Quotes about stone
page 11

Dave Matthews photo

“A rolling stone, that gathers no moss, but leaves a trail of busted stuff.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Busted Stuff
Busted Stuff (2002)

Charles Olson photo

“When the attentions change / the jungle
leaps in even the stones are split
they rive”

Charles Olson (1910–1970) American writer

Part I, 3
The Kingfishers (1950)

“On May 17, 1969, a show which was to become the seminal exhibition of video art in the U. S. opened at the Howard Wise Gallery in New York City. That exhibition, "TV as a Creative Medium," effectively pointed to the diverse potential of a new art form and social tool. Subsequently, the show became renowned for the inspiration it provided for many artists and future advocates of video. The artists represented in the show, a few of whom are still involved in the medium today, came from varied backgrounds-painting, filmmaking, nuclear physics, avant-garde music and performance, kinetic and light sculpture-and their approaches presented a primer of the directions which video would soon take. Theoretically, they variously saw video as viewer participation, a spiritual and meditative experience, a mirror, an electronic palette, a kinetic sculpture, or acultural machine to be deconstructed. Ripe with ideas and armed with a heady optimism about the future of communications, these artists used video as an information tool and as a means of gaining understanding and control of television, not solely as an art form. In "TV as a Creative Medium" alternative television was presented as a stepping stone to the promised communications utopia.”

Marita Sturken (1957) American academic

Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984

Stephen L. Carter photo

“A cemetery is an affront to the rational mind. One reason is its eerily wasted space, this tribute to the dead that inevitably degenerates into ancestor worship as, on birthdays and anniversaries, humans of every faith and no faith at all brave whatever weather may that day threaten, in order to stand before these rows of silent stone markers, praying, yes, and remembering, of course, but very often actually speaking to the deceased, an oddly pagan ritual in which we engage, this shared pretense that the rotted corpses in warped wooden boxes are able to hear and understand us if we stand before their graves.The other reason a cemetery appeals to the irrational side is its obtrusive, irresistible habit of sneaking past the civilized veneer with which we cover the primitive planks of our childhood fears. When we are children, we know that what our parents insist is merely a tree branch blowing in the wind is really the gnarled fingertip of some horrific creature of the night, waiting outside the window, tapping, tapping, tapping, to let us know that, as soon as our parents close the door and sentence us to the gloom which they insist builds character, he will lift the sash and dart inside and…And there childhood imagination usually runs out, unable to give shape to the precise fears that have kept us awake and that will, in a few months, be forgotten entirely. Until we next visit a cemetery, that is, when, suddenly, the possibility of some terrifying creature of the night seems remarkably real.”

Source: The Emperor of Ocean Park (2002), Ch. 50, Again Old Town, I

Upton Sinclair photo
William Rowan Hamilton photo
Charles Darwin photo

“As it is certain that worms swallow many little stones, independently of those swallowed while excavating their burrows, it is probable that they serve, like mill-stones, to triturate their food.”

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, p. 18. http://darwin-online.org.uk/content/frameset?pageseq=33&itemID=F1357&viewtype=image

Qutb al-Din Aibak photo

“Hasan Nizami writes that after the suppression of a Hindu revolt at Kol (Aligarh) in 1193 AD, Aibak raised “three bastions as high as heaven with their heads, and their carcases became food for beasts of prey. The tract was freed from idols and idol-worship and the foundations of infidelism were destroyed.” In 1194 AD Aibak destroyed 27 Hindu temples at Delhi and built the Quwwat-ul-Islãm mosque with their debris. According to Nizami, Aibak “adorned it with the stones and gold obtained from the temples which had been demolished by elephants”. In 1195 AD the Mher tribe of Ajmer rose in revolt, and the Chaulukyas of Gujarat came to their assistance. Aibak had to invite re-inforcements from Ghazni before he could meet the challenge. In 1196 AD he advanced against Anahilwar Patan, the capital of Gujarat. Nizami writes that after Raja Karan was defeated and forced to flee, “fifty thousand infidels were despatched to hell by the sword” and “more than twenty thousand slaves, and cattle beyond all calculation fell into the hands of the victors”. The city was sacked, its temples demolished, and its palaces plundered. On his return to Ajmer, Aibak destroyed the Sanskrit College of Visaladeva, and laid the foundations of a mosque which came to be known as ADhãî Din kã JhoMpaDã. Conquest of Kalinjar in 1202 AD was Aibak’s crowning achievement. Nizami concludes: “The temples were converted into mosques… Fifty thousand men came under the collar of slavery and the plain became black as pitch with Hindus.””

Qutb al-Din Aibak (1150–1210) Turkic peoples king of Northwest India

Hasan Nizami, quoted from Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231 Ch. 6

Mahmud of Ghazni photo
Kurt Lewin photo
Joseph Conrad photo
Trinny Woodall photo

“I've been nine stone for 20 years, I always eat what I want, it's not an issue for me. But it pisses me off - because if people did decide that I starved myself, it would have a direct consequence on what we advocate!”

Trinny Woodall (1964) English fashion advisor and designer, television presenter and author

Regarding Woodall's reaction to claims she is too skinny; as quoted in "God's gift to women" by Barbara Ellen in The Guardian (16 September 2007)

John Cheever photo

“A lonely man is a lonesome thing, a stone, a bone, a stick, a receptacle for Gilbey’s gin, a stooped figure sitting at the edge of a hotel bed, heaving copious sighs like the autumn wind.”

John Cheever (1912–1982) American novelist and short story writer

The Sixties, 1966 entry.
The Journals of John Cheever (1991)

Joanna Newsom photo
Vivian Stanshall photo

“Five years ago I was a four-stone apology — today I am two separate gorillas.”

Vivian Stanshall (1943–1995) English musician, artist and author

Mr. Apollo
Others

Richard Dawkins photo

“The absolute morality that a religious person might profess would include what, stoning people for adultery, death for apostasy, punishment for breaking the Sabbath. These are all things which are religiously based absolute moralities. I don’t think I want an absolute morality. I think I want a morality that is thought out, reasoned, argued, discussed and based upon, I’d almost say, intelligent design [pun intended]. Can we not design our society, which has the sort of morality, the sort of society that we want to live in – if you actually look at the moralities that are accepted among modern people, among 21st century people, we don’t believe in slavery anymore. We believe in equality of women. We believe in being gentle. We believe in being kind to animals. These are all things which are entirely recent. They have very little basis in Biblical or Quranic scripture. They are things that have developed over historical time through a consensus of reasoning, of sober discussion, argument, legal theory, political and moral philosophy. These do not come from religion. To the extent that you can find the good bits in religious scriptures, you have to cherry pick. You search your way through the Bible or the Quran and you find the occasional verse that is an acceptable profession of morality and you say, ‘Look at that. That’s religion,’ and you leave out all the horrible bits and you say, ‘Oh, we don’t believe that anymore. We’ve grown out of that.’ Well, of course we’ve grown out it. We’ve grown out of it because of secular moral philosophy and rational discussion.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Richard Dawkins-George Pell Q&A (2012)

Emily Brontë photo
Francis Parkman photo

“Can we find "The Universe in a grain of sand"? Well perhaps, but a stone seems easier to visualize.”

Peter J. Carroll (1953) British occultist

Source: The Apophenion (2008), p. 11; this makes reference to William Blake's Auguries of Innocence: "To see the world in a grain of sand…"

Charles Wolfe photo
Annie Proulx photo

“And three lucky stones strung on a wire to keep the house safe.”

Source: The Shipping News (1993), P. 45

Eleanor H. Porter photo
Leo Tolstoy photo
Edith Hamilton photo
Howard Bloom photo
Philip Schaff photo

“Progress of his Version. Luther was gradually prepared for this work. He found for the first time a complete copy of the Latin Bible in the University Library at Erfurt, to his great delight, and made it his chief study. He derived from it his theology and spiritual nourishment; he lectured and preached on it as professor at Wittenberg day after day. He acquired the knowledge of the original languages for the purpose of its better understanding. He liked to call himself a "Doctor of the Sacred Scriptures."
He made his first attempt as translator with the seven Penitential Psalms, which he published in March, 1517, six months before the outbreak of the Reformation. Then followed several other sections of the Old and New Testaments,—the Ten Commandments, the Lord's Prayer, the Prayer of King Manasseh, the Magnificat of the Virgin Mary, etc., with popular comments. He was urged by his friends, especially by Melanchthon, as well as by his own sense of duty, to translate the whole Bible.
He began with the New Testament in November or December, 1521, and completed it in the following March, before he left the Wartburg. He thoroughly revised it on his return to Wittenberg, with the effectual help of Melanchthon, who was a much better Greek scholar. Sturz at Erfurt was consulted about coins and measures; Spalatin furnished from the Electoral treasury names for the precious stones of the New Jerusalem (Rev. 21). The translation was then hurried through three presses, and appeared already Sept. 21, 1522, but without his name.
In December a second edition was required, which contained many corrections and improvements.
He at once proceeded to the more difficult task of translating the Old Testament, and published it in parts as they were ready. The Pentateuch appeared in 1523; the Psalter, 1524.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's competence as a Bible translator

Nick Herbert photo

“Quantum physics emerged from the Stone Age with an embarrassment of riches - three quantum theories, each claiming to explain the world. As it turned out, all three were right.”

Nick Herbert (1936) American physicist

Source: Quantum Reality - Beyond The New Physics, Chapter 3, Quantum Theory takes Charge, p. 42

River Phoenix photo
Joseph Conrad photo
John Byrne photo

“If ^^***** had the stones they’d say “Screw continuity! As of January 2007, we’re hitting ‘rewind’ and resetting all the books to where they were in 1972—just set in modern time.” No “cosmic events,” no 100 issue crossovers. Just an editorial fiat, like Man of Steel. Only way to get things done.”

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=11794
On taking comics back to the basics; ‘rewinding’ or ‘resetting’ to the status quo

Jim Morrison photo
Amir Khusrow photo
Peter Greenaway photo
José Martí photo
Sara Teasdale photo

“The greenish sky glows up in misty reds,
The purple shadows turn to brick and stone,
The dreams wear thin, men turn upon their beds,
And hear the milk-cart jangle by alone.”

Sara Teasdale (1884–1933) American writer and poet

"City Vignettes, I: Dawn"
Helen of Troy and Other Poems (1911)

Alauddin Khalji photo
Gaio Valerio Catullo photo

“To whom am I to present my pretty new book, freshly smoothed off with dry pumice stone?”
Cui dono lepidum novum libellum Arido modo pumice expolitum?

I, lines 1–2
Carmina

Clement of Alexandria photo
Sri Aurobindo photo
Henry Moore photo
Judah Halevi photo

“It is a costly thing living here to fight the erosion. The sea is constantly threatening to cut into the coastline and sweep all this away. Every year we have to haul stones up here to repair the damage and plug the holes. It's a full-time job.”

Dermot Healy (1947–2014) Irish writer

John O'Mahony (2000). Let the west of the world go by http://www.guardian.co.uk/books/2000/jun/03/fiction.johnomahony, The Guardian (3 June 2000)

Ai Weiwei photo

“No outdoor sports can be more elegant than throwing stones at autocracy; no melees can be more exciting than those in cyberspace.”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei Twitter feed: @AiWW (8:03 a.m. March 10, 2010)
2010-, Twitter feeds, 2010-12

Muhammad photo

“Allah's Apostle said, "The Hour will not be established until you fight with the Jews, and the stone behind which a Jew will be hiding will say. "O Muslim! There is a Jew hiding behind me, so kill him."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Narrated by Abu Huraira, in Bukhari, Volume 4, Book 52, Number 177
Sunni Hadith

Roger Ebert photo
Hans Arp photo
Bruce Springsteen photo

“Rosalita jump a little lighter.
Senorita come sit by my fire.
I just want to be your love, ain't no lie.
Rosalita you're my stone desire.”

Bruce Springsteen (1949) American singer and songwriter

"Rosalita"
Song lyrics, The Wild, the Innocent & the E Street Shuffle (1973)

Dorothy Wordsworth photo
Billy Joel photo

“The great hulking eminence of the stone-age mound stood out as an ominous dark shadow.”

Stephen R. Lawhead (1950) American writer

Source: The Bone House (2011), p. 162

Stig Dagerman photo
Joseph Beuys photo
Jayapala photo
Henry David Thoreau photo
Christian Dior photo

“Colour is what gives jewels their worth. They light up and enhance the face. Nothing is more elegant than a black skirt and sweater worn with a sparkling multi-stoned necklace.”

Christian Dior (1905–1957) French fashion designer

Source: Maria Doulton Simply brilliant: Cher Dior lights up Paris http://www.telegraph.co.uk/luxury/jewellery/2928/simply-brilliant-cher-dior-lights-up-paris.html. The Telegraph, 16 August 2011

Koenraad Elst photo
Jopie Huisman photo

“I worked for months on this painting [title 'The Stone-wheelbarrow of C. Adema', 1977], for instance that well-bucket on the wheelbarrow I painted a twenty times or more, and it is constructed exactly as nature has shaped it. I want to make it harder and harder for myself. 'That's how it is' doesn’t exist for me. Deepening, that's what it is all about. My wish is to make in due time a small painting in which I can hardly discover any longer that it is painted, that it is just there, like that. Just something very simple.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maandenlang heb ik aan dit schilderij [titel: 'De steenkruiwagen van C. Adema', 1977] gewerkt en die putemmer bijvoorbeeld op de kruiwagen, heb ik wel twintig keer geschilderd en is precies zo opgebouwd als de natuur hem gevormd heeft. Ik wil het mezelf steeds moeilijker maken. Zo kan het wel – bestaat niet voor mij. Verdieping, daar gaat het om. Ik wil nog eens een keer een schilderijtje zo maken, dat ik haast niet meer kan zien dat het geschilderd is, dat het er gewoon is, zo, zonder meer. Iets heel eenvoudigs.
Source: Jopie Huisman', 1981, p. 80

Taliesin photo
James Hudson Taylor photo
Samuel Butler (poet) photo
Stephen Vincent Benét photo
Sachin Tendulkar photo

“When people throw stones at you, you turn them into milestones.”

Sachin Tendulkar (1973) A former Indian cricketer from India and one of the greatest cricketers ever seen in the world

When quizzed about people still questioning him over his inability to make India win the matches. http://www.cricages.com/sachin-zone/when-people-throw-stones-at-you-you-turn-them-into-milestones-sachin/

Robert Hunter photo
Amit Chaudhuri photo
George Eliot photo
Ahmad Sirhindi photo

“Every person cherishes some longing in his heart. The only longing which this recluse (meaning himself) cherishes is that the enemies of Allah and his Prophet should be roughed up. The accursed ones should be humiliated, and their false gods disgraced and defiled. I know that Allah likes and loves no other act more than this. That is why I have been encouraging you again and again to act in this way. Now that you have yourself arrived at that place, and have been appointed to defile and insult that dirty spot and its inhabitants, I feel grateful for this grace (from Allah). There are many who go to this place for pilgrimage. Allah in his kindness has not inflicted this punishment on us. After giving thanks to Allah, you should do your best to ruin that place and their false gods… whether the idols are carved or uncarved. Let us hope that you will not act slow. Physical weakness and severity of the cold weather, comes in my way. Otherwise, I would have presented myself, and helped you in doing the job. I would have liked to participate in the ceremony and mutilate the stones…”

Ahmad Sirhindi (1564–1624) Indian philosopher

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume III pp.707. This letter was also written to Shaikh Farid alias Nawab Murtaza Khan who had reached Kangra in November 1620 to conquer the fort and desecrate its temples. Jahangir had followed the Nawab in order to celebrate the victory by sacrificing cows and building a mosque where none had existed before.
From his letters

Pete Doherty photo

““It happened that Mahmud had long been planning an expedition into Bhardana, and Gujarat, to destroy the idol temple of Somnat, a place of great sanctity to all Hindus. So as soon as he had returned to Ghazni from his Khurasan business, he issued a farman to the General of the army, ordering him to leave a confidential officer in charge of the fort of Kabuliz, and himself to join the court with his son Salar Mas‘ud…
“It is related in the Tarikh-i Mahmudi that the Sultan shortly after reached Ghazni, and laid down the image of Somnat at the threshold of the Mosque of Ghazni, so that the Musulmans might tread upon the breast of the idol on their way to and from their devotions. As soon as the unbelievers heard of this, they sent an embassy to Khwaja Hasan Maimandi, stating that the idol was of stone and useless to the Musulmans, and offered to give twice its weight in gold as a ransom, if it might be returned to them. Khwaja Hasan Maimandi represented to the Sultan that the unbelievers had offered twice the weight of the idol in gold, and had agreed to be subject to him. He added, that the best policy would be to take the gold and restore the image, thereby attaching die people to his Government. The Sultan yielded to the advice of the Khwaja, and the unbelievers paid the gold into the treasury.
“One day, when the Sultan was seated on his throne, the ambassadors of the unbelievers came, and humbly petitioned thus: ‘Oh, Lord of the world! we have paid the gold to your Government in ransom, but have not yet received our purchase, the idol Somnat.’ The Sultan was wroth at their words, and, falling into reflection, broke up the assembly and retired, with his dear Salar Mas‘ud, into his private apartments. He then asked his opinion as to whether the image ought to be restored, or not? Salar Mas‘ud, who was perfect in goodness, said quickly, ‘In the day of the resurrection, when the Almighty shall call for Ãzar, the idol-destroyer, and Mahmud, the idol-seller, Sire! what will you say?’ This speech deeply affected the Sultan, he was full of grief, and answered, ‘I have given my word; it will be a breach of promise.’ Salar Mas‘ud begged him to make over the idol to him, and tell the unbelievers to get it from him. The Sultan agreed; and Salar Mas‘ud took it to his house, and, breaking off its nose and ears, ground them to powder.
“When Khwaja Hasan introduced the unbelievers, and asked the Sultan to give orders to restore the image to them, his majesty replied that Salar Mas‘ud had carried it off to his house, and that he might send them to get it from him. Khwaja Hasan, bowing his head, repeated these words in Arabic, ‘No easy matter is it to recover anything which has fallen into the hands of a lion.’ He then told the unbelievers that the idol was with Salar Mas‘ud, and that they were at liberty to go and fetch it. So they went to Mas‘ud’s door and demanded their god.
“That prince commanded Malik Nekbakht to treat them courteously, and make them be seated; then to mix the dust of the nose and ears of the idol with sandal and the lime eaten with betel-nut, and present it to them. The unbelievers were delighted, and smeared themselves with sandal, and ate the betel-leaf. After a while they asked for the idol, when Salar Mas‘ud said he had given it to them. They inquired, with astonishment, what he meant by saying that they had received the idol? And Malik Nekbakht explained that it was mixed with the sandal and betel-lime. Some began to vomit, while others went weeping and lamenting to Khwaja Hasan Maimandi and told him what had occurred…”
“Afterwards the image of Somnat was divided into four parts, as is described in the Tawarikh-i-Mahmudi. Mahmud’s first exploit is said to have been conquering the Hindu rebels, destroying the forts and the idol temples of the Rai Ajipal (Jaipal), and subduing the country of India. His second, the expedition into Harradawa and Guzerat, the carrying off the idol of Somnat, and dividing it into four pieces, one of which he is reported to have placed on the threshold of the Imperial Palace, while he sent two others to Mecca and Medina respectively. Both these exploits were performed at the suggestion, and by the advice, of the General and Salar Mas‘ud; but India was conquered by the efforts of Salar Mas‘ud alone, and the idol of Somnat was broken in pieces by his sold advice, as has been related. Salar Sahu was Sultan of the army and General of the forces in Iran…”

Ghazi Saiyyad Salar Masud (1014) semi-legendary Muslim figure from India

Somnath (Gujarat), Mir‘at-i-Mas‘udi Elliot and Dowson, History of India as told by its own historians, Vol. II. p. 524-547

Ibn Battuta photo

“Near the eastern gate of the mosque lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khãnã that is an idol-house. After the conquest of Delhi it was turned into a mosque…”

Ibn Battuta (1304–1377) Moroccan explorer

About Delhi. The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 27
Travels in Asia and Africa (Rehalã of Ibn Battûta)

Mircea Eliade photo

“For those to whom a stone reveals itself as sacred, its immediate reality is transmuted into supernatural reality. In other words, for those who have a religious experience all nature is capable of revealing itself as cosmic sacrality.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

The Sacred and the Profane: The Nature of Religion: The Significance of Religious Myth, Symbolism, and Ritual within Life and Culture (1961).

Rachel Trachtenburg photo

“I like The Beatles and I like The Kinks and I like The Rolling Stones and I like Led Zeppelin and I like Black Sabbath.”

Rachel Trachtenburg (1993) American musician

Rachel on more of her favorite musicians.
Off & On Broadway documentary (2006)

Werner Herzog photo

“Cinema Verité confounds fact and truth, and thus plows only stones. And yet, facts sometimes have a strange and bizarre power that makes their inherent truth seem unbelievable.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Minnesota declaration (1999)

Peter Greenaway photo
Billy Collins photo
Mitsumasa Yonai photo

“History shows that whenever an emergency arises, our national spirit is most emphatically manifested to advance the prestige and fortune of the nation. It is incumbent upon us to leave no stone unturned in order to promote loyalty and bravery on the home front as well, and to replenish and demonstrate our nation's powers, for which are required the inculcation of the spirit of reverence for deities and respect for ancestors, the renovation of national education and the of the people's physical strength.”

Mitsumasa Yonai (1880–1948) Prime Minister of Japan

alternate version: History shows that, whenever an emergency arises, our national spirit is manifested most emphatically to advance the prestige and bring about the prosperity of the nation. Nor must we be negligent in any way in promoting a loyal and heroic spirit among the home-front population so that national strength may be augmented and given full play. For this purpose, such measures as the fostering of the spirit of piety and of honouring ancestors, the renovation of national education and the improvement of the people's physical strength.
Quoted in Nihon Gaiji Kyokai, Tokyo Gazette, p. 343. Also quoted in Daniel Clarence Holtom, Modern Japan and Shinto Nationalism (1963), p. 19.

“Stone is the only true material for the sculptor. All others, tin, iron bars, tin cans and coiled springs are merely poor substitutes”

Fritz Wotruba (1907–1975) Austrian sculptor (23 April 1907, Vienna – 28 August 1975, Vienna)

Source: 'Sculpture of Rotterdam', ed. Jan van Adrichem / Jelle Bouwhuis / Mariëtte Dulle, Center for the Art, 010 Publishers, Rotterdam, 2002, p. 198.

Ryan Adams photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

Cormac McCarthy photo

“God don't lie…. And these are his words…. He speaks in stones and trees, the bones of things.”

Source: Blood Meridian (1985), Chapter IX, Judge Holden

W. Somerset Maugham photo
Gustav Mahler photo
J.M. Coetzee photo
Diana, Princess of Wales photo

“Two things stand like stone: kindness in anothers trouble, courage in your own. (This is a quote from poet Adam Lindsay Gordon)”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

"Princess Diana Charity Work", Biography Online

Francis Bacon photo

“Virtue is like a rich stone — best plain set.”

Of Beauty
Essays (1625)

David C. McClelland photo

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? ­­What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Thomas Carlyle photo
R. C. Majumdar photo
Chris Jericho photo
Ann Coulter photo