Quotes about vibration
page 2

“The bases of music are rhythm and harmony. Rhythm is ordered recurrence in time… As the planets move around the sun, they repeat their orbits periodically; thus there is already a primitive kind of rhythm in their motion…. Harmony… can be considered a special kind of rhythm…. pure musical tones are produced when the vibrations are… periodic or… repeat themselves regularly in time. Two tones harmonize if their intervals of repetition are in rhythm—or, in mathematical language, if their periods are in proportion. Kepler… in the third book of Harmonice mundi… attempted to make other… related, connections between musical harmony and mathematical proportion.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Books, Music, Mathematics, Time

“Let freedom ring, unless it's on vibrate.”

Joss Whedon (1964) American director, writer, and producer for television and film

[21 October 2004, http://whedonesque.com/comments/5133, "More X-Men 3 rumors", Whedonesque.com, 2006-12-05]

Freedom

“This spectrum is of the type known in spectroscopy as a line-spectrum. Its appearance is that of a group of bright lines on a dark background, indicating that the radiation divides itself between a number of clearly defined frequencies, and that there is no radiation in between. Before Bohr's explanation appeared, these frequencies had been supposed to belong to some sort of vibration taking place in the hydrogen atom - like frequencies of the musical note which is heard when a bell or piano wire is made to vibrate. It now became clear that they had an entirely different origin. The energy exhibited in the spectrum was not liberated by a vibration, or any kind of continuous motion, but by the sudden jump of an electron to an orbit of lower energy, and its frequency was determined by the compulsion put upon it to form a single quantum.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Music, Appearance

“By this I refer to the fact that at the same time several people may each possess some portion of the rights to use the land. A may possess the right to grow wheat on it. B may possess the right to walk across it. C may possess the right to dump ashes and smoke on it. D may possess the right to fly an airplane over it. E may have the right to subject it to vibrations consequent to the use of some neighboring equipment. And each of these rights may be transferable. In sum, private property rights to various partitioned uses of land are "owned" by different persons.”

Armen Alchian (1914–2013) American economist

Source: Economic Forces at Work, 1977, p. 132-133

People, Time, Personality, Flying

“Om is not just a sound or vibration. It is not just a symbol. It is the entire cosmos, whatever we can see, touch, hear and feel. Moreover, it is all that is within our perception and all that is beyond our perception. It is the core of our very existence.”

Amit Ray (1960) Indian author

OM Chanting and Meditation (2010) http://books.google.co.uk/books/about/OM_Chanting_and_Meditation.html?id=3KKjPoFmf4YC,

Feeling

“.. I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 531) p. 22 <br class="br">1880s, 1888

Love, Marriage, Hope, Color

“I find the totality of metamorphosis most terrifying when I'm Woyzeck… Suffering through that had as devastating an impact on me as if I hadn't only always suffered as Woyzeck but continue to do so over and over. Malaria of the soul, recurring again and again. My total being is one large breeding ground for the shocks of the world past, present and future. All living and dying, all vibrations pass through me. The entire universe pours into me, rages in me, rampages through and over me. Annihilates me. It comes and goes whenever it likes. It rules me, commands me, envelops me, threatens me, and waits for me everywhere and all the time. It sucks me up, sucks me dry, grows through me. It's in my spinal marrow. In my brain mass. In my blood, in my bones. My muscles. Guts. Genitals. Sperm. Flesh. Eyes. Hearing. Taste. Smell. Balance. Laughter. Tears. In my days and nights. In my thoughts. In my feelings. In my courage and my fear. In my despair and my hope. In my weakness and my strength. Everywhere and all the time.”

Klaus Kinski (1926–1991) German actor

On his performance in Woyzeck. p. 315
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

World, Fear, Hope, Feeling

“We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage: the last lines of his 'Autobiographical Statement', April, 1990 http://www.johncage.org/autobiographical_statement.html <br class="br">1990s

People, School, Music, Change

“Harry Dresden: It’s not my fault all women like motorcycles, Murph. They’re basically huge vibrators. With wheels.”

Jim Butcher The Dresden Files

The Dresden Files, Blood Rites (2004)

Women

“He ceased; but still their trembling ears retained
The deep vibrations of his witching song.”

James Thomson (poet) The Castle of Indolence

Canto I, Stanza 20.
The Castle of Indolence (1748)

“If until now colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. When we remember however, that spiritual experience is quickening, that positive science, the firmest basis of human thought is tottering, that dissolution of matter is imminent, we have reason to hope that the hour of pure composition is not far away. The first stage has arrived.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from Concerning the Spiritual in Art, Wassily Kandinsky, Munich, 1912; as cited in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 15
1910 - 1915

Beauty, Hope, Art, Feeling

“Over scones round the kitchen table, it emerged that Aunt Mary thought Ayna, Gair and Ceri came from Malaysia. Brenda looked at their faces and breathed in half a scone.
While Gerald was pounding Brenda on the back, Ceri leaned back from the vibrating table and looked at Aunt Mary limpidly in the eye. "I'm afraid we don't remember Masaylia at all."
"Malaysia!"”

Diana Wynne Jones book Power of Three

hissed Ayna.
"Or that either," said Ceri.
Source: Power of Three (1976), p. 174.

“This consideration must alter the form of our proposed inquiry; for the question being thus at least partly decided, since it is ascertained that we have rays of heat which give no light, it can only become a subject of inquiry whether some of these heat-making rays may not have a power of rendering objects visible, superadded to their now already established power of heating bodies. This being the case, it is evident that the onus probandi [burden of proof] ought to lie with those who are willing to establish such an hypothesis, for it does not appear that Nature is in the habit of using one and the same mechanism with any two of our senses. Witness the vibration of air that makes sound, the effluvia that occasion smells, the particles that produce taste, the resistance or repulsive powers that affect the touch—all these are evidently suited to their respective organs of sense.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" on his discovery of the infrared.

Lie, Question, Nature, Sense

“While man regards his body as a harp of pleasure to be played upon so long as its strings can be made to vibrate, so long will he continue to travel down the hill of physical decadence and degeneration in spite of quarantine laws and the most minute sanitary regulations. But when he recognizes his divine origin and obligations, and himself as the crowning masterpiece of creation, his body a precious thing, to be sacredly preserved, developed, expanded, and purified for service for humanity in this world, and a never-ending opportunity for development and joyous existence in the world to come, then only will he begin to climb toward the heights from which he has fallen, where he may once more stand forth as the crowning glory of creation, the masterpiece of God, “the beauty of the world, the paragon of animals.””

John Harvey Kellogg (1852–1943) American physician

Source: The Living Temple, pp. 431-432

God, Pleasure, World, Law

“Bill O'Reilly settled his sexual harassment suit out-of-court this week. This is what he had to say about it on Thursday's O'Reilly Factor:
This brutal ordeal is now officially over and I will never speak of it again.
But I will! 'Cause I like the part about you wanting to rub falafel on that lady's boobs and the part about how you love vibrators, and the part about how you believed it when a prostitute told you you had a big penis? I love all those parts and I'm gonna keep talkin' about them. A lot.”

Tina Fey (1970) American comedian, writer, producer and actress

SNL, 2004-10-30 https://www.youtube.com/watch?v=MMVxjiIntM0

Love, Parting

“The impressions received by the two observers A0 and A would be alike in all respects. It would be impossible to decide which of them moves or stands still with respect to the ether, and there would be no reason for preferring the times and lengths measured by the one to those determined by the other, nor for saying that either of them is in possession of the "true" times or the "true" lengths. This is a point which Einstein has laid particular stress on, in a theory in which he starts from what he calls the principle of relativity, i. e., the principle that the equations by means of which physical phenomena may be described are not altered in form when we change the axes of coordinates for others having a uniform motion of translation relatively to the original system.
I cannot speak here of the many highly interesting applications which Einstein has made of this principle. His results concerning electromagnetic and optical phenomena …agree in the main with those which we have obtained… the chief difference being that Einstein simply postulates what we have deduced, with some difficulty and not altogether satisfactorily, from the fundamental equations of the electromagnetic field. By doing so, he may certainly take credit for making us see in the negative result of experiments like those of Michelson, Rayleigh and Brace, not a fortuitous compensation of opposing effects, but the manifestation of a general and fundamental principle.
Yet, I think, something may also be claimed in favour of the form in which I have presented the theory. I cannot but regard the ether, which can be the seat of an electromagnetic field with its energy and vibrations, as endowed with a certain degree of substantiality, however different it may be from all ordinary matter. …it seems natural not to assume at starting that it can never make any difference whether a body moves through the ether or not, and to measure distances and lengths of time by means of rods and clocks having a fixed position relatively to the ether.
It would be unjust not to add that, besides the fascinating boldness of its starting point, Einstein's theory has another marked advantage over mine. Whereas I have not been able to obtain for the equations referred to moving axes exactly the same form as for those which apply to a stationary system, Einstein has accomplished this by means of a system of new variables slightly different from those which I have introduced.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. V Optical Phenomena in Moving Bodies.

Nature, Thinking, Change, Time

“It would have been a great disappointment to me if Vibration did not somewhere make itself felt, for all scientistic mystics either vibrate in person or find themselves resonant with cosmic vibrations; but I am happy to say that on page 266 Teilhard will be found to do so.”

Peter Medawar (1915–1987) scientist

1960s, Review of Teilhard de Chardin's "The Phenomenon of Man", 1961

Happiness, Disappointment, Personality

“It is surprising that so great a mathematician as Dr. Smith could have entertained for a moment, an idea that the vibrations constituting different sounds should be able to cross each other in all directions, without affecting the same individual particles of air by their joint forces: undoubtedly they cross, without disturbing each other's progress; but this can be no otherwise effected than by each particle's partaking of both motions. If this assertion stood in need of any proof, it might be amply furnished by the phenomena of beats, and of the grave harmonics observed…”

Thomas Young (scientist) (1773–1829) English polymath

"Outlines of Experiments and Inquiries Respecting Sound and Light" (1800)

Idea

“If they had made that longer six-cylinder crankshaft strong enough and had supported it well enough, they would have obtained the smoother action they talks about in their advertisements. But they could not do that, and those early sixes had a very undesirable period vibration at certain speeds. That vibration more than offset the gain that they would have realized, if they had treated the crankshaft properly.”

Henry M. Leland (1843–1932) American businessman

Source: Master of Precision: Henry M. Leland, 1966, p. 146-7: About the development of a six-cylinder motor in 1913-14

Support, Strong, Speed

“Rachel was looking into the mirror at an angle of 45°, and so had a view of the face turned toward the room and the face on the other side, reflected in the mirror; here were time and reverse-time, co-existing, cancelling one another exactly out. Were there many such reference points, scattered throughout the world, perhaps only at nodes like this room which housed a transient population of the imperfect, the dissatisfied; did real time plus virtual or mirror-time equal zero and thus serve some half-understood moral purpose? Or was it only the mirror world that counted; only a promise of a kind that the inward bow of a nose-bridge or a promontory of extra cartilage at the chin meant a reversal of ill fortune such that the world of the altered would thenceforth run on mirror-time; work and love by mirror-light and be only, till death stopped the heart's ticking (metronome's music) quietly as light ceases to vibrate, an imp's dance under the century's own chandeliers….”

Thomas Pynchon book V.

Source: V. (1963), Chapter Two, Part I

Love, Death, World, Music

“I loathe Meryl Streep. She was good in Silkwood, but she began to take herself very seriously. I'm reacting to the horrendous overpraise she has received. She is a calculated actress, a victim of her own WASP culture. I find her totally unconvincing. She has no passion. She has no deep elemental vibration. Jodie Foster is overpraised, too. I thought she was good in The Silence of the Lambs, and The Accused, but she's getting on my nerves.”

Camille Paglia (1947) American writer

Playboy interview (May 1995)

Silence, Passion

“Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.”

Paul Cézanne (1839–1906) French painter

Quote from Cézanne's letter to Émile Bernard, 15 April 1904; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 180
Quotes of Paul Cezanne, after 1900

Men, Feeling, Nature, Light

“To the mind of superficial men the future of different races has already brought disaster and ruin upon the country. The poor negro has been charged with all our woes. In the haste of these men they forget that our trouble was not ethnological, but moral, that it was not difference of complexion, but difference of conviction. It was not the Ethiopian as a man, but the Ethiopian as a slave and a coveted article of merchandise, that gave us trouble. I close these remarks as I began. If our action shall be in accordance with the principles of justice, liberty, and perfect human equality, no eloquence can adequately portray the greatness and grandeur of the future of the republic. We shall spread the network of our science and our civilization over all who seek their shelter, whether from Asia, Africa, or the isles of the sea. We shall mold them all, each after his kind, into Americans. Indian and Celt, Negro and Saxon, Latin and Teuton, Mongolian and Caucasian, Jew and gentile, all shall here bow to the same law, speak the same language, support the same government, enjoy the same liberty, vibrate with the same national enthusiasm, and seek the same national ends.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)

Men, Justice, Law, Support

“As far as the sensory experience of the spectator goes, the most outstanding American kinetic artist is unquestionably the Chinese-born Wen-Ying Tsai. His pieces, which are perfect on the technological level, serve the primary purpose of giving a complete visual experience to the spectator, whose sound solicitations provoke a choreographic, chromatic and rhythmic response in the ‘cybernetic sculptures’. […]
György Kepes has commented enthusiastically on the ‘magic rhythms emanating from this swaying, dancing steel trembling with life’, and he has also noted the sense of ‘an instant fellowship, a spontaneous celebration’ which is re-created in their presence. As he concludes: ‘Rhythm is friendship and in Tsai’s work there is friendship of light, sound and our own heart-beats.’
If this appraisal testifies to the success with which Tsai affects the sensory and emotional responses of the spectator, we must not neglect the fact that he is also addressing himself to reason and the scientific element in his audience. In effect, the observer can enter an almost mathematical relationship with these works, and sharpen his perceptual powers through the exact assessment of the various aesthetic parameters of vibration, sound, colour, wave movement, etc.”

Frank Popper (1918) French art historian

Frank Popper, Art--Action and Participation, New York University Press, 1975, p. 214

Life, Friendship, Mathematics, Sense

“The psychical condition of men’s minds may be compared with a set of bells close together, and so arranged that in the ordinary man a bell rings only when one beside it sounds, and the vibration lasts only a moment. In the genius, when a bell sounds it vibrates so strongly that it sets in action the whole series, and remains in action throughout life. The latter kind of movement often gives rise to extraordinary conditions and absurd impulses, that may last for weeks together and that form the basis of the supposed kinship of genius with insanity.”

Otto Weininger book Sex and Character

Source: Sex and Character (1903), pp. 122-123.

Life, Men

“One has been led to the conception of electrons, i. e. of extremely small particles, charged with electricity, which are present in immense numbers in all ponderable bodies, and by whose distribution and motions we endeavor to explain all electric and optical phenomena that are not confined to the free ether…. according to our modern views, the electrons in a conducting body, or at least a certain part of them, are supposed to be in a free state, so that they can obey an electric force by which the positive particles are driven in one, and the negative electrons in the opposite direction. In the case of a non-conducting substance, on the contrary, we shall assume that the electrons are bound to certain positions of equilibrium. If, in a metallic wire, the electrons of one kind, say the negative ones, are travelling in one direction, and perhaps those of the opposite kind in the opposite direction, we have to do with a current of conduction, such as may lead to a state in which a body connected to one end of the wire has an excess of either positive or negative electrons. This excess, the charge of the body as a whole, will, in the state of equilibrium and if the body consists of a conducting substance, be found in a very thin layer at its surface.
In a ponderable dielectric there can likewise be a motion of the electrons. Indeed, though we shall think of each of them as haying a definite position of equilibrium, we shall not suppose them to be wholly immovable. They can be displaced by an electric force exerted by the ether, which we conceive to penetrate all ponderable matter… the displacement will immediately give rise to a new force by which the particle is pulled back towards its original position, and which we may therefore appropriately distinguish by the name of elastic force. The motion of the electrons in non-conducting bodies, such as glass and sulphur, kept by the elastic force within certain bounds, together with the change of the dielectric displacement in the ether itself, now constitutes what Maxwell called the displacement current. A substance in which the electrons are shifted to new positions is said to be electrically polarized.
Again, under the influence of the elastic forces, the electrons can vibrate about their positions of equilibrium. In doing so, and perhaps also on account of other more irregular motions, they become the centres of waves that travel outwards in the surrounding ether and can be observed as light if the frequency is high enough. In this manner we can account for the emission of light and heat. As to the opposite phenomenon, that of absorption, this is explained by considering the vibrations that are communicated to the electrons by the periodic forces existing in an incident beam of light. If the motion of the electrons thus set vibrating does not go on undisturbed, but is converted in one way or another into the irregular agitation which we call heat, it is clear that part of the incident energy will be stored up in the body, in other terms [words] that there is a certain absorption. Nor is it the absorption alone that can be accounted for by a communication of motion to the electrons. This optical resonance, as it may in many cases be termed, can likewise make itself felt even if there is no resistance at all, so that the body is perfectly transparent. In this case also, the electrons contained within the molecules will be set in motion, and though no vibratory energy is lost, the oscillating particles will exert an influence on the velocity with which the vibrations are propagated through the body. By taking account of this reaction of the electrons we are enabled to establish an electromagnetic theory of the refrangibility of light, in its relation to the wave-length and the state of the matter, and to form a mental picture of the beautiful and varied phenomena of double refraction and circular polarization.
On the other hand, the theory of the motion of electrons in metallic bodies has been developed to a considerable extent…. important results that have been reached by Riecke, Drude and J. J. Thomson… the free electrons in these bodies partake of the heat-motion of the molecules of ordinary matter, travelling in all directions with such velocities that the mean kinetic energy of each of them is equal to that of a gaseous molecule at the same temperature. If we further suppose the electrons to strike over and over again against metallic atoms, so that they describe irregular zigzag-lines, we can make clear to ourselves the reason that metals are at the same time good conductors of heat and of electricity, and that, as a general rule, in the series of the metals, the two conductivities change in nearly the same ratio. The larger the number of free electrons, and the longer the time that elapses between two successive encounters, the greater will be the conductivity for heat as well as that for electricity.”

Hendrik Lorentz (1853–1928) Dutch physicist

Source: The Theory of Electrons and Its Applications to the Phenomena of Light and Radiant Heat (1916), Ch. I General principles. Theory of free electrons, pp. 8-10

Beauty, Way, Travel, Communication

“Assuming that the particle has an internal vibration which allows to assimilate it to a small clock, I supposed that the clock was traveling with the wave in such a way that its internal vibration remained constantly in phase with the wave's : this is the phase matching postulate.”

Louis de Broglie (1892–1987) French physicist

Admettant que la particule possède une vibration interne qui permet de l'assimiler à une petite horloge, je supposais que cette horloge se déplaçait dans son onde de façon que sa vibration interne reste constamment en phase avec celle de l'onde : c'est le postulat de l'accord des phases.
Sur les véritables idées de base de la mécanique ondulatoire, Louis de Broglie, C. R. Acad. Sci., 277, série B, 1973, p. 71-73.

Way, Travel

“In the piano writing of the Romantic generation of the 1830s, in fact, a fully pedalled sonority becomes the norm: the piano is expected to vibrate fairly constantly, and an unpedalled sonority is an exception, almost a special effect. Furthermore, the phrase is now shaped at least partially by changes in this full vibration. The change of pedal is crucial to the conception of rhythmic movement and to the sustaining of the melodic line over the bass.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Change

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“Down through the ceiling comes a fire siren and people screaming that we're supposed to ignore. The gunshots and tires squeeling, sounds wee have to pretend are okay. They don't mean anything. It's just television. An explosion vibrates down from the upstairs. A woman begs someone not to rape her. It's not real. It's just a movie. We're the culture that cried wolf.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 17

People, Wolf

“We are apt to imagine that this hubbub of Philosophy, Literature, and Religion, which is heard in pulpits, lyceums, and parlors, vibrates through the universe, and is as catholic a sound as the creaking of the earth's axle. But if a man sleeps soundly, he will forget it all between sunset and dawn.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

January 6, 1842
Journals (1838-1859)

Religion, Imagination, Literature, Sleep

“Unknown those powers that raise the soul to flame,
Catch every nerve, and vibrate through the frame.
Their level life is but a mouldering fire,
Unquenched by want, unfanned by strong desire.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Source: The Traveller (1764), Line 219.

Life, Soul, Strong

“I've always wanted to go to England; I've always felt a tremendous drawing to England — especially the Elizabethan period. I felt I was familiar with a lot of it — more than what I was familiar with from what I read and studied in school. I went to England. I started driving. I drove to Stonehenge and found that I had been there. It was familiar to me. I went to the tower of London and knew that I had been there. It was more than just feeling vibrations, which a lot of people can do — feel, you know, vibrations of a place that has antiquity screaming through it. It was an irrefutable fact. It was like coming home for me.”

Cass Elliot (1941–1974) American singer

Rolling Stone interview (1968)

People, School, Feeling, Home

“When a man has been the lover of a woman as that man had been hers, with the vibrating communion of a voluptuousness unbroken for two years, that woman maintains a sort of physiological, quasi-animal instinct. A gesture, the accent of a word, a sigh, a blush, a pallor, are signs for her that her intuition interprets with infallible certainty. How and why is that instinct accompanied by absolute oblivion of former caresses? It is a particular case of that insoluble and melancholy problem of the birth and death of love.”

Paul Bourget (1852–1935) French writer

Source: Cosmopolis (1892), Ch. 5 "Countess Steno"

Love, Death, Lovers, Birth

“The sun shines not on us but in us. The rivers flow not past, but through us, thrilling, tingling, vibrating every fiber and cell of the substance of our bodies, making them glide and sing. The trees wave and the flowers bloom in our bodies as well as our souls, and every bird song, wind song, and tremendous storm song of the rocks in the heart of the mountains is our song, our very own, and sings our love.”

John Muir (1838–1914) Scottish-born American naturalist and author

1872(?), page 92
John of the Mountains, 1938

Love, Soul, Mountain, Flowers

“The impressions we receive, which often appear merely chaotic, consist of three elements; the impression of the color of the object, its form, and of its combined color and form, i. e., of the object itself. At this point the individuality of the artist comes to the front and disposes, as he wills, these three elements. It is clear, therefore, that the choice of object (i. e., of one of the elements in the harmony of form) must be decided only by a corresponding vibration in the human soul..”

Wassily Kandinsky (1866–1944) Russian painter

Quote of Kandinsky, Munich, 1910; as cited in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 450
1910 - 1915

Color, Soul, Appearance

“Our Italian ally has been a source of embarrassment to us everywhere. It was this alliance, for instance, which prevented us from pursuing a revolutionary policy in North Africa. In the nature of things, this territory was becoming an Italian preserve and it was as such that the Duce laid claim to it. Had we been on our own, we could have emancipated the Moslem countries dominated by France; and that would have had enormous repercussions in the Near East, dominated by Britain, and in Egypt. But with our fortunes linked to those of the Italians, the pursuit of such a policy was not possible. All Islam vibrated at the news of our victories. The Egyptians, the Irakis and the whole of the Near East were all ready to rise in revolt. Just think what we could have done to help them, even to incite them, as would have been both our duty and in our own interest! But the presence of the Italians at our side paralysed us; it created a feeling of malaise among our Islamic friends, who inevitably saw in us accomplices, willing or unwilling, of their oppressors. For the Italians in these parts of the world are more bitterly hated, of course, than either the British or the French. The memories of the barbarous, reprisals taken against the Senussi are still vivid. Then again the ridiculous pretensions of the Duce to be regarded as The Sword of Islam evokes the same sneering chuckle now as it did before the war. This title, which is fitting for Mahomed and a great conqueror like Omar, Mussolini caused to be conferred on himself by a few wretched brutes whom he had either bribed or terrorized into doing so. We had a great chance of pursuing a splendid policy with regard to Islam. But we missed the bus, as we missed it on several other occasions, thanks to our loyalty to the Italian alliance! In this theatre of operations, then, the Italians prevented us from playing our best card, the emancipation of the French subjects and the raising of the standard of revolt in the countries oppressed by the British. Such a policy would have aroused the enthusiasm of the whole of Islam. It is a characteristic of the Moslem world, from the shores of the Atlantic to those of the Pacific, that what affects one, for good or for evil, affects all.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

17 February 1945.
Disputed, The Testament of Adolf Hitler (1945)

Hate, War, World, Feeling

“As a violin string or a harpsichord key vibrates and gives forth sound, so the cerebral fibres, struck by waves of sound, are stimulated to render or repeat the words that strike them.”

Julien Offray de La Mettrie book Man a Machine

p, 125
Man a Machine (1747)

“People with heavy physical vibrations rule the world.”

Margaret Caroline Anderson (1886–1973) American magazine editor

My Thirty Years' War: An Autobiography (1930), ch. 6 (p. 251).

People, World

“Scientists are supposed to live in ivory towers. Their darkrooms and their vibration-proof benches are supposed to isolate their activities from the disturbances of common life. What they tell us is supposed to be for the ages, not for the next election. But the reality may be otherwise.”

Simon LeVay (1943) American neuroscientist

Queer Science: The Use and Abuse of Research into Homosexuality, 1996, Cambridge: MIT Press. p. 9

Life, Age, Reality

“On the train I was going over the problem of Sixes versus Fours and the disturbing periodic vibrations with which the 'six-cylinder manufacturers were contending. I realized the emphasis our competitors were placing on the fact that six smaller cylinders, producing the same maximum power as four larger ones, would result in smaller individual impulses, and consequent smoother action.
I knew that we were having good results with well-balanced four-cylinder motors. I first reasoned that if six light cylinders gave the same maximum power and lighter impulses than the tour, then eight still smaller cylinders would give still lighter impulses than the six cylinders. I also reasoned that, because of the lighter weight, those eight cylinder pistons could be run at higher speeds than either sixes or fours. Furthermore I did not like the six crankshaft. If made small enough to be in proportion with those light pistons, the extra length might introduce those undesirable vibrations; if made heavy enough to avoid; if made heavy enough to avoid these periodic vibrations there was the wight problem contend with.
As I lay awake pondering these factors, the idea came to me that we were having good success with four-cylinder motors; we would surely have equally good results with blocks of lighter four cylinders and pistons. Why not make up those smaller blocks of lighter four cylinders and pistons, and put two of the blocks together at an angle and avoid that troublesome long crankshaft. The more I thought of this idea on that trip, the more convinced I became that it could be worked out.”

Henry M. Leland (1843–1932) American businessman

Source: Master of Precision: Henry M. Leland, 1966, p. 147; Leland talking about his idea for a V8 engine around 1913-14. Partly cited in: Alexander Richard Crabb (1969), Birth of a giant: the men and incidents that gave America the motorcar. p. 315

Idea, Problem, Light, Success

“Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)

Life, Color, Light

“But these things are often unknown to the world; for there is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman for ever beggared of peace and joy, yet kept secret by the sufferer – committed to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed in no human ear.”

George Eliot book Felix Holt, the Radical

Introductory chapter (at page 11-12 – page numbers per the 'Wordsworth Classics' edition 1997.)
Felix Holt, the Radical (1866)

Life, Pain, Secret, World

“All the cold-reading clairvoyants and the nonsensical astrologers and absurd ESP merchants and other such people who talk about vibrations and energies…. God, if there’s a word that drives me mad it’s “energy” used in a nonsensical way—don’t get me started!”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

" Last Chance to Think http://www.csicop.org/si/show/stephen_fry--last_chance_to_think/" Interview (2010) by Kylie Sturgess in Skeptical Inquirer. Vol 34 (1) <br class="br">2000s

God, People, Way, Reading

“In this painting ['Moscow'], I was in fact in quest for a certain hour, which was and which remains always the most beautiful hour of the day in Moscow. The sun is already low and has reached its highest force, which it has searched all the day, to which it has aspired all the day... The sun dissolves all Moscow in a spot, which as a frenzied tuba makes entered into vibration all the inner being, the whole soul... Rendering this hour seemed the biggest, the most impossible of the happiness for an artist. These impressions renewed every sunny day. They brought me a joy which shattered me until the bottom of the soul, and which reached until ecstasy.”

Wassily Kandinsky (1866–1944) Russian painter

Quote from: 'Looks on the past', Wassily Kandinsky; published in der Sturm, Berlin 1913
1910 - 1915

Happiness, Beauty, Soul, Search

“The earth keeps some vibration going
There in your heart, and that is you.
And if the people find you can fiddle,
Why, fiddle you must, for all your life.”

Edgar Lee Masters book Fiddler Jones

"Fiddler Jones"

Life, People, Heart

“Chords that vibrate sweetest pleasure
Thrill the deepest notes of woe.”

Robert Burns (1759–1796) Scottish poet and lyricist

Sensibility How Charming, st. 4
Johnson's The Scots Musical Museum (1787-1796)

Pleasure

“Why does the drum, of all instruments, have the greatest potential for life enhancement? I don't really know but here are some thoughts. First of all, there are no notes, therefore fewer judgments to be made by yourself and by others. There will be less right and wrong—especially if there is no counting. Is it the vibrating membrane? So alive! Is it because of its roundness? What I do know, is that everyone's association with the drum is with Life, with Heart—even more with the Mother.”

John Diamond (doctor) (1934) Australian doctor

Source: The Way of the Pulse: Drumming with Spirit (1999), p. 79

Life, Heart

“The students who come to my class are very closely related to all the evil girls who are very interested in their bodies and sex and pleasure. I learn a lot from them about how to have pleasure and how cool the female body is. One of my students had a piercing through her labia. And she told me about how when you ride on a motorcycle, the little bead on the ring acts like a vibrator. Her story turned me on so I did it. I got two. It was very cool.
I'm very staid compared to my students, actually. I come from a generation where you've got the PC dykes and confused heterosexuals. No one ever told me that you could walk around with a strap-on, having orgasms.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?

Pleasure, Sex, Girl, Learning

“And what is the middle? Division that strives towards a multiple unity, ignorance that labours towards a flood of varied light, pain that travails towards the touch of an unimaginable ecstasy. For all these things are dark figures and perverse vibrations.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Glimpses (1916-17)

Pain, Light

“A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations... To paint a human figure you must not paint it; you must render the whole of its surrounding atmosphere.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 172.
1910, Manifesto of Futurist Painters,' April 1910

Appearance, Change, Painting

“11. We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Original Italian text:
Noi canteremo le grandi folle agitate dal lavoro, dal piacere o dalla sommossa: canteremo le maree multicolori e polifoniche delle rivoluzioni nelle capitali moderne; canteremo il vibrante fervore notturno degli arsenali e dei cantieri incendiati da violente lune elettriche; le stazioni ingorde, divoratrici di serpi che fumano; le officine appese alle nuvole pei contorti fili dei loro fumi; i ponti simili a ginnasti giganti che scavalcano i fiumi, balenanti al sole con un luccichio di coltelli; i piroscafi avventurosi che fiutano l'orizzonte, le locomotive dall'ampio petto, che scalpitano sulle rotaie, come enormi cavalli d'acciaio imbrigliati di tubi, e il volo scivolante degli aereoplani, la cui elica garrisce al vento come una bandiera e sembra applaudire come una folla entusiasta.
Source: 1900's, The Founding and Manifesto of Futurism' 1909, p. 52 : Last bullet-item in THE MANIFESTO OF FUTURISM

Pleasure, Singing, Sun, Horse

“The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics.”

Dr. Moog (1934–2005) electronic music pioneer and inventor from the United States

From the film Moog (2004)
Context: The more you get into material and matter, all you realize is in matter, there is energy. There is a blur between energy and consciousness. All material is conscious to some extent or another. All material can respond to some extent or another to vibrations of energy that is different to energy you learn about in physics. There are all sorts of reliable information now on people and animal being able to be able to effect the operations of machines—even of computers—and I think that has great implications for what goes on between a musician and his instrument. There is a level of reality where there is no time, and there is no space, there is just energy. And we have contact with that through the intermediate layers, so, if the right channels—if the right connections are established, I don’t see why a piece of matter, a piece of broken glass or and old record can’t make contact through this very high level of reality that has access to everything past and future. I suppose my instruments do retain some sort of memory of me. I know that when I’m working on them I feel (not explicitly, I don’t hear voices in my head or anything) that I’m making a connection with it. The circuit diagram, that is then converted into a circuit board, which then becomes a part of an instrument is something that is a record that I made. So I guess in that sense it is something that is certainly a memory.

Learning

“All species of particles are unified in superstring theory since each arises from a different vibrational pattern executed by the same underlying entity.”

Brian Greene book The Fabric of the Cosmos

The Fabric of the Cosmos : Space, Time, and the Texture of Reality (2004), p. 17
Context: Superstring theory starts off by proposing a new answer to an old question: what are the smallest, indivisible constituents of matter? For many decades, the conventional answer has been that matter is composed of particles... that can be modeled as dots that are indivisible and that have no size and no internal structure. Conventional theory claims, and experiments confirm, that these particles combine in various ways to produce protons, neutrons, and a wide variety of atoms and molecules... Superstring theory tells a different story.... it does claim that these particles are not dots. Instead... every particle is composed of a tiny filament of energy, some hundred billion billion times smaller than a single atomic nucleus, which is shaped like a string. And just as a violin string can vibrate in different patterns, each of which produces a different musical tone, the filaments of superstring theory can also vibrate in different patterns. But these vibrations... produce different particle properties.... All species of particles are unified in superstring theory since each arises from a different vibrational pattern executed by the same underlying entity.

“The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand”

Celia Thaxter (1835–1894) American writer

"Rockweeds" in The Atlantic Monthly, Vol. 21 (March 1868), p. 269.
Context: The barren island dreams in flowers, while blow
The south winds, drawing haze o'er sea and land;
Yet the great heart of ocean, throbbing slow,
Makes the frail blossoms vibrate where they stand;And hints of heavier pulses soon to shake
Its mighty breast when summer is no more,
And devastating waves sweep on and break,
And clasp with girdle white the iron shore.

Dreams, Flowers, Heart, Drawing

“Far above the golden clouds, the darkness vibrates.
The earth is blue.
And everything about it is a love song. Everything about it.”

Paul Simon (1941) American musician, songwriter and producer

Everything About It Is a Love Song
Song lyrics, Surprise (2006)
Context: I shoot a thought into the future, and it flies like an arrow, through my lifetime. And beyond.
If I ever come back as a tree, or a crow, or even the wind-blown dust; find me on the ancient road in the song when the wires are hushed. Hurry on and remember me, as I'll remember you. Far above the golden clouds, the darkness vibrates.
The earth is blue.
And everything about it is a love song. Everything about it.

Love

“An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXII : Grand Master Architect, p. 191
Context: Life is no negative, or superficial or worldly existence. Our steps are evermore haunted with thoughts, far beyond their own range, which some have regarded as the reminiscences of a preesistent state. So it is with us all, in the beaten and worn track of this worldly pilgrimage. There is more here, than the world we live in. It is not all of life to live. An unseen and infinite presence is here; a sense of something greater than we possess; a seeking, through all the void wastes of life, for a good beyond it; a crying out of the heart for interpretation; a memory of the dead, touching continually some vibrating thread in this great tissue of mystery.

Life, Sense, Memory, Heart

“I would like to do for you now, a Japanese science fiction movie: "Attack of the Killer Vibrators."”

Robin Williams (1951–2014) American actor and stand-up comedian

Performance at the L.A. Improv (1977) https://www.youtube.com/watch?v=FH7crqRvhhc

Science

“We are what we are, because of the vibrations of thought which we pick up and register, through the stimuli of our daily environment.”

Napoleon Hill book Think and Grow Rich

Source: Think and Grow Rich (1938), p. 54
Context: We are what we are, because of the vibrations of thought which we pick up and register, through the stimuli of our daily environment.
Resolve to throw off the influences of any unfortunate environment, and to build your own life to ORDER.

“Röntgen has familiarized us with an order of vibrations of extreme minuteness compared with the smallest waves with which we have hitherto been acquainted, and of dimensions comparable with the distances between the centers of the atoms of which the material universe is built up; and there is no reason to suppose that we have here reached the limit of frequency.”

William Crookes (1832–1919) British chemist and physicist

Address to the British Association for the Advancement of Science (1898)
Context: The structure of brain and nerves being similar, it is conceivable there may be present masses of such nerve coherers in the brain whose special function it may be to receive impulses brought from without through the connecting sequence of ether waves of appropriate order of magnitude. Röntgen has familiarized us with an order of vibrations of extreme minuteness compared with the smallest waves with which we have hitherto been acquainted, and of dimensions comparable with the distances between the centers of the atoms of which the material universe is built up; and there is no reason to suppose that we have here reached the limit of frequency. It is known that the action of thought is accompanied by certain molecular movements in the brain, and here we have physical vibrations capable, from their extreme minuteness, of acting direct on individual molecules, while their rapidity approaches that of the internal and external movements of the atoms themselves.
Confirmation of telepathic phenomena is afforded by many converging experiments and by many spontaneous occurrences only thus intelligible. The most varied proof, perhaps, is drawn from analysis of the subconscious workings of the mind, when these, whether by accident or design, are brought into conscious survey. … This is not the place for details, but the vis medicatrix thus evoked, as it were, from the depths of the organism, is of good omen for the upward evolution of mankind.

Universe

“Here we use the vibrations of the material molecules of the atmosphere to transmit intelligence from one brain to another.”

William Crookes (1832–1919) British chemist and physicist

Address to the Society for Psychical Research (1897)
Context: Ordinarily we communicate intelligence to each other by speech. I first call up in my own brain a picture of a scene I wish to describe, and then, by means of an orderly transmission of wave vibrations set in motion by my vocal chords through the material atmosphere, a corresponding picture is implanted in the brain of anyone whose ear is capable of receiving such vibrations. If the scene I wish to impress on the brain of the recipient is of a complicated character, or if the picture of it in my own brain is not definite, the transmission will be more or less imperfect; but if I wish to get my audience to picture to themselves some very simple object, such as a triangle or a circle, the transmission of ideas will be well-nigh perfect, and equally clear to the brains of both transmitter and recipient. Here we use the vibrations of the material molecules of the atmosphere to transmit intelligence from one brain to another.

Intelligence

“There is no tremor in what we call the "outside world" that is not locked by a thousand chains and gossamers to inner structures that vibrate and move with it and are a part of it.”

Edwin H. Land (1909–1991) American scientist and inventor

Address to the Society of Photographic Scientists and Engineers, Los Angeles, California (5 May 1977), published Harvard Magazine (January-February 1978), pp. 23–26 
Context: Ordinarily when we talk about the human as the advanced product of evolution and the mind as being the most advanced product of evolution, there is an implication that we are advanced out of and away from the structure of the exterior world in which we have evolved, as if a separate product had been packaged, wrapped up, and delivered from a production line. The view I am presenting proposes a mechanism more and more interlocked with the totality of the exterior. This mechanism has no separate existence at all, being in a thousand ways united with and continuously interacting with the whole exterior domain. In fact there is no exterior red object with a tremendous mind linked to it by only a ray of light. The red object is a composite product of matter and mechanism evolved in permanent association with a most elaborate interlock. There is no tremor in what we call the "outside world" that is not locked by a thousand chains and gossamers to inner structures that vibrate and move with it and are a part of it.
The reason for the painfulness of all philosophy is that in the past, in its necessary ignorance of the unbelievable domains of partnership that have evolved in the relationship between ourselves and the world around us, it dealt with what indeed have been a tragic separation and isolation. Of what meaning is the world without mind? The question cannot exist.

World, Parting

“My mother used to tell me about vibrations.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

"The Beach Boys: The Healing of Brother Brian" http://www.rollingstone.com/music/news/the-healing-of-brother-brian-the-rolling-stone-interview-with-the-beach-boys-19761104?page=6 in Rolling Stone (4 November 1976) <br class="br">Context: My mother used to tell me about vibrations. I didn't really understand too much of what that meant when I was just a boy. It scared me, the word "vibrations." To think that invisible feelings, invisible vibrations existed, scared me to death. But she told about dogs that would bark at people and then not bark at others, that a dog would pick up vibrations from these people that you can't see, but you can feel. And the same existed with people.

“Helicopters don't fly, they vibrate so badly the ground rejects them. ”

Tom Clancy (1947–2013) American author

Flying

“Dreams represent the current vibrational condition of the dreamer.”

Teal Swan (1984) American spiritual teacher

Dreams

“Other qualities of bodies are connected with simple energy of motion and energy of position. Such is heat, which we find by experiment can be turned into work. Finding it convertible with energy, we call it a form of energy. ...But as to heat, it is further established by experiment that in this case the energy of motion does really persist as such. Thus a gas consists of molecules flying about with velocity, rotating and vibrating, and so having energy motion. All this energy of motion is what we call heat, and thus heat is a repetition of a known meaning of energy. Again, heat exists between a radiating body and the thing it warms; now the intermediate space is filled by the luminiferous ether, which, being elastic, has in its ultimate parts both energy of motion energy of position. In these forms the heat exists in the space in question.”

William Kingdon Clifford (1845–1879) English mathematician and philosopher

"Energy and Force" (Mar 28, 1873)

Question, Parting, Flying

“Beware of venomous vibrations. Strive for the future and succumb not to the spell of the present. Follow the simplest path as you ascend the mountain. Powerful, exalted visions require pure surroundings, and prana. Christ’s deeds were consummated amidst the beauties of nature. Never did He dwell for long in cities.”

Helena Roerich (1879–1955) Russian philosopher

51
Leaves of Morya’s Garden: Book One (The Call) (1924)

Beauty, Mountain, Nature, Future

“A solid stores energy in the vibrations of the atoms about their equilibrium positions. In the simplest approximation, which Einstein considered, each atom vibrates with the same frequency, ν, in each of three dimensions, so a solid containing N atoms can be thought of as 3N one-dimensional simple harmonic oscillators.”

Jim Peebles (1935) Canadian-American astronomer

[Quantum Mechanics, 1992, Princeton University Press, 11, https://books.google.com/books?id=hTaw4Ht4Vi8C&pg=PA11]

“The bases of music are rhythm and harmony. Rhythm is ordered recurrence in time… As the planets move around the sun, they repeat their orbits periodically; thus there is already a primitive kind of rhythm in their motion. …Harmony …can be considered a special kind of rhythm. …pure musical tones are produced when the vibrations are… periodic or… repeat themselves regularly in time. Two tones harmonize if their intervals of repetition are in rhythm—or, in mathematical language, if their periods are in proportion.”

Frank Wilczek (1951) physicist

Kepler... in the third book of Harmonice mundi... attempted to make other... related, connections between musical harmony and mathematical proportion.
Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Music, Mathematics, Time, Sun

“How, it may be asked, are we to make ourselves capable of sharing in this great work? Well, there is no mystery as to the qualifications which are needed by one who aspires to be a helper; the difficulty is not in learning what they are, but in developing them in oneself. To some extent they have been already incidentally described, but it is nevertheless as well that they should be set out fully and categorically. Single-mindedness… Perfect self-control… Calmness. This is another most important point - the absence of all worry and depression. Much of the work consists in soothing those who are disturbed, and cheering those who are in sorrow; and how can a helper do that work if his own aura is vibrating with constant fuss and worry, or grey with the deadly gloom that comes from perpetual depression? Nothing is more hopelessly fatal to occult progress or usefulness than our nineteenth century habit of ceaselessly worrying over trifles - of eternally making mountains out of molehills…. Knowledge…. while the slightest taint of selfishness remains in a man, he is not yet fit to be entrusted……..”

Charles Webster Leadbeater (1854–1934) English theosophist

Source: Invisible Helpers (1915), Ch. 14

Making love, Mountain, Knowledge, Learning

“The main preparation to be made for receiving in the physical vehicle the vibrations of the higher consciousness are: its purification from grosser materials by pure food and pure life; the entire subjugation of the passions, and the cultivation of an even, balanced temper and mind, unaffected by the turmoil and vicissitudes of external life; the habit of quiet meditation on lofty topics, turning the mind away from the objects of the senses, and from the mental images arising from them, and fixing it on higher things; the cessation of hurry, especially of that restless, excitable hurry of the mind, which keeps the brain continually at work and flying from one subject to another; the genuine love for the things of the higher world, that makes them more attractive than the objects of the lower, so that the mind rests contentedly in their companionship as in that of a well-loved friend.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

The Ageless Wisdom (1897)

Love, Life, World, Making love

“There is… no definitive interpretation for him but the search for repose, for a place where music, far from any pretension, vibrates naturally, where it can breathe more than show off.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Eric Taver in: About Yehudi Menuhin http://www.pbs.org/wnet/americanmasters/episodes/yehudi-menuhin/about-yehudi-menuhin/661/, Public Broadcasting Service Organization, 28 October 2006

Music, Search, Nature

“Razaji said that the title of the show is Vistaar and by that he means expansion. But Vistaar to me, when I look at his body of work, means expansion inside. As much as he has gone outside and spread his vibration, that much he has equally and as importantly, gone inside his soul, so that there is no difference between Raza the artist and Raza the person. And that is what makes this show really special.”

S. H. Raza (1922–2016) Indian artist

Quoted by Art connoisseur Sangeeta Chopra in "This is a sum of all my experiences: SH Raza}.

Making love, Soul, Personality

“A cover emotion is an emotion that exists to keep you out of a lower vibrational feeling. For example, anger is a cover emotion for fear. The cover emotions are like ice over a lake that prevents you from falling into the deep water beneath. Numbness or lack of feeling is in fact a cover emotion for the emotion of despair.”

Teal Swan (1984) American spiritual teacher

Fear, Feeling, Water, Despair

“Responsibility is actually at the opposite end of the vibrational scale from self-blame. But it takes a high degree of emotional awareness to see them as opposing states because both states recognize the self in a position of causation. For this reason, self-blame can disguise itself as responsibility like a wolf wearing sheep’s clothing. But one is self-hating, the other self-loving. One condemns the self and the other saves the self. If you are taking responsibility, you are feeling empowered. If you are self blaming, you are feeling bad about yourself and disempowered.”

Teal Swan (1984) American spiritual teacher

Love, Hate, Bad luck, Making love

“From this tribune, incessantly vibrating, gushed forth perpetually a sort of sonorous flood, a mighty oscillation of sentiments and ideas, which, from billow to billow, and from people to people, flowed to the utmost confines of the earth, to set in motion those intelligent waves which are called souls.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Napoleon the Little (1852), Book V, V
Napoleon the Little (1852)

People, Soul, Intelligence, Idea

“There was something disruptive about Christmas and not only in the merely material way. The original Christmas had proved exceedingly disrupting to the entire world and the tremors of the original event vibrated through every life year by year.”

Elizabeth Goudge (1900–1984) English fiction writer

The Scent of Water (1963), Chapter 14.2

Life, World, Way, Christmas

“Love is a sweet and unmistakable feeling that vibrates only in the heart of someone who is capable and really willing to love.”

Prevale (1983) Italian DJ and producer

Original: (it) L'amore è un dolce e inconfondibile sentimento che vibra solo nel cuore di chi è capace e disposto davvero ad amare.
Source: prevale.net

Love, Making love, Feeling, Heart

“Only those who listen to music with the heart can experience the vibrations of love.”

Prevale (1983) Italian DJ and producer

Original: (it) Solo chi ascolta musica col cuore riesce a provare le vibrazioni dell'amore.
Source: prevale.net

Love, Music, Heart

“The most incisive, passionate and transgressive vibration begins with your kiss.”

Prevale (1983) Italian DJ and producer

Original: (it) La vibrazione più incisiva, passionale e trasgressiva inizia con il tuo bacio.
Source: prevale.net

Kiss, Passion

“We are what we are, because of the vibrations of thought which we pick up and register, through the stimuli of our daily environment.
Resolve to throw off the influences of any unfortunate environment, and to build your own life to order.”

Napoleon Hill book Think and Grow Rich

Source: Think and Grow Rich (1938) p. 54

Life

“Lately, I've become quite involved in psychic vibrations. I vibrate whenever I get the chance.”

Brother Theodore (1906–2001) German-American monologuist and comedian

Chance

“Sound is defined as the result of a succession of regular and periodic vibrations. Noise is instead caused by motions that are irregular, as much in time as in intensity. 'A musical sensation,' says Helmholtz 'appears to the ear as a perfectly stable, uniform, and invariable sound.'”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

But the quality of continuity that sound has with respect to noise, which seems instead fragmentary and irregular, is not an element sufficient to make a sharp distinction between sound and noise. We know that the production of sound requires not only that a body vibrate regularly but also that these vibrations persist in the auditory nerve until the following vibration has arrived, so that the periodic vibrations blend to form a continuous musical sound. At least sixteen vibrations per second are needed for this. Now, if I succeed in producing a noise with this speed. I will get a sound made up of the totality of so many noises--or better, noise whose successive repetitions will be sufficiently rapid to give a sensation of continuity like that of sound.
Source: Russolo. English trans. Barclay Brown (1986: 37).

Music, Appearance, Time, Success