Quotes about wood
page 3

Imelda Marcos photo

“It so coincided that Marcos had money. After the Bretton Woods agreement he started buying gold from Fort Knox. Three thousand tons, then 4,000 tons. I have documents for these: 7,000 tons. Marcos was so smart. He had it all. It's funny; America didn't understand him.”

Imelda Marcos (1929) Former First Lady of the Philippines

Quoted in " Queen of the Quirky, Imelda Marcos Holds Court http://query.nytimes.com/gst/fullpage.html?res=9C07EED81E39F937A35750C0A960958260" at the New York Times (4 March 1996).

John Muir photo

“[Concerning the Sugar Pine] The wood is deliciously fragrant, and fine in grain and texture; it is of a rich cream-yellow, as if formed of condensed sunbeams.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1890s, The Mountains of California (1894), chapter 8: The Forests <!-- Terry Gifford, EWDB, page 360 -->

W. H. Auden photo
Larry the Cable Guy photo
Christopher Marlowe photo

“p>Come live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dales and fields,
Or woods or steepy mountain yields.And we will sit upon the rocks,
And see the shepherds feed their flocks
By shallow rivers, to whose falls
Melodious birds sing madrigals.And I will make thee beds of roses
And a thousand fragrant posies.”

The Passionate Shepherd to His Love (unknown date), stanzas 1 and 2. Compare: "To shallow rivers, to whose falls / Melodious birds sings madrigals; / There will we make our peds of roses, / And a thousand fragrant posies", William Shakespeare, Merry Wives of Windsor, act iii. scene i. (Sung by Evans.)

Parker Palmer photo
Neil Peart photo
Calvin Coolidge photo

“It is these two thoughts of union and peace which appear to me to be especially appropriate for our consideration on this day. Like all else in human experience, they are not things which can be set apart and have an independent existence. They exist by reason of the concrete actions of men and women. It is the men and women whose actions between 1861 and 1865 gave us union and peace that we are met here this day to commemorate. When we seek for the chief characteristic of those actions, we come back to the word which I have already uttered — renunciation. They gave up ease and home and safety and braved every impending danger and mortal peril that they might accomplish these ends. They thereby became in this Republic a body of citizens set apart and marked for every honor so long as our Nation shall endure. Here on this wooded eminence, overlooking the Capital of the country for which they fought, many of them repose, officers of high rank and privates mingling in a common dust, holding the common veneration of a grateful people. The heroes of other wars lie with them, and in a place of great preeminence lies one whose identity is unknown, save that he was a soldier of this Republic who fought that its ideals, its institutions, its liberties, might be perpetuated among men. A grateful country holds all these services as her most priceless heritage, to be cherished forevermore.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Freedom and its Obligations (1924)

Samuel Taylor Coleridge photo

“My dad always told us never to live where we could see the smoke from another man's chimney. He told us we should never live so close to another's house that the chickens would mingle in the woods.”

Jesse Stuart (1907–1984) American writer

Conversations with Jesse Stuart http://www.aliciapatterson.org/APF001975/Peyton/Peyton01/Peyton01.html, Dave Peyton. May 5, 1975.

Primo Levi photo

“For me chemistry represented an indefinite cloud of future potentialities which enveloped my life to come in black volutes torn by fiery flashes, like those which had hidden Mount Sinai. Like Moses, from that cloud I expected my law, the principle of order in me, around me, and in the world. I was fed up with books, which I still continued to gulp down with indiscreet voracity, and searched for a key to the highest truths; there must be a key, and I was certain that, owing to some monstrous conspiracy to my detriment and the world's, I would not get in school. In school they loaded with me with tons of notions that I diligently digested, but which did not warm the blood in my veins. I would watch the buds swell in spring, the mica glint in the granite, my own hands, and I would say to myself: "I will understand this, too, I will understand everything, but not the way they want me to. I will find a shortcut, I will make a lock-pick, I will push open the doors."
It was enervating, nauseating, to listen to lectures on the problem of being and knowing, when everything around us was a mystery pressing to be revealed: the old wood of the benches, the sun's sphere beyond the windowpanes and the roofs, the vain flight of the pappus down in the June air. Would all the philosophers and all the armies of the world be able to construct this little fly? No, nor even understand it: this was a shame and an abomination, another road must be found.”

"Hydrogen"
The Periodic Table (1975)

Sören Kierkegaard photo

“But it never occurred to him to want to be a philosopher, or dedicate himself to Speculation; he was still too fickle for that. True, he was not drawn now to one thing and now to another – thinking was and remained his passion – but he still lacked the self-discipline required for acquiring a deeper coherence. Both the significant and the insignificant attracted him equally as points of departure for his pursuits; the result was not of great consequence – only the movements of thought as such interested him. Sometimes he noticed that he reached one and the same conclusion from quite different starting points, but this did not in any deeper sense engage his attention. His delight was always just to be pressing on; wherever he suspected a labyrinth, he had to find the way. Once he had started, nothing could bring him to a halt. If he found the going difficult and became tired of it before he ought, he would adopt a very simple remedy – he would shut himself up in his room, make everything as festive as possible, and then say loudly and clearly: I will do it. He had learned from his father that one can do what one wills, and his father’s life had not discredited this theory. Experiencing this had given Johannes indescribable pride; that there could be something one could not do when one willed it was unbearable to him. But his pride did not in the least indicate weakness of will, for when he had uttered these energetic words he was ready for anything; he then had a still higher goal – to penetrate the intricacies of the problem by force of will. This again was an adventure that inspired him. Indeed his life was in this way always adventurous. He needed no woods and wanderings for his adventures, but only what he possessed – a little room with one window.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus p. 22-23
1840s, Johannes Climacus (1841)

Charles Dickens photo
Anton Mauve photo

“I ordered Major [transport company] tomorrow afternoon 2 o'clock to pack the paintings, I am still completely in all the paintings - as nightmares they are flying around me, now you know as of old how that is, but tomorrow afternoon at 2 o'clock I am free. I believe there are nice things among them, the drawing has become a little too fat, but there is much good in it, and it is very well-finished. I send to Peacock. The forest with wood hackers, which was hanging above the door of my studio, then the sheep [small composition-sketch of a sheep herd with shepherd] and... I believe you know them all, 7 pieces together, afterwards I have to start working for Arnold & Tripp [art-sellers in Paris], I let those guys wait and that's not right to do..”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Morgen middag 2 uur heb ik Majoor [transportbedrijf] besteld om de schilderijen in te pakken ik ben nu nog geheel in alle die schilderijen als nacht merries zijn ze om me heen nu je weet wel van ouds, hoe of dat is maar morgen om 2 uur ben ik vrij. Ik geloof dat er aardige dingen bij zijn, de teekening is wel wat dik geworden, doch veel goeds er in, en erg af ik verzend aan Peacock Het bosch met hout hakkers, dat boven de deur van mijn atelier hing dan de schapen [klein compositieschetsje schaapskudde met herder] en [klein compositieschetsje schapen op bospad] en [klein compositieschetsje met schaapskudde] en [klein compositieschetsje koe?] en [klein compositieschetsje schaapskudde met vliegdennen] en de teekening (schapen uit het bosch komende) ik geloof dat je ze allen kent, 7 stuks te zamen, ik moet daarna ook voor Arnold & Tripp [kunsthandelaars in Parijs] aan de gang, die luitjes laat ik maar wachten en dat mag niet..
In a letter of Mauve from Laren, 27 June 1887 original text of the letter in RKD Archive https://rkd.nl/explore/excerpts/10, The Hague
1880's

Alexander Graham Bell photo

“Don't keep forever on the public road. Leave the beaten track behind occasionally and dive into the woods.”

Alexander Graham Bell (1847–1922) scientist and inventor known for his work on the telephone

As quoted in "The Chemistry of Life" by Ralph Whiteside Kerr in Rosicrucian Digest (1947), p. 131.
Disputed
Context: Don't keep forever on the public road. Leave the beaten track behind occasionally and dive into the woods. You will be certain to find something you have never seen before, and something worth thinking about to occupy your mind. All really big discoveries are the result of thought.

Jonathan Swift photo

“I 've often wish'd that I had clear,
For life, six hundred pounds a year;
A handsome house to lodge a friend;
A river at my garden's end;
A terrace walk, and half a rood
Of land set out to plant a wood.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Imitation of Horace, book ii. Sat. 6.; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Harry Turtledove photo
Suzanne Collins photo
Ralph Waldo Emerson photo

“Hast thou named all the birds without a gun;
Loved the wood-rose, and left it on its stalk.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Forbearance http://www.emersoncentral.com/poems/forebearance.htm
1840s, Poems (1847)

Aldous Huxley photo
Andrew Ure photo
Sidney Lanier photo
Ron Paul photo
Joan Miró photo
Pete Seeger photo
Elaine Goodale Eastman photo
John Milton photo
Samuel Beckett photo
Simone Weil photo
John Ogilby photo

“Then in a chair, with a rich cushion grac'd
And a carv'd foot-stool, he Minerva plac'd.
There 'gainst a column sets her lance, where stood
Ulysses' javelins, planted like a wood.”

John Ogilby (1600–1676) Scottish academic

Book I. Compare Pope's translation:
: The spear receiving from her hand, he plac'd
Against a column, fair with sculpture grac'd;
Where seemly rang'd in peaceful order stood
Ulysses' arms, now long disus'd to blood.
Homer His Odysses Translated (1665)

Luís de Camões photo

“Arms and the Heroes, who from Lisbon's shore,
Through Seas where sail was never spread before,
Beyond where Ceylon lifts her spicy breast,
And waves her woods above the watery waste,
With prowess more than human forced their way
To the fair kingdoms of the rising day:
What wars they waged, what seas, what dangers passed,
What glorious empire crowned their toils at last!”

Luís de Camões (1524–1580) Portuguese poet

As armas e os Barões assinalados
Que da Ocidental praia Lusitana
Por mares nunca de antes navegados
Passaram ainda além da Taprobana,
Em perigos e guerras esforçados
Mais do que prometia a força humana,
E entre gente remota edificaram
Novo Reino, que tanto sublimaram.
Stanza 1 (as translated by William Julius Mickle, 1776)
Epic poetry, Os Lusíadas (1572), Canto I

Chris Cornell photo

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Elton John photo
Robert Southey photo

“It runs through the reeds,
And away it proceeds,
Through meadow and glade,
In sun and in shade,
And through the wood-shelter,
Among crags in its flurry,
Helter-skelter,
Hurry-skurry.”

Robert Southey (1774–1843) British poet

St. 2.
The Cataract of Lodore http://www.cs.rice.edu/~ssiyer/minstrels/poems/652.html (1820)

Louise Nevelson photo

“Anywhere I found wood I took it home and started working with it.. to show the world that art is everywhere, except it has to pass through a creative mind.”

Louise Nevelson (1899–1988) American sculptor

Dawns and Dusks, reprinted in Theories and documents of contemporary art: A sourcebook of artists' writings edited by Kristine Stiles, Peter Howard Selz, p. 511

James Thomson (poet) photo
Will Cuppy photo
Bernard of Clairvaux photo

“Believe me, you will find more lessons in the woods than in books. Trees and stones will teach you what you cannot learn from masters.”
Experto crede: aliquid amplius invenies in silvis, quam in libris. Ligna et lapides docebunt te, quod a magistris audire non possis.

Bernard of Clairvaux (1090–1153) French abbot, theologian

Epistola CVI, sect. 2; translation from Edward Churton The Early English Church ([1840] 1841) p. 324

Jean Chrétien photo
Willa Cather photo
Ted Hughes photo

“The brassy wood-pigeons
Bubble their colourful voices, and the sun
Rises upon a world well-tried and old.”

Ted Hughes (1930–1998) English poet and children's writer

"Stealing Trout on a May Morning"
Wodwo (1967)

Ralph Waldo Emerson photo
Mahmud of Ghazni photo

“This temple of Somnat was built upon fifty-six pillars of teak wood covered with lead. The idol itself was in a chamber; its height was five cubits and its girth three cubits. This was what appeared to the eye but two cubits were (hidden) in the basement. Yaminu'd daula seized it, part of it he burnt, and part of it he carried away with him to Ghazni, where he made it a step at the entrance of the Jami'-masjid.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Ali ibn al-Athir: Kamilu’t-Tawarikh, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 469-471
Quotes from The History of India as told by its own Historians

Hartley Coleridge photo
Chris Cornell photo
Margaret Mead photo
Barbara Hepworth photo

“Light and space … are the sculptor's materials as much as wood or stone … I feel that I can relate my work more easily, in the open air, to the climate and the landscape.”

Barbara Hepworth (1903–1975) English sculptor

1947 - 1960
Source: Interview in Dialogues on Art, Edouard Roditi; London, 1960, pp. 91–92

Jane Roberts photo
Jennifer Beals photo
Michael Chabon photo
Aldo Capitini photo

“I wanted to go away, in the midst of something entirely different,
I had been there, in the house of torture,
I have seen people being kicked, men’s bodies scorched,
nails pulled out with pliers.
Armed with flame and cudgels, grinning men in shirt sleeves.
Where I could hear my friends being thrown headlong
down the stairs.
Night was as day, and long shrieks wounded me.
In vain I tried to think of wooded lanes and flowers,
a serene life and human words.
The thought seized up, it was as if a wound were opened up
again and again and endlessly searched.
From the mouth struck, teeth and blood came out,
and lamenting moans from the deep throat.
Away, away from that house, from that street and town,
from anything similar to it.
I must save myself, keep up my mind,
that I should not be led to madness by these memories.
Oh, if we could go back to a void, from which a new order,
a maternal opening could come forth,
if I hear a certain tone of voice even in jest, I shudder.
My unhappiness is that I avoid the sight of suffering,
hospitals and prisons.
I have yearned for high solitudes, lands of still sunshine
and sweet shadows,
but I would always be pursued by the ghosts of human beings.
All of a sudden I feel the need of distraction and play,
to lose myself in the noise of the fairground.
I remain with you, but forgive me
if you see me sometimes act like a madman.
I try to heal myself by myself, as an animal,
trusting that the wounds will close.
I stop to listen to the simple conversations of the women
in the marketplace, with their dialectical lilt.
I rejoice at the footsteps of running children,
their overpowering calls.
Because you do not know the absurdity of my dreams,
the fixed expressions, the incomprehensible gestures.
There is turmoil inside me, which seems to ridicule me.
And I cannot cry out, not to be like them.
Tomorrow I will go towards some music, now I am getting ready.”

Aldo Capitini (1899–1968) Italian philosopher and political activist
Han-shan photo
Brian W. Aldiss photo
Ray Comfort photo
Clarence Darrow photo

“Life cannot be reconciled with the idea that back of the universe is a Supreme Being, all merciful and kind, and that he takes any account of the human beings and other forms of life that exist upon the earth. Whichever way man may look upon the earth, he is oppressed with the suffering incident to life. It would almost seem as though the earth had been created with malignity and hatred. If we look at what we are pleased to call the lower animals, we behold a universal carnage. We speak of the seemingly peaceful woods, but we need only look beneath the surface to be horrified by the misery of that underworld. Hidden in the grass and watching for its prey is the crawling snake which swiftly darts upon the toad or mouse and gradually swallows it alive; the hapless animal is crushed by the jaws and covered with slime, to be slowly digested in furnishing a meal. The snake knows nothing about sin or pain inflicted upon another; he automatically grabs insects and mice and frogs to preserve his life. The spider carefully weaves his web to catch the unwary fly, winds him into the fatal net until paralyzed and helpless, then drinks his blood and leaves him an empty shell. The hawk swoops down and snatches a chicken and carries it to its nest to feed its young. The wolf pounces on the lamb and tears it to shreds. The cat watches at the hole of the mouse until the mouse cautiously comes out, then with seeming fiendish glee he plays with it until tired of the game, then crushes it to death in his jaws. The beasts of the jungle roam by day and night to find their prey; the lion is endowed with strength of limb and fang to destroy and devour almost any animal that it can surprise or overtake. There is no place in the woods or air or sea where all life is not a carnage of death in terror and agony. Each animal is a hunter, and in turn is hunted, by day and night. No landscape is beautiful or day so balmy but the cry of suffering and sacrifice rends the air. When night settles down over the earth the slaughter is not abated. Some creatures are best at night, and the outcry of the dying and terrified is always on the wind. Almost all animals meet death by violence and through the most agonizing pain. With the whole animal creation there is nothing like a peaceful death. Nowhere in nature is there the slightest evidence of kindness, of consideration, or a feeling for the suffering and the weak, except in the narrow circle of brief family life.”

Clarence Darrow (1857–1938) American lawyer and leading member of the American Civil Liberties Union

Source: The Story of My Life (1932), p. 383

Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Jones Very photo
Karel Appel photo
Cormac McCarthy photo
Charlotte Brontë photo
Edward Thomas photo

“The flowers left thick at nightfall in the wood
This Eastertide call into mind the men,
Now far from home, who, with their sweethearts, should
Have gathered them and will do never again.”

Edward Thomas (1878–1917) Poet and journalist

"In Memoriam (Easter 1915)", line 1, cited from Collected Poems (Oxford: Clarendon Press, 1978) p. 173.

Yann Martel photo
Henry More photo
George Meredith photo
Johannes Grenzfurthner photo

“The saws are sawing wood, But wood is also sawing the saws…The wood sawn into boards is fashioned into furniture. Saws just break and are discarded.”

Liu Shahe (1931–2019) Chinese writer and poet

Encarta http://encarta.msn.com/quote_561556246/Consequences_The_saws_are_sawing_wood_But_wood_is_also.html

Ilana Mercer photo
Rudolph Rummel photo
Dave Barry photo

“In sports, the U. S. Open is not actually held because it's more efficient just to mail the check to Tiger Woods.”

Dave Barry (1947) American writer

Dave Barry's History of the Millennium (So Far) (2007)

Barbara Hepworth photo
Rush Limbaugh photo
Mariano Guadalupe Vallejo photo
Chief Seattle photo
Peter Greenaway photo
Alex Jones photo

“I'm like a chimpanzee, in a tree, jumping up and down, warning other chimpanzees when I see a big cat coming through the woods… I'm the weirdo? Because I'm sitting in a tree going "OOH OOH AAH AAH AAH OOH AAH AAH OOH OOH OOH AAH AAH AAH AAH AAH!"”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

"Internet Wars Between TYT and Alex Jones" https://www.youtube.com/watch?v=I8FUHVLHzVA&feature=youtu.be&t=7m5s, The Young Turks, 18 December 2009.
2009

Bill McKibben photo
Hermione Gingold photo

“My family were of good English peasant class from St. John's Wood. My father dealt in stocks and shares and my mother also had a lot of time on her hands.”

Hermione Gingold (1897–1987) English actress

The World is Square [her autobiography], Pt. I. Pub. 1945 by Home & Van Thal Ltd.

Wilfred Thesiger photo
Nathanael Greene photo

“The rest of the troops I would quarter, as before mentioned, somewhere not far distant from Morris or Baskingridge, according as wood and water may favor a position.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (November 1779)

Wendell Berry photo
John Keats photo
James Dickey photo

“Here they are. The soft eyes open.
If they have lived in a wood
It is a wood.
If they have lived on plains
It is grass rolling
Under their feet forever.”

James Dickey (1923–1997) American writer

The Heaven of Animals (l. 1–6).
The Whole Motion; Collected Poems, 1945-1992 (1992)

Percy Bysshe Shelley photo
Karl Pilkington photo

“…but it’s all about ‘a gorilla and a fox are walking thru the woods.’ How often does that happen?”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Xfm
On Aesop's Fables

William March photo
Reginald Heber photo

“The heathen in his blindness
Bows down to wood and stone.”

Reginald Heber (1783–1826) English clergyman

"Missionary Hymn", st. 2 (1819).
Hymns

Antoni Tàpies photo
Nicholas Murray Butler photo

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

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“If the people at large be not already convinced that a sufficient general case has been made out for Administrative Reform, I think they never can be, and they never will be…. Ages ago a savage mode of keeping accounts on notched sticks was introduced into the Court of Exchequer, and the accounts were kept, much as Robinson Crusoe kept his calendar on the desert island. In the course of considerable revolutions of time, the celebrated Cocker was born, and died; Walkinghame, of the Tutor's Assistant, and well versed in figures, was also born, and died; a multitude of accountants, book-keepers and actuaries, were born, and died. Still official routine inclined to these notched sticks, as if they were pillars of the constitution, and still the Exchequer accounts continued to be kept on certain splints of elm wood called "tallies." In the reign of George III an inquiry was made by some revolutionary spirit, whether pens, ink, and paper, slates and pencils, being in existence, this obstinate adherence to an obsolete custom ought to be continued, and whether a change ought not to be effected.
All the red tape in the country grew redder at the bare mention of this bold and original conception, and it took till 1826 to get these sticks abolished. In 1834 it was found that there was a considerable accumulation of them; and the question then arose, what was to be done with such worn-out, worm-eaten, rotten old bits of wood? I dare say there was a vast amount of minuting, memoranduming, and despatch-boxing on this mighty subject. The sticks were housed at Westminster, and it would naturally occur to any intelligent person that nothing could be easier than to allow them to be carried away for fire-wood by the miserable people who live in that neighbourhood. However, they never had been useful, and official routine required that they never should be, and so the order went forth that they were to be privately and confidentially burnt. It came to pass that they were burnt in a stove in the House of Lords. The stove, overgorged with these preposterous sticks, set fire to the panelling; the panelling set fire to the House of Lords; the House of Lords set fire to the House of Commons; the two houses were reduced to ashes; architects were called in to build others; we are now in the second million of the cost thereof, the national pig is not nearly over the stile yet; and the little old woman, Britannia, hasn't got home to-night…. The great, broad, and true cause that our public progress is far behind our private progress, and that we are not more remarkable for our private wisdom and success in matters of business than we are for our public folly and failure, I take to be as clearly established as the sun, moon, and stars.”

Charles Dickens (1812–1870) English writer and social critic and a Journalist

"Administrative Reform" (June 27, 1855) Theatre Royal, Drury Lane Speeches Literary and Social by Charles Dickens https://books.google.com/books?id=bT5WAAAAcAAJ (1870) pp. 133-134

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