Quotes about wall
page 10

Ralph Waldo Emerson photo
Benjamin Graham photo

“It is no difficult trick to bring a great deal of energy, study, and native ability into Wall Street and to end up with losses instead of profits. These virtues, if channeled in the wrong directions, become indistinguishable from handicaps.”

Benjamin Graham (1894–1976) American investor

Source: The Intelligent Investor: The Classic Text on Value Investing (1949), Chapter I, What the Intelligent Investor Can Accomplish, p. 11

James Allen photo

“The human will, that force unseen,
The offspring of a deathless soul,
Can hew the way to any goal,
Though walls of granite intervene.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Effect of Thought on Circumstances

George Washington Plunkitt photo
Ludoviko Lazaro Zamenhof photo

“We should be well aware of the full importance of this day, because today, within the welcoming walls of Boulogne-sur-Mer, there meet not Frenchmen with Englishmen, not Russians with Poles, but people with people.”

Ludoviko Lazaro Zamenhof (1859–1917) Polish ophthalmologist and inventor of Esperanto

Address to the First World Congress of Esperanto, Bologne-sur-Mer, France. 5 August 1905.

Camille Pissarro photo
Shashi Tharoor photo
Jimmy Carter photo

“September fattens on vines. Roses
flake from the wall. The smoke
of harmless fires drifts to my eyes.”

Geoffrey Hill (1932–2016) English poet and professor

September Song http://www.poemhunter.com/poem/september-song/.
Poetry

Theodor Mommsen photo

“When Sulla died in the year [78 B. C. ], the oligarchy which he had restored ruled with absolute sway over the Roman state; but, as it had been established by force, it still needed force to maintain its ground against its numerous secret and open foes. it was opposed not by any single party with objects clearly expressed and under leaders distinctly acknowledged, but by a mass of multifarious elements, ranging themselves doubtless under the general name of the popular party, but in reality opposing the Sullan organization of the commonwealth on very various grounds and with very different designs…There were… the numerous and important classes whom the sullan restoration had left unsatisfied, or whom the political or private interest it had directly injured. Among those who for such reasons belonged to the opposition ranked the dense and prosperous population of the region between the Po and the Alps, which naturally regarded the bestowal of Latin rights in [89 B. C. ] as merely an installment of the full Roman franchise, and so afforded a ready soil for agitation. To this category belonged also the freedman, influential in numbers and wealth, and specially dangerous through their aggregation in the capital, who could not brook their having been reduced by the restoration to their earlier, practically useless, suffrage. In the same position stood, moreover, the great capitalists, who maintained a cautious silence, but still as before preserved their tenacity of resentment and their equal tenacity of power. The populace of the capital, which recognized true freedom in free bread-corn, was likewise discontented. Still deeper exasperation prevailed among the burgess bodies affected by the Sullan confiscations - whether they, like those of Pompeii, lived on their property curtailed by the Sullan colonists, within the same ring-wall with the latter, and at perpetual variance with them; or, like the Arrentines and Volaterrans, retained actual possession of their territory, but had the Damocles' sword of confiscation suspended over them by the Roman people..”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Part: 1. Translated by W.P. Dickson.
The History of Rome - Volume 4: Part 1

Roberto Clemente photo
Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Hillary Clinton photo

“In one gallery they actually had a notice which said "No Sketching." How obnoxious! I said, "How do you think these things got on the walls if there was no sketching?"”

David Hockney (1937) British artist

"Portrait of the Artist as a Naughty Boy," interview with John Mortimer, In Character (1983), p. 97
1980s

Vin Scully photo
Charles Bukowski photo
Tom Petty photo

“Baby, you've got a heart so big,
It could crush this town.
But I can't hold out forever.
Even walls fall down.”

Tom Petty (1950–2017) American musician

Walls (Circus)
Lyrics, Songs and Music from "She's the One" (1996)

Matthew Arnold photo
Garry Kasparov photo
Henry Van Dyke photo
Mike Oldfield photo
Ray Comfort photo
Lee De Forest photo
Jay Gould photo
William Hazlitt photo
Ralph Nader photo

“Politics does not bother corporate power. Whoever wins, they win. Both parties represent Wall Street over Main Street. Wall Street is embedded in the federal government.”

Ralph Nader (1934) American consumer rights activist and corporate critic

As interviewed by Chris Hedges in "Welcome to 1984," May 14, 2016 http://www.truthdig.com/report/item/welcome_to_1984_20160514

Tad Williams photo

“As with all dwellings,” she said, “of mortals and immortals both, it is the living that makes a house—not the doors, not the walls.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, Stone of Farewell (1990), Chapter 25, “Petals in a Wind Storm” (pp. 626-627).

Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

Neil Gaiman photo
Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Clive Staples Lewis photo
Patricia A. McKillip photo
Conrad Aiken photo
June Vincent photo
Alex Jones photo

“Bernie wants us to live under the heavenly socialist–communist system like China. We never hear the left criticize that Mao Tse-Tung killed over 80 million people—the Chinese government admits—biggest mass murder in history. That's why there's so many liberal trendy places in Austin, in Denver, in New York, in LA, and San Francisco named after Mao. And people go and love play on their iPhones and the free market and their Chinese slave goods, and they drink beer and expensive wine and giggle about how fun it is to wear red stars. You couldn't put more bad luck on you, you couldn't trash your mojo better. Wearing swastika armbands, you stupid snot-nosed crud! That live off the backs of everybody that fought Nazism and Communism. You need to have your jaws broken! Don't you worry, reality is gonna crash in on you, trash! Who lowered our defenses and brought the Republic down; oh, we're already gone! And you celebrate it like you've joined the globalists mounting America's head on the wall, your great victory! A mass rape of women across Europe. The national draft coming in for women! The families falling apart! Women degraded into nothing but sexual objects! ALL in the name of Gloria Steinem and the Central Intelligence Agency program! And a Bernie Sanders with his fake Einstein hair, and his 'I'm a man of the people!' We go out and talk to Bernie Sanders' supporters, they can hardly talk—they're like him—'Free! Free! I want free stuff!' As if the New World Order is gonna give you anything free! Oh, it's free like a piece of cheese. And a little mouse comes out and it smells it and goes to bite it and, WA BAM! Breaks your neck. But your stupider than the little mouse. You can see all the countries and all the people caught in the mouse traps, caught in the big bear traps. You know what you do? You go into a trendy shop. On some capitalist strip. And you go in and you snuggle in with that credit card that daddy put money in for the trust fund. And you put on that little fur-rimmed coat and you're all sexy with your hammer and sickle on, and your Che Guevara and, you know, shirt from Rage Against the Machine, and the whole capitalist record company system selling it to you, and you go out on the street and you walk into McDonald's and you have yourself a double latte, oh yeah. Pathetic! Scum! Oh, how you'll burn in the camps, later. Wishing you had done something; I mean, you are the ultimate chumps, the ultimate buffoons, the ultimate schmucks!… But the public had so much freedom! They were so wealthy, even our poorest, they had no idea that what they were replacing it with was abject slavery.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

"Sanders Supporters are Pathetic Scum" https://www.youtube.com/watch?v=ooNxJnf_UAI, February 2016

George Hendrik Breitner photo

“Recently I dreamed of you [of the artist Herman van der Weele and his wife] and that you two were very rich and lived in a beautiful place and that I sat in your room with you and Herman, with beautiful fabrics and wallpapers that I couldn't stop looking to them and you wore black glasses, just like me now [to protect his eyes], but they [black glasses] were so amazingly beautiful and they suited you so well, as is only possible in a dream, and your dress was beautifully deep red blue black with exotic figures woven into it and the walls were yellow and pink. Anyway it was all a miracle of beauty and I wished that.... my eyes were healthy again and that we each could spent hundred thousand guilders a week, then we had built a beautiful yacht and we all sailed to the country of the Mikado [Japan], to have a look there.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900

Walter Warlimont photo

“Hitler's large-scale demands for the Mediterranean meant that…the plans for…an 'Eastern Wall' were overtaken by the increasingly rapid advance of the Red Army.”

Walter Warlimont (1894–1976) German general

After the end of WWII, quoted in "Inside Hitler's Headquarters, 1939-45" - Page 388 - by Walter Warlimont - 1964

Samuel Butler (poet) photo

“Like feather bed betwixt a wall
And heavy brunt of cannon ball.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto II, line 872
Source: Hudibras, Part I (1663–1664)

Joan Maragall photo
Camille Paglia photo
Wendy Doniger photo
Michelle Obama photo
Halldór Laxness photo
Jean Metzinger photo
Bill Mollison photo
Leo Rosten photo

“What's green, hangs on a wall and whistles?”

Leo Rosten (1908–1997) American writer

Riddle presented in The Joys of Yiddish (1968) The answer: "A Herring" — because you can paint it green, nail it to the wall — and the whistling part is added just to make the riddle hard." Rosten did not claim to be the author of this riddle, but he popularized it.

Cormac McCarthy photo

“Every wall that I run in to is what I have yet to understand about myself and this life, and there is no other wall, none.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

Secrets of Being Unstoppable

Ellsworth Kelly photo
Albert Kesselring photo

“I have always had plenty of friends, and now at age sixty, I face four walls as a common prisoner.”

Albert Kesselring (1885–1960) German Luftwaffe Generalfeldmarschall during World War II

To Leon Goldensohn, February 4, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004.

John Updike photo
Neal Stephenson photo
Edward Hopper photo

“All I ever wanted to do is to paint sunlight on the side of a wall.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Comment on his 'Early Sunday Morning' (1930) https://www.wikiart.org/en/Search/Early%20Sunday%20Morning
1941 - 1967

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Samuel R. Delany photo
Hans Reichenbach photo
Phil Brown (footballer) photo

“Today's draw is another little brick in the wall.”

Phil Brown (footballer) (1959) English association football player and manager

15-Sep-2007, BBC Radio Humberside
An interesting metaphor, erm...

Alberto Gonzales photo

“Wall Street is where prophets tell us what will happen and profits tell us what did happen.”

Robert Orben (1928) American magician and writer

Greg Heberlein (September 28, 1986) "'Doctor' Lefevre Seeks Cure For Hospitalized Bull Market", The Seattle Times, p. C2.
Attributed

Colin Moulding photo
John Buchan photo
Robert F. Kennedy photo
Amitabh Bachchan photo

“When your back is against the wall, there's only one way to go and that's forward.”

Amitabh Bachchan (1942) Indian actor

On Rajiv Gandhi, reported in Steven R. Weisman, "India a Year Later: Gandhi Leaving His Mark", The New York Times (October 30, 1985), A-1.

Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Norman G. Finkelstein photo
Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Robert Frost photo
Marc Chagall photo
Yasser Arafat photo

“The Israelis are mistaken if they think we do not have an alternative to negotiations. By Allah I swear they are wrong. The Palestinian people are prepared to sacrifice until either the last boy and the last girl raise the Palestinian flag over the walls, the churches and the mosques of Jerusalem.”

Yasser Arafat (1929–2004) former Palestinian President, and Nobel Peace Prize recipient

In a speech given on 6 August 1995, at a party to celebrate the birth of his daughter, reported in Haaretz (6 September 1995) and in The Jerusalem Post (7 September 1995).
1990s

Donald J. Trump photo

“So what I would like to recommend is – if we are going to have continued dialogue – we will work out the wall. They are going to say, “who is going to pay for the wall, Mr. President?” to both of us, and we should both say, “we will work it out.” It will work out in the formula somehow. As opposed to you saying, “we will not pay” and me saying, “we will not pay.””

Donald J. Trump (1946) 45th President of the United States of America

Full transcripts of Trump’s calls with Mexico and Australia By Greg Miller, Julie Vitkovskaya and Reuben Fischer-Baum; Aug. 3, 2017 https://www.washingtonpost.com/graphics/2017/politics/australia-mexico-transcripts/?utm_term=.95d2f93766d6 (Friday, January 27, 2017)
2010s, 2016, January

Sueton photo

“No one was allowed to leave the theatre during his recitals, however pressing the reason. We read of women in the audience giving birth, and of men being so bored with listening and applauding that they furtively dropped down from the wall at the rear, since the gates were kept barred, or shammed dead and were carried away for burial.”
Cantante eo ne necessaria quidem causa excedere theatro licitum est. Itaque et enixae quaedam in spectaculis dicuntur et multi taedio audendi laudandique clausis oppidorum portis aut furtim desiluisse de muro aut morte simulata funere elati.

Of Nero's public performances in musical competitions.
Source: The Twelve Caesars, Nero, Ch. 23

Billy Joel photo
Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Michael Lewis photo
Clara Jessup Moore photo
Hillary Clinton photo
Mickey Spillane photo
Allen C. Guelzo photo
Donald J. Trump photo

“The outlaw is the conscious warrior who makes use of the aggression to break down the walls, barriers, and boundaries that artificially separate and alienate.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 132

Giovanni Boccaccio photo

“They boosted themselves with such nauseating self-praise as to make the stones jump out of the walls and flee.”

Se medesimi esaltando con parole da fare per istomacaggine le pietre saltar del muro e fuggirsi.
Il Corbaccio (c. 1355), "The Labyrinth of Love" (tr. Normand Cartier)

Adlai Stevenson photo

“Man is a strange animal. He generally cannot read the handwriting on the wall until his back is up against it.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

The 1957 Ford Almanac has the quote "It's too late to read the handwriting on the wall when your back's up against it", attributed to "Anon." The quote appeared in several variations afterwards, for instance in an essay by Meredith Thring in Nature Magazine in 1965. It began to be attributed without context to Stevenson in the 1970s. According to "Adlai Stevenson: His Life and Legacy" by Porter McKeever (p. 566), Stevenson made this remark "with increasing frequency in the final months of his life"; but Stevenson died in 1965 and this book does not give a precise reference. Absent better attestation, Stevenson either used the quote from elsewhere or the association with Stevenson is a mistake.
Misattributed

Lauren Southern photo
Francis Wayland Parker photo
Donald J. Trump photo

“But you cannot say anymore that the United States is going to pay for the wall. I am just going to say that we are working it out. Believe it or not, this is the least important thing that we are talking about, but politically this might be the most important talk about.”

Donald J. Trump (1946) 45th President of the United States of America

Full transcripts of Trump's calls with Mexico and Australia By Greg Miller, Julie Vitkovskaya and Reuben Fischer-Baum; Aug. 3, 2017 https://www.washingtonpost.com/graphics/2017/politics/australia-mexico-transcripts/?utm_term=.95d2f93766d6 (Friday, January 27, 2017)
2010s, 2016, January

Michael Swanwick photo
Bob Dylan photo

“In the dime stores and bus stations,
People talk of situations,
Read books repeat quotations,
Draw conclusions on the wall.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), Love Minus Zero/No Limit

Paul Simon photo
Ray Bradbury photo
Stephen King photo
P.G. Wodehouse photo
Alfred Binet photo

“When we attempt to understand the inmost nature of the outer world, we stand before it as before absolute darkness. There probably exists in nature, outside of ourselves, neither colour, odour, force, resistance, space, nor anything that we know as sensation. Light is produced by the excitement of the optic nerve, and it shines only in our brain; as to the excitement itself, there is nothing to prove that it is luminous; outside of us is profound darkness, or even worse, since darkness is the correlation of light. In the same way, all the sonorous excitements which assail us, the creakings of machines, the sounds of nature, the words and cries of our fellows are produced by excitements of our acoustic nerve; it is in our brain that noise is produced, outside there reigns a dead silence. The same may be said of all our other senses.

...In short, our nervous system, which enables us to communicate with objects, prevents us, on the other hand, from knowing their nature. It is an organ of relation with the outer world; it is also, for us, a cause of isolation. We never go outside ourselves. We are walled in. And all we can say of matter and of the outer world is, that it is revealed to us solely by the sensations it affords us, that it is the unknown cause of our sensations, the inaccessible excitant of our organs of the senses, and that the ideas we are able to form as to the nature and the properties of that excitant, are necessarily derived from our sensations, and are subjective to the same degree as those sensations themselves.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Source: The Mind and the Brain, 1907, p. 25