Quotes about tune (405 quotes, page 3) | Quotes of famous people

“Strange that a harp of thousand strings
Should keep in tune so long!”

Isaac Watts (1674–1748) English hymnwriter, theologian and logician

Hymn 19, Hymns and Spiritual Songs, Book II.
Attributed from postum publications, Hymns and Spiritual Songs (1773)

“Today, the countries that had kept up a civilised relationship with Modi despite the US’s strictures—these include Japan, Singapore, Canada, Australia, Israel[, ] and even China—are happy with the knowledge that their transition to a new regime will be extra smooth. Nor will the others who changed their tune midway feel disadvantaged. It is only the US that invested politically in the witch-hunt against Modi that feels seriously threatened.”

Swapan Dasgupta (1955) Indian politician, journalist and columnist

"A mighty fall from a moral high ground", 2014

Feeling , Knowledge , Change , Country

“A musician would not willingly consent that his lyre should be out of tune, nor a leader of a chorus that his chorus should not sing in the strictest possible harmony; but shall each individual person be at variance with himself, and shall he exhibit a life not at all in agreement with his words?”

Basil of Caesarea (329–379) Christian Saint

Source: On Greek Literature, p. 401

Life , Singing , Personality

“O Friend! Don't even speak of war. Get rid of atomic weapons.
Become immortal with the help of the treasure of camaraderie. Practice control over the senses, compassion and charity in your heart and in your actions.
By doing so, the humanity in you will rise even above divinity. Worship Lord Dattatreya, who is Bahudhari (one who possesses many aspects or one who is of the form of the tune 'Bahudhari'), the One who bestows auspiciousness and peace.
Experience Truth, Knowledge and Bliss and become exalted.”

Ganapathy Sachchidananda Swamiji (1942) Indian guru

Jaya Jaya Bhuvi Divi Manava (2002)

War , Truth , Peace , Knowledge

“Perhaps the most extraordinary thing about a modern battlefield is the desolation and emptiness of it all…one cannot emphasize too much. Nothing is to be seen of war or soldiers--only the split and shattered trees and the burst of an occasional shell reveal anything of the truth. One can look for miles and see no human being. But in those miles of country lurk (like moles or rats, it seems) thousands, even hundreds of thousands of men, planning against each other perpetually some new device of death. Never showing themselves, they launch at each other bullet, bomb, aerial torpedo and shell. And somewhere too (on the German side we know of their existence opposite us) are the little cylinders of gas, waiting only for the moment to spit forth their nauseous and destroying fumes. And yet the landscape shows nothing of all this--nothing but a few shattered trees and three or four lines of earth and sandbags, these and the ruins of towns and villages are the only signs of war anywhere visible. The glamour of red coats--the martial tunes of flag and drum--aide-de-camps scurrying hither and thither on splendid chargers--lances glittering and swords flashing--how different the old wars must have been!”

Harold Macmillan (1894–1986) British politician

letter to his mother, May 13, 1916
1910s

Death , Men , War , Truth

“The 2004 tour hasn't ended. I still have to finish Latin America and Europe. [Celia Cruz and I] were good friends. Emilio did her first video; we wrote a song for her. I would have loved to have had her there [when recording "90 Millas"]. But she was there. I felt her. That's the beauty of a legacy. Celia was economical and tasty in her choices. And in the pocket like you wouldn't believe? [Which means] It's like a rhythm, from son music. To have it it is to be locked in, like a tuned engine. Once you're in the pocket, you're free. That's why, for most of these songs, I sang and I sang until I had the emotion, then... one take. {Couldn't you be considered the heiress to Celia Cruz? ] you can't give youself a title! That's crazy! If I ever start talking like that, please put me out of my misery. I don't care if I'm 80, with my butt to my ankles, put me down.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Love , Beauty , Music

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Charlotte Brontë book Villette

Source: Villette (1853), Ch. XXIII: Vashi

Death , Hate , People , Feeling

“Lucas’s “Mechanics” Lectures caught the profession by surprise. His argument enraged some economists and startled or puzzled others. It was his first word on the subject of growth. It seemed to have come completely out of the blue. And even though his interest in the possibility of market failure seemed curiously in tune with fifty years of the Keynesian tradition, it was unfamiliar enough when expressed in the vernacular of Freshwater economics that the lectures at first caused more consternation than anything else, and in most quarters they were studiously ignored. A few young researchers, however, were galvanized into immediate action.
The notion that trade and migration must be strongly linked to economic growth was hardly new. Nor was the insight that cities must be central to economic progress. Perhaps the real news from Lucas’s lectures was his identification of lock-in as a potentially serious puzzle.”

David Warsh (1944) American journalist

David Warsh, Knowledge and The Wealth of Nations: A Story of Economic Discovery (2006), Ch. 19 : Recombinations

Failure

“Faintly as tolls the evening chime,
Our voices keep tune and our oars keep time.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Poems Relating to America. A Canadian Boat Song, st. 1.

Time

“Sentimentally I am disposed to harmony; but organically I am incapable of a tune.”

Charles Lamb book Essays of Elia

A Chapter on Ears; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Essays of Elia (1823)

“Once, when I was younger, I thought I could be someone else. I'd move to Casablanca, open a bar, and I'd meet Ingrid Bergman. Or more realistically - whether actually more realistic or not - I'd tune in on a better life, something more suited to my true self. Toward that end, I had to undergo training. I read The Greening of America, and I saw Easy Rider three times. But like a boat with a twisted rudder, I kept coming back to the same place. I wasn't anywhere. I was myself, waiting on the shore for me to return.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 33, Rainy-Day Laundry, Car Rental, Bob Dylan

Life , Time , Waiting , Reading

“So, many corporations will be “killed,” according to Adbusters’ excellent suggestion. Perhaps we should use the word “cull,” like people do when they want to kill something cute. “Are you killing that badger?” “No, sir, culling it.” “When you’ve finished ‘culling’ it, will it be dead?” “A bit, yes.” “So explain the difference between killing and culling?” “Well, it’s a ‘u’—and a sort of tuneful sense that the creature is being gently lulled to death rather than killed with a hammer.” “And what’s the hammer you’re holding for?” “Culling.” So maybe we should cull some corporations. Once we’ve culled them, their resources and materials can be returned to communities to run themselves. Outlined here is a suggestion for how a corporation could be structured more fairly.”

Russell Brand book Revolution

Revolution (2014)

Death , People , Communication , Sense

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Life , God , War , Health

“I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Dodo Marmarosa's recording of "Mellow Mood," https://www.youtube.com/watch?v=xieUt3PqGJ0 from the album Dodo's Back!; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Way , Feeling , Star , Thinking

“It's easy to forget you are in debt to the tune of £10, and to a woman who never forgets anything. Crikey, she can even tell you which Coronation Street character was the first one to have their brain removed (Footnote: And not have it replaced by acting talent unfortunately.)”

Peter Corey (1946) British writer

Coping With series, Coping with Cash (2000)

Forgetting

“For those who just tuned in we're the Beatles!”

Chris Cheney (1975) Australian rock musician

Triple J Live at the Wireless http://www.thelivingend.info/band/chris-cheney.php

“Monday was a dark day in American history. Tuning in to see the results of a much-maligned summit between Donald Trump and Vladimir Putin, Americans were treated to one of the most disgusting sights imaginable: the chief executive of the United States of America licking the boots of a murderous dictator. … He stood on the world stage and sided with a man who has murdered dissidents and interfered with global democracy multiple times, and cast his lot with him over the country he’s supposed to serve. Donald Trump aided and abetted a foreign adversary.”

Jared Yates Sexton (1981)

About the 2018 Russia–United States summit, That was treason, Donald Trump. We all saw it https://www.theglobeandmail.com/opinion/article-that-was-treason-donald-trump-we-all-saw-it/ (July 16, 2018), The Globe and Mail.

World , Democracy , Imagination , Time

“What the hell is "partly cloudy" supposed to mean? When is it not partly cloudy? … Just tune into a weather forecast. Chances are you'll hear the phrase at least 3 or more times.”

Maddox (1978) American internet writer

Meteorologist my ass! http://maddox.xmission.com/weather.html
The Best Page in the Universe

Hell , Chance , Time , Weather

“So, closing his heart, the Judge rode on,
And Maud was left in the field alone.
But the lawyers smiled that afternoon,
When he hummed in court an old love-tune.”

John Greenleaf Whittier Maud Muller

Maud Muller (1856)

Love , Smile , Heart

“It is in tune with the tempo of life — scattered yet welded into the whole, — broken, yet woven together.”

William Carlos Williams (1883–1963) American poet

On his work, in an interview in The New York Herald Tribune (18 January 1932)
General sources

Life

“Such were the notes thy once lov'd poet sung,
Till death untimely stopp'd his tuneful tongue.”

Alexander Pope (1688–1744) eighteenth century English poet

"Epistle to Robert, Earl of Oxford and Mortimer" preface to Thomas Parnell's Poems on Several Occasions (1721).

Death

“We have all shared the treat of your lovely Lyrics, your tuneful compositions, your friendly presentation and your spontaneous sense of sharing with your followers, your treasury of talent. Keep going, keep growing, keep glowing.”

Vernon Corea (1927–2002) The legendary broadcaster – a pioneer with Radio Ceylon/Sri Lanka Broadcasting Corporation and the BBC.

'Remembering Clarence,' in the Sunday Times newspaper, Sri Lanka http://sundaytimes.lk/971221/plus8.html
Vernon Corea on Sri Lanka's King of Pop, Clarence Wijewardena, introducing a Lotus LP with Clarence's top hits.

Love , Sense

“The Lost Music was his way of talking about the way he believed that old wives' tales and dance tunes and folktales were just the tangled echoes of something that's not quite of this world … something we all knew once, but have forgotten since.”

Charles de Lint (1951) author

Part One: The Hidden People, "The Quarrlsome Piper" p. 19
The Little Country (1991)

World , Music , Way , Dance

“People know that they can tune in to "60 Minutes" any Sunday and know that they're going to learn something by watching the broadcast. They may not like every piece, they may not agree with every piece, but they'll say, huh, I didn't know that about something in there.”

Ed Bradley (1941–2006) News correspondent

[Larry King, Interview with Ed Bradley, http://transcripts.cnn.com/TRANSCRIPTS/0402/08/lkl.00.html, February 8, 2004, Larry King Live, CNN]

People , Learning

“My heart is torn with the sound of raucous voices,
They shout from the slums, from the streets, from the crowded places,
And tunes from the hurdy-gurdy that coldly rejoices
Shoot arrows into my heart.”

Conrad Aiken (1889–1973) American novelist and poet

Source: Discordants (1916), II

Heart

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

W.E.B. Du Bois book The Souls of Black Folk

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Life , Men , Money , World

“My whole area of art activity has always been addressed to working with other people... You see, I personally like the sensual contact of collaborating. Ideas are not real estate. In collaboration one can accept the fact that someone else can be so sympathetic and in tune with what you’re doing, that through this they move into depths that might not be obvious if that person had been working alone in a studio with the door shut.”

Robert Rauschenberg (1925–2008) American artist

Quote from Breaking Bounderies.., Robert S. Mattison, exhibition catalogue Whitney Museum, 1994, p. 3
1990's

People , Art , Idea , Personality

“I never learned how to tune a harp, or play upon a lute; but I know how to raise a small and inconsiderable city to glory and greatness.”

Themistocles (-524–-459 BC) Athenian statesman

As quoted by Plutarch, in Lives as translated by J. Langhorne and W. Langhorne (1836), p. 84 http://books.google.com/books?id=UFROAAAAYAAJ&pg=PA84
Variant translation: 'Tis true, I never learned how to tune a harp, or play upon a lute, but I know how to raise a small and inconsiderate city to glory and greatness.
Plutarch's Themistocles, 2:3 http://data.perseus.org/citations/urn:cts:greekLit:tlg0007.tlg010.perseus-eng1:2 "...tuning the lyre and handling the harp were no accomplishments of his, but rather taking in hand a city that was small and inglorious and making it glorious and great" "...λύραν μὲν ἁρμόσασθαι καὶ μεταχειρίσασθαι ψαλτήριον οὐκ ἐπίσταται, πόλιν δὲ μικρὰν καὶ ἄδοξον παραλαβὼν ἔνδοξον καὶ μεγάλην ἀπεργάσασθαι." (at Perseus Project)

Learning

“"Hope" is the thing with feathers —
That perches in the soul —
And sings the tune without the words —
And never stops — at all — And sweetest — in the Gale — is heard —
And sore must be the storm —
That could abash the little Bird
That kept so many warm — ”

Emily Dickinson Hope is a subtle Glutton

254: "Hope" is the thing with feathers —
The Complete Poems of Emily Dickinson (1960)

Hope , Soul , Bird , Singing

“I don’t really remember writing it [The Day I Tried To Live]. I vaguely remember the verse. It was based on a tuning that Ben Shepherd had came up with. Lyrically, it was one of those songs that I thought everyone could connect with. ‘Fell On Black Days’ is maybe a sister song to it. It’s this feeling that could come over anyone, and has probably happened to everyone. ‘Fell On Black Days’ is the feeling of waking up one day and realizing you’re not happy with your life. Nothing happened, there was no emergency, no accident, you don’t know what happened. You were happy, and one day you just aren’t, and you have to try to figure that out.
With ‘The Day I Tried To Live,’ the attitude I was trying to convey was that thing that I think everyone goes through where you wake up in the morning and you just don’t know how you are going to get through the day, and you kind of just talk yourself into it. You may go through different moments of hopelessness and wanting to give up, or wanting to just get back into bed and say f— it, but you convince yourself you’re going to do it again. And maybe this is the last time you’re going to do it, but it’s once more around.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Entertainment Weekly, June 3, 2014 http://ew.com/article/2014/06/03/soundgarden-superunknown-spoonman-black-hole-sun-stories/,
On depression and suicide

Life , Feeling , Thinking , Sister

“Mr. Hoover's presidency was drawing to a close and Mr. Franklin Delano Roosevelt, one of the most dynamic grave diggers of the Western world, succeeded on a platform not dissimilar to that of his predecessor. Though Mr. Roosevelt belonged to the Democratic party, his social background indisposed him for a time to leftist policies, both national and international. But his wife (from another branch of the Roosevelt family) was more in tune with leftist ideas, undoubtedly the aftereffect of higher feminine education in the United States. Whereas Mr. Roosevelt played his politics by ear, his wife, who wielded considerable influence, was ideologically far more consistent. Mr. Roosevelt, moreover, had but the scantiest education for his task; he hardly knew Europe, and his knowledge of foreign languages was as modest as his acquaintance with the mentality of other nations. Largely ignorant himself, and profoundly anti-intellectual, he had no way of judging, evaluating, and coordinating expert opinion. Even worse, perhaps, his sense of objective truth was gravely impaired. His handicap was by no means primarily of a physical nature.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Source: Leftism Revisited (1990), pp. 230-231

Truth , World , Education , Family

“She had come to Aka to learn how to sing this world's tune, to dance its dance; and at last, she thought, away from the city's endless noise, she was beginning to hear the music and to learn how to move to it.”

Ursula K. Le Guin Hainish Cycle

Source: Hainish Cycle, The Telling (2000), Ch. 4, §3 (p. 91)

World , Music , Learning , Singing

“Even before computers existed, we already knew that natural selection can, -and often will- produce results which look like trial-and-error experiments, including elements of seemingly-intentional fine tuning. But for all the implications of apparent design, there is never any indication of any intended goal or final product, nor any hint of infallibility on the part of the designer. In fact, so many errors of so many types are known that even if there was an unnatural architect using miraculous means instead of natural ones, then it seems that entity must either be blind and barely competent, or there are whole teams of designers working on separate lines competing against each other.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"7th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=g8Q2Db17v5U, Youtube (February 27, 2008)
Youtube, Foundational Falsehoods of Creationism

Error , Nature , Parting

“The heart which, like a staff, was one
For mine to lean and rest upon,
The strongest on the longest day
With steadfast love, is caught away,
And yet my days go on, go on.

And cold before my summer's done,
And deaf in Nature's general tune,
And fallen too low for special fear,
And here, with hope no longer here,
While the tears drop, my days go on.”

Elizabeth Barrett Browning (1806–1861) English poet, author

St. 3 - 4.
De Profundis (1862)

Love , Fear , Hope , Nature

“There are one or two things, which you can directly do in very critical times. But otherwise, this indirect influence that you can exercise on the affairs of the State is the most important role he can play. And, he can play it successfully only if he is, his ideas and his nature of functioning are seen by the public in tune with their standards. The President has to be a citizen and there must be some equation between the people and the President, and if some advice or something is to be given to the executive, it would be received with grace, it would be sometimes accepted, if it is known that the public opinion is on the side of the kind of advice the President is giving. Otherwise, he cannot exercise much influence.”

K. R. Narayanan (1920–2005) 9th Vice President and the 10th President of India

Shri K. R. Narayanan President of India in Conversation with N. Ram on Doordarshan and All India Radio

People , Exercises , Idea , Nature

“The moon walks east of midnight,
The sun walks west of noon.
And though I love you, sweetheart,
I will not sing your tune.”

Tanith Lee book East of Midnight

Source: East of Midnight (1977), Chapter 2, “Full Moon” (p. 24; often repeated)

Love , Singing , Sun

“There once was a brainy baboon,
Who always breathed down a bassoon,
For he said, "It appears
That in billions of years
I shall certainly hit on a tune."”

Arthur Stanley Eddington (1882–1944) British astrophysicist

New Pathways in Science (1935) Ch. IV The End of the World, p. 62

Appearance

“As I opened the door — I heard cattle — many — in the pens over by the track — lowing — I wonder if you ever heard a whole lot of cattle lowing — it sounds different here — too — just ground and sky — and the lowing cattle — you hardly see — either them or the pens — the pens are of weather beaten boards — take on the color of the ground it seems — I like it and I don't like it — its like music — I made up a tune this morning — Well — I heard the cattle — as I opened the door — and I liked it and I didn't liked it — then I read your letter as I walked to breakfast — a great letter — Anita”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas, (November, 1916), p. 216
1915 - 1920, Letters to Anita Pollitzer' (1916)

Music , Color , Reading , Weather

“Oh, my Luve is like a red, red rose,
That's newly sprung in June.
O, my Luve is like the melodie,
That's sweetly played in tune.”

Robert Burns (1759–1796) Scottish poet and lyricist

A Red, Red Rose, st. 1
Johnson's The Scots Musical Museum (1787-1796)

“The Maple puts her corals on in May,
While loitering frosts about the lowlands cling,
To be in tune with what the robins sing.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Sonnet, The Maple http://www.theatlantic.com/ideastour/archive/lowell.mhtml (1875)

Singing

“The grass so little has to do,—
A sphere of simple green,
With only butterflies to brood,
And bees to entertain,

And stir all day to pretty tunes
The breezes fetch along,
And hold the sunshine in its lap
And bow to everything;

And thread the dews all night, like pearls,
And make itself so fine,-
A duchess were too common
For such a noticing.

And even when it dies, to pass
In odors so divine,
As lowly spices gone to sleep,
Or amulets of pine.

And then to dwell in sovereign barns,
And dream the days away,—
The grass so little has to do,
I wish I were a hay!”

Emily Dickinson (1830–1886) American poet

Nature, p. 112
Collected Poems (1993)

Dreams , Sleep , Grass , Bee

“You see, the thing is, I’ve been in jams like this. The feeling is totally there among the musicians (and whoever else happens to be sitting around, whether they’ve paid for it or not, probably, and preferably, not). You are close to silence, Silence with a capital S. You are in tune with silence, the deepest sound of them all. Every sound, therefore, that you make, make with intention, sensitivity, and awareness, has a meaning, an ineffability, a significance. You are listening, Listening with a capital L. You hear what everyone else is doing; you do whatever is necessary, which is usually as little as possible. It has nothing to do with self-expression: it has to do with a group mind.”

Robert Fripp (1946) English guitarist, composer and record producer

Robert Fripp: From King Crimson to Guitar Craft (Eric Tamm)

Feeling , Silence

“I want to go, on a mountain top!
With a radio and good batteries
And play a joyous tune
And free the
human
race
from suffering”

Björk (1965) Icelandic singer-songwriter

saccharine
"Alarm Call", from Homogenic (1997)
Songs

Mountain , Suffering

“My response to her, I guess it was kind of flippant. But, I was sort of taken aback, like, the suggestion was, "You're way up there in a faraway place in Alaska, do you know that there are publications in the rest of the world that are read by many?" And I was taken aback by that because, I don't know, the suggestion just was a little bit of perhaps we're not in tune with the rest of the world.”

Sarah Palin (1964) American politician

Interview with Carl Cameron http://www.realclearpolitics.com/articles/2008/10/sarah_palins_interview_with_ca.html, Hannity & Colmes, Fox News, , quoted in
on her response to Katie Couric's question about which newspapers and magazines she reads (see above)
2008, 2008 interviews with Katie Couric

World , Way , Reading

“.. Your Lordship [Dartmouth], I am sure, will be sensible of the dress thus far, but I defy any but a painter of some sagacity (and such you see I am, my Lord) to be well aware of the different effects which one part of a picture has upon another, and how the eye may be cheated as to the appearance of size, &c., by an artful management of the accompaniments. A tune may be so confused by a false bass that if it is ever so plain, simple, and full of meaning it shall become a jumble of nonsense, and just so shall a handsome face be overset by a fictitious bundle of trumpery of the foolish painter's own inventing.... Lady Dartmouth's [second/repainted] picture will look more like and not so large when dressed properly..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainborough's letter to Lord Dartmouth, 18 April 1771, after critic on the first portrait he made of Lady Dartmouth; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 74
1770 - 1788

Art , Appearance , Parting , Cheating

“The grate desire ov mi life iz tew amuze sumboddy. I had rather be able to set the multiplikashun table tew sum lively tune than tew hav bin the author ov it.”

Josh Billings (1818–1885) American humorist

Josh Billings: His Works, Complete (1873)

Life

“All week Senate will be on the Stimulus/Porkulus Bill. Tune in C SPAN”

Chuck Grassley (1933) American politician

Twitter Tweet http://twitter.com/ChuckGrassley (February 2, 2009); referenced by Sen. Grassley's official U.S. Senate web page http://grassley.senate.gov/info/civics_room.cfm

“The purpose of a purpose? Tunes you to meaningful things you wouldn't be aware of, otherwise.”

David Allen (1945) American productivity consultant and author

23 May 2012 https://twitter.com/gtdguy/status/205390843010498561
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy

“Angus Young's frantic over-the-top soloing has sparked many of AC/DC's biggest tunes. But beneath the reckless theatrics and naughty schoolboy images lurks a skilled guitarist.”

Angus Young (1955) Scottish Australian guitarist

Askold Bulk[citation needed]
Related

“I think that public opinion today likes a certain amount of pageantry. It is a great mistake to make government too dull. That, I think, was the fault of the German Republic after the First World War. They were very drab and dull; the trouble was that they let the devil get all the best tunes. Therefore, we on this side of the Committee believe that it is right to have a certain amount of pageantry, because it pleases people, and it also counteracts a tendency to other forms of excitement.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech https://api.parliament.uk/historic-hansard/commons/1952/jul/09/civil-list#column_1328 in the House of Commons (9 July 1952) on the civil list
1950s

War , People , World , Thinking

“He said, for example: "Many people working with the Ouija board or automatic writing receive messages that seem, or purport, to come from historic personages. Often, however, the material is vastly inferior to that which could have been produced by the person in question during his or her earthly existence. Any comparison with the material received to the written books or accounts already existing would immediately show glaring discrepancies. Yet in many instances, the Ouija board operator or the automatic writer is to some extent or other tuning in to a world view, struggling to open roads of perception free enough to perceive an altered version of reality, but not equipped enough through training and temperament, perhaps to express it....”

Jane Roberts (1929–1984) American Writer

Source: Psychic Politics: An Aspect Psychology Book (1976), p. 85

People , Books , World , Question

“The creation of the following paintings is to be imagined as follows: A person is sitting beside the sea. She is painting. A tune suddenly enters her mind. As she starts to hum it, she notices that the tune exactly matches what she is trying to commit to paper. A texts forms in her head, and she starts to sing the tune, with her own words, over and over again in a loud voice until the painting seems complete. Frequently, several texts take shape, and the result is a duet, or it..”

Charlotte Salomon (1917–1943) German painter

Charlotte's 5th introduction page, related to image JHM no. 4155-5 https://charlotte.jck.nl/detail/M004155-e: 'The creation of the following..', p. 45
this quote is written in brush over the whole page of the painting, without any figure
Charlotte Salomon - Life? or Theater?

Imagination , Singing , Painting , Personality

“You go outside, light your pipe, whistle a tune and just paint what you come across. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Je gaat naar buiten, steekt je pijpje op, fluit een deuntje en schildert wat je tegenkomt.
Mauve's advice to his students; as cited by H.L. Berckenhoff, in Anton Mauve, Etsen van Ph. Zilcken, met fascimiles naar schilderijen, teekeningen en studies, Amsterdam 1890, (microfiche RKD-Archive Den Haag: Berckenhoff, 1890, p. 20)
Mauve's way of painting was in fact the opposite of his advice: often changing and much struggle
undated quotes

Light , Painting

“When we make a habit of prayer, we stay constantly tuned to God's presence and open to receive his blessings.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

God

“Money talk tends to be confusing. When people talk money, they usually think “wealth”, “costs”, “profit”, “income”, “gold”, “greed”, “time” (as in “time is money”), or something like that. In everyday discourse money symbolises capitalism, for better or worse: money as the life or evil force of the economy. As sings to us in the classical musical Cabaret: “Money makes the world go round… ”. The tune resonates when people exclaim “money” in response to the question what they are after in life, or when they say that everything people do ultimately revolves around money. All this talk is clear enough. The confusion enters when we observe the very same people who are so enthused about money, stubbornly suppress any reference to money when it comes to goods like the love for their partner, parents and children, friendship, science (truth!) and art (beauty!).”

Arjo Klamer (1953) Dutch columnist, economist and politician

Arjo Klamer, and Harry van Dalen. "The double-sidedness of money." Etnofoor 13.2 (2000): 89-103.

Love , Life , Money , Friendship

“I only know two tunes. One is Yankee Doodle, and the other one isn't.”

Ulysses S. Grant (1822–1885) 18th President of the United States

Quoted by Robert C. Winthrop in a letter http://books.google.com/books?id=kSUdAAAAMAAJ&q=%22I+only+know+two+tunes+one+is+yankee+doodle+and+the+other+isn't%22&pg=PA40#v=onepage to George W. Childs (c. 1889).

“During the LA riots English people were trying to sympathize with me, "Oh Bill, crime is horrible. If it's any consolation, crime is awful here, too." Shut up. This is Hobbiton and I'm Bill-bo Hicks … You gotta see English crime. It's hilarious. You don't know if you're reading the front page or the comic section over there. I swear to God. I read an article front page of the paper one day, in England: "Yesterday, some hooligans knocked over a dustbin in Shaftesbury." … Wooooo. The hooligans are loose! The hooligans are loose! … What if they become ruffians? I would hate to be a dustbin in Shaftesbury tonight. [to the tune of "Behind Blue Eyes" by The Who] "No one knows what it's like … to be a dustbin … in Shaftesbury … with hooligans …"”

Bill Hicks (1961–1994) American comedian

Arizona Bay (1997)

God , Hate , People , Reading

“Above the pitch, out of tune, and off the hinges.”

Francois Rabelais book Gargantua and Pantagruel

Source: Gargantua and Pantagruel (1532–1564), Fourth Book (1548, 1552), Chapter 19.

“The muse lends me a lyre of myriad tunes,
her brush of myriad tints—I want to play
a wizard working wonders, magic tricks
with all the sounds and colors of the earth.”

Thế Lữ (1907–1989)

Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100

Color

“The man bent over his guitar,
A shearsman of sorts. The day was green.
They said, "You have a blue guitar,
You do not play things as they are."
The man replied, "Things as they are
Are changed upon the blue guitar."
And they said then, "But play, you must,
A tune beyond us, yet ourselves,
A tune upon the blue guitar
Of things exactly as they are."”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Change

“The understanding I had by age thirteen of patriarchal politics created in me expectations of the feminist movement that were quite different from those of young, middle class, white women. When I entered my first women's studies class at Stanford University in the early 1970s, white women were revelling in the joy of being together-to them it was an important, momentous occasion. I had not known a life where women had not been together, where women had not helped, protected, and loved one another deeply. I had not known white women who were ignorant of the impact of race and class on their social status and consciousness (Southern white women often have a more realistic perspective on racism and classism than white women in other areas of the United States.) I did not feel sympathetic to white peers who maintained that I could not expect them to have knowledge of or understand the life experiences of black women. Despite my background (living in racially segregated communities) I knew about the lives of white women, and certainly no white women lived in our neighborhood, attended our schools, or worked in our homes When I participated in feminist groups, I found that white women adopted a condescending attitude towards me and other non-white participants. The condescension they directed at black women was one of the means they employed to remind us that the women's movement was "theirs"-that we were able to participate because they allowed it, even encouraged it; after all, we were needed to legitimate the process. They did not see us as equals. And though they expected us to provide first hand accounts of black experience, they felt it was their role to decide if these experiences were authentic. Frequently, college-educated black women (even those from poor and working class backgrounds) were dismissed as mere imitators. Our presence in movement activities did not count, as white women were convinced that "real" blackness meant speaking the patois of poor black people, being uneducated, streetwise, and a variety of other stereotypes. If we dared to criticize the movement or to assume responsibility for reshaping feminist ideas and introducing new ideas, our voices were tuned out, dismissed, silenced. We could be heard only if our statements echoed the sentiments of the dominant discourse.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, pp. 11-12.

Love , Life , Women , People

“How cruelly sweet are the echoes that start
When memory plays an old tune on the heart!”

Eliza Cook (1818–1889) British writer

Old Dobbin, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Memory , Heart

“Finnish society could not serve as a blueprint for the United States. National differences matter. Ours is a society driven by money, blessed by huge private philanthropy, cursed by endemic corruption and saddled with deep mistrust of government and other public institutions. Finns have none of those attributes. Nor do they tune in to American individualism. Groupthink seems to be fine with most Finns; con-formity is the norm, risk-taking is avoided — a problem now, when entrepreneurs are so needed. I was bothered by a sense of entitlement among many Finns, especially younger people.”

Robert G. Kaiser (1943) American journalist

2000s, "Why can't we be more like Finland?" (2005)

Money , People , Problem , Sense

“A church full of singing, out of tune
Everyone's gone to the moon”

Jonathan King (1944) English singer, songwriter, impresario, record producer and film director

Song: Everyone's gone to the Moon

Singing

“The universe is not fine-tuned to us; we are fine-tuned to our particular universe.”

Victor J. Stenger (1935–2014) American philosopher

In The Fallacy of Fine-Tuning: Why the Universe Is Not Designed for Us

Universe

“You are the sun, I am the moon.
You are the words, I am the tune.
Play me.”

Neil Diamond (1941) American singer-songwriter

Play Me
Song lyrics, Moods (1972)

Sun

“All the world seems in tune
On a spring afternoon,
When we're poisoning pigeons in the park.
Every Sunday you'll see
My sweetheart and me,
As we poison the pigeons in the park.”

Tom Lehrer (1928) American singer-songwriter and mathematician

"Poisoning Pigeons in the Park"
An Evening (Wasted) With Tom Lehrer (1959)

World , Spring

“Thank you, if you appreciate the tuning so much, I hope you will enjoy the playing more.”

Ravi Shankar (1920–2012) Indian musician and sitar player

To the audience at The Concert for Bangladesh (1971)
Variant: Thank you, if you appreciate the tuning so much, I hope you will enjoy the playing more.

Hope

“Tell me not here, it needs not saying,
What tune the enchantress plays
In aftermaths of soft September
Or under blanching mays,
For she and I were long acquainted
And I knew all her ways.”

A.E. Housman (1859–1936) English classical scholar and poet

No. 40, st. 1.
Last Poems http://www.gutenberg.org/dirs/etext05/8lspm10.txt (1922)

Way

“It's hard to tune heavily tuned code.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199801141725.JAA07555@wall.org, 1998]
Usenet postings, 1998

“Much of the music is a Merzbild, put together from whatever came to hand. I mean, for example…the Alberti-bass horn solo accompanying the Messenger. I also mean the fusion of such widely divergent types of music as the Folies Bergeres tune at No. 40 ('The girls enter, kicking') and the Wagnerian 7th-chords at Nos. 58 and 74.”

Igor Stravinsky (1882–1971) Russian composer, pianist and conductor

Source: Themes and Conclusions (1982), p. 27: Dialogues.

Music , Girl

“Actions which are conscious expressions of the turn-on, tune-in, drop-out rhythm are religious.
The wise person devotes his life exclusively to the religious search — for therein is found the only ecstasy, the only meaning.
Anything else is a competitive quarrel over (or Hollywood-love sharing of) studio props.”

Timothy Leary (1920–1996) American psychologist

Drop Out, Turn On. Tune In.
Start your own Religion (1967)

Love , Life , Search , Personality

“Not for me. If I want to tune everybody out, I just take off my glasses and enjoy the haze.”

Paul Desmond (1924–1977) American jazz musician

On contact lenses
Unsourced

“Ought the world to be peopled by the children of hatred or disgust, the children of lust and loathing, or by the welcome babes of mutual love? Is it possible that an infinitely wise and compassionate God insists that a helpless woman shall remain the wife of a cruel wretch? Can this add to the joy of Paradise, or tend to keep one harp in tune?”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Is Divorce Wrong? (1889)

Love , God , Children , People

“Women are actresses, tuning their part to each little audience.”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Women , Parting

“Humanity has a strange fondness for following processions. Get four men following a banner down the street, and, if that banner is inscribed with rhymes of pleasant optimism, in an hour, all the town will be afoot, ready to march to whatever tune the leaders care to play.”

John Dos Passos (1896–1970) novelist, playwright, poet, journalist, painter

"A Humble Protest," Harvard Monthly, 1916

Men , Optimism

“Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers that engage them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you — externalize, materialize, express your new internal perspectives. Drop out suggested an elective, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily my explanations of this sequence of personal development were often misinterpreted to mean "Get stoned and abandon all constructive activity.”

Timothy Leary book Flashbacks

Flashbacks (1983)

World , Way , Change , Personality

“The planet is fine. The people are [bleeped out]. Because everyone is trying to save the planet. The planet doesn’t need that. The planet will take care of itself. People are selfish. And that's what they're doing is trying to save the planet for themselves to have a nicer place to live. They don't care about the planet in theory. They just care about having a comfortable place. And these people with the fires and the floods and everything, they overbuild, they put nature to the test and they get what's coming to them. That's what I say. That's what's happening, and I can't wait for the sea levels to rise. I can't wait for some of these cities to disappear. There are places that are going to go away. The map is going to change and that's because -- people think nature is outside of them. They don't take into them the idea that we are part of it. They say, "oh, we're going for a nature walk. We're going to the country because we like nature." Nature is in here. [points to chest] And if you're in tune with it, like the Indians, the Hopis, especially, the balance of life, the balance, the harmony of nature, if you understand that, you don't overbuild. You don’t do all this moron stuff.”

George Carlin (1937–2008) American stand-up comedian

The View, 24 October 2007 http://newsbusters.org/blogs/justin-mccarthy/2007/10/24/george-carlins-view-wildfire-victims-get-whats-coming-them
Interviews, Television Appearances

Life , People , Idea , Understanding

“As a professional I practice six or seven hours per day, though it depends on my schedule. That's how it is as a musician. It's only when you reach grade five you take them more serious. Until then I saw it as fun. I used to learn them by play pop tunes on the piano. They have harmonies and broken chords and can be used as building blocks to help you with scales.”

Joanna MacGregor (1959) British musician

The Irish News, 22/01/2005
On Classical Music

Learning , Help , Dependency

“The audience is requested not to refrain from talking during the overture. Otherwise they will know all the tunes before the opera begins.”

Ralph Vaughan Williams (1872–1958) English composer

Note in the score to The Poisoned Kiss (1936).

“Men tuned into women but not tuned into their own hurts usually retained the attitude that women needed special protection.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Are the Way They Are (1988), p. xxii.

Women , Men , Hurt

“Johnny has never written a tune – at least none I've ever heard – that wasn't melodically and harmonically perfect.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in the liner notes from Songs for Rainy Day Lovers (1967)

Perfection

“Music, also, the architect ought to understand so that he may have knowledge of the canonical and mathematical theory, and besides be able to tune ballistae, catapultae, and scorpiones to the proper key. For to the right and left in the beams are the holes in the frames through which the strings of twisted sinew are stretched by means of windlasses and bars, and these strings must not be clamped and made fast until they give the same correct note to the ear of the skilled workman.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 8

Music , Mathematics , Understanding , Knowledge

“Honolulu, Hawaii: (At a luau) "…a unique native stunt though the Hawaiian food we were made to eat was too revolting for words…. One got rather tired of the native songs & longed for some of our tunes"”

Edward VIII of the United Kingdom (1894–1972) king of the United Kingdom and its dominions in 1936

14 April 1920
Around the World with the Prince of Wales

Food

“Experienced object designers explore the design space from many different angles. They refine ideas of how their system should respond while they are in the middle of building and discarding ideas about how their design should work. Getting a design to gel involves making assumptions, seeing how they play out, changing one’s mind or perspective slightly and re-iterating. Design is a difficult, involved task. It inherently is a non-linear process. Yet, we are asked to trace our design results back to system requirements. And, if we uncover some implications during design, we’d like to tune our system requirements to reflect necessary design compromises.”

Rebecca Wirfs-Brock (1953) American software engineer

Abstract
Designing scenarios: Making the case for a use case framework (1993)

Idea , Change

“The power of the average pop artist and her products lies in the pornography that is her 'art,' in her hackneyed political posturing, and in the fantastic technology that is Auto-Tune (without which all the sound you'd hear these 'singers' emit would be a bedroom whisper).”

Ilana Mercer South African writer

" Harvey Sweinstein And Hollywood's Hos http://dailycaller.com/2017/10/20/harvey-sweinstein-and-hollywoods-hos/," The Daily Caller, October 20, 2017.
2010s, 2017

Art

“When the streets are paved with brilliants and the skies made of rainbows I suppose you'll be contented and satisfied with red, blue and yellow.... how to satisfy your tawdry friends while you steal back into the mild evening gleam and quiet middle term[? ]. I'll tell you, my sprightly genius, how this is to be done. Maintain all your lights, but spare the poor abused colours till the eye rests and recovers. Keep up your music by supplying the place of noise by more sound, more harmony and more tune, and split that cursed fife and drum.... he [Mr. Garrick] must feel the truth of what I am now saying, that neither our plays, paintings or music are any longer real works of invention, but the abuse of Nature's lights and what has been already invented in former times.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in a letter of Gainbourough, 1772; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 88
1770 - 1788

Truth , Music , Feeling , Nature

“God, but you're beautiful, aren't you?
Feel your warm hand walking around.
I won't pull away.
My passion always wins.
So keep on a-moving in.
So keep on a-tuning in.
Synchronise rhythm now.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

God , Beauty , Feeling , Passion

“There rise her timeless capitals of Empires daily born,
Whose plinths are laid at midnight, and whose streets are packed at morn;
And here come hired youths and maids that feign to love or sin
In tones like rusty razor-blades to tunes like smitten tin.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works

Love , Youth

“Somehow for me these common tunes
Can never sound the same again:
They've magic now to thrill my heart
And bring before me, clear and plain,
Man that is master of his flesh,
And has the laugh of death and pain.”

Eva Dobell (1876–1963) British poet

Unsourced, In A Soldiers' Hospital II: Gramophone Tunes

Death , Pain , Heart

“This administration is running like a fine-tuned machine.”

Donald J. Trump (1946) 45th President of the United States of America

2010s, 2017, February

“Chucking Spunky Tunes In Your Tellybox”

Patrick Allen (1927–2006) Film, television and voice actor

E4, E4 Music Trails

“When facing “scientific” arguments for God like these, ask yourself three questions. First, what’s more likely: that these are puzzles only because we refuse to see God as an answer, or simply because science hasn’t yet provided a naturalistic answer? In other words, is the religious explanation so compelling that we can tell scientists to stop working on the evolution and mechanics of consciousness, or on the origin of life, because there can never be a naturalistic explanation? Given the remarkable ability of science to solve problems once considered intractable, and the number of scientific phenomena that weren’t even known a hundred years ago, it’s probably more judicious to admit ignorance than to tout divinity.
Second, if invoking God seems more appealing than admitting scientific ignorance, ask yourself if religious explanations do anything more than rationalize our ignorance. That is, does the God hypothesis provide independent and novel predictions or clarify things once seen as puzzling—as truly scientific hypotheses do? Or are religious explanations simply stop-gaps that lead nowhere?…Does invoking God to explain the fine-tuning of the universe explain anything else about the universe? If not, then that brand of natural theology isn’t really science, but special pleading.
Finally, even if you attribute scientifically unexplained phenomena to God, ask yourself if the explanation gives evidence for your God—the God who undergirds your religion and your morality. If we do find evidence for, say, a supernatural origin of morality, can it be ascribed to the Christian God, or to Allah, Brahma, or any one god among the thousands worshipped on Earth? I’ve never seen advocates of natural theology address this question.”

Jerry Coyne book Faith vs. Fact: Why Science and Religion are Incompatible

Source: Faith vs. Fact (2015), pp. 156-157

Life , God , Religion , Question

“Artificial Life is concerned with tuning the behaviors of such low-level machines that the behavior that emerges at the global level is essentially the same as some behavior exhibited by a natural living system… Artificial Life is concerned with generating lifelike behavior.”

Christopher Langton (1949) American computer scientist

Source: Artificial Life (1989), p.4-5 as cited in: Luis M. Rocha (2012) " The logical mechanisms of life http://informatics.indiana.edu/rocha/i-bic/lec02.html" on indiana.edu, August 27, 2012

Life , Behavior , Nature

“Your pa had seven years at sea, mostly in foreign parts.
You’ve heard him talk. He’s got a way about him, a way with words. He can make the temple bells tinkle for you, and you can just hear them big old elephants shuff-shuffling along, the priests callin’ folks to prayer and the like.
Your pa learned a sight of things most folks never even hear of. I’ve seen scholars back off an’ look at your pa, amazed.
You take these Injuns, now. You look at the way they live and you’ll say they don’t amount to much, but what are they thinkin’? What do they know? What memories do they have? They want different things, boy, and they consider different things important. Many a thing we’d give anything to know, they just take for granted.
Some of these Injuns, maybe all of them, they’re in tune with something. I don’t know what. But some of them have lost touch with it, and others are losin’ touch. Goin’ the white folks’ way might seem the likely thing to do, but maybe they lose as much as they gain.”

Louis L'Amour (1908–1988) Novelist, short story writer

Source: The Lonesome Gods (1983), Ch. 11

Way , Boy , Learning , Memory

“Bollywood film music composers are under a lot of pressure to add elements of disco or bhangra or any other flavour currently popular with the youth. But when it comes to regional films, composers are given a free hand and they compose music they believe in. I think it's a matter of great pride to be singing such soulful tunes.”

Shreya Ghoshal (1984) Indian playback singer

Theory about composers http://timesofindia.indiatimes.com/entertainment/hindi/music/news/National-Award-made-me-conscious-Shreya/articleshow/5501985.cms

Youth , Music , Soul , Thinking

“Love plays its lute behind the screen —
where is a lover to listen to its tune?”

Fakhruddin 'Iraqi (1213–1289) Persian philosopher

Fakhruddin Iraqi: Divine Flashes (1982)

Love , Lovers

“Of course that's Bud and Laurindo. I liked Laurindo very much, and I love some of the tunes he does. In fact, I've been doing some piano transcriptions of some guitar things of his, and we recently recorded a tune of his. This particular thing again—how are you going to equate it? As jazz? As Brazilioan music or what? I wiould much rather hear Laurindo in his native habitat. I know he and Bud have been associated this way before, yet I don't feel that a real good rapport goes on between them. The constant mixing—half-jazz, half-Brazillian—I don't think it's good. You lose certain features of the one when you try to come out with the other. Let's give that three stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing "Tocata" https://www.youtube.com/watch?v=a940h3-1NV0 from Brazilliance; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

Love , Music , Way , Feeling

“Dressing up in costumes, playing silly games
Hiding out in tree-tops shouting out rude names
— whistling tunes we hide in the dunes by the seaside
— whistling tunes we piss on the goons in the jungle.
It’s a knockout.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

Games Without Frontiers
Song lyrics, Peter Gabriel (III) (1980)

Game , Tree

“Since I am coming to that holy room,
Where, with thy choir of saints forevermore,
I shall be made thy music; as I come
I tune the instrument here at the door,
And what I must do then, think here before.”

John Donne (1572–1631) English poet

Hymn to God My God, in My Sickness, stanza 1

Music , Thinking

Quotes about tune page 3

Quotes about tune
page 3