Quotes about wall
page 9

Richard Rorty photo
Georges Braque photo
Shunryu Suzuki photo
Amit Chaudhuri photo
John Edwards photo

“And we have so much work to do in America, because all across America, there are walls … There's a wall around Washington, D. C. The American people are, today, on the outside of that wall. And on the inside are the big corporations and the lobbyists who are working to protect a system that takes care of them. … There is another wall that divides us. It's the moral shame of 37 million of our own people who wake up in poverty every single day This is not OK. And for eight long, long years, this wall has gotten taller And there's also a wall that's divided our image in the world. The America as the beacon of hope is behind that wall. And all the world sees now is a bully. They see Iraq, Guantanamo, secret prison and government that argues that water boarding is not torture. This is not OK. That wall has to come down for the sake of our ideals and our security. We can change this. We can change it. Yes we can. If we stand together, we can change it. … This is not going to be easy. It's going to be the fight of our lives. But we're ready, because we know that this election is about something bigger than the tired old hateful politics of the past. This election is about taking down these walls that divide us, so that we can see what's possible -- what's possible, that one America that we can build together.”

John Edwards (1953) American politician

Endorsement of Senator Barack Obama on May 14, 2008. http://www.washingtonpost.com/wp-dyn/content/article/2008/05/14/AR2008051403533.html http://www.youtube.com/watch?v=BzkAjd3xQ7w

Khalil Gibran photo
Richard Lovelace photo
Robert Kuttner photo
Halldór Laxness photo

“Work on the one side, the home on the other—they were two walls in the one prison.”

Halldór Laxness (1902–1998) Icelandic author

Heimsljós (World Light) (1940), Book Three: The House of the Poet

Mahmud of Ghazni photo

“About this time the King learned that the inhabitants of two hilly tracts, denominated Kuriat and Nardein, continued the worship of idols and had not embraced the faith of Islam' Mahmood resolved to carry the war against these infidels, and accordingly marched towards their country' The Ghiznevide general, Ameer Ally, the son of Arslan Jazib, was now sent with a division of the army to reduce Nardein, which he accomplished, pillaging the country, and carrying away many of the people captives. In Nardein was a temple, which Ameer Ally destroyed, bringing from thence a stone on which were curious inscriptions, and which according to the Hindoos, must have been 40,000 years old…'The celebrated temple of Somnat, situated in the province of Guzerat, near the island of Dew, was in those times said to abound in riches, and was greatly frequented by devotees from all parts of Hindoostan' Mahmood marched from Ghizny in the month of Shaban AH 415 (AD Sept. 1024), with his army, accompanied by 30,000 of the youths of Toorkistan and the neighbouring countries, who followed him without pay, for the purpose of attacking this temple'…'Some historians affirm that the idol was brought from Mecca, where it stood before the time of the Prophet, but the Brahmins deny it, and say that it stood near the harbour of Dew since the time of Krishn, who was concealed in that place about 4000 years ago' Mahmood, taking the same precautions as before, by rapid marches reached Somnat without opposition. Here he saw a fortification on a narrow peninsula, washed on three sides by the sea, on the battlements of which appeared a vast host of people in arms' In the morning the Mahomedan troops advancing to the walls, began the assault…”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49
Quotes from Muslim medieval histories

Eoin Colfer photo
Antoni Tàpies photo
John Steinbeck photo
John Muir photo
Roger Waters photo
Alison Lohman photo

“I wore a blue spandex outfit and a gold belt. It was goofy and off-the-wall, but I love doing things like that.”

Alison Lohman (1979) American actress

On her role in Kraa! the Sea Monster.
Interview in USA Today, 7 Oct 2002

Lionel Richie photo
Alan Moore photo
Ann Coulter photo

“I'd build a wall. In fact, I'd hire illegal immigrants to build the wall. And throw out the illegals who are here. … It's cheap labor.”

Ann Coulter (1961) author, political commentator

Statement on illegal immigration on * The O'Reilly Factor
2006-04-13
Television
Fox News, as quoted in * Echoing Saturday Night Live skit, Coulter said U.S. should "throw out" illegal immigrants, but not before "hir<nowiki>[ing]</nowiki>" them to build Mexican border wall
Media Matters for America
2006-04-14
http://mediamatters.org/items/200604140003
2006

Max Beckmann photo
Alfred De Vigny photo

“Every man has seen the wall that limits his mind.”

Tout homme a vu le mur qui borne son esprit.
Poèmes philosophiques, "La flute", line 108; (ed.) Paul Viallaneix Oeuvres complètes (1965) p. 103; translation from Jason Merchey Values of the Wise (2004) p. 200. (1843).

Adrienne von Speyr photo
Conrad Aiken photo
John Muir photo
Robert E. Howard photo
Vladimir Lenin photo
Klaus Kinski photo
Joni Mitchell photo
William Ewart Gladstone photo
John Fante photo
Susan Kay photo
Max Heindel photo
Vladimir Putin photo
Bill Engvall photo

“Engvall has an elk hung on the wall.
Neighbor: Oh, man. I didn't see that. God dang, did you shoot that thing?
Engvall: Nope. He ran through the wall and got stuck. Here's your sign.”

Bill Engvall (1957) American comedian and actor

Blue Collar Comedy Tour: The Movie (2003)
Here's Your Sign: Live! (2004)
Here's Your Sign

Ranil Wickremesinghe photo
Max Beckmann photo

“Even our own cadaver-bones shall not hinder us from standing our ground until the very last, proud and tired in the face of the black wall that surrounds us.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

Beckman's Diary, 10 October 1943, Amsterdam; as cited on: 'Arts in exile' http://kuenste-im-exil.de
1940s

Sheri-D Wilson photo
Henry Adams photo
John Kenneth Galbraith photo
John Fante photo
Anthony Burgess photo
Curt Flood photo
Oliver Cowdery photo
Theo van Doesburg photo

“The new architecture has 'opened' the walls so that the separateness of interior and exterior is suppressed. Walls no longer sustain since the system of construction is based upon the use of columns. This results in a new type of ground plan, an open ground plan, which is totally different from classical ones, since interior space and exterior space are interrelated.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's unpublished writing, 'Fundamental principles', 1930; as cited in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 203
1926 – 1931

Gavrila Derzhavin photo
Larry Wall photo

“Must be a different Larry Wall. There are at least 137 of us in the U. S.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199809300035.RAA12495@wall.org, 1998]
Usenet postings, 1998

Peter D. Schiff photo
George Lippard photo
Iain Banks photo
Bernie Sanders photo
Haruki Murakami photo
Theodor Mommsen photo

“Let us look back on the events which fill up the ten years of the Sullan restoration. No one of the movements, external or internal, which occurred during this period - neither the insurrection of Lepidus, nor the enterprises of the Spanish emigrants, nor the wars in Thrace and Macedonia and in Asia Minor, nor the risings of the pirates and the slaves - constituted of itself a mighty danger necessarily affecting the vital sinews of the nation; and yet the state had in all these struggles well-night fought for its very existence. The reason was that the tasks were left everywhere unperformed, so long as they might still have been performed with ease; the neglect of the simplest precautionary measures produced the most dreadful mischiefs and misfortunes, and transformed dependent classes and impotent kings into antagonists on a footing of equality. The democracy and the servile insurrection were doubtless subdued; but such as the victories were, the victor was neither inwardly elevated nor outwardly strengthened by them. It was no credit to Rome, that the two most celebrated generals of the government party had during a struggle of eight years marked by more defeats than victories failed to master the insurgent chief Sertorius and his Spanish guerrillas, and that it was only the dagger of his friends that decided the Sertorian war in favour[sic] of the legitimate government. As to the slaves, it was far less an honour[sic] to have confronted them in equal strive for years. Little more than a century had elapsed since the Hannibalic war; it must have brought a blush to the cheek of the honourable[sic] Roman, when he reflected on the fearfully rapid decline of the nation since that great age. Then the (the Roman) Italian slaves stood like a wall against the veterans of Hannibal; now the Italian militia were scattered like chaff before the bludgeons of their runaway serfs. Then every plain captain acted in case of need as general, and fought often without success, but always with honour, not it was difficult to find among all the officers of rank a leader of even ordinary efficiency. Then the government preferred to take the last farmer from the plough rather than forgo the acquisition of Spain and Greece; now they were on the eve of again abandoning both regions long since acquired, merely that they might be able to defend themselves against the insurgent slaves at home. Spartacus too as well as Hannibal had traversed Italy with an army from the Po to the Sicilian Straights, beaten both consuls, and threatened Rome with a blockade; the enterprise which had needed the greatest general of antiquity to conduct it against the Rome of former days could be undertaken against the Rome of the present by a daring captain of banditti. Was there any wonder that no fresh life sprang out of such victories over insurgents and robber-chiefs?”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 1, Chapter 2. "Rule of the Sullan Restoration"
The Government of the Restoration as a Whole
The History of Rome - Volume 4: Part 1

Blase J. Cupich photo
Charles Stross photo
Donald J. Trump photo
John F. Kennedy photo

“A wall is a hell of a lot better than a war.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Upon hearing about the construction of the Berlin Wall, as quoted in "Savage century" in "The Sunday Times (28 May 2006) http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/non-fiction/article724547.ece
Attributed

Vitruvius photo

“Fences and forts with walls and flags, caw caw — they’re so funny.”

Dawud Wharnsby (1972) Canadian musician

"Dear Mr. Crow "
A Picnic of Poems in Allah's Green Garden (2011)

Alberto Manguel photo
Larry Wall photo

“What is the sound of Perl? Is it not the sound of a wall that people have stopped banging their heads against?”

Larry Wall (1954) American computer programmer and author, creator of Perl

[1992Aug26.184221.29627@netlabs.com, 1992]
Usenet postings, 1992

Fernand Léger photo
Philip Johnson photo
Alan Greenspan photo

“We are obviously all hurt by inflation. Everybody is hurt by inflation. If you really wanted to examine who percentage-wise is hurt the most in their incomes, it is the Wall Street brokers. I mean their incomes have gone down the most.”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

At a conference on inflation, Washington, D.C. (September 19, 1974). In Report of the Health, Education, and Welfare, Income Security, Social Services Conference on Inflation (1974), pp. 804–5.
1970s

Derren Brown photo
Hilary of Poitiers photo
Wilhelm Liebknecht photo
Adair Turner, Baron Turner of Ecchinswell photo

“Economic history matters. Students of economics should read Charles MacKay and Charles Kindleberger, and should study the history of the Wall Street Crash as well as the theory and the mathematics required to formalize it.”

Adair Turner, Baron Turner of Ecchinswell (1955) British businessman

Source: Economics after the crisis : objectives and means (2012), Ch. 2 : Financial Markets: Efficiency, Stability, and Income Distribution

Olaudah Equiano photo
Letitia Elizabeth Landon photo
Adrienne von Speyr photo
Spider Robinson photo
Otto Weininger photo
David Quammen photo
John Gilmore photo

“When the X500 revolution comes, your name will be lined against the wall and shot.”

John Gilmore (1955) Internet activist, software programmer and contributor to the GNU project

As quoted in Peter Gutmann's X509 style guide http://www.cs.auckland.ac.nz/~pgut001/pubs/x509guide.txt

“Its decadence, satiety, and languor [of Roman civilization] interested me. And I kept looking and returning to their wall paintings with their veiled melancholy and their elegant plasticity. I admired the way they used their geology in their art — the sense of mineral, clay. rock, marble, and stone.”

William Baziotes (1912–1963) American painter

from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s

“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139

Steven Pressfield photo
Yukio Mishima photo
Michael Swanwick photo
Hillary Clinton photo
Jerome K. Jerome photo
John Kenneth Galbraith photo

“No one was responsible for the great Wall Street crash. No one engineered the speculation that preceded it. Both were the product of free choice and decision of hundreds of thousands of individuals.”

Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929), Chapter I, A Year To Remember, p. 4

Wisława Szymborska photo
Steve Jobs photo
Joshua Reynolds photo

“What is a well-chosen collection of pictures, but walls hung round with thoughts?”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Quoted in The Examiner (1825) p. 633.
Other

Michael Swanwick photo
Ursula K. Le Guin photo
Charles Olson photo
Samuel Palmer photo

“When less than four years old I was standing with my nurse, Mary Ward, watching the shadows on the wall from branches of an elm behind which the moon had risen. I have never forgot those shadows and am often trying to paint them.”

Samuel Palmer (1805–1881) British landscape painter, etcher and printmaker

The Life and Letters of Samuel Palmer, Painter and Etcher (AH Palmer, London, 1892)