Quotes about vibration

A collection of quotes on the topic of vibration, likeness, doing, sound.

Quotes about vibration

Nikola Tesla photo

“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”

Nikola Tesla (1856–1943) Serbian American inventor

First attibution is to Ralph Bergstresser who claims to have heard this from Tesla in a conversation "following an experience with the Maharaja's son".
Disputed
Source: Coments From The Inventor of the Purple Harmony Plates http://www.bibliotecapleyades.net/ciencia/esp_ciencia_universalenergy02.htm,

Max Planck photo

“As a man who has devoted his whole life to the most clearheaded science, to the study of matter, I can tell you as a result of my research about the atoms this much: There is no matter as such! All matter originates and exists only by virtue of a force which brings the particles of an atom to vibration and holds this most minute solar system of the atom together…. We must assume behind this force the existence of a conscious and intelligent Spirit. This Spirit is the matrix of all matter.”

Max Planck (1858–1947) German theoretical physicist

Das Wesen der Materie [The Nature of Matter], a 1944 speech in Florence, Italy, Archiv zur Geschichte der Max‑ Planck‑ Gesellschaft, Abt. Va, Rep. 11 Planck, Nr. 1797; the German original is as quoted in The Spontaneous Healing of Belief https://archive.org/stream/GreggBradenTheSpontaneousHealingOfBelief/Gregg%20Braden/Gregg%20Braden%20-%20The%20Spontaneous%20Healing%20Of%20Belief#page/n1 (2008) by Gregg Braden, p. 212; Braden mistranslates intelligenten Geist as "intelligent Mind", which is an obvious tautology.

Marc Chagall photo
F. Scott Fitzgerald photo
Isaac Newton photo
Auguste Comte photo

“Notwithstanding the eminent difficulties of the mathematical theory of sonorous vibrations, we owe to it such progress as has yet been made in acoustics. The formation of the differential equations proper to the phenomena is, independent of their integration, a very important acquisition, on account of the approximations which mathematical analysis allows between questions, otherwise heterogeneous, which lead to similar equations. This fundamental property, whose value we have so often to recognize, applies remarkably in the present case; and especially since the creation of mathematical thermology, whose principal equations are strongly analogous to those of vibratory motion. This means of investigation is all the more valuable on account of the difficulties in the way of direct inquiry into the phenomena of sound. We may decide the necessity of the atmospheric medium for the transmission of sonorous vibrations; and we may conceive of the possibility of determining by experiment the duration of the propagation, in the air, and then through other media; but the general laws of the vibrations of sonorous bodies escape immediate observation. We should know almost nothing of the whole case if the mathematical theory did not come in to connect the different phenomena of sound, enabling us to substitute for direct observation an equivalent examination of more favorable cases subjected to the same law. For instance, when the analysis of the problem of vibrating chords has shown us that, other things being equal, the number of oscillations is hi inverse proportion to the length of the chord, we see that the most rapid vibrations of a very short chord may be counted, since the law enables us to direct our attention to very slow vibrations. The same substitution is at our command in many cases in which it is less direct.”

Auguste Comte (1798–1857) French philosopher

Bk. 3, chap. 4; as cited in: Moritz (1914, 240)
System of positive polity (1852)

Galileo Galilei photo

“It now remains that we find the amount of time of descent through the channel. This we shall obtain from the marvelous property of the pendulum, which is that it makes all its vibrations, large or small, in equal times. This requires, once and for all, that two or three or four patient and curious friends, having noted a fixed star that stands against some fixed marker, taking a pendulum of any length, shall go counting its vibrations during the whole time of return of the fixed star to its original point, and this will be the number of vibrations in 24 hours. From the number of these we can find the number of vibrations of any other pendulums, longer or shorter, at will, so that if for example those counted by us in 24 hours were 234,567, then taking another shorter pendulum with which one counts 800 vibrations while another counts 150 of the longer pendulum, we already have, by the golden rule, the number of vibrations for the whole time of 24 hours; and if we want to know the time of descent through the channel, we can easily find not only the minutes, seconds, and sixtieths of seconds, but beyond that as we please. It is true that we can pass a more exact measure by having observed the flow of water through a thin passage, for by collecting this and having weighed what passes in one minute, for example, then by weighing what passes in the time of descent through the channel we can find the most exact measure and quantity of this time, especially by making use of a balance so precise as to weigh one sixtieth of a grain.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

Letter to Giovanni Battista Baliani (1639)

Isaac Newton photo
Robert Herrick photo
Joseph Stella photo
Isaac Newton photo
Isaac Newton photo
Pablo Picasso photo
Isaac Newton photo
Socrates photo
Isaac Newton photo
Rajneesh photo
Vangelis photo

“On electronic music: "The source is electronic, but what you do with it is the same as with acoustic instruments. Sound is sound and vibration is vibration, whether from an electronic source or an acoustic instrument.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012

Isaac Newton photo

“I would suppose it diverse from the vibrations of the ether”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

"Hypothesis explaining the Properties of Light" (1675)
Context: Were I to assume an hypothesis, it should be this, if propounded more generally, so as not to assume what light is further than that it is something or other capable of exciting vibrations of the ether. First, it is to be assumed that there is an ethereal medium, much of the same constitution as air, but far rarer, subtiller, and more strongly elastic.... In the second place, it is to be supposed that the ether is a vibrating medium, like air, only the vibrations much more swift and minute; those of air made by a man's ordinary voice succeeding at more than half a foot or a foot distance, but those of ether at a less distance than the hundredth-thousandth part of an inch. And as in air the vibrations are some larger than others, but yet all equally swift... so I suppose the ethereal vibrations differ in bigness but not in swiftness.... In the fourth place, therefore, I suppose that light is neither ether nor its vibrating motion, but something of a different kind propagated from lucid bodies. They that will may suppose it an aggregate of various peripatetic qualities. Others may suppose it multitudes of unimaginable small and swift corpuscles of various sizes springing from shining bodies at great distances one after the other, but yet without any sensible interval of time.... To avoid dispute and make this hypothesis general, let every man here take his fancy; only whatever light be, I would suppose it consists of successive rays differing from one another in contingent circumstances, as bigness, force, or vigour, like as the sands on the shore... and, further, I would suppose it diverse from the vibrations of the ether.... Fifthly, it is to be supposed that light and ether mutually act upon one another.... æthereal vibrations are therefore the best means by which such a subtile agent as light can shake the gross particles of solid bodies to heat them.

Alan Watts photo
Pelé photo
Swami Sivananda photo
Nikola Tesla photo
Simone Bittencourt de Oliveira photo
Teal Swan photo
Alexis Karpouzos photo
Eckhart Tolle photo
Isaac Newton photo

“Is not the Heat of the warm Room convey'd through the Vacuum by the Vibrations of a much subtiler Medium than Air, which after the Air was drawn out remained in the Vacuum?”

And is not this Medium the same with that Medium by which Light is refracted and reflected and by whose Vibrations Light communicates Heat to Bodies, and is put into Fits of easy Reflexion and easy Transmission? ...And do not hot Bodies communicate their Heat to contiguous cold ones, by the Vibrations of this Medium propagated from them into the cold ones? And is not this Medium exceedingly more rare and subtile than the Air, and exceedingly more elastick and active? And doth it not readily pervade all Bodies? And is it not (by its elastick force) expanded through all the Heavens?
Query 18
Opticks (1704)

Wassily Kandinsky photo

“Generally speaking, colour is a power which directly influences the soul. Colour is the keyboard, the eyes are the hammer, the soul is the strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.”

Wassily Kandinsky (1866–1944) Russian painter

V. The psychological working of Colour: Quoted in: Hajo Düchting (2000) Wassily Kandinsky, 1866-1944: A Revolution in Painting. p. 17
Alternative translation:
Colour is a means of exerting direct influence on the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul; in: Anna Moszynska, Abstract Art, Thames and Hudson, 1990
Source: 1910 - 1915, Concerning the Spiritual in Art, 1911

Cecily von Ziegesar photo

“Chase, I've tussled with vibrators stronger than your charge throwers.”

Kresley Cole American writer

Source: Dreams of a Dark Warrior

Ralph Waldo Emerson photo

“Trust thyself: every heart vibrates to that iron string.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: 1840s, Essays: First Series (1841), Self-Reliance
Context: Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so.

Ilchi Lee photo
Gustave Flaubert photo
William Gibson photo
William Morris photo
Elie Wiesel photo
Albert Einstein photo
Percy Bysshe Shelley photo
Don Marquis photo

“Nearly every night before I go to bed I ask myself, "Have I vibrated in tune with the Infinite today, or have I failed?”

Don Marquis (1878–1937) American writer

Source: Hermione and Her Little Group of Serious Thinkers

Cesare Pavese photo

“The words that strike us are those that awake an echo in a zone we have already made our own—the place where we live—and the vibration enables us to find fresh starting points within ourselves.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)
Source: Il mestiere di vivere: Diario 1935-1950
Context: When we read, we are not looking for new ideas, but to see our own thoughts given the seal of confirmation on the printed page. The words that strike us are those that awake an echo in a zone we have already made our own—the place where we live—and the vibration enables us to find fresh starting points within ourselves.

Paramahansa Yogananda photo
Ned Vizzini photo
Mike Oldfield photo
Henry Wadsworth Longfellow photo

“Time has laid his hand
Upon my heart, gently, not smiting it,
But as a harper lays his open palm
Upon his harp, to deaden its vibrations.”

Henry Wadsworth Longfellow (1807–1882) American poet

The Golden Legend http://www.gutenberg.org/files/10490/10490-h/10490-h.htm, Pt. IV, The Cloisters (1872).

Paul Cézanne photo
Lydia Maria Child photo
Michio Kushi photo

“Memory is merely the process of tuning into vibrations that have been left behind in space and time.”

Michio Kushi (1926–2014) Japanese educator

Source: Spiritual Journey: Michio Kushi's Guide to Endless Self-Realization and Freedom (1994, with Edward Esko), p. 62

Auguste Rodin photo

“The sculptor must learn to reproduce the surface, which means all that vibrates on the surface: spirit, soul, love, passion — life. … Sculpture is thus the art of hollows and mounds, not of smoothness, or even polished planes.”

Auguste Rodin (1840–1917) French sculptor

In; Victor Frisch, ‎Joseph Twadell Shipley (1939). Auguste Rodin. p. 203: About the act of creation.
1900s-1940s

Brian Wilson photo

“Humor — it helps to make the vibe better — it loosens up the vibrations.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

OffBeat interview (2005)

Alfred Brendel photo
Bill Hicks photo
Frank Wilczek photo
Damian Pettigrew photo
Michio Kushi photo

“If you think of harming someone, this is the same as actually doing it, in terms of the spiritual world, since the spiritual world is vibrational, which includes thinking.”

Michio Kushi (1926–2014) Japanese educator

Source: Spiritual Journey: Michio Kushi's Guide to Endless Self-Realization and Freedom (1994, with Edward Esko), p. 54

Yukteswar Giri photo
Yehudi Menuhin photo

“One should feel in the right arm the vibration of the bow hair on the strings. […] The moment tension or hardness enters into the hand then of course the vibrations will not be felt- they cannot penetrate.”

Yehudi Menuhin (1916–1999) American violinist and conductor

On proper holding of the bow
Source: Life class: thoughts, exercises, reflections of an itinerant violinist, P.143

Otto Weininger photo
Franz Marc photo

“The impure men and women who surrounded me (and particularly the men), did not arouse any of my real feelings; while the natural feeling for life possessed by animals set in vibration everything good in me.”

Franz Marc (1880–1916) German painter

from the front of World War 1.
In a letter to his wife, April 1915; as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444
1915 - 1916

Edward Young photo

“With skill she vibrates her eternal tongue,
Forever most divinely in the wrong.”

Edward Young (1683–1765) English poet

Satire VI, l. 105.
Love of Fame (1725-1728)

Edwin Hubbell Chapin photo
Wassily Kandinsky photo

“The more freely abstract the form becomes, the purer, and also the more primitive it sounds. Therefore, in a composition in which corporeal elements are more or less superfluous, they can be more or less omitted and replaced by purely abstract forms, or by corporeal forms that have been completely abstracted... Here we are confronted by the question: Must we not then renounce the object altogether, throw it to the winds and instead lay bare the purely abstract? This is a question that naturally arises, the answer to which is at once indicated by an analysis of the concordance of the two elements of form (the objective and the abstract). Just as every word spoken (tree, sky, man) awakens an inner vibration, so too does every pictorially represented object. To deprive oneself of the possibility of this calling up vibrations would be to narrow one's arsenal of expressive means. At least, that is how it is today. But apart from today's answer, the above question receives the eternal answer to every question in art that begins with 'must.”

Wassily Kandinsky (1866–1944) Russian painter

There is no 'must' in art, which is forever free.
Quote from: Kandinsky: Complete Writings on Art, eds. Kenneth C. Lindsay and Peter Vergo, 2 Vols. (transl. Peter Vergo); Boston: G.K. Hall & Co., (1982), p. 195; as cited in: Samet, Jennifer Sachs. Painterly Representation in New York, 1945-1975. Dissertation, The City University of New York, 2010. p. 25
1910 - 1915

Umberto Boccioni photo
Norman Spinrad photo

“Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form.
Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil.
We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death.
Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?”

Source: The Void Captain's Tale (1983), Chapter 10 (p. 117)

Derren Brown photo
Miguel de Unamuno photo
Tom McCarthy (writer) photo
William Crookes photo
Edward Witten photo

“Vibrating strings in 10 dimensions is just a weird fact… An explanation of that weird fact would tell you why there are 10 dimensions in the first place.”

Edward Witten (1951) American theoretical physicist

as quoted by K.C. Cole, "A Theory of Everything" New York Times Magazine (1987) Oct.18

Charles Fillmore photo
Hermann Weyl photo
Kenneth Gärdestad photo

“In my world, I would like to take as much positive vibrations as possible. The same goes for our music. I feel that there is a big impact.”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

Regarding the connection between his fighting of his illness (skin cancer and lymphoma) and the brothers Gärdestad's music as quoted on Kenneth Gärdestad: "Blir sista stora hurraropet", Selåker, Johannes, Expressen.SE, published on 8 February 2018 (web) https://www.expressen.se/noje/kenneth-gardestad-jag-mar-samst/

Bhakti Tirtha Swami photo
Carlo Rovelli photo
Bhakti Tirtha Swami photo
Wassily Kandinsky photo
Ernesto Che Guevara photo
Luigi Russolo photo
Edvard Munch photo

“By painting colours and lines and forms seen in a quickened mood I was seeking to make this mood vibrate as a phonograph does.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

1896 - 1930
Source: Diary Saint Cloud, 1898; Munch, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 105

Paula Modersohn-Becker photo
Alexej von Jawlensky photo

“Every artist works within a tradition. I am a native of Russia. My Russian soul has always been close to the art of old Russia, the Russian icons, Byzantine art, the mosaics in Ravenna, Venice, Rome, and to Romanesque art. All these artworks produced a religious vibration in my soul, as I sensed in them a deep spiritual language. This art was my tradition.”

Alexej von Jawlensky (1864–1941) Russian painter

quote from his letter to the National Socialist State Cultural administration, 1939; Jawlensky asked permission to exhibit his painting art, which was turned down by the Nazi regime
Source: 1936 - 1941, Life Memories' (1938), p. 24

Oliver Lodge photo

“All potential energy exists in the ether. It may vibrate, and it may rotate, but as regards locomotion it is stationary—the most stationary body we know: absolutely stationary, so to speak; our standard of rest.”

Oliver Lodge (1851–1940) British physicist

The Ether of Space https://books.google.com/books?id=ycgEAAAAYAAJ&pg=PA118, p. 118
The Ether of Space (1909)

Thomas Young (scientist) photo
Alexander Graham Bell photo

“The final result of our researches has widened the class of substances sensitive to light vibrations, until we can propound the fact of such sensitiveness being a general property of all matter.”

Alexander Graham Bell (1847–1922) scientist and inventor known for his work on the telephone

Statement to the American Association for the Advancement of Science, in Boston, Massachusetts (27 August 1880): published as "On the Production and Reproduction of Sound by Light" in American Journal of Sciences, Third Series, vol. XX, n°118 (October 1880), pp. 305-324.