Quotes about stone
page 8

Alfred North Whitehead photo

“Our habitual experience is a complex of failure and success in the enterprise of interpretation. If we desire a record of uninterpreted experience, we must ask a stone to record its autobiography.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Pt. I, ch. 1, sec. 6.
1920s, Process and Reality: An Essay in Cosmology (1929)

Pricasso photo

“How unflappable do you have to be to go to work, find a stone head on the doorstep, and just go about your day sorting the mail as usual? I'll bet she could pose for a portrait by Pricasso and not bat an eye.”

Pricasso (1949) Australian painter

[Intriguing news reports fresh off the Internet, 5 October 2007, Mary Hanna, Tri-Valley Herald, Pleasanton, California]
About

P. L. Travers photo
Letitia Elizabeth Landon photo
Nick Cave photo
Vitruvius photo
Vladimir Putin photo
Camille Paglia photo
John Ray photo
Kris Kristofferson photo
Matthew Stover photo
Thomas Robert Malthus photo

“It accords with the most liberal spirit of philosophy to suppose that not a stone can fall, or a plant rise, without the immediate agency of divine power.”

Thomas Robert Malthus (1766–1834) British political economist

Source: An Essay on The Principle of Population (First Edition 1798, unrevised), Chapter VII, paragraph 10, lines 8-10

Ursula K. Le Guin photo

“Before the gods and after, always, are the streams. Caves, stones, hills. Trees. The earth. The darkness of the earth.”

Ursula K. Le Guin (1929–2018) American writer

“Dragonfly” (p. 227)
Earthsea Books, Tales from Earthsea (2001)

“Fling but a stone, the giant dies.”

Matthew Green (1696–1737) British writer

Source: The Spleen (1737), Line 93.

Neil Young photo
Richard Henry Dana Jr. photo

“Referring to a professor aboard ship: This passenger — the first and only one we had had, except to go from port to port on the coast — was no one else than a gentleman whom I had known in my smoother days, and the last person I should have expected to see on the coast of California — Professor Nuttall of Cambridge. I had left him quietly seated in the chair of the Botany and Ornithology Department at Harvard University, and the next I saw of him, he was strolling about San Diego beach, in a sailors' pea jacket, with a wide straw hat, and barefooted, with his trousers rolled up to his knees, picking up stones and shells… I was often amused to see the sailors puzzled to know what to make of him, and to hear their conjectures about him and his business… The Pilgrim's crew called Mr. Nuttall "Old Curious," from his zeal for curiosities; and some of them said that he was crazy, and that his friends let him go about and amuse himself this way. Why else would (he)… come to such a place as California to pick up shells and stones, they could not understand. One of them, however, who had seen something more of the world ashore said, "Oh, 'vast there!… I've seen them colleges and know the ropes. They keep all such things for cur'osities, and study 'em, and have men a purpose to go and get 'em… He'll carry all these things to the college, and if they are better than any that they have had before, he'll be head of the college. Then, by and by, somebody else will go after some more, and if they beat him he'll have to go again, or else give up his berth. That's the way they do it. This old covery knows the ropes. He has worked a traverse over 'em, and come 'way out here where nobody's ever been afore, and where they'll never think of coming."”

This explanation satisfied Jack; and as it raised Mr. Nuttall's credit, and was near enough to the truth for common purposes, I did not disturb it.
Source: Two Years Before the Mast (1840), p. 267

Amir Khusrow photo
William Hazlitt photo

“A nickname is the heaviest stone that the devil can throw at a man.”

William Hazlitt (1778–1830) English writer

"On Nicknames"
Men and Manners: Sketches and Essays (1852)

Honoré Daumier photo

“Paris, 30-7-1843, h. Daumier - I, the undersigned, Honoré Daumier declare to reduce the price of my drawings in lithography, to forty francs the drawing with the condition
1st, that the first 11 stones which I will deliver to 'Charivari' will be paid to me at the old price, that is, fifty francs each.
2° that this reduction will be made to me as long as M Dutacy remains attached to the...'Charivari'; this having been made for the sole purpose of being agreeable to him.”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

Quote in a handwritten letter, by Daumier, 30 June, 1843; confirming his agreement with Philipon; from website Daumier http://www.daumier.org/14.0.html#c760
40 Francs for each lithograph; this is one of the few documents, showing the income which Daumier drew from his artistic activity. With this salary he would be able to support a family of four
1840's

Michael Palin photo

“The use of the word "just" by an Australian means that whatever it is you have to do, it will not be easy, as in "Just pull that sword out of the stone" or "Just split that atom."”

Michael Palin (1943) British comedian, actor, writer and television presenter

Full Circle with Michael Palin (1997)

Rubén Darío photo

“Blessed is the almost insensitive tree,
more blessed is the hard stone that doesn't feel,
for no pain is greater than the pain of being alive,
and no sorrow more intense than conscious life.”

Dichoso el árbol, que es apenas sensitivo,
y más la piedra dura porque esa ya no siente,
pues no hay dolor más grande que el dolor de ser vivo,
ni mayor pesadumbre que la vida consciente.
Cantos de vida y esperanza (1901), "Lo fatal" ("Fatalism")
Quoted in Chambers Dictionary of Quotations (1997), p. 305.

Mao Zedong photo
Horace Smith photo
Oliver Cowdery photo
Koichi Tohei photo
Qutb al-Din Aibak photo

“During my nine days' stay at Dacca, I visited most of the riot-affected areas of the city and suburbs. … The news of the killing of hundreds of innocent Hindus in trains, on railway lines between Dacca and Narayanganj, and Dacca and Chittagong gave me the rudest shock. … I reached Barisal town and was astounded to know of the happenings in Barisal. In the District town, a number of Hindu houses were burnt and a large number of Hindus killed. I visited almost all riot-affected areas in the District. … At the Madhabpasha Zamindar's house, about 200 people were killed and 40 injured. A place, called Muladi, witnessed a dreadful hell. At Muladi Bandar alone, the number killed would total more than three hundred, as was reported to me by the local Muslims including some officers. I visited Muladi village also, where I found skeletons of dead bodies at some places. I found dogs and vultures eating corpses on he river-side. I got the information there that after the whole-scale killing of all adult males, all the young girls were distributed among the ringleaders of the miscreants. At a place called Kaibartakhali under P. S. Rajapur, 63 persons were killed. Hindu houses within a stone's throw distance from the said thana office were looted, burnt and inmates killed. All Hindu shops of Babuganj Bazar were looted and then burnt and a large number of Hindus were killed. From detailed information received, the conservative estimate of casualties was placed at 2,500 killed in the District of Barisal alone. Total casualties of Dacca and East Bengal riot were estimated to be in the neighbourhood of 10,000 killed. The lamentation of women and children who had lost their all including near and dear ones melted my heart. I only asked myself "What was coming to Pakistan in the name of Islam."”

Jogendra Nath Mandal (1904–1968) Pakistani politician

Excerpted from the resignation letter of J. N. Mandal, Minister for Law and Labour, Government of Pakistan, October 8, 1950. https://en.wikisource.org/wiki/Resignation_letter_of_Jogendra_Nath_Mandal https://biblio.wiki/wiki/Resignation_letter_of_Jogendra_Nath_Mandal

Margot Asquith photo

“From the happy expression on their faces you might have supposed that they welcomed the war. I have met with men who loved stamps, and stones, and snakes, but I could not imagine any man loving war.”

Margot Asquith (1864–1945) Anglo-Scottish socialite, author and wit

The Autobiography of Margot Asquith (Harmondsworth: Penguin, 1963) p. 291. (1922)
Of the crowds outside 10 Downing Street on August 3, 1914.

Peter Greenaway photo
Bob Dylan photo

“Leave your stepping stones behind, something calls for you.
Forget the dead you've left, they will not follow you.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), It's All Over Now, Baby Blue

Robert Stawell Ball photo
Shafi Muhammad Burfat photo
Charles Taze Russell photo
José Canseco photo

“I am and will always be just simply a basball [sic] player, my tomb stone will just say. Baseball.”

José Canseco (1964) Cuban-American baseball player

Twitter, 12 December 2010

Letitia Elizabeth Landon photo
Aristophanés photo

“Chorus: [We] must look beneath every stone, lest it conceal some orator ready to sting us.”

tr. O'Neill 1938, Perseus http://www.perseus.tufts.edu/hopper/text.jsp?doc=Aristoph.+Thes.+529
Thesmophoriazusae (411 BC)

Girard Desargues photo
William Morris photo
Emily Brontë photo
Michael Ende photo

“You were compelled to?' he repeated. 'You mean you weren't sufficiently powerful to resist?'
'In order to seize power,' replied the dictator, 'I had to take it from those that had it, and in order to keep it I had to employ it against those that sought to deprive me of it.'
The chef's hat gave a nod. 'An old, old story. It has been repeated a thousand times, but no one believes it. That's why it will be repeated a thousand times more.'
The dictator felt suddenly exhausted. He would gladly have sat down to rest, but the old man and the children walked on and he followed them.
'What about you?' he blurted out, when he had caught the old man up. 'What do you know of power? Do you seriously believe that anything great can be achieved on earth without it?'
'I?' said the old man. 'I cannot tell great from small.'
'I wanted power so that I could give the world justice,' bellowed the dictator, and blood began to trickle afresh from the wound in his forehead, 'but to get it I had to commit injustice, like anyone who seeks power. I wanted to end oppression, but to do so I had to imprison and execute those who opposed me - I became an oppressor despite myself. To abolish violence we must use it, to eliminate human misery we must inflict it, to render war impossible we must wage it, to save the world we must destroy it. Such is the true nature of power.'
Chest heaving, he had once more barred the old man's path with his pistol ready.'
'Yet you love it still,' the old man said softly.
'Power is the supreme virture!' The dictator's voice quavered and broke. 'But its sole shortcoming is sufficient to spoil the whole: it can never be absolute - that's what makes it so insatiable. The only true form of power is omnipotence, which can never be attained, hence my disenchantment with it. Power has cheated me.'
'And so,' said the old man, 'you have become the very person you set out to fight. It happens again and again. That is why you cannot die.'
The dictator slowly lowered his gun. 'Yes,' he said, 'you're right. What's to be done?'
'Do you know the legend of the Happy Monarch?' asked the old man.

'When the Happy Monarch came to build the huge, mysterious palace whose planning alone had occupied ten whole years of his life, and to which marvelling crowds made pilgrimage long before its completion, he did something strange. No one will ever know for sure what made him do it, whether wisdom or self-hatred, but the night after the foundation stone had been laid, when the site was dark and deserted, he went there in secret and buried a termites' nest in a pit beneath the foundation stone itself. Many decades later - almost a life time had elapsed, and the many vicissitudes of his turbulent reign had long since banished all thought of the termites from his mind - when the unique building was finished at last and he, its architect and author, first set foot on the battlements of the topmost tower, the termites, too, completed their unseen work. We have no record of any last words that might shed light on his motives, because he and all his courtiers were buried in the dust and rubble of the fallen palace, but long-enduring legend has it that, when his almost unmarked body was finally unearthed, his face wore a happy smile.”

Michael Ende (1929–1995) German author

"Mirror in the Mirror", page 193

“Its decadence, satiety, and languor [of Roman civilization] interested me. And I kept looking and returning to their wall paintings with their veiled melancholy and their elegant plasticity. I admired the way they used their geology in their art — the sense of mineral, clay. rock, marble, and stone.”

William Baziotes (1912–1963) American painter

from his letter to Alfred H. Barr, Jr. 6 November, 1955; as cited in the text of 'The Baziotes Memorial Exhibition' and its accompanying catalogue by Lawrence Alloway; Solomon R. Guggenheim Museum 1965, p. 11
1950s

Jane Roberts photo
Han-shan photo
Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

Joseph Lewis photo

“Of the ten crimes which Biblical Hebrew law punished by stoning, nine have ceased to be offenses in modern society.”

Joseph Lewis (1889–1968) American activist

The Ten Commandments ("The Eighth Commandment")

Glen Cook photo
Bernard Cornwell photo
Nico photo

“Jim Morrison tells me that people are looking at the streets while I am looking at the moon. I do not feel connected enough [with the issues] to throw stones at a policeman. I want to throw stones at the whole world.”

Nico (1938–1988) German musician, model and actress, one of Warhol's superstars

In 1968, as quoted in Life and Lies of an Icon (1995) by Richard Witts.

Simone de Beauvoir photo
Joe Hill photo
Leonard Cohen photo
Harry Chapin photo
Bill Mollison photo
Nikos Kazantzakis photo

“Speak straight and clear! I only hear that manly prayer
which like a huge fist breaks my head against the stones.”

Nikos Kazantzakis (1883–1957) Greek writer

Odysseus, Book VIII, line 530
The Odyssey : A Modern Sequel (1938)

Leo Igwe photo

“For too long, African societies have been identified as superstitious, consisting of people who cannot question, reason or think critically. Dogma and blind faith in superstition, divinity and tradition are said to be the mainstay of popular thought and culture. African science is often equated with witchcraft and the occult; African philosophy with magical thinking, myth-making and mysticism, African religion with stone-age spiritual abracadabra, African medicine with folk therapies often involving pseudoscientific concoctions inspired by magical thinking. Science, critical thinking and technological intelligence are portrayed as Western — as opposed to universal — values, and as alien to Africa and to the African mindset. An African who thinks critically or seeks evidence and demands proofs for extraordinary claims is accused of taking a “white” or Western approach. An African questioning local superstitions and traditions is portrayed as having abandoned or betrayed the essence of African identity. Skepticism and rationalism are regarded as Western, un-African, philosophies. Although there is a risk of overgeneralizing, there are clear indicators that the continent is still socially, politically and culturally trapped by undue credulity. Many irrational beliefs exist and hold sway across the region. These are beliefs informed by fear and ignorance, misrepresentations of nature and how nature works. These misconceptions are often instrumental in causing many absurd incidents, harmful traditional practices and atrocious acts.”

Leo Igwe (1970) Nigerian human rights activist

A Manifesto for a Skeptical Africa (2012)

Aurangzeb photo

“The houses of this country (Maharashtra) are exceedingly strong and built solely of stone and iron. The hatchet-men of the Government in the course of my marching do not get sufficient strength and power (i. e., time) to destroy and raze the temples of the infidels that meet the eye on the way. You should appoint an orthodox inspector (darogha) who may afterwards destroy them at leisure and dig up their foundations.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maharashtra . Aurangzeb to Ruhullah Khan in Kalimat-i-Aurangzib. Kalimat-i-Aurangzeb, quoted in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 188-89 quoted in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers. https://archive.org/details/in.ernet.dli.2015.62677/page/n299
Quotes from late medieval histories

Carl Linnaeus photo
Sören Kierkegaard photo

“After a considerable walk through the forest, where I became acquainted with several of the little lakes I am so fond of, I came to Hestehaven and Lake Carl. Here is one of the most beautiful regions I have ever seen. The countryside is somewhat isolated and slopes steeply down to the lake, but with the beech forests growing on either side, it is not barren. A growth of rushes forms the background and the lake itself the foreground; a fairly large part of the lake is clear, but a still larger part is overgrown with the large green leaves of the waterlily, under which the fish seemingly try to hide but now and then peek out and flounder about on the surface in order to bathe in sunshine. The land rises on the opposite side, a great beech forest, and in the morning light the lighted areas make a marvelous contrast to the shadowed areas. The church bells call to prayer, but not in a temple made by human hands. If the birds do not need to be reminded to praise God, then ought men not be moved to prayer outside of the church, in the true house of God, where heaven's arch forms the ceiling of the church, where the roar of the storm and the light breezes take the place of the organ's bass and treble, where the singing of the birds make up the congregational hymns of praise, where echo does not repeat the pastor's voice as in the arch of the stone church, but where everything resolves itself in an endless antiphony — Hillerød, July 25, 1835”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

1830s, The Journals of Søren Kierkegaard, 1830s

Han-shan photo

“They left no stone unturned in de-Hinduizing or denationalizing the Hindus, in effect de-Indianizing the Indians, in various ways. It is preposterous to question their credentials as true Muslims. Their 'Ulama' exhorted them off and on to make the best of their sword to root out the Hindus and convert India into a full-fledged Dar al-lslam. Sayyid Nur ad-Din Mubarak Ghaznawi Suhrawardi, at once a leading Sufi, a leading Muslim divine, and the Shaykh al-lslam of Sultan Iltutmish. led a deputation of Ulama to the Sultan and advised him to give an ultimatum to the Hindus to embrace Islam or face death. The Sultan’s prime minister pleaded powerlessness on his behalf to do so." Then the Shaykh offered an alternative suggestion: ’… the king should at least strive to disgrace, dishonour, and defame the Mushrik and idol- worshipping Hindus…. The sign of the kings being protectors of the faith is this: When they see a Hindu, their faces turn red and they wish to swallow him alive….' A similar suggestion was made to Jalal ad-Din Khalji, who returned ruefully: 'Don’t you see that Hindus, who are the worst enemies of God and of Islam, pass daily below my royal palace to the Jamuna beating drums and playing flutes, and practise before our eyes the worship of the idols with all the rituals? Fie on us unworthy leaders who declare ourselves Muslim kings!… Had I been a Muslim ruler, a real king, or a prince and felt myself strong and powerful enough to protect Islam, any enemy of God and the faith of the Prophet of Islam would not have been allowed to chew betels in a care-free manner and put on a clean garment or live in peace. Qadi Mughis ad- Din’s advice to Sultan Ala' d-Din Khaiji was on similer lines, and the Sultan confessed that he had humiliated and pauperized the Hindus to his utmost even though without caring to know the provisions of the Shari'ah on the subject.”

Harsh Narain (1921–1995) Indian writer

Myths of Composite Culture and Equality of Religions (1990)

Stephen Johnson Field photo
Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Harriet Beecher Stowe photo
Alicia Witt photo
David Foster Wallace photo
Henry Van Dyke photo

“Raise the stone, and thou shalt find me; cleave the wood and there am I.”

Henry Van Dyke (1852–1933) American diplomat

The Toiling of Felix, Pt. I, prelude (1900)

Clifford D. Simak photo
Peter Blake photo

“My dealer was a friend of the Beatles and the Stones, and he suggested they used a fine artist. I talked to the Beatles at length about what the cover would be. I worked out it would show the moment after they had played in a bandstand in the park. My big contribution was the life-size cutouts, the magic crowds.”

Peter Blake (1932) British artist

Charlotte Higgins, "It was 37 years ago today – and Sgt Pepper cover has still failed to pay", http://www.guardian.co.uk/thebeatles/story/0,,1230411,00.html The Guardian, 2004-06-03
Sgt. Pepper's cover

Perry Anderson photo
Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

Kent Hovind photo
Joss Stone photo

“I am Joss Stone and I am a vegetarian. I'm a singer, a songwriter, a performer and a human being accepting of all sizes, shapes, colours and species.”

Joss Stone (1987) English singer and actress

Said in a magazine advert http://www.peta2.com/wp-content/uploads/2012/01/Joss-Stone-Veg-peta2-Ad.jpg for PETA, pictured with a speckled hen. Quoted in "Soul diva Stone in veggie ad", in Mirror.co.uk (15 March 2007) http://www.mirror.co.uk/news/uk-news/soul-diva-stone-in-veggie-ad-458507.

Andrew Ure photo
John Keats photo
John Kenneth Galbraith photo

“You roll back the stones, and you find slithering things. That is the world of Richard Nixon.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Speech of Adlai Stevenson, Los Angeles (1956), written by Galbraith

St. Vincent (musician) photo

“Sticks and stones have made me smarter
it's words that cut me under my armor they say…”

St. Vincent (musician) (1982) American singer-songwriter

"Paris Is Burning"
Paris Is Burning (2006)

Joseph Massad photo

“Palestinians and Arabs were not the only ones cast as Nazis. Israel was also accused — by Israelis as well as by Palestinians — of Nazi-style crimes. In the context of Israeli massacres of Palestinians in 1948, a number of Israeli ministers referred to the actions of Israeli soldiers as "Nazi actions," prompting Benny Marshak, the education officer of the Palmach, to ask them to stop using the term. Indeed, after the massacre at al-Dawayima, Agriculture Minister Aharon Zisling asserted in a cabinet meeting that he "couldn't sleep all night… Jews too have committed Nazi acts." Similar language was used after the Israeli army gunned down forty-seven Israeli Palestinian men, women, and children at Kafr Qasim in 1956. While most Israeli newspapers at the time played down the massacre, a rabbi rote that "we must demand of the entire nation a sense of shame and humiliation… that soon we will be like Nazias and the perpetrators of pogroms." The Palestinians were soon to level the same accusation against the Israelis. Such accusations increased during the intifada. One of the communiqués issued by the Unified National Leadership of the Uprising defined the intifada as consisting of "the children and young men of the stones and Molotov cocktails, the thousands of women who miscarried as a result of poison gas and tear gas grenades, and those women whose sons and husbands were thrown in the Nazi prisons." The Israelis were always outraged by such accusations, even when the similarities were stark. When the board of Yad Vashem, for example, was asked to condemn the act of an Israeli army officer who instructed his soldiers to inscribe numbers on the arms of Palestinians, board chairman Gideon Hausner "squelched the initiative, ruling that it had no relevance to the Holocaust."”

Joseph Massad (1963) Associate Professor of Arab Studies

Massad, in Palestinian and Jewish History: Recognition or Submission? in the Autumn 2000 issue of the Journal of Palestine Studies.
On Comparisons of Israel to Nazi Germany

William Wordsworth photo
Abu'l-Fazl ibn Mubarak photo
Charles Baudelaire photo

“I am lovely, O mortals, like a dream of stone;
And my breast, where everyone is bruised in his turn,
Has been made to awaken in poets a love
That is eternal and as silent as matter.I am throned in blue sky like a sphinx unbeknown;
My heart of snow is wed to the whiteness of swans;
I detest any movement displacing still lines,
And never do I weep and never laugh.”

<p>Je suis belle, ô mortels! comme un rêve de pierre,
Et mon sein, où chacun s’est meurtri tour à tour,
Est fait pour inspirer au poète un amour
Eternel et muet ainsi que la matière.</p><p>Je trône dans l’azur comme un sphinx incompris;
J’unis un cœur de neige à la blancheur des cygnes;
Je hais le mouvement qui déplace les lignes,
Et jamais je ne pleure et jamais je ne ris.</p>
"La Beauté" [Beauty] http://fr.wikisource.org/wiki/La_Beaut%C3%A9_%28Les_Fleurs_du_mal%29
Les fleurs du mal (Flowers of Evil) (1857)

Richard Leakey photo
Gore Vidal photo
John Ogilby photo

“There had his flesh been rent, fractur'd his bones,
'Mongst rowling pebbles, and sharp pointed stones.”

John Ogilby (1600–1676) Scottish academic

Book V
Homer His Odysses Translated (1665)

Charles Lyell photo
Hugh Latimer photo

“The drop of rain maketh a hole in the stone, not by violence, but by oft falling.”

Hugh Latimer (1485–1555) British bishop

Seventh Sermon before Edward VI (1549)

Ralph Steadman photo
Plutarch photo

“It was the saying of Bion, that though the boys throw stones at frogs in sport, yet the frogs do not die in sport but in earnest.”

Plutarch (46–127) ancient Greek historian and philosopher

Which are the most crafty, Water or Land Animals?, 7
Bartlett's Familiar Quotations, 10th ed. (1919)

Peter Kenneth photo

“Good legacies form a stepping-stone of future leadership and the foundation of development in the country”

Peter Kenneth (1965) politician

While addressing mourners during the funeral of Martha Nyokabi, who was a District Officer at Kigoro in Gatanga district. Kenya deserves good leaders, says Kenneth, nation.co.ke, 2012, 11 August 2012 http://www.nation.co.ke/News/politics/-/1064/1476418/-/9fxys5/-/index.html,

Joan Baez photo
Robert Graves photo
Joseph Joubert photo
Barbara Hepworth photo