Quotes about symbol
page 9

“My favourite symbols were those I did not understand.”

Adolph Gottlieb (1903–1974) American artist

1950s, Conversations With Artists, 1957

Walter Benjamin photo
Tom Robbins photo
Lewis Mumford photo

“Today, the degradation of the inner life is symbolized by the fact that the only place sacred from interruption is the private toilet.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

Source: The Culture of Cities (1938), Ch. 1, sct. 5

Brooks D. Simpson photo
Charlton Heston photo
Robert T. Bakker photo

“Dinosaurs have a bad public image as symbols of obsolescence and hulking in­ inefficiency; in political cartoons they are know-nothing conservatives that plod through miasmic swamps to inevitable extinction.”

Robert T. Bakker (1945) American paleontologist

"Dinosaur Renaissance", Scientific American 232, no. 4 (April 1975), 58—78
Dinosaur Renaissance (1975)

George Boole photo

“To deduce the laws of the symbols of Logic from a consideration of those operations of the mind which are implied in the strict use of language as an instrument of reasoning.”

George Boole (1815–1864) English mathematician, philosopher and logician

Source: 1850s, An Investigation of the Laws of Thought (1854), p. 42

“By the way, the = notation was invented by Robert Recorde (1510-1558). He choose two parallel lines as a symbol of equality " because noe 2 thynges can be moare equalle."”

Brian Hayes (scientist) (1900) American scientist, columnist and author

Source: Group Theory in the Bedroom (2008), Chapter 11, Identity Crisis, p. 203

Simone Bittencourt de Oliveira photo
Umberto Boccioni photo

“.. the number of the engine [of the train], its profile shown in the upper part of the picture, its wind-cutting fore-part in the center, symbolical of parting, indicates the features of the scene that remain indelibly impressed upon the mind”

Umberto Boccioni (1882–1916) Italian painter and sculptor

of the viewer
Quote from Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 21
a note on his tryptich painting, he made late in 1911, containing the canvasses 'States of Mind II', 'The farewells', 'Those Who go Those who Stay'.
1911

Sanjaya Malakar photo

“How can you look at this and not see it as the symbol for the self-referencing nature of progressive evolution.”

Sanjaya Malakar (1989) American reality television personality

Malakar as Bill Vendall, 25 year old graduate student of fine arts, on his ever-changing 'character creation', Sanjaya Malakar. http://www.funnyordie.com/videos/4763

Frank P. Ramsey photo
Camille Paglia photo
Antoni Tàpies photo
Leopoldo Galtieri photo

“The realist, then, would seek in behalf of philosophy the same renunciation the same rigour of procedure, that has been achieved in science. This does not mean that he would reduce philosophy to natural or physical science. He recognizes that the philosopher has undertaken certain peculiar problems, and that he must apply himself to these, with whatever method he may find it necessary to employ. It remains the business of the philosopher to attempt a wide synoptic survey of the world, to raise underlying and ulterior questions, and in particular to examine the cognitive and moral processes. And it is quite true that for the present no technique at all comparable with that of the exact sciences is to be expected. But where such technique is attainable, as for example in symbolic logic, the realist welcomes it. And for the rest he limits himself to a more modest aspiration. He hopes that philosophers may come like scientists to speak a common language, to formulate common problems and to appeal to a common realm of fact for their resolution. Above all he desires to get rid of the philosophical monologue, and of the lyric and impressionistic mode of philosophizing. And in all this he is prompted not by the will to destroy but by the hope that philosophy is a kind of knowledge, and neither a song nor a prayer nor a dream. He proposes, therefore, to rely less on inspiration and more on observation and analysis. He conceives his function to be in the last analysis the same as that of the scientist. There is a world out yonder more or less shrouded in darkness, and it is important, if possible, to light it up. But instead of, like the scientist, focussing the mind's rays and throwing this or that portion of the world into brilliant relief, he attempts to bring to light the outlines and contour of the whole, realizing too well that in diffusing so widely what little light he has, he will provide only a very dim illumination.”

Ralph Barton Perry (1876–1957) American philosopher

Chap XXV.
The Present Conflict of Ideals: A Study of the Philosophical Background of the World War (1918)

Nathaniel Hawthorne photo
Chip Tsao photo

“What else would be as impressive as a status symbol than when you are visiting a billionaire for lunch and you and dozens of other refined guests are offered a glass of fresh milk to toast everybody’s health, instead of a glass of Chateau Rotschild Lafitte?”

Chip Tsao (1958) columnist, broadcaster, and writer

Politically Incorrect with Chip Tsao - The Vintage Year http://hk-magazine.com/feature/politically-incorrect-chip-tsao-vintage-year, HK Magazine

John Maynard Keynes photo

“The study of economics does not seem to require any specialized gifts of an unusually high order. Is it not, intellectually regarded, a very easy subject compared with the higher branches of philosophy and pure science? Yet good, or even competent, economists are the rarest of birds. An easy subject, at which very few excel! The paradox finds its explanation, perhaps, in that the master-economist must possess a rare combination of gifts. He must reach a high standard in several different directions and must combine talents not often found together. He must be mathematician, historian, statesman, philosopher – in some degree. He must understand symbols and speak in words. He must contemplate the particular in terms of the general, and touch abstract and concrete in the same flight of thought. He must study the present in the light of the past for the purposes of the future. No part of man's nature or his institutions must lie entirely outside his regard. He must be purposeful and disinterested in a simultaneous mood; as aloof and incorruptible as an artist, yet sometimes as near the earth as a politician. Much, but not all, of this many-sidedness Marshall possessed. But chiefly his mixed training and divided nature furnished him with the most essential and fundamental of the economist's necessary gifts – he was conspicuously historian and mathematician, a dealer in the particular and the general, the temporal and the eternal, at the same time.”

John Maynard Keynes (1883–1946) British economist

Source: Essays In Biography (1933), Alfred Marshall, p. 170; as cited in: Donald Moggridge (2002), Maynard Keynes: An Economist's Biography, p. 424

Slavoj Žižek photo
Lewis Pugh photo

“This wasn’t some kind of stunt. This was a symbolic swim, and I needed to be courageous. […] Swimming in a wetsuit or drysuit just wouldn’t send the right signal.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

p 192, describing his swim across the North Pole (2007)
21 Yaks And A Speedo (2013)

Margaret Fuller photo

“Art can only be truly art by presenting an adequate outward symbol of some fact in the interior life.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Part II, Things and Thoughts of Europe, p. 198.
At Home And Abroad (1856)

Dinesh D'Souza photo

“If we think of the Titanic as symbolizing the American era, Obama wants that ship to go down. Obama is the architect of American decline, and progressivism is the ideology of American suicide.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, America: Imagine a World without Her (2014), Ch. 16

Salvador Dalí photo
William John Macquorn Rankine photo
Qutb al-Din Aibak photo

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

“The captain-general’s ship flew at its mast a flag on which was painted a large cross of Christ and also carried cannon, symbols of the new power entering the East.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

“Symbols have a trick of stealing the show away from the thing they stand for.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 99

Geert Wilders photo
Common (rapper) photo
Rush Limbaugh photo

“I prefer to call the most obnoxious feminists what they really are: feminazis. Tom Hazlett, a good friend who is an esteemed and highly regarded professor of economics at the University of California at Davis, coined the term to describe any female who is intolerant of any point of view that challenges militant feminism. I often use it to describe women who are obsessed with perpetuating a modern-day holocaust: abortion. There are 1.5 million abortions a year, and some feminists almost seem to celebrate that figure. There are not many of them, but they deserve to be called feminazis.A feminazi is a woman to whom the most important thing in life is seeing to it that as many abortions as possible are performed. Their unspoken reasoning is quite simple. Abortion is the single greatest avenue for militant women to exercise their quest for power and advance their belief that men aren't necessary. They don't need men in order to be happy. They certainly don't want males to be able to exercise any control over them. Abortion is the ultimate symbol of women's emancipation from the power and influence of men. With men being precluded from the ultimate decision-making process regarding the future of life in the womb, they are reduced to their proper, inferior role. Nothing matters but me, says the feminazi. My concerns prevail over all else. The fetus doesn't matter, it's an unviable tissue mass.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

[The Way Things Ought to Be, Pocket Books, October 1992, 193, 978-0671751456, 92028659, 26397008, 1724938M]

Karen Blixen photo
George William Russell photo
Rajnath Singh photo

“The RSS is the largest social and cultural organisation in the country and an aggressively patriotic organisation. The terrorists' bid is an attempt to attack the symbol of nationalism in the country's social life. It is also aimed at frightening the country's majority community, which is commendable.”

Rajnath Singh (1951) Indian politician

After an attempted terrorist attack on a Rashtriya Swayamsevak Sangh office, " Police foil terrorist attack on RSS HQ http://articles.economictimes.indiatimes.com/2006-06-02/news/27454760_1_rss-headquarters-sangh-headquarters-rss-hq" The Economic Times (2 June 2006)

Fidel Castro photo

“I never perceived a contradiction in the political revolutionary field between the ideas I maintained and the idea of that symbol, that extraordinary figure who had been so familiar to me since I began to reason.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

On Jesus Christ, as quoted in Fidel and Religion (1985) by Frei Betto

Aldo Leopold photo

“When we hear [the crane’s] call we hear no mere bird. We hear the trumpet in the orchestra of evolution. He is the symbol of our untamable past, of that incredible sweep of millennia which underlies and conditions the daily affairs of birds and men.”

“Wisconsin: Marshland Elegy”, p. 96.
A Sand County Almanac, 1949, "Wisconsin: Marshland Elegy," "Wisconsin: The Sand Counties" "Wisconsin: On a Monument to the Pigeon," and "Wisconsin: Flambeau"

“The ideologies of the super-tribes exercised absolute power over all individual minds under their sway.
In civilized regions the super-tribes and the overgrown natural tribes created an astounding mental tyranny. In relation to his natural tribe, at least if it was small and genuinely civilized, the individual might still behave with intelligence and imagination. Along with his actual tribal kinsmen he might support a degree of true community unknown on Earth. He might in fact be a critical, self-respecting and other-respecting person. But in all matters connected with the super-tribes, whether national or economic, he behaved in a very different manner. All ideas coming to him with the sanction of nation or class would be accepted uncritically and with fervor by himself and all his fellows. As soon as he encountered one of the symbols or slogans of his super-tribe he ceased to be a human personality and became a sort of de-cerebrate animal, capable only of stereotyped reactions. In extreme cases his mind was absolutely closed to influences opposed to the suggestion of the super-tribe. Criticism was either met with blind rage or actually not heard at all. Persons who in the intimate community of their small native tribe were capable of great mutual insight and sympathy might suddenly, in response to tribal symbols, be transformed into vessels of crazy intolerance and hate directed against national or class enemies. In this mood they would go to any extreme of self-sacrifice for the supposed glory of the super-tribe. Also they would show great ingenuity in contriving means to exercise their lustful vindictiveness upon enemies who in favorable circumstances could be quite as kindly and intelligent as themselves.”

Source: Star Maker (1937), Chapter V: Worlds Innumerable; 2. Strange Mankinds (p. 62)

El Lissitsky photo
Rajiv Malhotra photo
Jorge Luis Borges photo

“A labyrinth of symbols… An invisible labyrinth of time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

The Garden of Forking Paths (1942), The Garden of Forking Paths

Camille Paglia photo
Robert A. Heinlein photo

“‘Magic,’” I stated, “is a symbol for any process not understood.”

Source: The Number of the Beast (1980), Chapter XVII : The world wobbled—, p. 151

Daniel Dennett photo

“Since September 11, 2001, I have often thought that perhaps it was fortunate for the world that the attackers targeted the World Trade Center instead of the Statue of Liberty, for if they had destroyed our sacred symbol of democracy I fear we as Americans would have been unable to keep ourselves from indulging in paroxysms of revenge of a sort the world has never seen before. If that had happened, it would have befouled the meaning of the Statue of Liberty beyond any hope of subsequent redemption — if there were any people left to care. I have learned from my students that this upsetting thought of mine is subject to several unfortunate misconstruals, so let me expand on it to ward them off. The killing of thousands of innocents in the World Trade Center was a heinous crime, much more evil than the destruction of the Statue of Liberty would have been. And, yes, the World Trade Center was a much more appropriate symbol of al Qaeda's wrath than the Statue of Liberty would have been, but for that very reason it didn't mean as much, as a symbol, to us. It was Mammon and Plutocrats and Globalization, not Lady Liberty. I do suspect that the fury with which Americans would have responded to the unspeakable defilement of our cherished national symbol, the purest image of our aspirations as a democracy, would have made a sane and measured response extraordinarily difficult. This is the great danger of symbols — they can become too "sacred."”

An important task for religious people of all faiths in the twenty-first century will be spreading the conviction that there are no acts more dishonorable than harming "infidels" of one stripe or another for "disrespecting" a flag, a cross, a holy text.
Breaking the Spell (2006)

Theodor Reuss photo
Mitt Romney photo

“It's also a symbol of a serious conflict of interest. An independent inspector general looked at this investment and concluded that the administration had steered money to friends and family – to campaign contributors. This building, this half a billion dollar taxpayer investment, represents a serious conflict of interest on the part of the president and his team.”

Mitt Romney (1947) American businessman and politician

2012-05-31
http://abcnews.go.com/blogs/politics/2012/05/mitt-romney-visits-solyndra-amid-attack-on-obama-jobs-record/
Mitt Romney Visits Solyndra Amid Attack on Obama Jobs Record
ABC News
About Solyndra
2012

M.I.A. photo
B. W. Powe photo

“It began in images and it ended in symbolism.”

B. W. Powe (1955) Canadian writer

Forms, Eulogies, Images and Symbols, p. 160
Mystic Trudeau: The Fire and the Rose (2007)

Richard Dawkins photo
Anatole France photo
Aldo Leopold photo
Tom Robbins photo
Hermann Hesse photo

“We were picking apart a problem in linguistic history and, as it were, examining close up the peak period of glory in the history of a language; in minutes we had traced the path which had taken it several centuries. And I was powerfully gripped by the vision of transitoriness: the way before our eyes such a complex, ancient, venerable organism, slowly built up over many generations, reaches its highest point, which already contains the germ of decay, and the whole intelligently articulated structure begins to droop, to degenerate, to totter toward its doom. And at the same time the thought abruptly shot through me, with a joyful, startled amazement, that despite the decay and death of that language it had not been lost, that its youth, maturity, and downfall were preserved in our memory, in our knowledge of it and its history, and would survive and could at any time be reconstructed in the symbols and formulas of scholarship as well as in the recondite formulations of the Glass Bead Game. I suddenly realized that in the language, or at any rate in the spirit of the Glass Bead Game, everything actually was all-meaningful, that every symbol and combination of symbols led not hither and yon, not to single examples, experiments, and proofs, but into the center, the mystery and innermost heart of the world, into primal knowledge. Every transition from major to minor in a sonata, every transformation of a myth or a religious cult, every classical or artistic formulation was, I realized in that flashing moment, if seen with a meditative mind, nothing but a direct route into the interior of the cosmic mystery, where in the alternation between inhaling and exhaling, between heaven and earth, between Yin and Yang, holiness is forever being created.”

The Glass Bead Game (1943)

James Clerk Maxwell photo

“Mathematicians may flatter themselves that they possess new ideas which mere human language is yet unable to express. Let them make the effort to express these ideas in appropriate words without the aid of symbols, and if they succeed they will not only lay us laymen under a lasting obligation, but we venture to say, they will find themselves very much enlightened during the process, and will even be doubtful whether the ideas as expressed in symbols had ever quite found their way out of the equations of their minds.”

James Clerk Maxwell (1831–1879) Scottish physicist

"Thomson & Tait's Natural Philosophy" in Nature, Vol. 7 (Mar. 27, 1873) A review of Elements of Natural Philosophy https://archive.org/details/elementsnatural00kelvgoog (1873) by Sir W. Thomson, P. G. Tait. See Nature, Vol. 7-8, https://archive.org/details/nature7818721873lock Nov. 1872-Oct. 1873, pp. 399-400, or The Scientific Papers of James Clerk Maxwell, p. 328. https://books.google.com/books?id=lzlRAAAAYAAJ&pg=PA328

Sinclair Lewis photo

“The doctor asserted, 'Sure religion is a fine influence—got to have it to keep the lower classes in order—fact, it's the only thing that appeals to a lot of these fellows and makes 'em respect the rights of property. And I guess this theology is O. K.; lot of wise old coots figured it out, and they knew more about it than we do.' He believed in the Christian religion, and never thought about it; he believed in the church, and seldom went near it; he was shocked by Carol's lack of faith, and wasn't quite sure what was the nature of the faith that she lacked. Carol herself was an uneasy and dodging agnostic. When she ventured to Sunday School and heard the teachers droning that the genealogy of Shamsherai was a valuable ethical problem for children to think about; when she experimented with the Wednesday prayer-meeting and listened to store-keeping elders giving unvarying weekly testimony in primitive erotic symbols and such gory Chaldean phrases as 'washed in the blood of the lamb' and 'a vengeful God…' then Carol was dismayed to find the Christian religion, in America, in the twentieth century, as abnormal as Zoroastrianism—without the splendor. But when she went to church suppers a felt the friendliness, saw the gaiety with which the sisters served cold ham and scalloped potatoes; when Mrs. Champ Perry cried to her, on an afternoon call, 'My dear, if you just knew how happy it makes you to come into abiding grace,' then Carol found the humanness behind the sanguinary and alien theology.”

Main Street (1920)

René Girard photo
Marsden Hartley photo

“They [The Mason family where Hartley stayed 1935 - 1941] maintain an enviable balance between the material & spiritual worlds (so) they symbolize for me the term ideal.”

Marsden Hartley (1877–1943) American artist

Quote of Hartley in his letter to Adelaide Kuntz, September 9, 1936; as cited in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 124-125
1931 - 1943

Morton Feldman photo
Franz Marc photo
Victor Davis Hanson photo
William Golding photo

“I don’t like the word "allegorical", I don’t like the word "symbolic", the word I really like is "mythic" and people always think that means "full of lies" when what it really means is full of a truth that cannot be told in any other way but a story.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Interview in regard to his work Rites of Passage, quoted in The Dreams of William Golden, BBC Arena (2012)

Claude Lévi-Strauss photo

“A symbol is first of all a finite reality of this world.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter Seven, The Symbolic Structure of Religion, p. 133

Charles Krauthammer photo
Henry Adams photo
Michel Seuphor photo
Richard Evelyn Byrd photo

“I am hopeful that Antarctica in its symbolic robe of white will shine forth as a continent of peace as nations working together there in the cause of science set an example of international cooperation.”

Richard Evelyn Byrd (1888–1957) Medal of Honor recipient and United States Navy officer

Statement made during International Geophysical Year (IGY) operations in 1957, inscribed on the Byrd Memorial at McMurdo Station, Antartica

George Steiner photo
Justin D. Fox photo

“If the church … does not make God's liberation of the oppressed central in its mission and proclamation, how can it rest easy with a condemned criminal as the dominant symbol of its message?”

James H. Cone (1938–2018) American theologian

Source: Speaking the Truth: Ecumenism, Liberation, and Black Theology (1986), p. 6

Ken Wilber photo
Sarvajna photo
Allen C. Guelzo photo

“I remember a rusher; not on a sports team. A rusher who carried an American flag, the regimental flag of the 54th Massachusetts Volunteers. It is an attack on the Confederate fort known as Battery Wagner outside of Charleston, south Carolina, in July of 1863. 54th Massachusetts was an all black regiment, one of the first to be recruited after the Emancipation Proclamation. The attack was almost a suicide mission. the regiment swept up to the walls of the fort. penetrated briefly, only to be driven out with heavy losses. the rusher I am thinking of was the color sergeant of the regiment. his name was William H. Carney. He had been born a slave. He was now a free man and a soldier. He brought the stars and stripes off the ramparts of Fort Wagner, despite being wounded in the chest and leg, staggering back under fire to a field hospital, and there, just before he collapsed, he surrendered the flag into the hands of several others there saying, "The old flag never touched the ground, boys!" Before the first of January 1863 when Lincoln signed the Emancipation Proclamation into law, he didn't have a flag, he doesn't have a country. He was a slave; he was an unperson. But in July of 1863, he was a free man. As a free man, there was no symbol to him of greater value than that flag. So you understand that it is difficult for me to understand why people would insult it.”

Allen C. Guelzo (1953) American historian

"Free Speech and the First Amendment" https://www.c-span.org/video/?437511-1/free-speech-amendment&start=150 (20 November 2017), C-SPAN
2010s

Mark Rothko photo
Slavoj Žižek photo
Mark Tobey photo

“White lines in movement symbolize a unifying idea which flows through the compartmented units of life bringing the consciousness of a larger relativity.”

Mark Tobey (1890–1976) American abstract expressionist painter

Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 39: Statement concerning his painting 'Threading Light'
1950's