Quotes about stone
page 12

Letitia Elizabeth Landon photo
Kent Hovind photo

“It is interesting that Jews today celebrate the Sabbath with Matza bread which must be pierced and baked in a stone oven. Hmmm? Jesus was pierced and placed in a stone tomb. They just don't get it! YET! THEY WILL!”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 165

Bill Whittle photo

“Any idiot can build bombs. Our Trinity sits not on some desert sand seared into glass at an abandoned, sad pillar of stones. It's in our heads and our hearts, it's in our genes, this beautiful, gorgeous marriage of money, freedom and ingenuity.”

Bill Whittle (1959) author, director, screenwriter, editor

TRINITY (part 2) https://web.archive.org/web/20030801081841/http://www.ejectejecteject.com:80/archives/000057.html (4 July 2003)
2000s

Anatole France photo
Claude Bernard photo
Qutb al-Din Aibak photo

“The first thing the Muslim Sultanate of Delhi started on was construction of impressive buildings. The first sultan Qutbuddin Aibak had to establish Muslim power in India and to raise buildings "as quickly as possible, so that no time might be lost in making an impression on their newly-conquered subjects". Architecture was considered as the visual symbol of Muslim political power. It denoted victory with authority. The first two buildings of the early period in Delhi are the Qutb Minar and the congregational mosque named purposefully as the Quwwat-ul-Islam (might of Islam) Masjid. This mosque was commenced by Aibak in 592/1195. It was built with materials and gold obtained by destroying 27 Hindu and Jain temples in Delhi and its neighborhood. A Persian inscription in the mosque testifies to this. The Qutb Minar, planned and commenced by Aibak sometime in or before 1199 and completed by Iltutmish, was also constructed with similar materials, "the sculptured figures on the stones being either defaced or concealed by turning them upside down". A century and a quarter later Ibn Battutah describes the congregational mosque and the Qutb Minar. "About the latter he says that its staircase is so wide that elephants can go up there." About the former his observations are interesting. "Near the eastern gate of the mosque their lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khana, that is an idol house. After the conquest of Delhi it was turned into a mosque."”

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Gordon Sanderson, 'Archaeology at the Qutb', Archaeological Survey of India Report, 1912-13; Ibn Battutah)

Jim Morrison photo

“Camel caravans bear
witness guns to Caesar.
Hordes crawl and seep inside
the walls. The streets
flow stone. Life goes
on absorbing war. Violence
kills the temple of no sex.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The New Creatures

Will Cuppy photo

“The fact is that building a pyramid is fairly easy, aside from the lifting. You just pile up stones in receding layers, placing one layer carefully upon another, and pretty soon you have a pyramid. You can't help it. In other words, it is not in the nature of a pyramid to fall down.”

Will Cuppy (1884–1949) American writer

Footnote: It probably could not fall down if it tried.
The Decline and Fall of Practically Everybody (1950), Part I: It Seems There Were Two Egyptians, Cheops, or Khufu

“The Postulates of Mathematics Were Not on the Stone Tablets that Moses Brought Down from Mt. Sinai.”

Richard Hamming (1915–1998) American mathematician and information theorist

Emphatic capitalization in original.
The Unreasonable Effectiveness of Mathematics (1980)

Ernesto Che Guevara photo
Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Thomas Fuller (writer) photo

“5187. To hold one's Nose to the Grind-stone.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“No country can cease to exist. The stones don't walk.”

"Lebanese diva is the voice of the Arab world". The Milwaukee Journal. October 4, 1989. Associated Press. 1G.

L. P. Jacks photo
Ernest Renan photo
Ibn Battuta photo

“One day I rode in company with ‘Alã-ul-mulk and arrived at a plain called Tarna at a distance of seven miles from the city. There I saw innumerable stone images and animals, many of which had undergone a change, the original shape being obliterated. Some were reduced to a head, others to a foot and so on. Some of the stones were shaped like grain, wheat, peas, beans and lentils. And there were traces of a house which contained a chamber built of hewn stone, the whole of which looked like one solid mass. Upon it was a statue in the form of a man, the only difference being that its head was long, its mouth was towards a side of its face and its hands at its back like a captive’s. There were pools of water from which an extremely bad smell came. Some of the walls bore Hindî inscriptions. ‘Alã-ul-mulk told me that the historians assume that on this site there was a big city, most of the inhabitants of which were notorious. They were changed into stone. The petrified human form on the platform in the house mentioned above was that of their king. The house still goes by the name of ‘the king’s house’. It is presumed that the Hindî inscriptions, which some of the walls bear, give the history of the destruction of the inhabitants of this city. The destruction took place about a thousand years ago…”

Ibn Battuta (1304–1377) Moroccan explorer

Lahari Bandar (Sindh) . The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 10.
Travels in Asia and Africa (Rehalã of Ibn Battûta)

Le Corbusier photo

“You employ stone, wood and concrete, and with these materials you build houses and palaces. That is construction. Ingenuity is at work.
But suddenly you touch my heart, you do me good, I am happy and I say: "This is beautiful."”

Le Corbusier (1887–1965) architect, designer, urbanist, and writer

That is Architecture. Art enters in.
Vers une architecture [Towards an Architecture] (1923)

Alice A. Bailey photo
Ravi Gomatam photo
Bill Engvall photo
Adolf Hitler photo
Joseph Beuys photo
David Dixon Porter photo
Jean Paul Sartre photo

“In some places the metropolis makes do with paying a clique of feudal overlords; in others, it has fabricated a fake bourgeoisie of colonized subjects in a system of divide and rule; elsewhere, it has killed two birds with one stone: the colony is both settlement and exploitation.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Source: Preface to The Wretched of the Earth (1961), p. xlvi

Cassie Scerbo photo

“Everything in your career is a stepping stone because it’s an experience, and experience is the biggest thing.”

Cassie Scerbo (1990) American actress, singer and dancer

Cassie Scerbo Interview https://www.clichemag.com/entertainment-interview/cassie-scerbo-interview (June 15, 2015)

James Weldon Johnson photo
Peter Atkins photo
René Girard photo
Benjamin Butler (politician) photo
Robert Burton photo
Madalyn Murray O'Hair photo
John Tyndall photo
Alexander Pope photo

“Thus let me live, unseen, unknown;
Thus unlamented let me die;
Steal from the world, and not a stone
Tell where I lie.”

Alexander Pope (1688–1744) eighteenth century English poet

"Ode on Solitude", st. 5 (c. 1700).

Loreena McKennitt photo
Henry Moore photo

“I prefer Mexican to Mayan sculpture. Mexican stone sculptures have largeness of scale & a grim, sublime, austerity, a real stoniness. They were the true sculptors in sympathy with their material & their sculpture has some of the character of mountains, of boulders, rocks & sea worn pebbles.”

Henry Moore (1898–1986) English artist

in 'Unpublished notes', c. 1925-1926, HMF archive; as quoted in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 97
1925 - 1940

Maimónides photo
Mario Savio photo
Vitruvius photo
John Muir photo

“The whole wilderness seems to be alive and familiar, full of humanity. The very stones seem talkative, sympathetic, brotherly.”

Terry Gifford, EWDB, page 277
1860s, My First Summer in the Sierra, 1869

Edward Coote Pinkney photo
Claude Lévi-Strauss photo
Edmund Blunden photo
Gustav Stresemann photo

“The conquest of Riga is of the greatest importance not only from the military, but also form the political point of view… Our military situation was never more glorious than it is at present. Meanwhile, there is also the U-boat war, which is taking its course. The destruction of enemy tonnage that was expected of it on the basis of official predictions, has not only been achieved, but partly exceeded by more than half…Time is working for us. Britain to-day is fighting the war with a watch in her hand, and it is in this that I see the fundamentally decisive effect of the U-boat weapon for us and the approach of peace…If we are to achieve anything through compromise and understanding, then the Government must not be forced to make any statements renouncing something from the outset. For this reason the tactics by which it has been and is still being tried to make the Government declare its disinterestedness in Belgium, are wrong. Even those who share the attitude of Herr Scheidemann ought to fight for the last stone in Belgium, in order to exploit to the utmost that which possession has made into a dead pledge…However, the fact that we are going to have peace—and, we hope, soon—will in my conviction be due, apart from our military achievements, to the effects of unrestricted U-boat warfare, of which I have repeatedly said before the Main Committee that while I reject the formula that it will force Britain to her knees, I believe as firmly in the formula that it will force Britain to the conference table.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Speech in the Reichstag (October 1917), quoted in W. M. Knight-Patterson, Germany. From Defeat to Conquest 1913-1933 (London: George Allen and Unwin, 1945), p. 121
1910s

Kent Hovind photo
William Gibson photo
Ossip Zadkine photo
Bruce Springsteen photo
Khalil Gibran photo
Fyodor Tyutchev photo
Robinson Jeffers photo
George Raymond Richard Martin photo
Steve Jobs photo
Alauddin Khalji photo
Kate Bush photo

“I question your innocence!
Help this blackbird!
She's a witch!
There's a stone around my leg.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Hounds of Love (1985), The Ninth Wave

Filippo Tommaso Marinetti photo

“The compliments you are about to pay could only sadden me, because what you love in our dear peninsula is exactly the object of our hatreds. Indeed, you crisscross Italy only to meticulously sniff out the traces of our oppressive past, and you are happy, insanely happy, if you have the good fortune to carry home some miserable stone on which our ancestors have trodden.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Quoted in: Anthony L. Geist, Jose B. Monle-N, Modernism and Its Margins: Reinscribing Cultural Modernity from Spain and Latin America. Taylor & Francis, 1999, p. 57.
1910's, Futurist Speech to the English' (1910)

Bruce Springsteen photo
Michelle Lambert photo
Fiona Oakes photo
Robert A. Heinlein photo
Richard Long photo
Emma Lazarus photo

“A lady 'twixt two knights' stone effigies,
And every day in dusky glory steeps
Their sculptured slumber of five centuries.”

Emma Lazarus (1849–1887) American poet

St Michael's Chapel http://www.poemhunter.com/poem/st-michael-s-chapel/

Jahangir photo

“I am here led to relate that at the city of Banaras a temple had been erected by Rajah Maun Singh, which cost him the sum of nearly thirty-six laks of five methkally ashrefies. The principle idol in this temple had on its head a tiara or cap, enriched with jewels to the amount of three laks ashrefies. He had placed in this temple moreover, as the associates and ministering servants of the principal idol, four other images of solid gold, each crowned with a tiara, in the like manner enriched with precious stones. It was the belief of these Jehennemites that a dead Hindu, provided when alive he had been a worshipper, when laid before this idol would be restored to life. As I could not possibly give credit to such a pretence, I employed a confidential person to ascertain the truth; and, as I justly supposed, the whole was detected to be an impudent imposture. Of this discovery I availed myself, and I made it my plea for throwing down the temple which was the scene of this imposture and on the spot, with the very same materials, I erected the great mosque, because the very name of Islam was proscribed at Banaras, and with God's blessing it is my design, if I live, to fill it full with true believers.”

Jahangir (1569–1627) 4th Mughal Emperor

Varanasi (Uttar Pradesh) , Tuzuk-i-Jahangiri, translated into English by Major David Price, Calcutta, 1906. pp. 24-25.

http://persian.packhum.org/persian/pf?file=11001040&ct=7, "Decisions Involving Urban Planning and Religious Institutions" Different translation: I made it my plea for throwing down the temple which was the scene of this imposture; and on the spot, with the very same materials, I erected the great mosque, because the very name of Islam was proscribed at Banaras, and with God’s blessing it is my design, if I live, to fill it full with true believers.

George Herbert photo

“192. Whose house is of glasse must not throw stones at another.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Helena Petrovna Blavatsky photo
Ernest Gellner photo
Eleanor Farjeon photo
Sofia Samatar photo

““A book,” says Vandos of Ur-Amakir, “is a fortress, a place of weeping, the key to a desert, a river that has no bridge, a garden of spears.” Fanlewas the Wise, the great theologian of Avalei, writes that Kuidva, the God of Words, is “a taskmaster with a lead whip.” Tala of Yenith is said to have kept her books in an iron chest that could not be opened in her presence, else she would lie on the floor, shrieking. She wrote: “Within the pages there are fires, which can rise up, singe the hair, and make the eyelids sting.” Ravhathos called the life of the poet “the fair and fatal road, of which even the dust and stones are dear to my heart,” and cautioned that those who spend long hours engaged in reading or writing should not be spoken to for seven hours afterward. “For they have gone into the Pit, into which they descend on Slopes of Fire, but when they rise they climb on a Ladder of Stone.” Hothra of Ur-Brome said that his books were “dearer than father or mother,” a sentiment echoed by thousands of other Olondrians through the ages, such as Elathuid the Voyager, who explored the Nissian coast and wrote: “I sat down in the wilderness with my books, and wept for joy.” And the mystic Leiya Tevorova, that brave and unfathomable soul, years before she met her tragic death by water, wrote: “When they put me into the Cold, above the white Lake, in the Loathsome Tower, and when Winter came with its cruel, hard, fierce, dark, sharp and horrible Spirit, my only solace was in my Books, wherein I walked like a Child, or shone in the Dark like a Moth which has its back to a sparkling Fire.””

Source: A Stranger in Olondria (2013), Chapter 3, “Doorways” (p. 19; the first sentence is echoed on p. 273)

Jussi Halla-aho photo

“An Afro who gets dragged into Helsinki from an African savannah pollutes no less with his conspicuous consumption than an ethnic Finn. He will probably pollute more because moving from the stone age directly into the modern world deprives him of ecological conscience typical of a western human being.”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2007), published in the blog Scripta Hyvää kesää! http://web.archive.org/web/20070626154617/http://halla-aho.com/scripta/hyvaa_kesaa.html, June 21, 2007
2005-09

Neil Young photo

“I'm singin' this borrowed tune I took from the Rolling Stones,
Alone in this empty room, too wasted to write my own.”

Neil Young (1945) Canadian singer-songwriter

Borrowed Tune
Song lyrics, Tonight's the Night (1975)

Brooks D. Simpson photo
Ann Coulter photo

“Maybe we could fight the war a little harder and not keep responding to Amnesty International… I don't think we even need more troops. I think we need to be less worried about civilian casualties. I mean, are the terrorists—are Islamic terrorists a more frightening enemy than the Nazis war machine? I don't think so. Fanatics can be stopped. Japanese kamikaze bombers—you can stop them by bombing their society. We killed more people in two nights over Hamburg than we have in the entire course of the Iraq war. … You can destroy the fighting spirit of fanatics. We've done it before. We know how to do it. And it's not by fighting a clean little hygienic war. … That was not a clean, hygienic war, World War Two. We killed a lot of civilians, and we crushed the Nazi war machine. And the idea that Nazism, which was tied to a civilized culture, was less of a threat than the Koran, tied to a Stone Age culture, I think is preposterous! If we want to win this war, we absolutely could. And I think we've been too nice so far. … We have liberals in this country screaming bloody murder about how we treat terrorists captured who are at Guantanamo, whether Khalid Sheikh Mohammed is being water-boarded… If this is a country that is worried about that—and I don't think it is—then we may as well give up right now. … Democracies don't like to go to war, so we're going to have to wrap it up quickly and destroy the fighting spirit of the fanatics.”

Ann Coulter (1961) author, political commentator

Hardball with Chris Matthews (26 June 2007) https://www.youtube.com/watch?v=60xDmowdTCA
2007

Isaac Barrow photo
Robinson Jeffers photo

“Stone-cutters fighting time with marble, you fore-defeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain.”

Robinson Jeffers (1887–1962) American poet

" To The Stone-Cutters http://www.tnellen.com/cybereng/poetry/stone.html" in Tamar and Other Poems (1924)

Alison Bechdel photo
Octavio Paz photo

“I want to go on, to go beyond; I cannot;
the moment scatters itself in many things,
I have slept the dreams of the stone that never dreams
and deep among the dreams of years like stones
have heard the singing of my imprisoned blood,
with a premonition of light the sea sang,
and one by one the barriers give way,
all of the gates have fallen to decay”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Sun Stone (1957)
Context: I want to go on, to go beyond; I cannot;
the moment scatters itself in many things,
I have slept the dreams of the stone that never dreams
and deep among the dreams of years like stones
have heard the singing of my imprisoned blood,
with a premonition of light the sea sang,
and one by one the barriers give way,
all of the gates have fallen to decay,
the sun has forced an entrance through my forehead,
has opened my eyelids at last that were kept closed,
unfastened my being of its swaddling clothes,
has rooted me out of my self, and separated
me from my animal sleep centuries of stone
and the magic of reflections resurrects
willow of crystal, a poplar of water,
a pillar of fountain by the wind drawn over,
tree that is firmly rooted and that dances,
turning course of a river that goes curving,
advances and retreats, goes roundabout,
arriving forever:

Moinuddin Chishti photo

“The Chishtiyya school was foisted on India by Muin-ud-din who had settled down in Ajmer before the Second Battle of Tarain. According to the sufi lore, he had made a few converts from among the local Hindus and started issuing orders to Prithivi Raj Chauhan, the Hindu king, for the benefit of these converts. When the king ignored him, he invited Muhammad Ghuri to invade the Chauhan Kingdom. Sir-ul-Awliya, the most famous history of the Chishtiyya school written by Khwaja Amir Khurd, another disciple of Nizam-ud-din Awliya, tells the following story:
“His [Muin-ud-din’s] blessed tongue uttered spontaneously, ‘We have handed over Pithora alive to the army of Islam.’ In those very days, Sultan Muiz-ud-din Sam arrived in Ajmer from Ghazni. Pithora had to face the army of Islam. He was captured alive by Sultan Muiz-ud-din… The Khwaja [Muinud-din] was a worker of great wonders. Before he reached Hindustan, all its cities right upto the point of sunrise were sunk in tumult and infidelity and were involved with idols and idolatry. Everyone among the rabble [Gods] of Hindustan claimed to be the great God and a co-sharer in the divinity of Allah. The people paid homage to stones, sods of clay, trees, quadrupeds, cows and bulls and their dung. The darkness of infidelism had made still more firm the seals on their hearts… Muin-ud-din was indeed the very sun of the true faith. As a result of his arrival, the darkness that had spread over this country was dispelled. It became bright and glowed in the light of Islam… Anyone who has become a Musalman in this country will stay a Musalman till the Day of Dissolution. His progeny will also remain Musalman… The people [of Hindustan] will be brought out of dAr-ul-harb into dAr-ul-IslAm by means of many wars."”

Moinuddin Chishti (1142–1236) Sufi saint

Amir Khurd, Siyar-ul-Awliya, New Delhi, 1985, pp. 111-12. Quoted in S.R.Goel, The Calcutta Quran Petition (1999) ISBN 9788185990583

Eugene V. Debs photo

“Foolish and vain indeed is the workingman who makes the color of his skin the stepping-stone to his imaginary superiority.”

Eugene V. Debs (1855–1926) American labor and political leader

The Negro and His Nemesis (1904)
Context: Foolish and vain indeed is the workingman who makes the color of his skin the stepping-stone to his imaginary superiority. The trouble is with his head, and if he can get that right he will find that what ails him is not superiority but inferiority, and that he, as well as the Negro he despises, is the victim of wage-slavery, which robs him of what he produces and keeps both him and the Negro tied down to the dead level of ignorance and degradation.

Vitruvius photo

“Further, at intervals they lay single stones which run through the entire thickness of the wall.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII, Sec. 7
Context: Our workmen, in their hurry to finish, devote themselves only to the facings of the walls, setting them upright but filling the space between with a lot of broken stones and mortar thrown in anyhow. This makes three different sections in the same structure; two consisting of facing and one of filling between them. The Greeks, however, do not build so; but laying their stones level and building every other stone lengthwise into the thickness, they do not fill the space between, but construct the thickness of their walls in one solid and unbroken mass from the facings to the interior. Further, at intervals they lay single stones which run through the entire thickness of the wall. These stones... by their bonding powers... add very greatly to the solidity of the walls.

Alfred, Lord Tennyson photo

“Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

"Break, Break, Break" (1842), st. 1

Eugene V. Debs photo

“How stupid and shortsighted the ruling class really is! Cupidity is stone blind. It has no vision.”

Eugene V. Debs (1855–1926) American labor and political leader

The Canton, Ohio Speech, Anti-War Speech (1918)
Context: How stupid and shortsighted the ruling class really is! Cupidity is stone blind. It has no vision. The greedy, profit-seeking exploiter cannot see beyond the end of his nose. He can see a chance for an "opening"; he is cunning enough to know what graft is and where it is, and how it can be secured, but vision he has none — not the slightest. He knows nothing of the great throbbing world that spreads out in all directions. He has no capacity for literature; no appreciation of art; no soul for beauty. That is the penalty the parasites pay for the violation of the laws of life.

“Jesus refers to the fact that it is customary for one generation to stone the prophets and for another to erect monuments in their honor.”

Kirby Page (1890–1957) American clergyman

Source: Jesus or Christianity: A Study in Contrasts (1929), p. 23
Context: It seems incredible that a man with such a message and such nobility of character should have been killed as an enemy of society. But is it surprising?... In a memorable passage Jesus refers to the fact that it is customary for one generation to stone the prophets and for another to erect monuments in their honor.

Fyodor Dostoyevsky photo

“They were laughed at or pelted with stones.”

Source: The Dream of a Ridiculous Man (1877), V
Context: All became so jealous of the rights of their own personality that they did their very utmost to curtail and destroy them in others, and made that the chief thing in their lives. Slavery followed, even voluntary slavery; the weak eagerly submitted to the strong, on condition that the latter aided them to subdue the still weaker. Then there were saints who came to these people, weeping, and talked to them of their pride, of their loss of harmony and due proportion, of their loss of shame. They were laughed at or pelted with stones.

John Stuart Mill photo

“The principle itself of dogmatic religion, dogmatic morality, dogmatic philosophy, is what requires to be rooted out; not any particular manifestation of that principle. The very corner-stone of an education intended to form great minds, must be the recognition of the principle, that the object is to call forth the greatest possible quantity of intellectual power, and to inspire the intensest love of truth”

John Stuart Mill (1806–1873) British philosopher and political economist

""Civilization,"" London and Westminster Review (April 1836)
Context: The principle itself of dogmatic religion, dogmatic morality, dogmatic philosophy, is what requires to be rooted out; not any particular manifestation of that principle. ¶ The very corner-stone of an education intended to form great minds, must be the recognition of the principle, that the object is to call forth the greatest possible quantity of intellectual power, and to inspire the intensest love of truth: and this without a particle of regard to the results to which the exercise of that power may lead, even though it should conduct the pupil to opinions diametrically opposite to those of his teachers. We say this, not because we think opinions unimportant, but because of the immense importance which we attach to them; for in proportion to the degree of intellectual power and love of truth which we succeed in creating, is the certainty that (whatever may happen in any one particular instance) in the aggregate of instances true opinions will be the result; and intellectual power and practical love of truth are alike impossible where the reasoner is shown his conclusions, and informed beforehand that he is expected to arrive at them.

Cecil Day Lewis photo

“Shall I be gone long?
For ever and a day
To whom there belong?
Ask the stone to say
Ask my song.”

Cecil Day Lewis (1904–1972) English poet

Is it far to go? (1963)

José Martí photo

“Barricades of ideas are worth more than barricades of stones.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

Our America (1881)
Context: Barricades of ideas are worth more than barricades of stones.
There is no prow that can cut through a cloudbank of ideas. A powerful idea, waved before the world at the proper time, can stop a squadron of iron-clad ships, like the mystical flag of the Last judgement.

Bono photo

“See the stone set in your eyes,see the thorn twist in your side.I wait for you”

Bono (1960) Irish rock musician, singer of U2

"With or Without You"
Lyrics, The Joshua Tree (1987)
Context: See the stone set in your eyes, see the thorn twist in your side. I wait for you

Robert G. Ingersoll photo

“Great virtues may draw attention from defects, they cannot sanctify them. A pebble surrounded by diamonds remains a common stone, and a diamond surrounded by pebbles is still a gem.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Great Infidels (1881)
Context: Great virtues may draw attention from defects, they cannot sanctify them. A pebble surrounded by diamonds remains a common stone, and a diamond surrounded by pebbles is still a gem. No one should attempt to refute an argument by pronouncing the name of some man, unless he is willing to adopt all the ideas and beliefs of that man. It is better to give reasons and facts than names. An argument should not depend for its force upon the name of its author. Facts need no pedigree, logic has no heraldry, and the living should not awed by the mistakes of the dead.

T.S. Eliot photo

“This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
[…]
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley”

The Hollow Men (1925)
Context: This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man's hand
Under the twinkle of a fading star.
[... ]
The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms
In this last of meeting places
We grope together
And avoid speech
http://aduni.org/~heather/occs/honors/Notesonpoem.htm#fiftysevensixtyGathered on this beach of the tumid river
Sightless, unless
The eyes reappear http://aduni.org/~heather/occs/honors/Notesonpoem.htm#sixtyonesixtytwo
As the perpetual star
Multifoliate rose http://aduni.org/~heather/occs/honors/Notesonpoem.htm#sixtyfoursixtythree
Of death's twilight kingdom
The hope only
Of empty men.

Vitruvius photo

“The stone in quarries is found to be of different and unlike qualities. In some it is soft… in others it is medium… in still others it is hard as in lava quarries. There are also numerous other kinds:”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VII, Sec. 1
Context: The stone in quarries is found to be of different and unlike qualities. In some it is soft... in others it is medium... in still others it is hard as in lava quarries. There are also numerous other kinds: for instance, in Campania, red and black tufas; in Umbria, Picenum, and Venetia, white tufa which can be cut with a toothed saw like wood.

Percy Bysshe Shelley photo

“I met a traveller from an antique land
Who said: — Two vast and trunkless legs of stone
Stand in the desert.”

Ozymandias (1818)
Context: I met a traveller from an antique land
Who said: — Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

Wisława Szymborska photo

“I no longer require
your stone gods, your ruins with legible inscriptions.”

Wisława Szymborska (1923–2012) Polish writer

"Archeology"
Poems New and Collected (1998), The People on the Bridge (1986)
Context: Millennia have passed
since you first called me archaeology.
I no longer require
your stone gods, your ruins with legible inscriptions.
Show me your whatever
and I'll tell you who you were.

Robinson Jeffers photo

“Look for foundations of sea-worn granite, my fingers had the art
To make stone love stone, you will find some remnant.”

Robinson Jeffers (1887–1962) American poet

"Tor House"
Context: If you should look for this place after a handful of lifetimes:
Perhaps of my planted forest a few
May stand yet, dark-leaved Australians or the coast cypress, haggard
With storm-drift; but fire and the axe are devils.
Look for foundations of sea-worn granite, my fingers had the art
To make stone love stone, you will find some remnant.
But if you should look in your idleness after ten thousand years:
It is the granite knoll on the granite
And lava tongue in the midst of the bay, by the mouth of the Carmel
River Valley; these four will remain
In the changes of names. You will know it by the wild sea-fragrance of the wind.

Eleanor Farjeon photo

“Thou God of stone, I have a craving in me
For knowledge of thee as thou wert in old
Enchanted twilights in Arcadia.”

Eleanor Farjeon (1881–1965) English children's writer

Pan-Worship
Pan-Worship and Other Poems (1908)
Context: O evanescent temples built of man
To deities he honoured and dethroned!
Earth shoots a trail of her eternal vine
To crown the head that men have ceased to honour.
Beneath the coronal of leaf and lichen
The mocking smile upon the lips derides
Pan's lost dominion; but the pointed ears
Are keen and prick'd with old remember'd sounds.
All my breast aches with longing for the past!
Thou God of stone, I have a craving in me
For knowledge of thee as thou wert in old
Enchanted twilights in Arcadia.

Robert G. Ingersoll photo

“Cruelty is the worst of sins. It is far better to worship a false God, than to injure your neighbor—far better to bow before a monstrosity of stone, than to enslave your fellow-men.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Context: I do not think idolatry the worst of sins. Cruelty is the worst of sins. It is far better to worship a false God, than to injure your neighbor—far better to bow before a monstrosity of stone, than to enslave your fellow-men.

R. A. Lafferty photo

“Put away those damned sophisticated tools and get my stone hammers. That's when I build the good stuff.”

R. A. Lafferty (1914–2002) American writer

Source: Space Chantey (1968), Ch. 8, Hondstarfer of Valhal, speaking of his work as a design engineer.
Context: "I'm doing pretty good. I'm a seminal genius, they say, and I have the most sophisticated tools ever devised to work with. And I do build some good things for them. I'm quite successful. I'll tell you something, though. In the daytime, with all those sophisticated tools, and particularly if someone's watching me, I just stall around. But at night — "
"Ah, at night! What do you do then, Hondstarfer?"
"Put away those damned sophisticated tools and get my stone hammers. That's when I build the good stuff. Don't give me away, though, Roadstrum.

Ernest Flagg photo

“These houses are intended to have stone walls.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)
Context: These houses are intended to have stone walls.... The fact that a stone house is better in many ways than a wooden one, and also more economical in the long run has, for the most part, been overlooked... The conditions are... ripe for a change from wood to stone or other incombustible material, but it will doubtless come about slowly.<!-- Introduction