Quotes about tune
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“On the highest steeps of Space he will have his dwelling-place,
In those far, terrific regions where the cold comes down like Death
Gleams the red glint of his pinions, smokes the vapor of his breath. Floating downward, very clear, still the echoes reach the ear
Of a little tune he whistles and a little song he sings,
Mounting, mounting still, triumphant, on his torn and broken wings!”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Young Adventure (1918), Winged Man

Death, Singing

“It is with philosophy as with just intonation on a piano, if you get everything quite straight and on all fours in one department, in perfect tune, it is delightful so long as you keep well in the middle of the key; but as soon as you modulate you find the new key is out of tune and the more remotely you modulate the more out of tune you get.”

Samuel Butler (1835–1902) novelist

Philosophy and Equal Temperament
The Note-Books of Samuel Butler (1912), Part XX - First Principles

Perfection

“Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.”

Thomas Wolfe book Of Time and the River

Of Time and the River (1935)

Music, Light, Time

“[Swami Sri Yukteswar to Paramahansa Yogananda, before whom he appeared in the flesh on June 19, 1936, more than three months after his mahasamadhi (a great yogi’s final conscious exit from the body)] Grieve not for me…. You and I shall smile together, so long as our two forms appear different in the maya-dream of God. Finally we shall merge as one in the Cosmic Beloved; our smiles shall be His smile, our unified song of joy vibrating throughout eternity to be broadcast to God-tuned souls!”

Yukteswar Giri (1855–1936) Indian yogi and guru

Autobiography of a Yogi (1946)

God, Smile, Dreams, Soul

“When we are bored, when we are out of tune, when we have little worries, it clears our feelings and changes our mood if we can get in touch with the beauty of the natural world.”

Edward Grey, 1st Viscount Grey of Fallodon (1862–1933) British Liberal statesman

Recreation (1919)

World, Beauty, Feeling, Mood

“In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me -not at me, maybe, but at the spot where I am. Time's rules don't apply here. Time expands, then contracts, all in tune with the stirrings of the heart.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 23, Kafka Temura

Life, Age, Solitude, Light

“The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 259
The Sports and Pastimes of the People of England (1801), Minstrels

Music, Knowledge, Passion, Personality

“My mother was a popular folk singer. I grew up listening to her songs and know the lyrics and tunes by heart. Although she wanted me to become a singer, I chose a career in the aviation industry. I have come back after more than 10 years to fulfil her dream.”

Navneet Aditya Waiba Nepali folk singer

https://web.archive.org/web/20170202035251/https://www.telegraphindia.com/1170126/jsp/siliguri/story_132419.jsp

Dreams, Heart

“I take this cadence from a man named Yeats:
I take it and I give it back again:
For other tunes and other wanton beats
Have tossed my heart and fiddled through my brain.
Yes, I was dancing mad, and how
That came to be the bears and Yeats would know.”

Theodore Roethke The Waking

"Four for Sir John Davies," ll. 19-24
The Waking (1953)

Heart, Dance, Madness

“Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid... Where, then, had I heard it?...”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Music, Memory, Night

“Chopin's mazurkas stand apart from the rest of the considerable production inspired by folk music which reaches into all forms of Romantic music; they cannot conveniently be classified with any of the other manifestations. They are not arrangements of popular folk tunes, … He uses only fragments of melody, Polish formulas, typical national rhythms, and he combines them in his own way with great originality. From early on, Chopin's mazurkas are much more elaborate than the few modest pieces employing mazurka rhythms by Chopin's Polish predecessors, and they soon became the occasion for some of the most complex and pretentious of Chopin's forms.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Music, Way

“I knew im, she knew im, e knew im, we all knew im.’ After this paradigm, which impressed his hearers, he paused. ‘E was a customer ere. Not perhaps one of the best customers. Not like Roger Alliwell ere oo drinks whisky to the tune of near one bottle a day, which is good for the ouse and, as far as we can see, does imself no arm. But e was a customer, loyal to the ouse, regular in attendance, and that’s all we ask of any man or woman for that matter. Well, now e’s gone. We’re sorry e’s gone. You’re sorry e’s gone. I’m sorry e’s gone. And we can’t say much more than that. Now the question is: is e gone to a better place? I don’t know the answer to that, nor do you, nor does she. Perhaps e knows,’ said Ted, shrugging towards the vicar, ‘because it’s is job to know. But the rest of us don’t know. Right. But I say this. E done is best for all. Never a ard word come out of that man’s art. Right. Well loved e was and for all is faults we would love im still, if e was still alive. But e’s dead now and we wish im all the best in is new destination. And I can’t say no fairer than that.”

Anthony Burgess (1917–1993) English writer

Fiction, The Right to an Answer (1960)

Love, Art, Drink, Question

“You heard me in my tune when I just heard confusion.”

Bono (1960) Irish rock musician, singer of U2

Lyrics, How to Dismantle an Atomic Bomb (2004)

“O Innocence, the sacred amulet
'Gainst all the poisons of infirmity;
Of all misfortune, injury, and death,
That makes a man in tune still in himself;
Free from the hell to be his own accuser,
Ever in quiet, endless joy enjoying;
No strife nor no sedition in his powers;
No motion in his will against his reason,
No thought 'gainst thought—
But (all parts in him, friendly and secure,
Fruitful of all best things in all worst seasons)
He can with every wish be in their plenty;
When the infectious guilt of one foul crime
Destroys the free content of all our time.”

George Chapman The Conspiracy and Tragedy of Charles, Duke of Byron

Act IV, scene i.
The Conspiracy and Tragedy of Charles, Duke of Byron (1608)

Death, Hell, Time, Joy

“Most companies are saddled with institutional constraints. A company's history, for example, may commit it to an industry that now offers limited opportunity. A more common problem is a shareholder constituency that pressures its manager to dance to Wall Street's tune. Many CEOs resist, but others give in and adopt operating and capital-allocation policies far different from those they would choose if left to themselves.”

Warren Buffett (1930) American business magnate, investor, and philanthropist

2003 Chairman's Letter http://www.berkshirehathaway.com/letters/2003ltr.pdf Letters to Shareholders (1957 - 2012)

History, Problem, Dance

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)

Hate, War, World, Home

“Naturally you expect the moral thing from me. But I’ve learned something, friend. Morals don’t count for a hell of a lot in this galaxy. I rank them somewhere between straight teeth and the ability to carry a tune.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Wine of Violence (1981), Chapter 26 (p. 303)

Hell, Nature, Learning

“Talking about the particles, I know I don't have any special theory of particles. It's just the way it came out and that's the way I want to do it. Also, there are advantages to particles: you can't break them; they don't break apart. They don’t have any rigid connections; there are no rigid connections to break. The particles are always shifting around a little bit and you have to kick them back into shape. It's like tuning a piano every once in a while. I like the idea of something being permanent by being non-rigid, being absolutely non-rigid but not having a rigid form that can be broken. But a theory of particles, I don’t know. Maybe late one night after a few drinks I explained to Lucy Lippard a theory of particles. I'm sure I didn't remember the next day.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 30

Way, Idea, Drink, Night

“Users can work with analysts and object designers to formulate and tune system requirements. People from business, analytical and object design disciplines can come together, learn from each other and generate meaningful descriptions of systems that are to be built. Each participant and each project has slightly different concerns and needs. Practical application of use cases can go a long way to improve our ability to deliver just what the customer ordered.”

Rebecca Wirfs-Brock (1953) American software engineer

About Conclusion
Designing scenarios: Making the case for a use case framework (1993)

People, Way, Business, Learning

“More and more, I tune out when I see the word "elites," regarding it as a lazy Marxist slur, from both Left and Right. I still use it, when I believe it is absolutely the right word. But more and more, it makes me say, "Bye."”

Jay Nordlinger (1963) American journalist

Twitter post https://twitter.com/jaynordlinger/status/1039147401657962496 (10 September 2018) 2010s

“Cheap music, childish images, the vulgate in language, in its crassest sense, can penetrate to the deeps of our necessities and dreams. It can assert irrevocable tenure there. The opening bars, the hammer-beat accelerando of Edith Piaf's Je ne regrette rien — the text is infantile, the tune stentorian, and the politics which enlisted the song unattractive — tempt every nerve in me, touch the bone with a cold burn and draw me into God knows what infidelities to reason, each time I hear the song, and hear it, uncalled for, recurrent inside me.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), III: Presences, Ch. 4 (p. 183).

God, Dreams, Music, Sense

“I have seen a man in London, who I believe is now living, ring twelve bells at one time; two of them were placed upon his head, he held two in each hand, one was affixed to each of his knees, and two upon each foot; all of which he managed with great adroitness, and performed a vast variety of tunes.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 293
The Sports and Pastimes of the People of England (1801), Bell ringing

Time

“That sound in tune to you? … Sounds sharp to me. Sounds like I'm playing sharp all the time. My singing teacher told us you should do that. Maybe I got it from her. She said singers when they grow old have a tendency to go flat. So if you sing sharp as a young person, as you get older and go flat, you'll be in tune. In other words, it's never thought good to be flat. It means you can't get to the tone.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

Listening to a long solo on Mingus at Montery, as quoted in Mingus/Mingus : Two Memoirs (1989) by Janet Coleman and Al Young, p. 10

Teachers, Singing, Time, Personality

“The Labour Party has now been taken over by extremists…The Labour Party is now committed to a programme which is frankly and unashamedly Marxist, a programme initiated by its National Executive and now firmly endorsed by its official Party Conference. In the House of Commons the Labour Left may still be outnumbered, but their votes are vital to the continuance of Labour in office, and that gives them a strength out of proportion to their numbers. And make no mistake, that strength, those numbers, are growing. In the constituency Labour parties, in the Parliamentary Labour Party, in Transport House, in the Cabinet Room itself, the Marxists call an increasing number of tunes…let's not mince words. The dividing line between the Labour Party programme and Communism is becoming harder and harder to detect. Indeed, in many respects Labour's programme is more extreme than those of many Communist parties of Western Europe.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (8 October 1976) http://www.margaretthatcher.org/document/103105 Leader of the Opposition

Communication, Housing

“Let the air strike our tune,
Whilst we show reverence to yond peeping moon.”

Thomas Middleton The Witch

The Witch (1616), Act v. Sc. 2. "I ’ll charm the air to give a sound, While you perform your antic round", Shakespeare, Macbeth, Act iv. Sc. 1.

“Thus, as [Karl] Kautsky wrote in 1919, there was growing up amid despotic conditions a new class of bureaucratic German exploiters, no better than the Tsarist chinovniks; and the workers’ future struggle against tyranny would be even more desperate than under traditional capitalism, when they could exploit divergences of interest between capital and the state bureaucracy, whereas in Bolshevik Russia these two had coalesced into one. This kind of regimented socialism could only maintain itself by denying its own principles, which it was most likely to do, given the Bolsheviks’ notorious opportunism and the ease with which they changed their tune from one day to the next. The most probable result would be a kind of Thermidor reaction which the Russian workers would welcome as a liberation, like the French in 1794. The original sin of Bolshevism lay in the suppression of democracy, abolition of elections, and denial of the freedom of speech and assembly, and in the belief that socialism could be based on a minority despotism imposed by force, which by its own logic was bound to intensify the rule of terror. If the Leninists were able to keep their "Tartar socialism" going long enough, it would infallibly result in the bureaucratization and militarization of society and finally in the autocratic rule of a single individual.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 51
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Democracy, Freedom, Change, Future

“Writers are idolized not because they love their fellow men, which is never a recommendation and in extreme instances leads to crucifixion, but because their self-love is in tune with current fears and desires, and in giving it expression they are speaking for an inarticulate multitude.”

Hugh Kingsmill (1889–1949) British writer and journalist

"Tennyson and W. H. Auden", p. 78
The Progress of a Biographer (1949)

Love, Men, Fear

“I only pointed out the paths that lead
The panting youth to steep Parnassus' head,
And showed the tuneful Muses from afar,
Mixed in a solemn choir and dancing there.”
Ipse viam tantum potui docuisse repertam Aonas ad montes, longeque ostendere Musas Plaudentes celsae choreas in vertice rupis.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 533
De Arte Poetica (1527)

Youth, Dance

“To sing the same tune, as the saying is, is in everything cloying and offensive; but men are generally pleased with variety.”

Plutarch book Moralia

Moralia, Of the Training of Children

Men, Singing

“Grand pappy told my pappy back in my day son
A man had to answer for the wicked that he'd done
Take all the rope in Texas, find a tall oak tree
Round up all of them bad boys, hang them high in the street
For all the people to seeThat justice is the one thing you should always find
You got to saddle up your boys, you got to draw a hard line
When the gun smoke settles, we'll sing a victory tune
And we'll all meet back at the local saloon.
We'll raise up our glasses against Evil forces singing
Whiskey for my men, beer for my horses.”

Toby Keith (1961) American country music singer and actor

Beer for My Horses, written with Scotty Emerick.
Song lyrics, Unleashed (2002)

Men, People, Justice, Boy

“For some of us it now embodies a mildly prurient voyeurism, but those who stay tuned claim it offers real insights into people's lives.”

Jeremy Isaacs (1932) British opera manager

Of the programme Big Brother Interview in Prospect Magazine http://www.prospect-magazine.co.uk/article_details.php?id=7950

People

“There are plenty of people who won’t tune in because a woman’s voice bothers their eardrums. Their ear canals can’t handle the sound of my shrill voice talking at them about a subject. I guess I just don’t really care about those people.”

Samantha Bee (1969) Canadian comedic actress and author

People

“Typing up a detailed news post at this moment would not further the goals of my great society. Stay tuned for ideological update.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=051015

“That's wild! I'll start off with five stars and work backwards from there. Now there, to me, is the most perfect band in existence, whether you're thinking of it orchestrationally or in terms of Duke's immensely creative writing. I can't think of anybody I admire more than this man; nobody could even be compared with him, except Billy Strayhorn. Duke does something with this old, tired instrumentation of trumpets, trombones and saxophones, and he has a perfect way of utilizing the men's specific sounds. Anything he plays is a work of art. The band is out of tune, for instance, and it doesn't even matter. They almost have their own brand of intonation. Duke can take an exotic-sounding idea and create something – you might call it sophisticated crudity. It gives both the qualities that I look for – an earthy quality and the sophisticated quality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing " Agra https://www.youtube.com/watch?v=P6MDDbrAqqg" from Far East Suite, as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Men, Art, Way, Star

“And the music came back with the carnival, the music you've heard as far back as you can remember, ever since you were little, that's always playing somewhere, in some corner of the city, in little country towns, wherever poor people go and sit at the end of the week to figure out what's become of them, sometimes here, sometimes there, from season to season, it tinkles and grinds out the tunes that rich people danced to the year before. It's the mechanical music that floats down from the wooden horses, from the cars that aren't cars anymore, from the railways that aren't at all scenic, from the platform under the wrestler who hasn't any muscles and doesn't come from Marseille, from the beardless lady, the magician who's a butter-fingered jerk, the organ that's not made of gold, the shooting gallery with the empty eggs. It's the carnival made to delude the weekend crowd. We go in and drink the beer with no head on it. But under the cardboard trees the stink of the waiter's breath is real. And the change he gives you has several peculiar coins in it, so peculiar that you go on examining them for weeks and weeks and finally, with considerable difficulty, palm them off on some beggar. What do you expect at the carnival? Gotta have what fun you can between hunger and jail, and take things as they come. No sense complaining, we're sitting down aren't we? Which ain't to be sneezed at. I saw the same old Gallery of the Nations, the one Lola caught sight of years and years ago on that avenue in the park of Saint-Cloud. You always see things again at carnivals, they revive the joy of past carnivals. Over the years the crowds must have come back time and again to stroll on the main avenue of the park of Saint-Cloud…taking it easy. The war had been over long ago. And say I wonder if that shooting gallery still belonged to the same owner? Had he come back alive from the war? I take an interest in everything. Those are the same targets, but in addition, they're shooting at airplanes now. Novelty. Progress. Fashion. The wedding was still there, the soldier too, and the town hall with its flag. Plus a few more things to shoot at than before.”

Louis-ferdinand Céline book Journey to the End of the Night

27
Journey to the End of the Night (1932)

Hunger, War, People, Music

“I am glad I got to be part of such a historic film,” she says and pauses to think. And then adds, “The movie is still popular and that’s great. It also means that for as long as people remember the film, I will also be there in their memories. That’s special. And of course, it is not just Sholay but people also remember me for Seeta Aur Geeta. When I am in the U. S., I love travelling in cabs. And there have been times when Russian cab drivers recognised me and hummed a few tunes from the movie!”

Hema Malini (1948) Indian actress, dancer and politician

Above two quotes in I can do western dance: Hema Malini, 30 December 2012, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/i-can-do-western-dance-hema-malini/article4254364.ece,

Love, People, Travel, Thinking

“He was out of tune with what a younger generation of poets were writing, and railed against the shallowness and commercialisation of the modern world, from his fastness: a farmhouse surrounded by orchards in Middleton, Suffolk.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Obituary in The Guardian http://books.guardian.co.uk/obituaries/story/0,,2099883,00.html About

World

“Why should the Devil have all the best tunes?”

John Wesley (1703–1791) Christian theologian

Attributed to Wesley in The English Poets: Addison to Blake (1880) by Thomas Humphry Ward, it also sometimes attributed to his brother Charles Wesley, and appears even earlier attributed to George Whitefield, in The Monthly Review, or, Literary Journal, Vol. 49 (June 1773 - January 1774), p. 430; this has also been reported as a remark made by Rowland Hill, when he arranged an Easter hymn to the tune of "Pretty, Pretty Polly Hopkins, in The Rambler, Vol. 9 (1858), p. 191; as well as to William Booth, who popularized it as an addage in promoting The Salvation Army.
Disputed

“Why should the Devil have all the best tunes?”

Charles Wesley (1707–1788) English Methodist and hymn writer

Attributed to Wesley in America Over the Water (2004) by Shirley Collins, p. 113, it is earlier attributed to his brother John, in The English Poets: Addison to Blake (1880) by Thomas Humphry Ward, and even earlier to George Whitefield, in The Monthly Review, or, Literary Journal, Vol. 49 (June 1773 - January 1774), p. 430; this has also been reported as a remark made by Rowland Hill, when he arranged an Easter hymn to the tune of "Pretty, Pretty Polly Hopkins, in The Rambler, Vol. 9 (1858), p. 191; as well as to William Booth, who popularized it as an addage in promoting The Salvation Army.
Disputed

“Hymn tunes are the nearest we've got to English folk music.”

John Betjeman (1906–1984) English poet, writer and broadcaster

citation needed

Music

“The human heart is a band playing in a park at a distance; we see the crowds listening, but we catch but fragments of the music now and again, and cannot make out the tune.”

Frank Crane (1861–1928) American Presbyterian minister

Four Minute Essays Vol. 5 (1919), The Human Heart

Music, Heart

“Do you recall that night in June
Upon the Danube River;
We listened to the ländler-tune,
We watched the moonbeams quiver.”

Charles Hamilton Aide (1826–1906) French writer

The Danube River, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Night

“Ethologists and comparative psychologists have discovered a host of refined adaptations in animal behavior during the past few decades. Food-finding, avoidance of predators, and behavioral adaptations to environmental stresses, including constructing shelters, nests, and burrows, all involve impressively versatile tactics on the animal's part, rather than rigid, stereotyped reflexes. Social behavior, especially courtship and care of developing young, call forth an efficiently tuned and controlled matrix of interactions among many different and potentially conflicting behavior patterns. Animal orientation and navigation have provided several striking examples of previously unsuspected modes of perception. Finally, the versatility of animal communication used to coordinate group activities has implications that can only be described as revolutionary. The flexibility and appropriateness of animal behavior suggest both that complex processes occur within their brains, and that these events may have much in common with our own conscious mental experiences.”

Donald Griffin (1915–2003) American zoologist

The Question of Animal Awareness: Evolutionary Continuity of Mental Experience https://books.google.it/books?id=2iTTlLpYaNsC&pg=PA0 (Revised and Enlarged Edition, New York: The Rockefeller University Press, 1981), chapter 1.

Food, Behavior, Communication, Past

“Nothing was ever in tune. People just blindly grabbed at whatever there was: communism, health foods, zen, surfing, ballet, hypnotism, group encounters, orgies, biking, herbs, Catholicism, weight-lifting, travel, withdrawal, vegetarianism, India, painting, writing, sculpting, composing, conducting, backpacking, yoga, copulating, gambling, drinking, hanging around, frozen yogurt, Beethoven, Bach, Buddha, Christ, TM, H, carrot juice, suicide, handmade suits, jet travel, New York City, and then it all evaporated and fell apart. People had to find things to do while waiting to die. I guess it was nice to have a choice.”

Charles Bukowski book Women

Women (1978)

People, Health, Food, Travel

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Hector Berlioz book À travers chants

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare. À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Music, Way, Nature, Bird

“Sweet is the melody, so hard to come by,
It's so hard to make every note bend just right.
You lay down the hours and leave not one trace
But a tune for the dancing is there in it's place.”

Iris DeMent (1961) American singer and songwriter

Sweet is the Melody
Song lyrics, My Life (1994)

Dance

“America is a tune. It must be sung together.”

Gerald Stanley Lee (1862–1944) Americna minister

Book V, Part III, Chapter XII.
Crowds (1913)

“He was an extraordinary bloke. First of all he was very funny. He was straight but very camp. [He] came in and Visconte said, ‘Right, what are we doing?’. He said: ‘Well I haven’t got any material, I’ve just got one guitar riff’. So he played us this guitar riff. It sounded a bit like Chuck Berry to me but I didn’t say anything. He went out with the band and after two hours he said, ‘Right, got a song’. So we recorded it and took a few takes. He then said, ‘Right I’ve got a bit of a tune, just give me half an hour’. In 10 minutes he came back and said, ‘Right I’ve got the lyrics and got the tune’. So he’d written Get It On in 10 minutes basically. He went out there, sang it and in four or five takes we’d got it. There it was. The guy was absolutely astonishing.”

Martin Rushent (1948–2011) English record producer

[Serck, Linda, Legendary producer Martin Rushent, 2009, http://www.getreading.co.uk/entertainment/music/s/2061462_legendary_producer_martin_rushent, Get Reading, 6 June 2011]

Guy

“There is no companion like solitude. One who knows how to tune himself to the inner silence, even in the midst of the din and roar of the marketplace, enjoys a most recreative solitude.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Solitude, Silence

“I've got no particular desire to play ten minute solos. Those were never valid anyway in my book -- never. It was just a cheap way of building up a tension in the audience…A solo should do something; it shouldn't just be there as a cosmetic. It should have some aim, take the tune somewhere. I'm not saying I can do it, but I try and take the tune somewhere.”

Jeff Beck (1944) English rock guitarist

[Denyer, Ralph, The Guitar Handbook, 2002, 140, 0-679-74275-1]

Books, Way

“One part of a picture ought to be like the first part of a tune, that you guess what follows, and that makes the second part of the tune, and so I'm done..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainsborough's letter to his friend William Jackson of Exeter, from Bath, Feb. 1768; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 383 (Appendix A - Letter V) 1755 - 1769

Parting

“We are supposedly a country at war, but we’re all going about watching American Idol and having not all that different a time than if we weren’t at war. I observe the weird juxtaposition of reading the newspaper and then tuning into American Idol and getting really upset when Constantine gets voted off and then wondering where my head was at. But in a way, that’s also the salvation of the country, our level of optimism.”

Paul Weitz

on making American Dreamz http://www.kansascity.com/mld/kansascity/entertainment/movies/14326165.htm Also phrased as: "I think it was just the weird feeling of, being like a lot of Americans and sort of reading the paper in the morning and worrying about terrorism and whether the administration was handling things in the right way, and then in the evening worrying even more about whether Constantine was going to get kicked off American Idol. It was really just kind of observing myself and, finding this weird disconnect, between the supposedly deadly serious situation of being at war with us going about our daily lives as if nothing is happening."

War, Way, Optimism, Time

““Machines!” the Clerk said scornfully. “We have many of them, some exquisitely complex. But event the best of them are much like idiot savants. They do adequately on tedious straightforward tasks like building stars or destroying planets. But give them something tough, like solacing a widow, and they simply go to pieces. Would you believe it, the largest computer in our section can landscape an entire planet; but it cannot fry an egg or carry a tune, and it knows less about ethics than a newborn wolf cub. Would you want something like that to run your life?”
“Of course not,” Carmody said. “But couldn’t someone build a machine with creativity and judgment?”
“Someone has,” the Clerk said. “It has been designed to learn from experience, which means that it must make errors in order to arrive at truths. It comes in many shapes and sizes, most of them quite portable. Its flaws are readily apparent, but seem to exist as necessary counterweights to it virtues. No one has yet improved on the basic design, though many have tried. This ingenious device is called ‘intelligent life.’””

Robert Sheckley book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 3 (pp. 25-26)

Life, Truth, Error, Star

“The cognitive functioning of a human brain depends on a delicate orchestration of many factors, especially during the critical stages of embryo development—and it is much more likely that this self-organizing structure, to be enhanced, needs to be carefully balanced, tuned, and cultivated rather than simply flooded with some extraneous potion.”

Nick Bostrom book Superintelligence: Paths, Dangers, Strategies

Source: Superintelligence: Paths, Dangers, Strategies (2014), Ch. 2

Dependency

“If you want a receipt for that popular mystery,
Known to the world as a Heavy Dragoon -
Take all the remarkable people in history,
Rattle them off to a popular tune!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

Patience (1881)

People, World, History

“I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.”

Madeline Kahn (1942–1999) American actress

Charlie Rose, (December 16, 1996) "Charlie Rose - An interview with Madeline Kahn" http://www.charlierose.com/view/interview/5799, Charlie Rose, PBS

Time, Future

“Sorry, I don’t understand ragas. Just show me the tune and I sing.” Then sing anything you like, said Boral, and Saigal started singing something in Raag Asawari.”

K. L. Saigal (1904–1947) Indian actor

Understanding, Singing

“Why should the Devil have all the best tunes?”

George Whitefield (1714–1770) English minister and preacher

Attributed to Whitefield, in The Monthly Review, or, Literary Journal, Vol. 49 (June 1773 - January 1774), p. 430; this has also been reported as a remark made by Rowland Hill, when he arranged an Easter hymn to the tune of "Pretty, Pretty Polly Hopkins, in The Rambler, Vol. 9 (1858), p. 191; it has also attributed to Charles Wesley, and sometimes his brother John, as well as William Booth, who popularized it as an addage in promoting his The Salvation Army.
Disputed

“I used to wish that I could write songs, like the others—and I've tried, but I just can't. I can get the words all right, but whenever I think of a tune the others always say it sounds like such-a-thing, and when they point it out, I see what they mean.”

Ringo Starr (1940) British musician, former member of the Beatles

The Beatles Anthology (2000), p. 96

Thinking

“A bunch of the boys were whooping it up in the Malamute saloon;
The kid that handles the music-box was hitting a rag-time tune;
Back of the bar, in a solo game, sat Dangerous Dan McGrew,
And watching his luck was his light-o'-love, the lady that’s known as Lou.”

Robert W. Service (1874–1958) Canadian poet

The Shooting of Dan McGrew http://freemasonry.bcy.ca/biography/service_r_w/dan_mcgrew.html (1907)

Love, Music, Game, Boy

“I was taking LSD periodically, every couple of months. I was in a strange state of mind, influenced by these visions. … I was trying to draw it in my sketchbook, and that began to coalesce into these comic strips that were stylistically based on grotesque, vulgar humor comics of the thirties and forties. … All of those characters came out of that crazy visionary period that I couldn’t shut off. It was spontaneous, but I was so crazy, I was really out of my mind, it was like schizophrenia. It was like what produces art by crazy people in a madhouse. Anything could be an influence, anything I heard. I was in Chicago in early ’66 and the radio was on, there was some tune playing, it was a black station, and this announcer said, That was Mr. Natural. I just started drawing Mr. Natural, this bearded guru-type character in my sketchbook, it just came out.”

Robert Crumb (1943) American cartoonist

"R. Crumb, The Art of Comics No. 1" http://www.theparisreview.org/interviews/6017/the-art-of-comics-no-1-r-crumb, The Paris Review, Summer 2010, No. 193.

People, Art, Nature, Drawing

“But they all do sort of the same thing, and that is rearrange what you thought was real, and they remind you of the beauty of pretty simple things. You forget, because you're so busy going from A to Z, that there's 24 letters in between…
You turn on… tune in… and you drop out…”

Timothy Leary (1920–1996) American psychologist

Grace Slick, and Leary are both quoted in the Infected Mushroom song "Drop out" on the EP Deeply Disturbed (2003), but only the final portion actually quotes Leary.
Misattributed

Beauty, Business, Forgetting

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Soul, Time

“The grand tune is the only thing in music that the great public really understands.”

Thomas Beecham (1879–1961) British conductor and impresario

Conductors by John L. Holmes (1988) pp 31-37 ISBN 0-575-04088-2

Music, Understanding

“If, for example, a conspiratorially minded elite is so powerful, has at its fingertips such multiple and delicate instruments with which to fine-tune accumulation, then how can the periodic headlong slides into crisis be explained?”

David Harvey (1935) British anthropologist

Source: The Limits To Capital (2006 VERSO Edition), Chapter 10, Finance Capital And Its Contradictions, p. 316

“There have been people who have tried to exploit me. You get chancers out there who just want to make a quick buck, but as long as you tune into them and who they are … The best thing I've learned is, if you're going out, never go out alone - you leave yourself vulnerable. If you've got someone else there you trust, they can say, be wary of that person. I probably used to be too trusting of people.”

Daniel Radcliffe (1989) English actor

Guardian interview, Saturday 4 July 2009

People, Learning, Personality

“I should be able to get the alligators to dance to the tune of the pan pipe.”

Louis-ferdinand Céline (1894–1961) French writer

March 30, 1947
Source: Letters to Milton Hindus (1947-1949), Les Cahiers de la NRF, Gallimard ISBN 2070134296

Dance

“Heartbroken the dead bird’s mate cried – Your long feathers! Your tuneful songs. A bird hunter came from the forest holding a bow. Valmiki’s heart was pounding and he cursed the killer.”

Vālmīki Ramayana

Source: Ramayana, p. 7.

Bird, Heart, Dead

“The artists of our culture, 'the antennae of the race,' had tuned in to the new ground and begun exploring discontinuity and simultaneity.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 47

“It's the same old tune, fiddle and guitar.
Where do we take it from here?
Rhinestone suits and new shiny cars;
We've been the same way for years.
We need to change.”

Waylon Jennings (1937–2002) American country music singer, songwriter, and musician

Are You Sure Hank Done It This Way, from Dreaming My Dreams (1975).
Song lyrics

Cars, Way, Change

“I have already said that a thing which 'exists in a person's head' and nowhere else is alternatively called an imaginary thing. The actual making of the tune is therefore alternatively called the making of an imaginary tune. This is a case of creation, just as much as the making of a plan or a disturbance, and for the same reasons, which it would be tedious to repeat. Hence the making of a tune is an instance of imaginative creation. The same applies to the making of a poem, or a picture, or any other work of art.”

R. G. Collingwood (1889–1943) British historian and philosopher

Source: The Principles of Art (1938), p. 134

Art, Imagination, Personality

“I am greedy. I eat under stress. When you are eating, the rest of the world is tuned out. And when you tune back in you feel guilty about having been greedy and the rest of the world is still there, so you have to carry on eating!”

Nigella Lawson (1960) British food writer, journalist and broadcaster

A woman of extremes (2001)

World, Feeling

“A more structured connection with the mass is needed, and we must improve it in the course of the coming years. But as far as initiatives originating in the upper strata of the government are concerned, we are currently utilizing the almost intuitive method of sounding out general reactions to the great problems we confront.
In this Fidel is a master. His own special way of fusing himself with the people can be appreciated only by seeing him in action. At the great public mass meetings one can observe something like the dialogue of two tuning forks whose vibrations interact, producing new sounds. Fidel and the mass begin to vibrate together in a dialogue of growing intensity until they reach the climax in an abrupt conclusion crowned by our cry of struggle and victory.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

People, Way, Problem, Victory

“The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding…The anger was expanding, relentless, exponential, riding out behind the betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.”

William Gibson book Neuromancer

Neuromancer (1984)

Light, Rage, Perfection, Training

“Had I not been a classical singer, I would have loved to spend my entire life in a garage fine-tuning a Fiat or a Maruti.”

Bhimsen Joshi (1922–2011) Indian vocalist

His often repeated lines. Relentless riyaz- Bhimsen Joshis recipe for success, 29 November 2013, Deccan Herald http://archive.deccanherald.com/content/Nov52008/national2008110598978.asp?section=thirdcolumnupdatenews,

Love, Life

“And in the ghostly palm-trees the sleepy tune
Of the quiet voice calling me, the long low croon
Of the steady Trade Winds blowing.”

John Masefield (1878–1967) English poet and writer

Salt-Water Ballads (1902), "Trade Winds"

Tree

“The hotel wasn't that empty, however. Soon an old man walked unsteadily out of the nearby lounge and plopped himself into a big easy chair beside the piano. There, he slowly sipped his wine and watched me play. I felt distracted and uneasy, trapped on the bench where at any moment he might request one of his favourite tunes, one I most likely did not know how to play. […] He said me: Who will play your music if you don't do it yourself?”

Michael Jones

Michael Jones (1995) Creating an Imaginative Life. Excerpts http://www.pianoscapes.com/pdfs/WhoWillPlayYourMusic.pdf at pianoscapes.com

Music, Wine

“It's a smile a girl could bring home to mother, if she had a mother; a smile a girl could pet like a pony, sip like a lemonade, hum like a popular tune; a smile a girl would feel safe with in a dark alley.”

Tom Robbins Half Asleep in Frog Pajamas

Half Asleep in Frog Pajamas (1994)

Smile, Feeling, Home, Girl

“…on this September morning in 1812, while the Indomitable held her same course under reduced canvas, the ship's small drummers and fifers marched and countermarched up and down the crowded gundeck, the familiar tune Portsmouth Lass lively enough to set a man's foot tapping, or purse his lips in a silent whistle.”

Douglas Reeman (1924–2017) British author

For My Country's Freedom, Cap 17 "And For What?"

“The song ‘With a Little Help From My Friends’ was written speciﬁcally for me, but they had one line that I wouldn’t sing. It was ‘What would you do if I sang out of tune? Would you stand up and throw tomatoes at me?’ I said, ‘There’s not a chance in hell am I going to sing this line,’ because we still had lots of really deep memories of the kids throwing jelly beans and toys on stage; and I thought that that if we ever did get out there again, I was not going to be bombarded with tomatoes.”

Ringo Starr (1940) British musician, former member of the Beatles

The Beatles Anthology (2000), p. 242

Hell, Memory, Singing, Chance

“In the last moments of the great ship’s doom, when all was plainly lost, when braver and hardier men might almost have been excused for doing practically anything to save themselves, they stood responsive to their conductor’s baton and played a recessional tune.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 11

Men

“The fine-tuning of the universe, about which cosmologists make such a to-do, is both complex and specified and readily yields design. So too, Michael Behe's irreducibly complex biochemical systems readily yield design. The complexity-specification criterion demonstrates that design pervades cosmology and biology. Moreover, it is a transcendent design, not reducible to the physical world. Indeed, no intelligent agent who is strictly physical could have presided over the origin of the universe or the origin of life.”

William A. Dembski (1960) American intelligent design advocate

"The Act of Creation: Bridging Transcendence and Immanence" http://www.arn.org/docs/dembski/wd_actofcreation.htm, presented at Millstatt Forum, Strasbourg, France, 1998-08-10 1990s

Life, World, Intelligence, Universe

“Why should the Devil have all the best tunes?”

William Booth (1829–1912) British Methodist preacher

Though it is widely attested that Booth used this adage, it originates in the 18th century, being attributed to George Whitefield, in The Monthly Review, or, Literary Journal, Vol. 49 (June 1773 - January 1774), p. 430; it has also been reported as a remark made by Rowland Hill, when he arranged an Easter hymn to the tune of "Pretty, Pretty Polly Hopkins, in The Rambler, Vol. 9 (1858), p. 191, as well as being attributed to Charles Wesley, and sometimes his brother John.
Misattributed

“Our world is not an optimal place, fine tuned by omnipotent forces of selection. It is a quirky mass of imperfections, working well enough (often admirably); a jury-rigged set of adaptations built of curious parts made available by past histories in different contexts. […] A world optimally adapted to current environments is a world without history, and a world without history might have been created as we find it. History matters; it confounds perfection and proves that current life transformed its own past.”

Stephen Jay Gould book The Flamingo's Smile

"Only His Wings Remained", p. 54
The Flamingo's Smile (1985)

Life, World, History, Optimism

“The musicians had played on the deck as the ship went down. They had forfeited their lives for the sake of others. They had played the tunes of hymns to induce a spirit of peace and calm. They were heroic.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 13

Peace

“One of the first things they teach stockbrokers is to stay out of the stock market. Brokers make their pile from selling advice, and from commissions on stock transactions. They can't predict the market, and few risk their own money. They, at least, only affect their clients' fortunes. Economists, though, can ruin the lot of us with their advice — yet if no science can predict a relatively closed system like the stock market, how the devil are you going to 'fine tune' something a large as the American economy? I'd think it arrogant to try; as arrogant as the man with three illiterate drug-addicted spoiled brats writing a book on parenting.”

Jerry Pournelle (1933–2017) American science fiction writer and journalist

"The Voodoo Sciences" http://www.jerrypournelle.com/science/voodoo.html, 1988 Assorted

Money, Books, Thinking, Parent

“Turn them on, turn them on,
Turn on those sad songs.
When all hope is gone,
Why don't you tune in and turn them on?They reach into your room,
Just feel their gentle touch.
When all hope is gone,
Sad songs say so much.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Sad Songs
Song lyrics, Breaking Hearts (1984)

Sadness, Hope, Feeling

“The three-toed tree-toad
Sings his sweet ode
To the moon;
The funny bunny
And his honey
Trip in tune.”

Arthur Guiterman (1871–1943) United States writer

Nocturne http://rpo.library.utoronto.ca/poem/3078.html

Tree, Singing

“Amid the vast modern network of universities, corporate laboratories, and national science foundations has arisen an awareness that the best financed and best organized of research enterprises have not learned to engender, perhaps not even to recognize, world-tuning originality.”

James Gleick book Genius

James Gleick (1992). Genius: The Life and Science of Richard Feynman. Vintage Books

World, Learning, Universe, Science

“I will build you a castle with a tower so high
It reaches the moon.
I'll gather melodies from birdies that fly
And compose you a tune.
Give you lovin' warm as Mama's oven.
And if that don't do,
Then I'll try something new.”

Smokey Robinson (1940) American R&B singer-songwriter and record producer

I'll Try Something New (1962)
Song lyrics, With The Miracles

Flying

“That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox…”

Stanisław Lem book Solaris

Source: Solaris (1961), Ch. 14: "The Old Mimoid", p. 204 [elipsis in original]

“There is abundant evidence in Stoppard’s plays to show that he is as capable of emotion as anybody. In Enter A Free Man Linda is a finely tuned moral invention whose equivalents we might well miss in the later plays, if we really thought they should be there. The mainspring of Rosencrantz and Guildenstern Are Dead is the perception—surely a compassionate one—that the fact of their deaths mattering so little to Hamlet was something which ought to have mattered to Shakespeare.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Tom Stoppard: Count Zero Splits the Infinite'
Essays and reviews, At the Pillars of Hercules (1979)

Death, Dead

“A few years ago, a motion picture version appeared of Sophocles' immortal tragedy "Oedipus Rex". This picture played only in the so-called art theaters, and it was not a financial success. And I maintain that the reason it was not a financial success… you're way ahead of me… was that it did not have a title tune which the people could hum, and which would make them actually eager to attend this particular… flick. So, I've attempted to supply this, and here then is the prospective title song from "Oedipus Rex".”

Tom Lehrer (1928) American singer-songwriter and mathematician

Intro to "Oedipus Rex"
An Evening (Wasted) With Tom Lehrer (1959)

People, Art, Way, Appearance

“I am not asking for conformity. I am dedicated to the two-party system, and you know which party I belong to.
I do not want a honeymoon with you. I want a good marriage. I want progress, and I want problemsolving which requires my best efforts and also your best efforts. I have no need to learn how Congress speaks for the people. As President, I intend to listen. But I also intend to listen to the people themselves — all the people — as I promised last Friday. I want to be sure that we are all tuned in to the real voice of America.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

1970s, Address to Congress (12 August 1974)

Marriage, People, Effort, Learning

“You don't necessarily have to have talent, you can just get up and do something and see where it takes you. I always tell girls who say they want to start a band but don't have any talent, well, neither do I. I mean, I can carry a tune, but anyone who picks up a bass can figure it out. You don't have to have magic unicorn powers.”

Kathleen Hanna (1968) American musician and feminist activist

The original riot grrrl on Katy Perry, '90s revival http://www.cnn.com/2011/SHOWBIZ/Music/06/07/kathleen.hanna.documentary/, CNN (2011).

Girl

“Whether you think we belong in Iraq or not, we can't tune it out; we have to remain mindful of the terrible losses that individual soldiers are suffering in our name.”

Garry Trudeau (1948) cartoonist

Reported in Kerry Soper, Garry Trudeau: Doonesbury and the Aesthetics of Satire (2008), p. 50.

Thinking, Suffering, Loss

“Gradually I got tuned into the world — that happens on every movie. I did a women's movie, and I'm not a woman. I did a gay movie, and I'm not gay. I learned as I went along.”

Ang Lee (1954) Taiwanese-born American film director, screenwriter and film producer

On developing a sensitivity for authentic details in the making of movies, Salon (17 October 1997).

Women, World, Learning

“We had to dispel the notion that the way to economic success lies through a sort of fiscal levitation. That was the abiding post-war delusion—that governments could spend and borrow their way to prosperity, and fine-tune the performance of the economy through something known pretentiously as demand management…It used to be an establishment nostrum that you need a budget deficit to get economic growth. That was the belief which lay behind the notorious letter by 364 economists in March 1981. We have given the lie to that, decisively. There can no longer be any argument about it. Everyone—or almost everyone—now accepts that the proper role of macro-economic policy is to keep downward pressure on inflation and to maintain a stable framework in which the private sector can expand.”

Nigel Lawson (1932) British Conservative politician and journalist

Nigel Lawson, Tax Reform: The Government's Record (Conservative Political Centre, June 1988).

War, Lie, Way, Decision

“Cripple crow say something for our grieving, where do we go once we start leaving. Well close that wound or else keep on bleeding and change your tune, it's got no meaning.”

Devendra Banhart (1981) American folk singer

-Cripple Crow
From Cripple Crow

Change

“Why should the Devil have all the best tunes?”

Rowland Hill (preacher) (1744–1833) British preacher

Reported as a remark made by Hill when he arranged an Easter hymn to the tune of "Pretty, Pretty Polly Hopkins, in The Rambler, Vol. 9 (1858), p. 191; it was earlier attributed to George Whitefield, in The Monthly Review, or, Literary Journal, Vol. 49 (June 1773 - January 1774), p. 430, and has also attributed to Charles Wesley, and sometimes his brother John, as well as William Booth, who popularized it as an adage in promoting The Salvation Army.
Disputed

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Quotes about tune
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