomous and false hypocrites, who plotted against righteousness, he once called "a brood of vipers."”

Clement of Alexandria (150–215) Christian theologian

But if one of those serpents even is willing to repent, and follows the Word, he becomes a man of God.
Exhortation to the Heathen

Love, Life, Men, God

“Now Autumn's fire burns slowly along the woods
And day by day the dead leaves fall and melt.”

William Allingham (1824–1889) Irish man of letters and poet

Autumnal Sonnet; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Autumn, Dead

“Glorious are the woods in their latest gold and crimson,
Yet our full-leaved willows are in the freshest green.
Such a kindly autumn, so mercifully dealing
With the growths of summer, I never yet have seen.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

The Third of November, 1861. Thirty Poems. Appleton, New York. pp. 112-115. (1864)

Autumn, Summer

“My next desire is, void of care and strife,
To lead a soft, secure, inglorious life:
A country cottage near a crystal flood,
A winding valley, and a lofty wood.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Georgic II, lines 688–691.
The Works of Virgil (1697)

Life, Country

“I stood there for a while, holding Nakata tight in my arms, feeling like I wanted to die or disappear. Just over the horizon the violence of war went on, with countless people dying. I no longer had any idea what was right and what was wrong. Was I really seeing the real world? Was the sound of birds I was hearing? I found myself alone in the woods, totally confused, blood flowing from freely from my womb. I was angry, afraid, embarrassed-all of these rolled into one. I cried quietly, without making a sound.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 12

War, People, World, Feeling

“2683. Have a Care of him that is slow to anger, for like as green Wood which is long in kindling, continueth hot longer than the dry, if it have once taken Fire : So that Man, who is not easily moved is more hard to be pacify'd, than he that is quickly provoked.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727)

Anger

“It was given to me by the late Shannon Hoon, who fashioned it out of a fork he got in Denny's (a US fast food chain) on the first tour Blind Melon ever did, which was opening for us. I really liked it, but I stopped wearing it after he died. Because the other thing I wore was this ring that belonged to Andy Wood, who died. It's like, 'I don't wanna wear these f**king things from people who died.' A girl outside the hotel tonight had a similar fork, and I've had people throw them on-stage. I've seen hundreds of those forks, but it always reminds me of Shannon. They're making them cos they're thinking of me, but really it's him. Which is cool.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked about the fork necklace that he wore for several years **
Soundgarden Era

People, Food, Girl, Fashion

“No, what worries me is that I might in a sense adapt to this environment and come to be comfortable here and not resent it anymore. And I am afraid that as the years go by that I may forget, I may begin to lose my memories of the mountains and the woods and that's what really worries me, that I might lose those memories, and lose that sense of contact with wild nature in general. But I am not afraid they are going to break my spirit.”

Theodore Kaczynski (1942) American domestic terrorist, mathematician and anarchist

Answer given when he was asked if he was afraid of losing his mind in prison. Interview with Ted Kaczynski http://web.archive.org/web/20061003044754/www.spiritoffreedom.org.uk/profiles/ted.html Interviews

Mountain, Nature, Sense, Memory

“If we do not add something to the knowledge of cosmic rays by our trip to the stratosphere this summer, we had better not go. We had better stay on the ground, be hewers of wood and drawers of water.”

Jeannette Piccard (1895–1981) American balloonist, scientist, teacher and priest

Quoted in [Oakes, Claudia M., United States Women in Aviation: 1930-1939, Smithsonian Studies in Air and Space, 1985, http://www.sil.si.edu/smithsoniancontributions/AirSpace/text/SSAS-0006.txt]

Knowledge, Water, Summer

“Supplies of wood fuel may be a byproduct of thinning, pruning, and harvesting homestead tree crops. These trees also provide the homestead with groundwater [for natural evaporative cooling and fruit], with protection from the sun, wind, and erosion, and with fodder, fruit, and nuts for animal and human consumption. Tree crops also furnish shelter and forage for the wild birds…”

Ken Kern American writer

p, 125
Ken Kern's Masonry Stove (1983)

Nature, Bird, Tree, Sun

“Jesus told His disciples all about the tribulation they WOULD have to endure and NONE of them ran off to a cabin in the woods and began gathering food and ammunition! They ALL went out to win souls like crazy! They understood full well about the “prize” offered to those who endured to the end!”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 243

Food, Soul

“But our bird knew not of the free blue air,
He had lived in his cage, and his home was there :
No flight had he in the green wood flown —
He pined not for freedom he never had known!
If he had lived amid leaf and bough
It had been cruel to fetter him now;
For I have seen a poor bird die,
And all for love of his native sky.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Dead Robin
Traits and Trials of Early Life (1836)

Love, Home, Bird, Freedom

“For the longest time, I didn't know the name of anyone in Led Zeppelin. I didn't care about what they looked like or ate. I wanted to listen, not read about them. I've always had that philosophy. I never started playing drums to get chicks or money or anything else. Long before I had concepts of those things, I wanted to be a drummer. That's the basic concept of what I do. I'm a drummer. I play drums. We are artists as drummers, and people should realize that. Not everyone can sit down and use all four of your limbs simultaneously to create something out of wood and plastic. We're creating something beautiful, and it may not sound pretty, but if you listen with the right ear, it sounds very pretty. If you try and listen to a song without drums, you haven't got anything.”

John Dolmayan (1973) Lebanese-born Armenian–American songwriter and drummer

[Artist Features: Steal This Article: John Dolmayan, Weiss, David, May 2003, http://drummagazine.com/html/modules.php?op=modload&name=News&file=article&sid=241, 2007-01-08]

Money, People, Beauty, Time

“In making the four-channel video work Dachau, my experience as a weaver directly influenced the basic structuring of the work. The content itself was taped in 1974 at the former concentration camp Dachau. The symmetry of the architecture and the present ambience of the space were the focus of the recordings. The past was recorded only insofar as the sounds of the voices of the present commingled with the feeling absorbed in the wood and revealed in the structure of forms which has no amount of time can erase.”

Beryl Korot (1945) American artist

Source: Dachau 1974, by Beryl Korot, p. 75

Feeling, Time, Past

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

Fear, Bird, Light, Appearance

“Axes
After whose stroke the wood rings,
And the echoes!
Echoes travelling
Off from the centre like horses.”

Sylvia Plath Ariel

"Words" http://www.angelfire.com/tn/plath/words.html Ariel (1965)

Travel, Horse

“We lack but open eye and ear
To find the Orient's marvels here;
The still small voice in autumn's hush,
Yon maple wood the burning bush.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

The Chapel of the Hermits; comparable to Mrs. Browning, Aurora Leigh, Book vii

Autumn

“In the working of wood and for the determining of its character I had had enough experience in my five-year pursuit of woodcutting. I also always gladly let the various charming grainings and sometimes the knots become involved in the printing.”

Emil Nolde (1867–1956) German artist

in Nolde's letter, c. 1910; in Alois J. Schardt, 'Nolde als Graphiker', Das Kunstblatt 11, no. 8., 1927, p. 289; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52
1900 - 1920

“With all that’s been written about Temple of the Dog recently, it’s reminded me of the original meanings of those songs. Say Hello 2 Heaven, for example, was one of the songs I wrote directly for Andy Wood and the amount of times someone has requested I play that song for someone else who’s died have been numerous. That’s great that it’s become this anthem that makes somebody feel some comfort when they’ve lost someone, but recently I’ve become a little more possessive of the idea that this song was actually written for a specific guy and I haven’t forgotten that person. So I’ve been reminding myself and those in the audience where that song came from.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Chris Cornell Interview: ‘There’s always been a desire in me to keep the attention of a room full of people with just one stupid guitar and nothing else’, The Independent, 20 May 2016 http://www.independent.co.uk/arts-entertainment/music/features/chris-cornell-interview-there-s-always-been-a-desire-in-me-to-keep-the-attention-of-a-room-full-of-a7039831.html, Temple of the Dog Era

Dogs, Guy, Feeling, Idea

“How you produce volume after volume the way you do is more than I can conceive. …But you haven't to forge every sentence in the teeth of irreducible and stubborn facts as I do. It is like walking through the densest brush wood.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Letter to Henry James (ca. 1890) as quoted by Robert D. Richardson, William James: In the Maelstrom of American Modernism (2007) p. 297. Also as quoted partially by Alfred North Whitehead, Science and the Modern World (1925) p. 2.
1890s

Way

“The straightening board was created because of warped wood, and the plumb line came into being because of things that are not straight. Rulers are established and ritual and rightness are illuminated because the nature is evil.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Sources of Chinese Tradition (1999), vol. 1, p. 182
Human nature is evil

Nature, Evil

“The Sultan reached Jhain in the afternoon of the third day and stayed in the palace of the Raya… He greatly enjoyed his stay for some time. Coming out, he took a round of the gardens and temples. The idols he saw amazed him… Next day he got those idols of gold smashed with stones. The pillars of wood were burnt down by his order… A cry rose from the temples as if a second Mahmud had taken birth. Two idols were made of brass, one of which weighed nearly a thousand mans. He got both of them broken, and the pieces were distributed among his people so that they may throw them at the door of the Masjid on their return [to Delhi]…”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

About Sultan Jalalu’d -Din Khalji (AD 1290-1296) in Jhain (Rajasthan) Translated from the Hindi version by S.A.A. Rizvi included in Khalji Kalina Bharata, Aligarh, 1955, pp. 153-54.
Miftahu'l-Futuh

People, Birth, Time, Cry

“Stone towers appeared early in the Loire River valley. The massive ruin at Langeais, recently dated 992, was once a broad tower with four corner turrets. Today it stands in the park of a fifteenth-century chateau. Not far off, at Loches, the tower is the earliest surviving great tower to combine within its walls a hall, the lord’s chamber, and a chapel. Recent analysis of the wood used in the original building has dated this tower between 1012 and 1035.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Appearance

“After two years of exploratory discussions, and a conference (1st - 22nd July), the Bretton Woods agreements were initially signed by 44 states; the others followed in the course of time. A co-author of the project was the United Kingdom, under the leadership of Winston Churchill. Since the Atlantic Charter, issued by Roosevelt and Churchill (August 14, 1941), UK shared the US commitment for the postwar dominance, a multilateral payment system, and an international cooperation. The US was then the world biggest creditor country”

Nico Perrone (1935) Italian historian and writer

Source: The international economy from a political to an authoritative drive, p. 129

World, Time, Country

“Those days in the woods saved my life many a time in combat.”

Chesty Puller (1898–1971) United States Marine Corps general

Recalling his early days trapping muskrats before school to supplement his mother's income
The Savage Wars of Peace, Max Boot, 2002.

Life, Time

“"You yourself created this Town. You made everything here. The Wall, the River, the Woods, the Library, the Gate, everything. Even this Pool. I've known all along."
"Then why did you not tell me sooner?"
"Because you'd only have left me here like this. Because your rightful world is there outside." My shadow sits down in the snow and shakes his head from side to side. "But you won't listen, will you?"
"I have responsibilities," I say. "I cannot forsake the people and places and things I have created. I know I do you a terrible wrong. And yes, perhaps I wrong myself, too. But I must see out the consequences of my own doings. This is my world. The Wall is here to hold me in, the River flows through me, the smoke is me burning. I must know why."”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 40, Birds

People, World

“I have a studio in the country - in the woods – but my paintings look more real to me than what is outdoors. You walk outside; the rocks are inert, even the clouds are inert. It makes me feel a little better. But I do have a faith that it is possible if you can move that inch.”

Phillip Guston (1913–1980) American artist

1961 - 1980, ARTnews Annual', October 1966

Faith, Feeling, Painting, Country

“hey Jack Kerouac
I think of your mother
and the tears she cried, she cried for none other
than her little boy lost in our little world that hated
and that dared to drag him down
her little boy courageous
who chose his words from mouths of
babes got lost in the wood
hip flask slinging madman, steaming cafe flirts
they all spoke through you”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Hey Jack Kerouac

Hate, World, Boy, Courage

“Tiger Woods is kidnapped by rival golfers, sedated, handcuffed, placed in a straitjacket, wrapped in chains, and locked inside a trunk, which is then weighted with concrete blocks and dropped into the deepest part of the Pacific Ocean. He easily wins the PGA Championship.”

Dave Barry (1947) American writer

Dave Barry's History of the Millennium (So Far) (2007)

Parting

“The fall of France must have been a bitter pill to Calvé. She had a poor opinion of Germans, both as people and as artists. It is sad to imagine what her last days may have been in her "robber-baron's castle" as Peggy Wood calls it. But one thing is certain; when death came, Calvé met it with spirit. No one who knew so well how to greet life could possibly fail to know how to greet death.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Emma Calvé (1942).

Life, Death, People, Sadness

“I was never allowed to play with guns when I was a child. While various friends were able to scamper around the woods with their Johnny Sevens, I had to make do with an old twig. And convincing an eight-year-old he was dead simply because I'd pointed a piece of larch his way was not quite as easy as you might imagine.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Source: Clarkson on Cars (1996), p. 52

Way, Imagination, Dead

“The buzz saw snarled and rattled in the yard
And made dust and dropped stove-length sticks of wood,
Sweet-scented stuff when the breeze drew across it.”

Robert Frost (1874–1963) American poet

" Out, Out — http://www.poemhunter.com/poem/out-out-2/" 1910s

“In a valley sweet with singing
From the hill and from the wood,
Where the green moss rills were springing,
A wondrous maiden stood.
The first lark seemed to carry
Her coming through the air;
Not long she wont to tarry,
Though she wandered none knew where.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette (10th January 1835) Versions from the German (Second Series.) 'The Coming of Spring'—Schiller.
Translations, From the German

Spring, Singing

“Starting in a hollowed log of wood — some thousand miles up a river, with an infinitesimal prospect of returning! I ask myself 'Why?' and the only echo is 'damned fool!… the Devil drives'.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

Burton to Lord Houghton as quoted in The Devil Drives: A life of Sir Richard Burton (1984) by Fawn Brodie.

Fools

“Leave the beaten track occasionally and dive into the woods. Every time you do so you will find something you have never seen before. Follow it up, explore around it, and before you know it, you will have something to think about to occupy your mind. All really big discoveries are the result of thought.”

Alexander Graham Bell (1847–1922) scientist and inventor known for his work on the telephone

Engraving at Bell Labs as quoted in Comprehending and Decoding the Cosmos: Discovering Solutions to Over a Dozen Cosmic Mysteries by Jerome Drexler (2006). p. viii.
Disputed

Thinking, Time