First attibution is to Ralph Bergstresser who claims to have heard this from Tesla in a conversation "following an experience with the Maharaja's son".
Disputed
Source: Coments From The Inventor of the Purple Harmony Plates http://www.bibliotecapleyades.net/ciencia/esp_ciencia_universalenergy02.htm,
Quotes about vibration
A collection of quotes on the topic of vibration, likeness, doing, sound.
Quotes about vibration
Das Wesen der Materie [The Nature of Matter], a 1944 speech in Florence, Italy, Archiv zur Geschichte der Max‑ Planck‑ Gesellschaft, Abt. Va, Rep. 11 Planck, Nr. 1797; the German original is as quoted in The Spontaneous Healing of Belief https://archive.org/stream/GreggBradenTheSpontaneousHealingOfBelief/Gregg%20Braden/Gregg%20Braden%20-%20The%20Spontaneous%20Healing%20Of%20Belief#page/n1 (2008) by Gregg Braden, p. 212; Braden mistranslates intelligenten Geist as "intelligent Mind", which is an obvious tautology.
Source: The Hidden Messages in Water
The Third Sacred School, Volume 2, Chapter 73
As of a Trumpet, On Eagle's Wings, The Third Sacred School
Query 18
Opticks (1704)
Bk. 3, chap. 4; as cited in: Moritz (1914, 240)
System of positive polity (1852)
Letter to Giovanni Battista Baliani (1639)
Query 5
Opticks (1704)
Biographical note; Quotes in: Horst Woldemar Janson, Anthony F. Janson, History of Art: The Western Tradition http://books.google.com/books?id=MMYHuvhWBH4C&pg=PT831&lpg=PT831, Prentice Hall Professional, 2004. p. 831
"Hypothesis explaining the Properties of Light" (1675)
"Hypothesis explaining the Properties of Light" (1675)
Boisgeloup, winter 1934
Richard Friedenthal, (1963, p. 258)
Quotes, 1930's, "Conversations avec Picasso," 1934–35
Query 13
Opticks (1704)
Query 21
Opticks (1704)
The Discipline Of Transcendence (1978)
The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012
“I would suppose it diverse from the vibrations of the ether”
"Hypothesis explaining the Properties of Light" (1675)
Context: Were I to assume an hypothesis, it should be this, if propounded more generally, so as not to assume what light is further than that it is something or other capable of exciting vibrations of the ether. First, it is to be assumed that there is an ethereal medium, much of the same constitution as air, but far rarer, subtiller, and more strongly elastic.... In the second place, it is to be supposed that the ether is a vibrating medium, like air, only the vibrations much more swift and minute; those of air made by a man's ordinary voice succeeding at more than half a foot or a foot distance, but those of ether at a less distance than the hundredth-thousandth part of an inch. And as in air the vibrations are some larger than others, but yet all equally swift... so I suppose the ethereal vibrations differ in bigness but not in swiftness.... In the fourth place, therefore, I suppose that light is neither ether nor its vibrating motion, but something of a different kind propagated from lucid bodies. They that will may suppose it an aggregate of various peripatetic qualities. Others may suppose it multitudes of unimaginable small and swift corpuscles of various sizes springing from shining bodies at great distances one after the other, but yet without any sensible interval of time.... To avoid dispute and make this hypothesis general, let every man here take his fancy; only whatever light be, I would suppose it consists of successive rays differing from one another in contingent circumstances, as bigness, force, or vigour, like as the sands on the shore... and, further, I would suppose it diverse from the vibrations of the ether.... Fifthly, it is to be supposed that light and ether mutually act upon one another.... æthereal vibrations are therefore the best means by which such a subtile agent as light can shake the gross particles of solid bodies to heat them.
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 95
“Enthusiasm is everything. It must be taut and vibrating like a guitar string.”
When You Are Agitated
Autobiography of Swami Sivananda
spirituality and wisdom
And is not this Medium the same with that Medium by which Light is refracted and reflected and by whose Vibrations Light communicates Heat to Bodies, and is put into Fits of easy Reflexion and easy Transmission? ...And do not hot Bodies communicate their Heat to contiguous cold ones, by the Vibrations of this Medium propagated from them into the cold ones? And is not this Medium exceedingly more rare and subtile than the Air, and exceedingly more elastick and active? And doth it not readily pervade all Bodies? And is it not (by its elastick force) expanded through all the Heavens?
Query 18
Opticks (1704)
V. The psychological working of Colour: Quoted in: Hajo Düchting (2000) Wassily Kandinsky, 1866-1944: A Revolution in Painting. p. 17
Alternative translation:
Colour is a means of exerting direct influence on the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul; in: Anna Moszynska, Abstract Art, Thames and Hudson, 1990
Source: 1910 - 1915, Concerning the Spiritual in Art, 1911
“I feel something vibrating and I really hope it's your phone." Serana told Dan, who blushed.”
Source: Because I'm Worth It
“Chase, I've tussled with vibrators stronger than your charge throwers.”
Source: Dreams of a Dark Warrior
“Trust thyself: every heart vibrates to that iron string.”
Source: 1840s, Essays: First Series (1841), Self-Reliance
Context: Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so.
Music, When Soft Voices Die http://www.readprint.com/work-1367/Percy-Bysshe-Shelley (1821)
Source: The Complete Poems
Source: Get A Clue
“Something in me vibrates to a dusky, dreamy smell of dying moons and shadows.”
This Business of Living (1935-1950)
Source: Il mestiere di vivere: Diario 1935-1950
Context: When we read, we are not looking for new ideas, but to see our own thoughts given the seal of confirmation on the printed page. The words that strike us are those that awake an echo in a zone we have already made our own—the place where we live—and the vibration enables us to find fresh starting points within ourselves.
from the introduction to Music of the Spheres
The Golden Legend http://www.gutenberg.org/files/10490/10490-h/10490-h.htm, Pt. IV, The Cloisters (1872).
p. 91-92.
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 33
1960s
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 197 in: 'What he told me – II. The Louvre'
1840s, Letters from New York (1843)
Source: Letters from New York http://www.bartleby.com/66/57/12260.html, vol. 1, letter 33
Source: Spiritual Journey: Michio Kushi's Guide to Endless Self-Realization and Freedom (1994, with Edward Esko), p. 62
In; Victor Frisch, Joseph Twadell Shipley (1939). Auguste Rodin. p. 203: About the act of creation.
1900s-1940s
“Humor — it helps to make the vibe better — it loosens up the vibrations.”
OffBeat interview (2005)
As cited in: Ruth Hanna Sachs, D. E. Heap, Joyce Light (2005). White Rose History, Volume II (Academic Version). p. 366
Source: Longing for the Harmonies: Themes and Variations from Modern Physics (1987), Ch.12 Light as Waves
On Fellini and Fernando Pessoa
Federico Fellini: Sou um Grande Mentiroso (2008)
Source: Spiritual Journey: Michio Kushi's Guide to Endless Self-Realization and Freedom (1994, with Edward Esko), p. 54
On proper holding of the bow
Source: Life class: thoughts, exercises, reflections of an itinerant violinist, P.143
from the front of World War 1.
In a letter to his wife, April 1915; as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444
1915 - 1916
“With skill she vibrates her eternal tongue,
Forever most divinely in the wrong.”
Satire VI, l. 105.
Love of Fame (1725-1728)
Source: Dictionary of Burning Words of Brilliant Writers, P. 6.
100 Years of Mathematics: a Personal Viewpoint (1981)
There is no 'must' in art, which is forever free.
Quote from: Kandinsky: Complete Writings on Art, eds. Kenneth C. Lindsay and Peter Vergo, 2 Vols. (transl. Peter Vergo); Boston: G.K. Hall & Co., (1982), p. 195; as cited in: Samet, Jennifer Sachs. Painterly Representation in New York, 1945-1975. Dissertation, The City University of New York, 2010. p. 25
1910 - 1915
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 167.
1910, Manifesto of Futurist Painters,' April 1910
TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)
The Tragic Sense of Life (1913), III : The Hunger of Immortality
Address to the British Association for the Advancement of Science (1898)
as quoted by K.C. Cole, "A Theory of Everything" New York Times Magazine (1987) Oct.18
As to Meat Eating, Unity Magazine, October 1903. Quoted in Will Tuttle, [//books.google.it/books?id=H_clxwd27CgC&pg=PT0 The World Peace Diet] (2005), ch. 8.
Regarding the connection between his fighting of his illness (skin cancer and lymphoma) and the brothers Gärdestad's music as quoted on Kenneth Gärdestad: "Blir sista stora hurraropet", Selåker, Johannes, Expressen.SE, published on 8 February 2018 (web) https://www.expressen.se/noje/kenneth-gardestad-jag-mar-samst/
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 27
Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 29
VI. The language of Form and Colour
1910 - 1915, Concerning the Spiritual in Art, 1911
Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
after 1970
Russolo. English trans. Barclay Brown (1986: 37).
undated quotes
1896 - 1930
Source: Diary Saint Cloud, 1898; Munch, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 105
excerpt of her Journal, Paris, 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, pp. 197-198
1898
quote from his letter to the National Socialist State Cultural administration, 1939; Jawlensky asked permission to exhibit his painting art, which was turned down by the Nazi regime
Source: 1936 - 1941, Life Memories' (1938), p. 24
The Ether of Space https://books.google.com/books?id=ycgEAAAAYAAJ&pg=PA118, p. 118
The Ether of Space (1909)
Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)
Statement to the American Association for the Advancement of Science, in Boston, Massachusetts (27 August 1880): published as "On the Production and Reproduction of Sound by Light" in American Journal of Sciences, Third Series, vol. XX, n°118 (October 1880), pp. 305-324.