“What actually happened was that Rolling Stone paid me fifteen hundred dollars for the use of all the drawings - about twenty four of them - and then offered to buy the originals from me, which my agent urged 'was a good move!'. He sold the whole damn treasure trove to Jann Wenner for the princely sum of sixty dollars per drawing. I rue the day I let him convince me.”

Fear And Loathing, p. 76
The Joke's Over (2006)

Adopted from Wikiquote. Last update June 3, 2021. History

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Ralph Steadman22

British cartoonist 1936

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“I was worth about over a million dollars when I was twenty-three and over ten million dollars when I was twenty-four, and over a hundred million dollars when I was twenty-five and it wasn't that important because I never did it for the money.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Interview in the PBS documentary Triumph of the Nerds: The Rise of Accidental Empires (1996)
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“Now, my dear Philippine, a few words more. I am not rich; but my affairs are not in a deranged or desperate state, and were I to die to-day, and my property sold, it would fetch 5,000 dollars at least, so that I possess 2,000 dollars more than my father gave me. I have but 400 dollars salary; my practice is good, and becomes daily more lucrative; the income I derive from it now is more than sufficient to keep a good and respectable house; my prospects are flattering; but I can and must not name them at present; I will not bring them into account.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

“In the treaty councils the commissioners have claimed that our country had been sold to the Government. Suppose a white man should come to me and say, "Joseph, I like your horses, and I want to buy them." I say to him, "No, my horses suit me, I will not sell them." Then he goes to my neighbor, and says to him: "Joseph has some good horses. I want to buy them, but he refuses to sell." My neighbor answers, "Pay me the money, and I will sell you Joseph's horses." The white man returns to me and says, "Joseph, I have bought your horses, and you must let me have them." If we sold our lands to the Government, this is the way they were bought.”

Chief Joseph (1840–1904) Nez Percé Chieftain

Arguing against the right of the US Government to force his people to leave their lands (1876)

“It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

“Forced from home and all its pleasures
Afric's coast I left forlorn,
To increase a stranger's treasures
O'er the raging billows borne.
Men from England bought and sold me,
Paid my price in paltry gold;
But, though slave they have enrolled me,
Minds are never to be sold.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

Source: The Negro's Complaint (1788), Lines 1-8

“I mixed [early 1950's] funny shades of colors and used them but I used them because they made the drawing in my picture move. It wasn't because I was in love with the idea of putting color down. But these colors were the expedient things to use for the way I drew and I say 'draw' not meaning line, though it might have included line. But the way I drew or envisioned or made my work. And it happened that it came out stressing color. But I did not have a vision or a notion about color per se being the thing that would make me or my pictures work or operate.”

Helen Frankenthaler (1928–2011) American artist

quote about shades and drawing
1960s, Interview with Barbara Rose', Archives - American Art, 1968

“I intended all of that. And this is what I like about this, and drawings like draw, like the gunman. I call this the shoot out, the high noon draw. That was also my intent as well as drawings; draw a bucket back to the cables and the whole idea about drawings…”

Lorna Dee Cervantes (1954) American writer

On how drawings are used in all of its forms as a recurrent theme in From the Cables of Genocide in “Poetry Saved My Life: An Interview with Lorna Dee Cervantes” https://opencourses.uoa.gr/modules/document/file.php/ENL9/Instructional%20Package/Texts//Readings/Chicana%20Movement-%20Further%20Reading/An%20Interview%20with%20Lorna%20Dee%20Cervantes.pdf (Spring 2007)

“Paris, 30-7-1843, h. Daumier - I, the undersigned, Honoré Daumier declare to reduce the price of my drawings in lithography, to forty francs the drawing with the condition
1st, that the first 11 stones which I will deliver to 'Charivari' will be paid to me at the old price, that is, fifty francs each.
2° that this reduction will be made to me as long as M Dutacy remains attached to the...'Charivari'; this having been made for the sole purpose of being agreeable to him.”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

Quote in a handwritten letter, by Daumier, 30 June, 1843; confirming his agreement with Philipon; from website Daumier http://www.daumier.org/14.0.html#c760 <br class="br">40 Francs for each lithograph; this is one of the few documents, showing the income which Daumier drew from his artistic activity. With this salary he would be able to support a family of four <br class="br">1840's

“Bosboom seemed to have enjoyed my drawing [= watercolor] - He gave me a small visual comment - which I accepted with thanks and will follow. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) scheen in mijn teekening [= aquarel] plaisir te hebben – Hij maakte mij nog een kleine observatie - die ik in dank heb aangenomen en volgen zal.
In a letter to Pieter verLoren van Themaat, 4 Oct, 1868; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

““Look at me closely, amigo,” said my dad. “Here is a hundred-dollar bill just to start with. Thirty dollars of this is for you to put in your own pocket right now. Capiche?” The bartender’s whole attitude changed. Suddenly he wasn’t tired anymore. “Yes, mi general, entiendo!” he said. “Good, and give another twenty to the chef in back and ten to the dishwasher. That leaves forty for my son and me to drink and eat a little something.” “But of course!” said the barkeeper. “The whole place is open for you! Which tequila would you like?” he added anxiously. “Herradura, and a couple of Modelo cervezas.” “I like Dos Equis,” I said. “The dark one.” “Okay,” said my dad, “one Modelo and one dark Dos Equis.” The bartender was flying, moving, truly enjoying the whole show. My dad winked at me. “Like I always say, to tip after the meal is stupid. Tip first and big, and the whole world changes.””

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

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