Quotes about stone
page 9

“523. A fool may throw a stone into a well, which a hundred wise men cannot pull out.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

“The clarity of Socrates' situation is remarkable. … his exit is wonderfully seductive. It is calm, clear, convincing. Friends are present, wise words are said, the ethical unfolding of life is tied up in a neat package. And then he slips away, slowly becoming stone-cold from the feet up. It is our fantasy of the normal death, with the addition of social and prophetic implications, to say nothing of heroic proportions. Again, most of us will likely drop dead on a subway platform, in the middle of an orgasm or straining on a toilet seat early in the morning. The real tragedy of death may be just how often it is comic.”

John Ralston Saul (1947) Canadian author and essayist

On Equilibrium (2001)

Life, Death, Dead

“During the attack, the catapults were busily plied on both sides… ‘Praise be to God for his exaltation of the religion of Muhammad. It is not to be doubted that stones are worshipped by Gabrs,74 but as the stones did no service to them, they only bore to heaven the futility of that worship, and at the same time prostrated their devotees upon earth’…”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

About Sultan ‘Alau’d-Din Khalji (AD 1296-1316) and his generals conquests in Warangal (Andhra Pradesh) Elliot and Dowson, History of India as told by its own Historians,Vol. III, p. 81-85
Khazainu’l-Futuh

God, Religion, Time

“One day, thought Stone, there will be a war and when you get to the front you will last five minutes before someone puts a bullet in your back.”

Christopher Wood (writer) (1935–2015) English writer

Wood, Christopher. "Terrible Hard", Says Alice. London: Constable. 1970. (chapter 1)

War

“as my mother told me sticks and stones may break my bones but words don’t hurt me.”

Philip Hammond (1955) British Conservative politician

23 August 2015
2015
Source: http://en.trend.az/iran/politics/2426555.html
Source: http://www.aa.com.tr/en/world/580077--hammond
Source: http://www.tehrantimes.com/Index_view.asp?code=248893

Hurt

“The city is very different from the country, girl. It is a kind of shared consciousness that begins its work on you as soon as you enter it, if not well before, a consciousness that begins to separate you from the country possibly even before you decide to journey toward it. It encircles you with forces much greater than the walls and gates which imitate tinier villages or towns. People who come to it come seeking the future, not realizing all that will finally affect them in it is their own, only more or less aware, involvement with the past. The way we do things here—really, that’s all there is to be learned in our precincts. But in the paving of every wide, clear avenue, in the turnings of every dark, overhung alley, in the ornaments on every cornice, in the salt-stained stones of each neighborhood cistern, there are traces of the way things once were done—which is the key to why they are done as they are today.”

Samuel R. Delany book Neveryóna

Source: Neveryóna (1983), Chapter 5, “Of Matrons, Mornings, Motives, and Machinations” (p. 104)

People, Way, Girl, Learning

“Tell all the stones we're gonna make a building…
We'll be cut into shape and set into place.
Or if you'd rather be a window, I'll gladly be the frame,
Reflecting any kind words, we'll let in all their blame…”

Aaron Weiss

Torches Together.
Catch For Us The Foxes (2004)

“The structures of society and culture are fighting turned to stone; they are what comes into existence so long and insofar as we interrupt our practical and ideological struggles over the organization of life in society. When the fighting escalates again, the structures dissolve into the collective action and imagination from which they arose. When we fashion structures design to invite their own reconstruction, we make them into both superior instruments of our power and more faithful reflections of our humanity.”

Roberto Mangabeira Unger book The Self Awakened: Pragmatism Unbound

Source: The Self Awakened: Pragmatism Unbound (2007), p. 63

Life, Faith, Imagination, Fashion

“Even in the Capitol, there’s nothing to match the magnificence of this old building. But there is no give to the surface—only my flesh yields, my warmth taken. Stone conquers people every time.”

Suzanne Collins (1962) American television writer and novelist

Katniss (p. 209)
The Hunger Games trilogy, Mockingjay (2010)

People, Time

“He then marched and encamped under the fort of Delhi' The city and its vicinity were freed from idols and idols-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one God.'…
'Kutbu-d din built the Jami' Masjid at Delhi, and adorned it with stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions in Toghra, containing the divine commands.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Delhi. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-23
Variant: The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands.

God

“The Emperor learning that in the temple of Keshav Rai at Mathura there was a stone railing presented by Dara Shukoh, remarked, 'In the Muslim faith it is a sin even to look at a temple, and this Dara had restored a railing in a temple. This fact is not creditable to the Muhammadans. Remove the railing.' By his order Abdun Nabi Khan (the faujdar of Mathura) removed it (1666).”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat, cited in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 186-189., quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1660s

Faith, Learning

“4057. Rolling Stones gather no Moss.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“If you live in a glass house, don't be chucking stuff about. - Karl interprets the phrase Those who live in glass houses shouldn't throw stones.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 6
On Sayings

Housing

“Brothers! The Army and the people have merged into a single entity. They have become a source of strength which is worrying the foreigners. The foreigner, along with imperialism, therefore began to resort to other means to split up our ranks so as to overcome us. But these attempts on the part of the imperialists to split up our ranks have gone long ago. Imperialism now tries to split up our ranks by calling for narrow parties and restricted groupings. The purpose of this is to play one against the other, while the foreigners and the imperialists will sit as spectators. But we shall thrust a stone in the mouth of imperialism. We shall overcome imperialism and we shall close this gap in its face. The parochial groupings and party affiliation at this time are of no benefit to the country… the purpose of this is to create disunity and weaken our strength and play one against the other. We are in a period of transition. We have resolved to protect the gains of our Revolution at any rate.”

Abd al-Karim Qasim (1914–1963) Prime Minister of Iraq

Speech delivered in the gardens of the Shaab Hall (May 1, 1959).
Principles of the 14th July Revolution (1959)

People, Time, Parting, Country

“Success: Pessimism and giving up are greatest weaknesses. Our failures are essential stepping stones to success. Motivate yourself and develop the will to win. Never quit halfway. The only way to excellent achievement is to try again and again with hope and confidence.”

Thich Nhat Tu (1969) Vietnamese philosopher

Engaged Buddhism, Social Change and World Peace (2014)

Hope, Way, Confidence, Motivation

“I've always spent more time with a smile on my face than not, but the thing is, I don't write about it. (Rolling Stone magazine 1997)”

Robert Smith (musician) (1959) English singer, songwriter and musician

Smile, Time

“Some lie beneath the churchyard stone,
And some before the speaker.”

Winthrop Mackworth Praed (1802–1839) British politician, poet

School and Schoolfellows.

Lie

“PETA has a proven track record of success. Each victory PETA wins for the animals is a stepping stone upon which we build a more compassionate world for all beings - and we will never give up our fight until all animals are treated with respect and kindness.”

Bea Arthur (1922–2009) actress, singer, comedian

Interview, The Human Society, January 7, 2004

World, Success, Victory, Animals

“To cure the mind's wrong bias, Spleen,
Some recommend the bowling green;
Some, hilly walks; all, exercise;
Fling but a stone, the giant dies.”

Matthew Green (1696–1737) British writer

Source: aQuotes, The Spleen (1737), Line 89.

Exercises

“When the Dark comes rising, six shall turn it back,
Three from the circle, three from the track;
Wood, bronze, iron; water, fire, stone;
Five will return, and one go alone.”

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), The Dark Is Rising (1973), Chapter 3 “The Sign-Seeker” (p. 45)

Water

“Qutb-ud-Din Aybak also is said to have destroyed nearly a thousand temples, and then raised mosques on their foundations. The same author states that he built the Jami Masjid, Delhi, and adorned it with the stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions (from the Quran) containing the divine commands. We have further evidence of this harrowing process having been systematically employed from the inscription extant over the eastern gateway of this same mosque at Delhi, which relates that the materials of 27 idol temples were used in its construction.”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Dr. Murray Titus quoted from B.R. Ambedkar, Pakistan or The Partition of India (1946)

“Mathematics is too arduous and uninviting a field to appeal to those to whom it does not give great rewards. These rewards are of exactly the same character as those of the artist. To see a difficult uncompromising material take living shape and meaning is to be Pygmalion, whether the material is stone or hard, stonelike logic. To see meaning and understanding come where there has been no meaning and no understanding is to share the work of a demiurge. No amount of technical correctness and no amount of labour can replace this creative moment, whether in the life of a mathematician or of a painter or musician. Bound up with it is a judgement of values, quite parallel to the judgement of values that belongs to the painter or the musician. Neither the artist nor the mathematician may be able to tell you what constitutes the difference between a significant piece of work and an inflated trifle; but if he is not able to recognise this in his own heart, he is no artist and no mathematician.”

Norbert Wiener (1894–1964) American mathematician

Ex-Prodigy: My Childhood and Youth (1964)

Life, Mathematics, Understanding, Heart

““Pascal’s Wager never appealed to me. It seems logically… shallow.”
“Perhaps because it posits only two choices,” said Aenea. Somewhere in the desert night, an owl made a short, sharp sound. “Spiritual resurrection and immortality or death and damnation,” she said.
“Those last two aren’t the same thing,” I said.
“No, but perhaps to someone like Blaise Pascal they were. Someone terrified of ‘the eternal silence of these infinite spaces.’”
“A spiritual agoraphobic,” I said.
Aenea laughed. The sound was so sincere and spontaneous that I could not help loving it. Her.
“Religion seems to have always offered that false duality,” she said, setting her cup of tea on a flat stone. “The silences of infinite space or the cozy comfort of inner certainty.””

Dan Simmons book The Rise of Endymion

Source: The Rise of Endymion (1997), Chapter 10 (p. 166)

Love, Death, Religion, Silence

“Now there was that look of waiting, and submission—not the frenzy of the stadium, but the quiet sleep-trance of belief. Something stirred in me at it, as I realized I had them in my palm. I stood very still in my white and black, holding the copper things in my hands, and then I began to walk between them toward the god. And I laughed at the god as I went toward him. You—what are you? And he had no answer for me, for here it was the priest who was the power, not the god, poor empty stone.”

Tanith Lee book The Birthgrave

Book Two, Part I “Across the Ring”, Chapter 3 (p. 155)
The Birthgrave (1975)

God, Sleep, Waiting

“I reject republicanism. At the head of races, above the elite, there is Monarchy. Not all monarchs have been good. Monarchy, however, has always been good. The individual monarch must not be confused with the institution of Monarchy, the conclusions drawn from this would be false. There can be bad priests, but this does not mean that we can draw the conclusion that the Church must be ended and God stoned to death. There are certainly weak or bad monarchs, but we cannot renounce Monarchy. The race has a line of life. A monarch is great and good, when he stays on this line; he is petty and bad, to the extent that he moves away from this racial line of life or he opposes it. There are many lines by which a monarch can be tempted. He must set them all aside and follow the line of the race. Here is the law of Monarchy.”

Corneliu Zelea Codreanu (1899–1938) Romanian politician

For My Legionaries: The Iron Guard (1936), Politics

Life, Death, God, Law

“Awards at each different stage have a special meaning and significance. They mean differently to everyone. When you get an award at the start of your career, it definitely is a stepping stone, and in the middle stages, awards become a source of inspiration, a source of happiness. It is a memento of something that is probably well deserved for the amount of effort put in. Filmfare Awards are something to be proud of. When one gets a Filmfare Award, people know an actor has arrived.”

Rani Mukerji (1978) Indian film actress

[filmfare.com, What do Filmfare Awards mean to me?, http://www.filmfare.com/awards2001/spotpoll.html, 23 April, 2006]
Famous Quotes

People, Effort, Happiness

“They boosted themselves with such nauseating self-praise as to make the stones jump out of the walls and flee.”

Giovanni Boccaccio book Corbaccio

Se medesimi esaltando con parole da fare per istomacaggine le pietre saltar del muro e fuggirsi.
Il Corbaccio (c. 1355), "The Labyrinth of Love" (tr. Normand Cartier)

“The idea that the people have a right to choose their own rulers was not new in political history. It was the foundation of every popular attempt to depose an undesirable king. This right was set out with a good deal of detail by the Dutch when as early as July 26, 1581, they declared their independence of Philip of Spain. In their long struggle with the Stuarts the British people asserted the same principles, which finally culminated in the Bill of Rights deposing the last of that house and placing William and Mary on the throne. In each of these cases sovereignty through divine right was displaced by sovereignty through the consent of the people. Running through the same documents, though expressed in different terms, is the clear inference of inalienable rights. But we should search these charters in vain for an assertion of the doctrine of equality. This principle had not before appeared as an official political declaration of any nation. It was profoundly revolutionary. It is one of the corner stones of American institutions.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Speech on the Anniversary of the Declaration of Independence (1926)

People, History, Search, Idea

“In the states of Maxilua and Callet, in Further Spain, as well as in Pitane in Asia Minor, there are bricks which, when finished and dried, will float on being thrown into water. The reason why they can float seems to be that the clay of which they are made is like pumice-stone. So it is light, and also it does not, after being hardened by exposure to the air, take up or absorb liquid. …They have therefore great advantages; for they are not heavy to use in building and, once made, they are not spoiled by bad weather.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter III, Sec. 4

Light, Water, Weather

“Well I'm running down the road
Tryin' to loosen my load,
I've got seven women on my mind,
Four that wanna own me,
Two that wanna stone me,
One says she's a friend of mine.”

Jackson Browne (1948) American singer-songwriter

Take It Easy (co-written with Glenn Frey, 1971-1972), from For Everyman; previously recorded on The Eagles' album Eagles (1972)

Women

“Her face is bent out of shape, but still recognizable. There are too many teeth in her mouth, now. It is torn open at the sides. Split along her cheeks, so the weird jagged stones of her teeth can breathe.”

Joey Comeau (1980) writer

One Bloody Thing After Another

“I knew the Spring was come. I knew it even
Better than all by this, that through my chase
In bush and stone and hill and sea and heaven
I seem'd to see and follow still your face.
Your face my quarry was. For it I rode,
My horse a thing of wings, myself a god.”

Wilfrid Scawen Blunt (1840–1922) English poet and writer

St. Valentine's Day, from Collected Poems (1914)

God, Spring, Horse, Sea

“As when, O lady mine,
With chiseled touch
The stone unhewn and cold
Becomes a living mold,
The more the marble wastes,
The more the statue grows.”

Michelangelo Buonarroti (1475–1564) Italian sculptor, painter, architect and poet

Sonnet addressed to Vittoria Colonna; tr. Mrs. Henry Roscoe (Maria Fletcher Roscoe), Vittoria Colonna: Her Life and Poems (1868), p. 169.

“I raised my arms as if in prayer and heard the mutter of response behind me. Then I scattered the dried grains, red and brown and black, and studied the patterns they formed on the stone ledge before Sibbos. This is not such a mystic thing. You see what it is sensible to see, or else you interpret what you see so that the meaning comes out as you want it.”

Tanith Lee book The Birthgrave

Book Two, Part I “Across the Ring”, Chapter 3 (p. 155)
The Birthgrave (1975)

Study

“You can really bring so much more to rock'n'roll. Rock'n'roll is the most accepting, is the most fertile ground for creating hybrid forms of music and hybrid forms of show, if you draw from many, many different wells. It's just unfortunate so many rock'n'roll stars only bother to learn how to play like Led Zeppelin and/or the Rolling Stones and that's what you get, disc after disc and show after show.”

David Lee Roth (1954) Rock vocalist; lead singer with Van Halen

Patrick McDonald (October 13, 1988) "David Lee Roth: Outrageous or normal?", The Advertiser.

Music, Star, Learning, Drawing

“It is important to remove artificial barriers–stumbling stones, often local in origin and coming from incumbent opposition to entry–and to not burden businesses with taxes that reduce their internally generated funds for reinvestment, growth and striving to overcome market challenges.”

Vernon L. Smith (1927) American economist

quoted in Nobel Economist Pans Start-Up Chile Concept http://brophyworld.com/nobel-economist-pans-start-up-chile-concept/ (2011).

Business

“A rolling stone gathers no moss.'
Try as I might I could not remember the meaning. At last I hazarded, 'Well, it means a person who's always active and never pauses to reflect — ' No, that didn't sound right. I tried again. 'That means a man who is always active and keeps growing in mental and moral stature won't grow stale.' He was looking at me more intently, so I added by way of clarification, 'I mean, a man who's active and doesn't let grass grow under his feet, he'll get ahead in life.'
Doctor Nisea said, 'I see.' And I knew that I had revealed, for the purposes of legal diagnosis, a schizophrenic thinking disorder.
'What does it mean?' I asked. 'Did I get it backward?'
'Yes, I'm afraid so. The generally-accepted meaning of the proverb is the opposite of what you've given; it is generally taken to mean that a person who — '
'You don't have to tell me,' I broke in. 'I remember — I really knew it. A person who's unstable will never acquire anything of value.”

Philip K. Dick book We Can Build You

Source: We Can Build You (1972), chapter 17, page 224.

Life, Way, Thinking, Grass

“Here is something I have learned the hard way, but which a lot of well-meaning people in the West have a hard time accepting: All human beings are equal, but all cultures and religions are not. A culture that celebrates femininity and considers women to be the masters of their own lives is better than a culture that mutilates girls' genitals and confines them behind walls and veils or flogs or stones them for falling in love. A culture that protects women's rights by law is better than a culture in which a man can lawfully have four wives at once and women are denied alimony and half their inheritance. A culture that appoints women to its supreme court is better than a culture that declares that the testimony of a woman is worth half that of a man.”

Ayaan Hirsi Ali (1969) Dutch feminist, author

Source: 2010s, Nomad: A Personal Journey Through the Clash of Civilizations (2010), Chapter 14, “Opening the Muslim Mind: An Enlightenment Mind (pp. 212-213)

Love, Women, People, Religion

“How shall I a habit break?
As you did that habit make.
As you gathered, you must lose;
As you yielded, now refuse.
Thread by thread the strands we twist
Till they bind us, neck and wrist.
Thread by thread the patient hand
Must untwine, ere free we stand.
As we builded, stone by stoene,
We must toil, unhelped, alone,
Till the wall is overthrown.”

John Boyle O'Reilly (1844–1890) Irish-born poet and novelist

A Builder's Lesson.

“The convictions of the multitudes — and on certain points like the desirability of organizing the world on a nationalist basis there is overwhelming agreement — are sincere convictions. They are, as we know, sometimes disastrously erroneous; but they are also disastrously honest. The Nationalisms, the Protectionisms, the Mercantilisms and all the other fallacies which rack Europe and create the chaos are sincerely held fallacies. They are, to these multitudes, the truth, and the prophet who denies them shall be stoned.”

Norman Angell (1872–1967) British politician

Peace and the Public Mind (1935)

Truth, World, Sincerity

“I heard Allah's Apostle saying, "The Jews will fight with you, and you will be given victory over them so that a stone will say, 'O Muslim! There is a Jew behind me; kill him!"”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated 'Abdullah bin 'Umar, in Bukhari, Volume 4, Book 56, Number 791
Sunni Hadith

Victory, Fight

“Not in hewn stones, nor in well-fashioned beams,
Not in the noblest of the builder's dreams,
But in courageous men of purpose great,
There is the fortress, there the living State.”

Alcaeus of Mytilene (-600–-560 BC) ancient Greek poet

"The Bulwark of the State", as translated by James S. Easby-Smith

Men, Dreams, Fashion, Courage

“… the floor was a stone slab of coolness, an expanse of warm ice that would not melt.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

A Strange and Sublime Address (1991)

“This is the universe! And I'm placing stones one by one on that. Like I'm increasing the number of stars one by one… I'm making the universe. It's like I'm a God. I'm going to become a God! On this Go Board.”

Yumi Hotta Hikaru no Go

In the anime, Hikaru says this when he plays in a Go tournament for the first time.
Hikaru no Go

God, Star, Universe

“A slumber did my spirit seal;
I had no human fears:
She seemed a thing that could not feel
The touch of earthly years.

No motion has she now, no force;
She neither hears nor sees;
Rolled round in earth's diurnal course,
With rocks, and stones, and trees.”

William Wordsworth book Lyrical Ballads

A Slumber Did My Spirit Seal (1799).
Lyrical Ballads (1798–1800)

Fear, Feeling, Tree

“I’m not sure who’s in charge of “The Stone,” the New York Times‘s philosophy column, but that person is not doing their job. Imagine if some of our greatest living philosophers would post there about matters diverse: ethics, animal rights, abortion, drone strikes, and so on. But all too often the column is about God; that is, we have Great Minds lucubrating about nonexistent beings. Among all species of philosophy, the philosophy of religion is the most intellectually depauperate. It’s a waste of time.”

Jerry Coyne (1949) American biologist

" Didn’t you know: God’s a question, not an answer! https://whyevolutionistrue.wordpress.com/2016/04/10/didnt-you-know-gods-a-question-not-an-answer/" April 10, 2016

God, Religion, Imagination, Time

“Avenge, O Lord, thy slaughtered saints, whose bones
Lie scattered on the Alpine mountains cold;
Ev'n them who kept thy truth so pure of old
When all our fathers worshipped stocks and stones
Forget not.”

John Milton (1608–1674) English epic poet

On the Late Massacre in Piedmont (1655)

Truth, Lie, Mountain, Forgetting

“25 May 1679: ‘Khan-i-Jahan Bahadur returned from Jodhpur after demolishing its temples, and bringing with himself several cart-loads of idols. The Emperor ordered that the idols, which were mostly of gold, silver, brass, copper or stone and adorned with jewels, should be cast in the quadrangle of the Court and under the steps of the Jama Mosque for being trodden upon.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Akhbarat. Jadunath Sarkar, History of Aurangzib, Volume III, Orient Longman, New Delhi, 1972 reprint, pp. 185–89., quoted from Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories, 1670s

“I do not mean to say that formal economic analysis is worthless, and that anybody's opinion on economic matters is as good as anyone else's. On the contrary! I am a strong believer in the importance of models, which are to our minds what spear-throwers were to stone age arms: they greatly extend the power and range of our insight. In particular, I have no sympathy for those people who criticize the unrealistic simplifications of model-builders, and imagine that they achieve greater sophistication by avoiding stating their assumptions clearly. The point is to realize that economic models are metaphors, not truth. By all means express your thoughts in models, as pretty as possible (more on that below). But always remember that you may have gotten the metaphor wrong, and that someone else with a different metaphor may be seeing something that you are missing.”

Paul Krugman (1953) American economist

" How I Work http://web.mit.edu/krugman/www/howiwork.html", American Economist (1993)

People, Truth, Age, Imagination

“Although no sculptured marble should rise to their memory, nor engraved stone bear record of their deeds, yet will their remembrance be as lasting as the land they honored.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Source: Discourse in Commemoration of Adams and Jefferson (1826), p. 146

Memory

“It was and still is fundamental: to begin the work with the same tools with which it will be ended, without making a preliminary drawing. on the wood, stone, or metal. Sketches and drawings done in advance clarify the intention, and with it ready in the head, the requisite tool realizes the idea.”

Max Pechstein (1881–1955) German artist

Buchheim, Künstlergemeinschaft Brücke, p. 304; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 54

Idea, Drawing

“If he could just stay there and gaze upon the land like a stone, whole centuries long, while grassy plains became forests and swamps turned into villages or tilled land. …He'd be recognized as human only when he stirred.”

Sten Nadolny book The Discovery of Slowness

The Discovery of Slowness (1983, 1987)

“And it stoned me to my soul
Stoned me just like Jelly Roll
And it stoned me
And it stoned me to my soul
Stoned me just like goin' home.
And it stoned me.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

And It Stoned Me
Song lyrics, Moondance (1970)

Home, Soul

“Seeking gold and glory, leaving weathered, broken bones
And a long-forgotten lonely cairn of stones.”

Stan Rogers (1949–1983) Folk singer

Northwest Passage (1981)

Weather

“The first hole made through a piece of stone is a revelation. The hole connects one side to the other, making it immediately more three-dimensional. A hole can itself have as much shape-meaning as a solid mass. Sculpture in air is possible, where the stone contains only the hole, which is the intended and considered form. The mystery of the hole – the mysterious fascination of caves in hill sides and cliffs.”

Henry Moore (1898–1986) English artist

Source: 1925 - 1940, The sculptor speaks' (1937), p. 251

“A substitute for all the gods:
This self, not that gold self aloft,
Alone, one's shadow magnified,
Lord of the body, looking down,
As now and called most high,
The shadow of Chocorua
In an immenser heaven, aloft,
Alone, lord of the land and lord
Of the men that live in the land, high lord.
One's self and the mountains of one's land,
Without shadows, without magnificence,
The flesh, the bone, the dirt, the stone.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Men, God, Mountain

“Roger: It hasn’t really been set in stone either way for the time being it’s just Less Than Jake releases but it doesn’t mean it won’t ever have another band. We’ll just have to see where that one leads.”

Roger Manganelli (1973) American musician

Way, Time

“He's never really been part of the scene
Give him Guns N' Roses, he'll take Queen
He's more into Beatles than the Stones,
He's more Stevie Wonder than Ramones”

Tim Minchin (1975) Australian comedian, actor, singer, songwriter, music composer and musician (from British descend)

"Rock and Roll Nerd" (from Darkside, 2005)

Parting

“How hard to realize that every camp of men or beast has this glorious starry firmament for a roof! … In such places standing alone on the mountain-top it is easy to realize that whatever special nests we make — leaves and moss like the marmots and birds, or tents, or piled stone — we all dwell in a house of one room — the world with the firmament for its roof — and are sailing the celestial spaces without leaving any track.”

John Muir (1838–1914) Scottish-born American naturalist and author

18 July 1890, page 321
John of the Mountains, 1938

Men, World, Mountain, Bird

“I've argued time and again that the old trade unionists and CND lesbians didn't go away. They just morphed into environmentalists. The red's become green but the goals remain the same. And there's no better way of achieving those goals than turning the lights out and therefore winding the clock back to the Stone Age. Only when we're all eating leaves under a hammer and sickle will they be happy.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

How Hard Can It Be? The World According to Clarkson Volume 4 (2010)

Age, Way, Light, Time

“When I was a child the boys of the town never came near me except to make fun of me. I was almost always alone. Sometimes, finding me by chance among them, they hurled themselves against me, and not only with words. One day – and while he told me this his great eyes shone with an inner light - … they started to throw stones at me with more violence than usual, with the evilness which is found among children and the weak. I lost patience, and grabbing stones I too started to defend myself with such energy that my attackers were put to flight. Mario, I succeeded in beating them: I terrified them to such an extent that from that day they respected me and no longer annoyed me. I ran to my mother … and told her of my first victorious battle: she kissed me tenderly and it was the best prize that I could have wanted.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci cited in Garuglieri's Garuglieri, 'Ricordo di Gramsci.' Societa, 691-701., 1946, p. 700.

Children, Boy, Kiss, Light

“1154. Content is the Philosopher’s Stone, that turns all it touches into Gold.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Compare Poor Richard's Almanack (1758) : Content is the Philosopher’s Stone, that turns all it touches into Gold.
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“I saw standing against the great stone pillar — on more red plush — a tall, slim boy in evening dress — so much slimmer, so much taller, so much more poised than I expected. A very refined face, not at all like those grinning 'Lindy' pictures — a firm mouth, clear, straight blue eyes, fair hair, and nice color. Then I went down the line very confused and overwhelmed by it all. He did not smile — just bowed and shook hands.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

On first meeting Charles.
Bring Me a Unicorn (1971)

Smile, Color, Boy

“I'd say — "I used to know his father well;
Yes, we've lost heavily in this last scrap."
And when the war is done and youth stone dead
I'd toddle safely home and die — in bed.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

"Base Details"
The Counter-Attack and Other Poems (1918)

War, Youth, Home, Dead

“She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak, and large moist eyes with the sympathetic expression of wet stones.”

Raymond Chandler book The High Window

Source: The High Window (1942), chapter 2

Color

“There is nothing more splendid than the prospect of sitting in the morning before a new ink-stone and a sheet of white paper. The smell of the white paper is like the scent of the skin of a new lover who has just paid a surprise visit out of a rainy garden. And the black ink is like lacquered hair. And the quill? Well the quill is like the instrument of pleasure whose purpose is never in doubt but whose surprising efficiency one always -- always forgets.”

Peter Greenaway (1942) British film director

, quoted in Peter Greenaway's The
The Pillow Book

Pleasure, Lovers, Forgetting

“Sometimes I feel I know strangers
Better than I know my friends
Why must a beginning
Be the means to an end?The stones from my enemies
These wounds will mend
But I cannot survive
The roses from my friends.”

Ben Harper (1969) singer-songwriter and musician

Roses From my Friends
Song lyrics, The Will to Live (1997)

Feeling

“The confused mass of rules of conduct called law, which has been bequeathed to us by slavery, serfdom, feudalism, and royalty, has taken the place of those stone monsters, before whom human victims used to be immolated, and whom slavish savages dared not even touch lest they should be slain by the thunderbolts of heaven.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

Source: Law and Authority (1886), I

Law

“Another advantage of Lenin’s derived from the fact that he did not care about Russia. He cared about Germany and England in the sense that, for him, as a revolutionary, they were the key countries. Russian he viewed as nothing more than a stepping-stone to global upheaval;…”

Richard Pipes (1923–2018) American historian

Source: Three “Whys” of the Russian Revolution (1995), p. 43

Sense, Country

““People fear stone,” Usha said, “because it contains never-life.”
“Non-life? You mean, death?”
“Nonsense,” she repeated vehemently. “What’s to fear about death? Death is natural. Stone is never-life.”
Spinel took another tack. “If they fear it, then how come enough Sharers want it so the traders stock shelves full?”
“How should I know? Why do Valans drink the toxic waste product of sugar-eating yeast?””

Joan Slonczewski book A Door into Ocean

Part 2, Chapter 7 (p. 95)
A Door into Ocean (1986)

Life, Death, People, Fear

“Mountain passes slipping into stones,
Hearts and bones.”

Paul Simon (1941) American musician, songwriter and producer

Hearts and Bones
Song lyrics, Hearts and Bones (1983)

Mountain, Heart

“He went up on the mountain beside the giant stone
They knew he was insane so they left him alone
He'd given up enlisting help for there was no one else
He spent his days devising ways to stop the rock himself
One night while he was working building braces on the ledge
The ground began to rumble the rock trembled on the edge.”

Harry Chapin (1942–1981) American musician

The Rock
Song lyrics, Portrait Gallery (1975)

Way, Mountain, Help, Night

“I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Beauty

“hey Jack
now for the tricky part
when you were the brightest star
who were the shadows?
of the San Francisco beat boys
you were the favorite
now they sit and rattle their bones
and think of their blood stoned days”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Hey Jack Kerouac

Star, Boy, Thinking, Parting

“As Mahoba was for some time the headquarters of the early Muhammadan Governors, we could hardly expect to find that any Hindu buildings had escaped their furious bigotry, or their equally destructive cupidity. When the destruction of a Hindu temple furnished the destroyer with the ready means of building a house for himself on earth, as well as in heaven, it is perhaps wonderful that so many temples should still be standing in different parts of the country. It must be admitted, however, that, in none of the cities which the early Muhammadans occupied permanently, have they left a single temple standing, save this solitary temple at Mahoba, which doubtless owed its preservation solely to its secure position amid the deep waters of the Madan-Sagar. In Delhi, and Mathura, in Banaras and Jonpur, in Narwar and Ajmer, every single temple was destroyed by their bigotry, but thanks to their cupidity, most of the beautiful Hindu pillars were preserved, and many of them, perhaps, on their original positions, to form new colonnades for the masjids and tombs of the conquerors. In Mahoba all the other temples were utterly destroyed and the only Hindu building now standing is part of the palace of Parmal, or Paramarddi Deva, on the hill-fort, which has been converted into a masjid. In 1843, I found an inscription of Paramarddi Deva built upside down in the wall of the fort just outside this masjid. It is dated in S. 1240, or A. D. 1183, only one year before the capture of Mahoba by Prithvi-Raj Chohan of Delhi. In the Dargah of Pir Mubarak Shah, and the adjacent Musalman burial-ground, I counted 310 Hindu pillars of granite. I found a black stone bull lying beside the road, and the argha of a lingam fixed as a water-spout in the terrace of the Dargah. These last must have belonged to a temple of Siva, which was probably built in the reign of Kirtti Varmma, between 1065 and 1085 A. D., as I discovered an inscription of that prince built into the wall of one of the tombs.”

Alexander Cunningham

Archaeological Survey of India, Volume I: Four Reports Made During the Years 1862-63-64-65, Varanasi Reprint, 1972, Pp. 440-41. Quoted from Goel, Sita Ram (editor) (1993). Hindu temples: What happened to them. Volume I.

Beauty, Lying, Water, Time

“Mexican sculpture, as soon as I found it, seemed to me true and right, perhaps because I at once hit on similarities in it with some eleventh-century carvings I had seen as a boy on Yorkshire churches. Its 'stoniness', by which I mean its truth to material, its tremendous power without loss of sensitiveness, its astonishing variety and fertility of form-invention and its approach to a full three-dimensional conception of form, makes it unsurpassed in my opinion by any other period of stone sculpture.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in 'The Listener', 24 April 1941, pp. 598-9; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 104
1940 - 1955

Truth, Boy, Loss

“Now it is certain.
There is no magic stone.
No secret to be found.
One must go
With the mind's winnowed learning.”

Eugene McCarthy (1916–2005) American politician

"Courage After Sixty"
Poems

Secret, Learning

“Ali and Sanaubar had little in common, least of all their respective appearances. While Sanaubar’s brilliant green eyes and impish face had, rumor has it, tempted countless men into sin, Ali had a congenital paralysis of his lower facial muscles, a condition that rendered him unable to smile and left him perpetually grim-faced. It was an odd thing to see the stone-faced Ali happy, or sad, because only his slanted brown eyes glinted with a smile or welled with sorrow. People say that eyes are windows to the soul. Never was that more true than with Ali, who could only reveal himself through his eyes.I have heard that Sanaubar’s suggestive stride and oscillating hips sent men to reveries of infidelity.”

Khaled Hosseini book The Kite Runner

Source: The Kite Runner (2003), Ch. 2

Men, People, Sadness, Smile

““…Ally Adil Shah, at the persuasions of his minister, carried his arms against Bunkapoor. This place was the principal residence of Velapa Ray, who had been originally a principal attendant of Ramraj; after whose death he assumed independence… “…Velapa Ray, despairing of relief, at length sent offers for surrendering the fort to the King, on condition of being allowed to march away with his family and effects, which Ally Adil Shah thought proper to grant, and the place was evacuated accordingly. The King ordered a superb temple within it to be destroyed, and he himself laid the first stone of a mosque, which was built on the foundation, offering up prayers for his victory. Moostufa Khan acquired great credit for his conduct, and was honoured with a royal dress, and had many towns and districts of the conquered country conferred upon him in jageer…245”

Firishta (1560–1620) Indian historian

Sultãn ‘Alî ‘Ãdil Shãh I of Bijapur (AD 1557-1579) Bankapur (Karnataka)
Tãrîkh-i-Firishta

Death, Family, Victory, Despair

“Lir chiseled at the stone. It would take a month to make a perceptible impression on it. He had a few hours. Work harder, then.”

Tanith Lee book The Castle of Dark

Source: The Castle of Dark (1978), Chapter 14 “Lir: The Night-Beast” (p. 119)

“There were times when Robert actually envied his ancestors, who had lived in dark ignorance, before the twenty-first century, and seemed to have spent most of their time making up weird, ornate explanations of the world to fill the yawning gap of their ignorance. Back then, one could believe in anything at all.
Simple, deliciously elegant explanations of human behavior—it apparently never mattered whether they were true or not, as long as they were incanted right. "Party lines" and wonderful conspiracy theories abounded. You could even believe in your own sainthood if you wanted. Nobody was there to show you, with clear experimental proof, that there was no easy answer, no magic bullet, no philosopher's stone. Only simple, boring sanity.
How narrow the Golden Age looked in retrospect.”

David Brin book The Uplift War

Source: The Uplift War (1987), Chapter 53 (pp. 324-325)

Age, World, Behavior, Time

“When Sharon Stone asks you to do something, you just just do it. If Sharon Stone asked me to eat her poo, I'd be like "yeah, what's a good time for you?".(Pretending to eat poo) "This is really good poo Sharon, thanks".(To the audience) Stop picturing it……….. and come back!”

Kathy Griffin (1960) American actress and comedian

The D-list (2004)

Time

“I knock at the stone's front door.
"It's only me, let me come in.""I don't have a door," says the stone.”

Wisława Szymborska (1923–2012) Polish writer

"Conversation with a Stone"
Poems New and Collected (1998), Salt (1962)

“A prison taint was on everything there. The imprisoned air, the imprisoned light, the imprisoned damps, the imprisoned men, were all deteriorated by confinement. As the captive men were faded and haggard, so the iron was rusty, the stone was slimy, the wood was rotten, the air was faint, the light was dim. Like a well, like a vault, like a tomb, the prison had no knowledge of the brightness outside; and would have kept its polluted atmosphere intact, in one of the spice islands of the Indian Ocean.”

Charles Dickens book Little Dorrit

Bk. I, Ch. 1
Little Dorrit (1855-1857)

Men, Knowledge, Light

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life... The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

Eugène Delacroix (1798–1863) French painter

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life, Men, Art, Color

“I have sometimes come upon the Iguana, the big lizard, as they were sunning themselves upon a flat stone in a river-bed. They are not pretty in shape, but nothing can be imagined more beautiful than their colouring. They shine like a heap of precious stones or like a pane cut out of an old church window. When, as you approach, they swish away, there is a flash of azure, green and purple over the stones, the color seems to be standing behind them in the air, like a comet's luminous tail.
Once I shot an Iguana. I thought that I should be able to make some pretty things from his skin. A strange thing happened then, that I have never afterwards forgotten. As I went up to him, where he was lying dead upon his stone, and actually while I was walking the few steps, he faded and grew pale, all colour died out of him as in one long sigh, and by the time that I touched him he was grey and dull like a lump of concrete. It was the live impetuous blood pulsating within the animal, which had radiated out all that glow and splendor. Now that the flame was put out, and the soul had flown, the Iguana was as dead as a sandbag.”

Karen Blixen book Out of Africa

Out of Africa (1937)

Beauty, Color, Soul, Imagination

“Teachers of every kind are to be sternly ordered not to thrust precious stones down the throats of dogs… that is, to the mean, the ignoble, the worthless. To shopkeepers and the low born they are to teach nothing more than the rules about prayer, fasting, religious charity and the Hajj pilgrimage along with some chapters of the Quran and some doctrines of the faith without which their religion cannot be correct and valid prayers are not possible. They are to be instructed in nothing more. They are not to be taught reading and writing for plenty of disorders arise owing to the skill of the low-born in knowledge…”

Ziauddin Barani (1285–1357) Indian Muslim historian and political thinker (1285–1357)

Quoted from Lal, K. S. (1990). Indian muslims: Who are they. Chapter 2.
Fatawa-i-Jahandari

Faith, Religion, Dogs, Knowledge

“(.. as a practicing artist) You're competing against who came before and came after. You're just another stone in the wall, and if you make a contribution you're lucky.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2013)

“It seemed to me as if the stones sang, in the strangest voices, in the language of Ultima Thule.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Harper of the Stones (1986).

“I don’t believe in western morality, i. e. don’t kill civilians or children, don’t destroy holy sites, don’t fight during holiday seasons, don’t bomb cemeteries, don’t shoot until they shoot first because it is immoral. The only way to fight a moral war is the Jewish way: "Destroy their holy sites. Kill men, women and children (and cattle)." The first Israeli prime minister who declares that he will follow the Old Testament will finally bring peace to the Middle East. First, the Arabs will stop using children as shields. Second, they will stop taking hostages knowing that we will not be intimidated. Third, with their holy sites destroyed, they will stop believing that G-d is on their side. Result: no civilian casualties, no children in the line of fire, no false sense of righteousness, in fact, no war. Zero tolerance for stone throwing, for rockets, for kidnapping will mean that the state has achieved sovereignty. Living by Torah values will make us a light unto the nations who suffer defeat because of a disastrous morality of human invention.”

Manis Friedman (1946) American rabbi

Answer for the question "How Should Jews Treat Their Arab Neighbors?" for the "Moment" magazine. http://www.momentmag.com/Exclusive/2009/2009-06/200906-Ask_Rabbis.html <br class="br">On the Israeli-Arab conflict

Women, Men, War, Children

“These false answers — such as, I am stone, I am bird, I am animal, I am man, I am woman, I am great, I am small — are, in turn, received, tested and discarded until the Question arrives at the right and Final Answer, I AM GOD.”

Meher Baba (1894–1969) Indian mystic

47 : The Question and its Answer, p. 78.
The Everything and the Nothing (1963)

God, Question, Bird, Animals

“This is a common criticism: the idea that the atheist is guilty of a literalist reading of scripture, and that it’s a very naive way of approaching religion, and there’s a far more sophisticated and nuanced view of religion on offer and the atheist is disregarding that. A few problems with this: anyone making that argument is failing to acknowledge just how many people really do approach these texts literally or functionally - whether they’re selective literalists, or literal all the way down the line. There are certain passages in scripture that just cannot be read figuratively. And people really do live by the lights of what is literally laid out in these books. So, the Koran says “hate the infidel” and Muslims hate the infidel because the Koran spells it out ad nauseam. Now, it’s true that you can cherry-pick scripture, and you can look for all the good parts. You can ignore where it says in Leviticus that if a woman is not a virgin on her wedding night you’re supposed to stone her to death on her father’s doorstep. Most religious people ignore those passages, which really can only be read literally, and say that “they were only appropriate for the time” and “they don’t apply now”. And likewise, Muslims try to have the same reading of passages that advocate holy war. They say “well, these were appropriate to those battles that Mohammed was fighting, but now we don’t have to fight those battles”. This is all a good thing, but we should recognize what’s happening here: people are feeling pressure from a host of all-too-human concerns that have nothing, in principle, to do with God: secularism, and human rights, and democracy, and scientific progress. These have made certain passages in scripture untenable. This is coming from outside religion, and religion is now making a great show of its sophistication in grappling with these pressures. This is an example of religion losing the argument with modernity.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris in interview by Big Think (04/07/2007) http://www.youtube.com/watch?v=8zV3vIXZ-1Y&t=6s <br class="br">2000s

Death, God, Hate, War

“Like most artists who have made an invention of some kind, he tends to overplay the significance of his own and goes on about it as though it were a Rosetta Stone, with whose help all representation can be rescued from one-eyed falsehood.”

Robert Hughes (1938–2012) Australian critic, historian, writer

"David Hockney" (1988)
Nothing If Not Critical (1991)

Help

“I dream of cloisters of marble
where in divine silence
the heroes, standing, rest;
at night, in light of the soul,
I speak with them: at night!
They are in a row: I walk
among the rows: the stone hands
I kiss them;
the stone eyes open;
the stone lips move;
the stone beards tremble;
they seize the sword of stone; they cry:
place the sword in the sheath!
Mute, I kiss their hand.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Sueño con claustros de mármol
donde en silencio divino
los héroes, de pie, reposan;
¡de noche, a la luz del alma,
hablo con ellos: de noche!
Están en fila: paseo
entre las filas: las manos
de piedra les beso: abren
los ojos de piedra: mueven
los labios de piedra: tiemblan
las barbas de piedra: empuñan
la espada de piedra: lloran:
¡viba la espade en la vaina!
Mudo, les beso la mano.
Simple Verses (1891), I dream of cloisters of marble

Dreams, Soul, Kiss, Light

“A man who is not poor nor ill, nor about to be stoned to death, must not distress himself if he does not feel all through his life what faith Stephen had only in his last moments.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 221.

Life, Death, Faith, Feeling

“Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers that engage them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you — externalize, materialize, express your new internal perspectives. Drop out suggested an elective, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily my explanations of this sequence of personal development were often misinterpreted to mean "Get stoned and abandon all constructive activity.”

Timothy Leary book Flashbacks

Flashbacks (1983)

World, Way, Change, Personality

“Yet the stones remain less real to those who cannot
name them, or read the mute syllables graven in silica.
To see a red stone is less than seeing it as jasper —
metamorphic quartz, cousin to the flint the Kiowa
carved as arrowheads. To name is to know and remember.”

Dana Gioia (1950) American writer

"Words" http://www.danagioia.net/poems/words.htm <br class="br">Poetry, Interrogations at Noon (2001)

Reading

“I am hard at work, at least I work as much as the weather permits. - I began a work the motif of which is the river bank in the direction of St. Paul's Church. Looking towards Rouen I have before me all the houses on the quays lighted by the morning sun, in the background the stone bridge, to the left the island with its houses, factories, boats, launches, to the right a mass of pinnaces of all colors… Yesterday, not having the sun, I began another work on the same motif in grey weather, only I looked more to the right [603]. I must leave you for my motif. I have a room on the street. I shall start on a view of the street in fog for it has been foggy every morning until eleven o'clock—noon. It should be interesting, the square in the fog, the tramways, the goings and comings..”

Camille Pissarro (1830–1903) French painter

Quote in a letter, Rouen 11 October 1883, to his son Lucien; from Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 40
1880's

Color, Light, Sun, Housing

“Animistic savages prostrating themselves before a painted stone have always seemed to me to be nearer the truth than any Einstein or Bertrand Russell.”

Malcolm Muggeridge (1903–1990) English journalist, author, media personality, and satirist

Chronicles of Wasted Time: The Green Stick (1972)

Truth, Painting

“A shaping stone, to make us; a testing ground to prove our worth; and a punishment for the sin.”

Robert Jordan (1948–2007) American writer

Aiel on the Three Fold Land
(15 November 1990)

Quotes about stone page 9

Quotes about stone
page 9