“As a fiction writer, I don't speak message. I speak story. Sure, my story means something, but if you want to know what it means, you have to ask the question in terms appropriate to storytelling. Terms such as message are appropriate to expository writing, didactic writing, and sermons—different languages from fiction.
The notion that a story has a message assumes that it can be reduced to a few abstract words, neatly summarized in a school or college examination paper or a brisk critical review.”

— Ursula K. Le Guin

"A Message About Messages" in CBC Magazine https://web.archive.org/web/20051128074549/http://www.cbcbooks.org/cbcmagazine/meet/leguin_ursula_k.html

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Ursula K. Le Guin292

American writer 1929–2018

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“Some of these things seem as if it’s a lot of hard work, and it is. But it’s to an end—toward a richer, deeper understanding of a phenomenon that I was seeking to bring to life…The term narrative comes from Greek for the word knowing. And I think that that’s a powerful message because it means you cannot tell a story until you know the story.”

Isabel Wilkerson (1961) American journalist

On how she hopes The Warmth of Other Suns led to a deeper understanding in “Isabel Wilkerson” https://www.neh.gov/humanities/2016/fall/feature/isabel-wilkerson in Humanities (Fall 2016)

“I am a fictionalizing philosopher, not a novelist; my novel and story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth.”

Philip K. Dick (1928–1982) American author

In Pursuit of Valis: Selections from the Exegesis (1991)
Context: I am a fictionalizing philosopher, not a novelist; my novel and story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, and, for them, my corpus of writing is one long ratiocination regarding this inexplicable reality, an investigation and presentation, analysis and response and personal history. My audience will always be limited to those people.

“Asimov: I don't know of any science fiction writer who really attempts to be a prophet. Such authors accomplish their tasks not by being correct in their predictions, necessarily, but merely by hammering home—in story after story—the notion that life is going to be different.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Mother Earth News interview (1980)

“As for biblical or religious theory, I don't ever want to fight about the details of the story, I want to live the reality of the message.”

Steve Maraboli (1975)

Source: Life, the Truth, and Being Free (2010), p. 32

“I see things, that's all. Write enough stories and every shadow on the floor looks like a footprint; every line in the dirt like a secret message.”

Stephen King book Bag of Bones

Source: Bag of Bones

“I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters.”

Roger Zelazny (1937–1995) American speculative fiction writer

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978)

“I don't feel the need to be a role model, it's just something that's been thrust upon me. Teachers and a lot of Asian-American organizations, for example, say to me, "We need you to come and speak to us because you're a role model."… Placing on writers the responsibility to represent a culture is an onerous burden. Someone who writes fiction is not necessarily writing a depiction of any generalized group, they're writing a very specific story.”

Amy Tan (1952) American novelist

SALON Interview (1995)

“All the stories are fictions. What matters is which fiction you believe.”

Orson Scott Card book Children of the Mind

Source: Children of the Mind

“I do more non-fiction writing. I have two memoirs, another nonfiction book, and I do lots of essays, journalism, poetry, and reporting. But I love the fiction. As you know I have a novel, a short story collection, and two children’s books. It’s more challenging to write fiction, but I’d like to do more of these. I don’t really prefer one over the other.”

Luis J. Rodriguez (1954) pinto poetry, Chicanismo, and Chicano literature

On his writing preferences in “An Interview with Luis J. Rodriguez” https://www.epl.org/an-interview-with-luis-j-rodriguez-2/ (Evanston Public Library; 2011)

“Short story writers simply do what human beings have always done. They write stories because they have to; because they cannot rest until they have tried as hard as they can to write the stories. They cannot rest because they are human, and all of us need to speak into the silence of mortality, to interrupt and ever so briefly stop that quiet flow, and with stories try to understand at least some of it.”

Andre Dubus (1936–1999) Novelist, short story writer, teacher

Into the Silence.
Broken Vessels (1991)

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