Quotes about sound
page 18

“Thou shalt bid thy fair hands rove
O'er thy soft lute's silver slumbers,
Waking sounds; of song and love
In their sweet Italian numbers.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(29th March 1823) Song - I'll meet thee at the midnight hour
The London Literary Gazette, 1823

Love

“They talked quietly, lying on their backs and letting the words float up to the ceiling as though they were talking to themselves. By reason of their calmness they could tell each other everything without shame, without its sounding like a confession. Nor were they surprised at what they found out about each other.”

Stig Dagerman book A Burnt Child

Source: A Burnt Child (1948), p. 191

Lying

“There cannot be a greater error than to suppose that the poet does not feel what he writes. What an extraordinary, I might say, impossible view, is this to take of an art more connected with emotion than any of its sister sciences. What — the depths of the heart are to be sounded, its mysteries unveiled, and its beatings numbered by those whose own heart is made by this strange doctrine — a mere machine wound up by the clock-work of rhythm! No; poetry is even more a passion than a power, and nothing is so strongly impressed on composition as the character of the writer. I should almost define poetry to be the necessity of feeling strongly in the first instance, and the as strong necessity of confiding in the second.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Monthly Magazine

Art, Error, Feeling, Confidence

“They say, 'you mean it's just sounds?' thinking that for something to just be a sound is to be useless, whereas I love sounds just as they are, and I have no need for them to be anything more than what they are. I don't want them to be psychological. I don't want a sound to pretend that it's a bucket or that it's president or that it's in love with another sound. I just want it to be a sound.”

John Cage (1912–1992) American avant-garde composer

Interview in documentary "Listen" (1992)
1990s

Love, Thinking

“I woke up in the middle of the night with the sound of heavy explosion. It was deep at night. I do not remember what time it was. I just remember the sound was so heavy and so very shocking. Everything in my room was shaking -- my heart, my windows, my bed, everything. I looked out the windows and I saw a full half-circle of explosion. I thought it was just like the movies, but the movies had not conveyed them in the powerful image that I was seeing full of bright red and orange and gray, and a full circle of explosion. And I kept on staring at it until it disappeared. I went back to my bed, and I prayed, and I secretly thanked God that that missile did not land on my family's home, that it did not kill my family that night. Thirty years have passed, and I still feel guilty about that prayer, for the next day, I learned that that missile landed on my brother's friend's home and killed him and his father, but did not kill his mother or his sister. His mother showed up the next week at my brother's classroom and begged seven-year-old kids to share with her any picture they may have of her son, for she had lost everything.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

God, Family, Feeling, Home

“And second, medical space research may revolutionize the technology and the techniques of modern medicine. Whatever new devices are created, for example, to monitor our astronauts, to measure their heart activity, their breathing, their brain waves, their eye motion, at great distances and under difficult conditions, will also represent a major advance in general medical instrumentation. Heart patients may even be able to wear a light monitor which will sound a warning if their activity exceeds certain limits. An instrument recently developed to record automatically the impact of acceleration upon an astronaut's eyes will also be of help to small children who are suffering miserably from eye defects, but are unable to describe their impairment. And also by the use of instruments similar to those used in Project Mercury, this Nation's private as well as public nursing services are being improved, enabling one nurse now to give more critically ill patients greater attention than they ever could in the past.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, President John F. Kennedy's last formal speech and public words

Children, Light, Suffering, Past

“Of obvious appeal to the humourless is the writer who comes on stage in a clown outfit or King Kong suit, with party hat and harem slippers, with banana skins and custard pies… It remains a sound rule that funny journalism can only flourish as the offshoot or sideline of something larger. No funny journalist who is that and nothing more will ever write anything lastingly funny.”

Martin Amis (1949) Welsh novelist

Review of The Best of Modern Humour edited by Mordecai Richler, p. 364
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“The sound crapped out for a bit, that's why I'm using SupposiSound! No one wants their tapes back, I wonder why.”

Robin Williams (1951–2014) American actor and stand-up comedian

A Night at the Met (1986)

“We were tired of writing music that sounded like everybody else, and we were stuck in this rut for so long of just trying to emulate our favorite bands. We're just going to write stuff that feels good, sounds good. And if other people don't like it, oh well. Then we remembered Bert from just playing shows with his band. So we gave him a call and he happened to not be in any bands. The timing was like perfect.”

Bert McCracken (1982) American musician

Branden Steineckert, former drummer for The Used, on recruiting McCracken to the band, reported in Alan Sculley (July 4, 2003) "Getting used to reality", The Columbian, p. F9.
About

People, Music, Feeling, Time

“There are those who still believe that notions of racial purity are biologically and theologically sound, and therefore desirable, in spite of the fact that current genetic evidence has obliterated all justification for such notions.”

Daniel J. Fairbanks (1956) American artist

Source: Everyone is African: How Science Explodes the Myth of Race (2015), p. 152.

“I think that the best science fiction is where the story is fiction but the science is real, or at least as real as possible. If you’re going to write a good sci-fi, and you want me to believe the one wholly implausible idea that your story is about, then every other aspect of the film should be as seemingly reasonable as it possibly can be. That’s what Jurassic Park tried to do. If I am to believe that an impossibly huge reptilian monster is destroying the city, then the back story of it’s origin ought to sound realistic enough to counter-balance that. That’s what the first Godzilla movie tried to do. After that, filmmakers adopted the opposite strategy; so that everything else in the subsequent sequels had so many outrageous absurdities, each so insanely stupid, that the monster in the middle was the most reasonable element by comparison.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

Stupidity, Idea, Thinking, Science

“From such a face and form as mine, the noblest sentiments sound like the black utterances of a depraved imagination!
It's human nature! I'm resigned.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

H.M.S. Pinafore (1878)

Imagination, Nature

“With stupidity and sound digestion man may front much.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. II, ch. 4.
1830s, Sartor Resartus (1833–1834)

Stupidity

““What’s theodicy?” asked Anthony.
“Hard to explain.”
“Sounds like idiocy.”
“Much of it is.””

James K. Morrow book Towing Jehovah

Source: Towing Jehovah (1994), Chapter 2, “Priest” (p. 38)

“We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Life, Death, Dreams, Way

“I believe that a scientist looking at nonscientific problems is just as dumb as the next guy — and when he talks about a nonscientific matter, he will sound as naive as anyone untrained in the matter.”

Richard Feynman (1918–1988) American theoretical physicist

The Value of Science (1955)

Guy, Problem

“Along with its aggressive streak, the Chicken also seemed to have an appetite for play. Was it pure coincidence that she liked to sneak up on Yowzer, the cat most likely to develop a nervous twitch when caught unawares? Time after time I saw the Chicken trot up delicately when Yowzer had his back turned, squawk a couple of times, and then watch as the cat leaped a couple of vertical feet. The Chicken, after a successful ambush, would run off jauntily, with a cackle that sounded suspiciously like a chuckle.”

William Grimes (journalist)

My Fine Feathered Friend, New York: North Point Press, 2002 ebook edition, p. 41 https://books.google.it/books?id=-jxSrduserwC&pg=PT41

Cats, Time, Success

“As the great words of freedom and fulfillment are pronounced by campaigning leaders and politicians, on the screens and radios and stages, they turn into meaningless sounds which obtain meaning only in the context of propaganda, business, discipline, and relaxation. This assimilation of the ideal with reality testifies to the extent to which the ideal has been surpassed. It is brought down from the sublimated realm of the soul or the spirit or the inner man, and translated into operational terms and problems. Here are the progressive elements of mass culture. The perversion is indicative of the fact that advanced industrial society is confronted with the possibility of a materialization of ideals. The capabilities of this society are progressively reducing the sublimated realm in which the condition of man was represented, idealized, and indicted. Higher culture becomes part of the material culture. In this transformation, it loses the greater part of its truth.”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 57-58

Truth, Soul, Business, Problem

“I play in a rock and roll band called The Rock Bottom Remainders. It's other authors. It's Stephen King and Amy Tan and Dave Barry and a bunch of others of us. We play to raise money for charities, because we're kind of a freak show, but we're not bad. I play a guitar and a mandocello… And since you don't know what a mandocello sounds like or how it should be played, you can say with some authority I'm the most interesting mandocello player you've ever heard. Anyhow, we're in this hotel and this maid comes in and she keeps looking at me and she smiled and she said, "I know who you are." And I said, "No you don't. Who am I?" And said, "You're Kenny Rogers." And I of course said, "No, no, no." And she said, "If you were Kenny Rogers you wouldn't say you were Kenny Rogers would you? So you must be Kenny Rogers." … So that evening I'm walking along with my guitars going to the elevator and she went up like a skyrocket, "See! I knew you were Kenny Rogers!"”

Robert Fulghum (1937) American writer

So I signed her card, "Love and kisses, Kenny Rogers."
Robert Fulghum : Philosopher King

Love, Money, Smile, Kiss

“While this nation is guilty of the enslavement of three millions of innocent men and women, it is as idle to think of having a sound and lasting peace, as it is to think there is no God to take cognizance of the affairs of men. There can be no peace to the wicked while slavery continues in the land. It will be condemned; and while it is condemned there will be agitation. Nature must cease to be nature; men must become monsters; humanity must be transformed; Christianity must be exterminated; all ideas of justice and the laws of eternal goodness must be utterly blotted out from the human soul—ere a system so foul and infernal can escape condemnation, or this guilty republic can have a sound, enduring peace.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Nature of Slavery. Extract from a Lecture on Slavery, at Rochester, December 1, 1850
1850s, My Bondage and My Freedom (1855)

Women, Men, God, Peace

“And a moment later there was a sound like a mighty rushing wind, and the relative had crossed the threshold at fifty m. p. h. under her own steam.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

“Every software system needs to have a simple yet powerful organizational philosophy (think of it as the software equivalent of a sound bite that describes the system's architecture)… [A] step in [the] development process is to articulate this architectural framework, so that we might have a stable foundation upon which to evolve the system's function points.”

Grady Booch (1955) American software engineer

Source: Object-oriented design: With Applications, (1991), p. 320

Thinking

“Reich and John Cage were pretty big influences on this record (Folie A Deux) in weird ways in that you wouldn't necessarily hear any of it - nothing ends up sounding like either of them, but I think just methodology and things like that ended up on the record in various ways.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08

Way, Thinking

“After all there is a weariness that cannot be prevented. It will come on. The work brings it on. The cross brings it on. Sometimes the very walk with God brings it on, for the flesh is weak; and at such moments we hear softer and sweeter than it ever floated in the wondrous air of Mendelssohn, "O rest in the Lord," for it has the sound of an immortal requiem: " Blessed are the dead who die in the Lord, for they rest from their labors."”

James Hamilton (1814–1867) Scottish minister and a prolific author of religious tracts

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 614.

God, Dead

“The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage.”

John Steinbeck (1902–1968) American writer

Pt. 1
Travels With Charley: In Search of America (1962)

“They started two hours before daylight, and at first, it was not necessary to break the ice across the canal as other boats had gone on ahead. In each boat, in the darkness, so you could not see, but only hear him, the poler stood in the stern, with his long oar. The shooter sat on a shooting stool fastened to the top of a box that contained his lunch and shells, and the shooter's two, or more, guns were propped against the load of wooden decoys. Somewhere, in each boat, there was a sack with one or two live mallard hens, or a hen and a drake, and in each boat there was a dog who shifted and shivered uneasily at the sound of the wings of the ducks that passed overhead in the darkness.”

Ernest Hemingway book Across the River and into the Trees

Source: Across the River and into the Trees (1950), Ch. 1 (the opening paragraph of the novel)

Dogs, Box

“Men and women grow older in this world of ours, and as the years advance they change. Of all the changes that they undergo those of their moral natures are the most painful to watch. The boy changes into the man, and there is something lost which never seems to come back again. It is like the first glow of the morning that passes away — like the bloom on the blossom that never is restored. Your grown-up boy is wise in bad things which he used to know nothing about. His life no longer sounds with a perfectly clear ring, or shines with a perfectly white lustre. He is no longer unspotted.”

Phillips Brooks (1835–1893) American clergyman and author

"Unspotted from the World"

Life, Women, Men, Pain

“The pleasure that painting as a dumb art give us, is like what we have from misic, its beautiful forms, vlour and harmony are to the eye what sounds and the harmony are to the ear.”

Jonathan Richardson (1667–1745) English painter

Essay on the Theory of Painting (1725)

Pleasure, Beauty, Art, Painting

“It is surprising that so great a mathematician as Dr. Smith could have entertained for a moment, an idea that the vibrations constituting different sounds should be able to cross each other in all directions, without affecting the same individual particles of air by their joint forces: undoubtedly they cross, without disturbing each other's progress; but this can be no otherwise effected than by each particle's partaking of both motions. If this assertion stood in need of any proof, it might be amply furnished by the phenomena of beats, and of the grave harmonics observed…”

Thomas Young (scientist) (1773–1829) English polymath

"Outlines of Experiments and Inquiries Respecting Sound and Light" (1800)

Idea

“Water begins to boil in the kettle; it starts as a private, secluded sound, pure as rain, and grows to a steady, solipsistic bubbling.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Afternoon Raag (1993)

Water

“Battlefield Earth is like taking a bus trip with someone who has needed a bath for a long time. It's not merely bad; it's unpleasant in a hostile way. The visuals are grubby and drab. The characters are unkempt and have rotten teeth. Breathing tubes hang from their noses like ropes of snot. The soundtrack sounds like the boom mike is being slammed against the inside of a 55-gallon drum. The plot. … Some movies run off the rails. This one is like the train crash in The Fugitive. I watched it in mounting gloom, realizing I was witnessing something historic, a film that for decades to come will be the punch line of jokes about bad movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/battlefield-earth-2000 of Battlefield Earth (12 May 2000) <br class="br">Reviews, Half-star reviews

Hostility, Way, Time, Training

“I love Albuquerque. I've always loved it, and i just couldn't leave it. I don't know if it sounds right, but I think people love that, I'm not going to turn my back on them. I want to be here.”

Al Hurricane (1936–2017) American singer-songwriter

"Local Legends" on the CBS Early Show (December 26, 2011)

Love, People, Thinking

“When I think of myself in those years, it seems to me that I was playing quite freely and fluently, tonally pure. But there is still have many years of hard work over the sound, rhythm and dynamics. Of course, most importantly, a deep comprehension of the inner content.”

David Oistrakh (1908–1974) Soviet violinist

oistrakh.ru Biography of David Oistrakh http://www.oistrakh.ru/en/david_oistrakh/biography/.

Thinking

“We now know that linguistic change does not operate in such an across-the-board manner. Some speakers introduce the change into their speech before others; some use it more frequently and consistently than others; and some words are affected before others. A more accurate view is to think of a change gradually spreading through the words of a language – a view that is known as a lexical diffusion. At first just a few people use a change sporadically in a few words (commonly occurring words are influenced very quickly); then a large number of words are affected, with the sound gradually being used more consistently; then the majority of the words take up the change.”

David Crystal (1941) British linguist and writer

Source: How Language Works, 2007, p. 359

People, Thinking, Change

“It sounds rather strange to talk of an infinite universe still expanding. If we were certain that the curvature was negative, we might still, as in the case of positive curvature, replace the phrase "the universe expands" by the equivalent one "the curvature of the universe decreases." But if the curvature is zero, and remains zero throughout, what sort of meaning are we to attach to the "expansion"? The real meaning is, of course, that the mutual distances between the galactic systems, measured in so-called natural measure, increase proportionally to a certain quantity R appearing in the equations, and varying with the time. The interpretation of R as the "radius of curvature" of the universe, though still possible if the universe has a curvature, evidently does not go down to the fundamental meaning of it.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932), Above is Beginning Quote of the Last Chapter: Relativity and Modern Theories of the Universe -->

Nature, Universe, Appearance, Time

“Music is the arithmetic of sounds as optics is the geometry of light.”

Claude Debussy (1862–1918) French composer

As quoted in Greatness : Who Makes History and Why by Dean Keith Simonton, p. 110

Music, Light

“Into that world comes a young William Wilberforce — a young Parliamentarian — who saw this and said this is evil, this is wrong, I will do what I can to fight it. In some ways, it's very similar to our situation here with regard to abortion because that's a multi-million dollar industry. You know the money that even our own Congress gives to Planned Parenthood is reminiscent of the evil that was expressed in that day because other Parliament members didn't want to touch that very lucrative business. And so here you've got Wilberforce standing up and saying "this is wrong" and he was vilified and attacked and discredited and marginalized. It sounds kind of familiar to what happens to pro-life people today.”

James Dobson (1936) Evangelical Christian psychologist, author, and radio broadcaster.

William Wilberforce’s Courageous Stand for Life
2011-02-28
11:09
Family Talk with Dr. James Dobson
http://www.myfamilytalk.com/Broadcasts/Broadcast?i=17c6be97-7215-48c4-8168-6de584cc1da1
2011-08-06
Comparing abortion to the slave trade
2011

Life, Money, People, World

“It was impossible to determine what he was saying, but I imagined he was telling all those present that they were nongs and maggots. I decided I quite liked watching the news with the sound off.”

Bill Bryson (1951) American author

In a Sunburned Country (US), Down Under (UK) (2000)

Imagination

“I'm back at my cliff
still throwing things off
I listen to the sounds they make
on their way down
I follow with my eyes 'til they crash
imagine what my body would sound like slamming against those rocks
and when it lands
will my eyes
be closed or open?”

Björk (1965) Icelandic singer-songwriter

"Hyper-Ballad", from Post (1995)
Songs

Way, Imagination

“The people of Sybaris, a city in Calabria, are proverbial on account of their effeminancy; and it is said that they taught their horses to dance to the music of the pipe; for which reason, their enemies the Crotonians, at a time when they were at war with them, brought a great number of pipers into the field, and at the commencement of the battle, they played upon their pipes; the Sybarian horses, hearing the sound of the music, began to dance; and their riders, unable to manage them as they ought to have done, were thrown into confusion, and defeated with prodigious slaughter. This circumstance is mentioned by Aristotle; and, if not strictly true, proves, at least that the teaching of animals to exceed the bounds of action prescribed by nature was not unknown to the ancients.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 242
The Sports and Pastimes of the People of England (1801), Sybaris

War, People, Music, Nature

“For some moments after silence had come like a poultice to heal the blows of sound, all that occupied his mind was the thought of what pests the gentler sex were when they got hold of a telephone. The instrument seemed to go to their heads like a drug. Connie Keeble, for instance. Nice sensible woman when you talked to her face to face, never tried to collar the conversation and all that, but the moment she got on the telephone, it was gab, gab, gab, and all about nothing.”

P.G. Wodehouse book Pigs Have Wings

Pigs Have Wings (1952)

Sex, Silence

“We drove him home, down Spring Street to First and over the railroad tracks to a black neighborhood that picked up the sounds of the rattling Ford and threw the echoes over an area of dirty frame houses and tired picket fences. He got out at a place where a dying pepper tree had spilled its brown leaves over the ground, and when he walked to the porch you could hear his feet wading through the hissing dead leaves.”

John Fante book Ask the Dust

Ask the Dust (1939)

Home, Spring, Tree, Housing

“No one in the history of the written word, not even William MacGonagall, or Spike Milligan or D. H. Lawrence, is so wide open to damaging quotation. Try this, more or less at random: 'A murderer in the moment of his murder could feel a sense of beauty and perfection as complete as the transport of a saint.' Or this: Film is a phenomenon whose resemblance to death has been ignored for too long. His italics.
On every page Mailer will come up with a formulation both grandiose and crass. This is expected of him. It is also expected of the reviewer to introduce a lingering 'yet' or 'however' at some point, and say that 'somehow' Mailer's 'fearless honesty' redeems his notorious excesses. He isn't frightened of sounding outrageous; he isn't frightened of making a fool of himself; and, above all, he isn't frightened of being boring. Well, fear has its uses. Perhaps he ought to be a little less frightened of being frightened.”

Martin Amis (1949) Welsh novelist

Review of The Essential Mailer by Norman Mailer, p. 267
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

Death, Fear, Beauty, Fools

“Tinkling sounds came from outside, of hammering and chiselling, as labourers worked like bees, and seven- or eight-storeyed buildings rose in the place of ancestral mansions that had been razed cruelly to the ground, climbing up like ladders through screens of dust. An old mansion opposite the veranda had been repainted white, to its last banister and pillar, so that it looked like a set of new teeth. … In another sphere altogether, birds took off from a tree or parapet, or the roof of some rich Marwari’s house, startling and speckling the neutral sky. Not a moment was still or like another moment. In a window in a servants’ outhouse attached to a mansion – both the master’s house and the servants’ lost in a bond now anachronistic and buried – a light shone even at this time of the day, beacon of winter.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Freedom Song (1998)

Bird, Tree, Light, Bee

“I saw The Sound of Music again recently, and I loved it. Probably it's a more valuable film now than when it first came out, because some of the things it stood for have already disappeared. There's a kind of naive loveliness about it, and love goes by so fast … love and music and happiness and family, that's what it's all about. I believe in these things. It would be awful not to, wouldn't it?”

Julie Andrews (1935) British actress, singer, author, theatre director, and dancer

Photoplay (September 1973)

Love, Family, Music, Happiness

“From a high tower I have looked to the four points of the horizon.
I will go and lift up the dead on the battlefield.
I will stretch out their contorted arms and legs.
I will close their cold eyelids on their fixed pupils.
I cannot bear to see eyes if I do not receive any words.
Invisible life entrusts us with sad tasks,
I look back to my years, and the pains I have suffered
are not enough.
Soon there will be clashings of men and horrible clanging sounds.
And people hunted, pushed, wrenched.
Also I will find myself in the midst of the madness of war.
I will open pure words, orders of thought, fraternal acts.
In the meantime they will bring forward the man
condemned to death and they will tell him to dig his own grave.
He will look up at the still hills and the sky.
Some distant sounds of life will still reach him.
He will not have time to think back to his many days –
to the voices of his dear people, and the close relationships.
Not even will he be able to look ahead,
to come to terms with what is happening now.
And when the shots will be fired, with the flash a cry will go up
The human cry which is too late, and it’s lost.
To free, to free as soon as possible.
They will ask me: why don’t you come to fight with us?
They will not understand, they will carry on with the war.
I loved to be with other people, as the light of the day.
It is so good to work together, in trust, in mutual help.
To lose myself in the crowd in modest clothes.
In a circle of equals to listen and to speak.
And now nobody wants to listen, and yet they are all people.
I have become a stranger, the others do not know that I am there.
The abrupt reply, the friend who looks the other way.
It would be easy to join them in earnest action.
Forgetting the deeper unity, beyond the war?
I remain here, isolated from everybody,
working for a deeper togetherness.
Everything was only a trial, reality must yet begin.
Every being was partaking of another reality yet he did not know.
But now this reality is becoming clear,
and it matters only what opens us to it.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Love, Life, Death, Men

“The waxen line of the bowstrings struck their leather bracers with a light whapping sound … A man dropped from each end of the attackers' rough formation, with the flat punching smack of arrowheads striking flesh loud enough to hear.”

S.M. Stirling (1953) Canadian-American author, primarily of speculative fiction

The Sword of the Lady https://en.wikipedia.org/wiki/The_Sword_of_the_Lady

Light

“Here, in the last pages of the "Abegg" Variations, Schumann plays the motto theme A-B-E-G-G (B in German notation is the English Bb) not by sounding the last four notes but by taking them away, one by one, from, the chord of Bb-E-G. This is the first time in history that a melody is signified not by the attack but by the release of a series of notes. The motto, however, ends with a repeated final G. If the motto is played by releasing each successive note, we are faced with a paradox: when the G is released once on the piano, it is no longer there to be released again-the motto is not only unplayable as conceived but unimaginable. Schumann signifies as much by another paradox: he adds accents to the sustained notes.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

History, Time, Success

“They say somebody has invented you
but to me this does not sound convincing
for humans invented themselves as well.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"On Angels"

“Sooth'd with the sound, the king grew vain;
Fought all his battles o'er again;
And thrice he routed all his foes, and thrice he slew the slain.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 66–70.

“I do wanna get married. It just sounds great. You get to go grocery shopping together, rent videos, and the kissing and the hugging and the kissing and the hugging under the cozy covers. Mmmm! But sometimes I worry that I don't wanna get married as much as I want to get dipped in a vat of warm, rising bread dough. That might feel pretty good, too.”

Maria Bamford (1970) American actress and comedian

Comedy Central Presents Maria Bamford (2001)

Feeling, Kiss

“A wise man once said that next to losing its mother, there is nothing more healthy for a child than to lose its father. And though I would never subscribe to such a statement wholeheartedly, I would be the last person to reject it out of hand. For my own part, I would express such a doctrine without any suggestion of bitterness against the world, or rather without the hurt which the mere sound of the words implies.”

Halldór Laxness (1902–1998) Icelandic author

Brekkukotsannáll (The Fish Can Sing) (1957)

World, Parting, Hurt, Personality

“…but defining their sound was Little Girls, an exuberant ska wrapped in an electronic patina, with modernist vocals à la XTC and a touch of dementia.”

Piero Scaruffi (1955) Italian writer

Oingo Boingo The History Of Rock Music http://www.scaruffi.com/vol4/oingo.html

Girl

“Touching the secrets of the heart and the successions of time, doth make a just and sound difference between the manner of the exposition of the Scriptures and all other books. For it is an excellent observation which hath been made upon the answers of our Saviour Christ to many of the questions which were propounded to Him, how that they are impertinent to the state of the question demanded: the reason whereof is, because not being like man, which knows man’s thoughts by his words, but knowing man’s thoughts immediately, He never answered their words, but their thoughts. Much in the like manner it is with the Scriptures, which being written to the thoughts of men, and to the succession of all ages, with a foresight of all heresies, contradictions, differing estates of the Church, yea, and particularly of the elect, are not to be interpreted only according to the latitude of the proper sense of the place, and respectively towards that present occasion whereupon the words were uttered, or in precise congruity or contexture with the words before or after, or in contemplation of the principal scope of the place; but have in themselves, not only totally or collectively, but distributively in clauses and words, infinite springs and streams of doctrine to water the Church in every part. And therefore as the literal sense is, as it were, the main stream or river, so the moral sense chiefly, and sometimes the allegorical or typical, are they whereof the Church hath most use; not that I wish men to be bold in allegories, or indulgent or light in allusions: but that I do much condemn that interpretation of the Scripture which is only after the manner as men use to interpret a profane book.”

Francis Bacon book The Advancement of Learning

XXV. (17)
The Advancement of Learning (1605)

Men, Secret, Books, Age

“Isn't Deepak Chopra just exploiting Quantum jargon as plausible-sounding hocus pocus?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Enemies of Reason (August 2007)

“I remember opening the letter, scanning the first few lines, feeling the blood go thick behind my eyes. I remember a sound in my head. It wasn't thinking, just a silent howl. A million things all at once — I was too good for this war. Too smart, too compassionate, too everything. It couldn't happen. I was above it.”

Tim O'Brien book The Things They Carried

The Things They Carried (1990), On the Rainy River

War, Feeling, Thinking

“"Why do they do it?" whispered Horeb. "Their eyes, you mean?" said Rek. "Yes. How can a man put out his own eyes?" "Damned if I know. They say it aids their visions." "Sounds about as sensible as cutting off your staff in order to aid your sex life."”

David Gemmell book Legend

Source: Drenai series, Legend, Pt 1: Against the Horde, Ch. 1

Life, Sex

“The anti‐Semite has chosen hate because hate is a faith; at the outset he has chosen to devaluate words and reasons. How entirely at ease he feels as a result. How futile and frivolous discussions about the rights of the Jew appear to him. He has placed himself on other ground from the beginning. If out of courtesy he consents for a moment to defend his point of view, he lends himself but does not give himself. He tries simply to project his intuitive certainty onto the plane of discourse. I mentioned awhile back some remarks by anti‐Semites, all of them absurd: "I hate Jews because they make servants insubordinate, because a Jewish furrier robbed me, etc." Never believe that anti‐ Semites are completely unaware of the absurdity of their replies. They know that their remarks are frivolous, open to challenge. But they are amusing themselves, for it is their adversary who is obliged to use words responsibly, since he believes in words. The anti‐Semites have the right to play. They even like to play with discourse for, by giving ridiculous reasons, they discredit the seriousness of their interlocutors. They delight in acting in bad faith, since they seek not to persuade by sound argument but to intimidate and disconcert. If you press them too closely, they will abruptly fall silent, loftily indicating by some phrase that the time for argument is past. It is not that they are afraid of being convinced. They fear only to appear ridiculous or to prejudice by their embarrassment their hope of winning over some third person to their side.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Pages 13-14
(1945)

Hate, Fear, Faith, Hope

“Sound peculiarly appeals to memory.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Heath's book of Beauty, 1833 (1832)

Memory

“Bring you down, can't bring you down
Bring you down, can't hear the sound
Run through the river and head to town
Pretty little moon with it's head hung down
Chin up. Cheer up.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Chin Up, Cheer Up
29 (2005)

“Many physicists these days sound like the Delphic oracle - with equations.”

John Twelve Hawks American writer

Fourth Realm Trilogy (2005-2009), The Dark River (2007)

“If a warrior is not unattached to life and death, he will be of no use whatsoever. The saying that "All abilities come from one mind" sounds as though it has to do with sentient matters, but it is in fact a matter of being unattached to life and death. With such non-attachment one can accomplish any feat.”

Tsunetomo Yamamoto book Hagakure

Hagakure (c. 1716)

Life, Death

““Pascal’s Wager never appealed to me. It seems logically… shallow.”
“Perhaps because it posits only two choices,” said Aenea. Somewhere in the desert night, an owl made a short, sharp sound. “Spiritual resurrection and immortality or death and damnation,” she said.
“Those last two aren’t the same thing,” I said.
“No, but perhaps to someone like Blaise Pascal they were. Someone terrified of ‘the eternal silence of these infinite spaces.’”
“A spiritual agoraphobic,” I said.
Aenea laughed. The sound was so sincere and spontaneous that I could not help loving it. Her.
“Religion seems to have always offered that false duality,” she said, setting her cup of tea on a flat stone. “The silences of infinite space or the cozy comfort of inner certainty.””

Dan Simmons book The Rise of Endymion

Source: The Rise of Endymion (1997), Chapter 10 (p. 166)

Love, Death, Religion, Silence

“If a young girl is being forced into a brothel she will not talk about her rights. In such a situation the word would sound ludicrously inadequate.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 63

Girl

“The country will not have to pay the piper. Through a combination of sound policy actions and a great deal of good luck we are well on our way to a soft landing and a period of growth and price stability.”

Lawrence H. Summers (1954) Former US Secretary of the Treasury

Lawrence Summers in: David Warsh (April 20, 1986) "Stockman's Timing Was Never Worse", Boston Globe, p. A1.
1980s

Way, Country

“On the whole, I'm a positive, skippity-la-la person but I love the dark side of music and I will always want to explore that. It's a positive-sounding album but there's stuff underneath for sure.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

On Eye to the Telescope.
KTTunstall.com

Love, Music, Personality

“There are few sounds as menacing as a bayonet being fixed.”

George MacDonald Fraser book Quartered Safe Out Here

Source: Quartered Safe Out Here (1992), p. 109.

“Every time I know we have to go out on tour, there’s about three or four weeks where I’m terrified—where I start thinking: That’s not me. I’m not Freddie Mercury. Then I go out onstage and it’s like diving into the cold Puget Sound after spending five weeks in Hawaii—there’s a shock to the system, but the fear goes away. You get used to it, which is pretty cool, because if I stopped performing, I could just disappear and end up being some weird chattering man that walks the streets in rags, staring only at the pavement. At first you rationalize that going to a club where people recognize you is a bad idea; then going to a neighborhood bar becomes a bad idea, too. Going to the grocery store becomes a bad idea. Answering the phone becomes a bad idea. Then every time the dog barks, you think the National Guard is on your roof ready to drill holes in the shingles and shoot at you. So I have to deal with the outside world on sort of a maintenance level—go out to a bar every so often and just be around people.”

Chris Cornell (1964–2017) American singer-songwriter, musician

On being anti-social

People, World, Fear, Dogs

“I am out of season all years round - watch machinery roar to my empty sound.
Touch my heart and feel winter, hold my hand and be doomed forever.”

Paul Weller (singer) (1958) English singer-songwriter, Guitarist

Carnation
The Gift (1982)

Feeling, Winter, Heart, Season

“If the story of my early years with Russ sound like they were years of battle, then the sound is correct.”

C. West Churchman (1913–2004) American philosopher and systems scientist

C. West Churchman (1990, p. 130) cited in: Magnus Ramage, Karen Shipp (2009) Systems Thinkers. p. 140
1980s and later

“Although Saussure recognized the necessity of putting the phonic substance between brackets ("What is essential in language, we shall see, is foreign to the phonic character of the linguistic sign" [p. 21]. "In its essence it [the linguistic signifier] is not at all phonic" [p. 164]), Saussure, for essential, and essentially metaphysical, reasons had to privilege speech, everything that links the sign to phone. He also speaks of the "natural link" between thought and voice, meaning and sound (p. 46). He even speaks of "thought-sound" (p. 156). I have attempted elsewhere to show what is traditional in such a gesture, and to what necessities it submits. In any event, it winds up contradicting the most interesting critical motive of the Course, making of linguistics the regulatory model, the "pattern" for a general semiology of which it was to be, by all rights and theoretically, only a part. The theme of the arbitrary, thus, is turned away from its most fruitful paths (formalization) toward a hierarchizing teleology:… One finds exactly the same gesture and the same concepts in Hegel. The contradiction between these two moments of the Course is also marked by Saussure's recognizing elsewhere that "it is not spoken language that is natural to man, but the faculty of constituting a language, that is, a system of distinct signs …," that is, the possibility of the code and of articulation, independent of any substance, for example, phonic substance.”

Jacques Derrida book Positions

Source: Positions, 1982, p. 21

Motivation, Nature, Parting

“Directing an austere look at Tubby’s receding back, she spoke in a cold crisp voice which sounded in the drowsy stillness like ice tinkling in a pitcher.”

P.G. Wodehouse book Summer Moonshine

Summer Moonshine (1938)

“What has particularly interested me about these horses is that, after thousands of years of domestication, they have adapted so successfully to life in the wild. If these horses are really as healthy and as sound as they appear, then there is probably a lot we can learn from them, such as the way their hooves are shaped and the manner in which they shape them.”

Jaime Jackson (1947) Horse hoof care professional

"Incipit"
The Natural Horse (1997)

Life, Way, Learning, Appearance

“One of the early presidents of Harvard College wrote a dissertation on the question, "Whether angels speak any language; if so, whether it is Hebrew." Much futile discussion on such questions has at various times brought debating into ill repute. A question should offer something more than an ingenious exercise; it should offer the chance of arriving at some conclusion regarded by the particular audience or disputants as of some practical importance. It should be discarded if, like the proposition, "The pen is mightier than the sword/' it offers no possibility of arriving at reasonably sound conclusions through the process of argument.”

William Trufant Foster (1879–1950) American economist

Source: Argumentation and debating, 1908, p. 4-5; as cited in: Branham (2013, p. 32-33)

Angels, Exercises, Question, Chance

“I have long recognized the theory and aesthetic of such comprehensive display: show everything and incite wonder by sheer variety. But I had never realized how powerfully the decor of a cabinet museum can promote this goal until I saw the Dublin [Natural History Museum] fixtures redone right. […] The exuberance is all of one piece—organic and architectural. I write this essay to offer my warmest congratulations to the Dublin Museum for choosing preservation—a decision not only scientifically right, but also ethically sound and decidedly courageous. The avant-garde is not an exclusive locus of courage; a principled stand within a reconstituted rear unit may call down just as much ridicule and demand equal fortitude. Crowds do not always rush off in admirable or defendable directions.”

Stephen Jay Gould book Dinosaur in a Haystack

"Cabinet Museums: Alive, Alive, O!", p. 244
Dinosaur in a Haystack (1995)

History, Courage, Nature, Decision

“I am convinced that the decisive factor in dramatic effect will be a smaller orchestra, which does not drown out the human voice as does a large orchestra…The orchestra of the opera of the future is the chamber orchestra which, by painting in the background of the action on the stage with crystalline clearness, can alone realise precisely the intention of the composer with regard to the vocal parts. It is after all an important desideratum that the audience should not only hear the sounds but should also be able to follow the words closely.”

Richard Strauss (1864–1949) German composer and orchestra director

On composing and conducting (page 39-40) (1929).
Recollections and Reflections

Decision, Future, Parting, Painting

“As a right-winger and UKIP member, I believe in immigration. That sentence might sound slightly surprising coming from the General Secretary of a Party which is perceived by the media as anti-immigration. So let me explain. I reject uncontrolled immigration. I reject immigration beyond the ability of our country’s infrastructure to cope. Recently, I’ve been listening to the Bruce Springsteen song ‘American Land’. It starts off well enough, talking about people relocating to America as it grew and helping to build the country. That’s the kind of immigration that I believe in. Those who believe that they can have a better life (in this case in the UK), who come over and are determined to see themselves as part of British culture and will put their heart and soul into improving this country for all of us. I’m talking about the kind of person who is proud to come to the United Kingdom and shows that pride at every opportunity. Such people are a real asset to the country. That’s why I’m so angry at the ‘left-wing’ in British politics, which has consistently pursued an effective open-door immigration policy. Uncontrolled mass immigration doesn’t provide any of those benefits, but instead creates huge cultural problems for us. Worse still, it creates resentment. In Sheffield, I see workers losing their jobs to immigrant workers. All that does is create resentment and fuels the kind of racism that we’ve painstakingly worked to get rid of from our nation.”

Jonathan Arnott (1981) British politician

I believe….in immigration? http://www.jonathanarnott.co.uk/2013/06/i-believe-in-immigration/ (June 23, 2013)

Life, People, Soul, Problem

“But life is sweet, though all that makes it sweet
Lessen like sound of friends’ departing feet;
And Death is beautiful as feet of friend
Coming with welcome at our journey’s end.
For me Fate gave, whate’er she else denied,
A nature sloping to the southern side;
I thank her for it, though when clouds arise
Such natures double-darken gloomy skies.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Epistle to George William Curtis (1874)

Life, Death, Fate, Beauty

“It is universally agreed, that custom, in time, becomes a second nature, forcing men to use that, whether good or bad, to which they have been habituated; in fact, we see habit, in many instances, gain the ascendency over reason. This is so undeniably true, that, virtuous men, by keeping company with wicked, often fall into the same vicious course of life. Seeing and considering all this, I have decided to write on the vice of intemperance, in eating and drinking. Now, though all are agreed, that intemperance is the parent of gluttony, and sober living the offspring of abstemiousness, yet, owing to the power of custom, the former is considered a virtue, and the latter as mean and avaricious, and so many men are blinded and besotted to such a degree, that they come to the age of forty or fifty, burdened with strange and painful infirmities, which render them decrepit and useless, whereas, had they lived temperately and soberly, they would in all probability, have been sound and hearty, to the age of eighty and upwards.”

Luigi Cornaro (1484–1566) Italian philosopher

Discourses on the Sober Life

Life, Men, Pain, Age

“This is a big statement and it sounds a little precious. Generally a man is ashamed to make such a statement. He is afraid sophisticated people will laugh at him. But I don't mind. I'm asking sophisticated people to laugh. That is what sophistication is for.”

William Saroyan (1908–1981) American writer

Seventy Thousand Assyrians (1934)

People

“"Wonder if it's all true?" said Charlotte, as we hurried up the path. "Sounded dreadfully like nonsense, in parts!"
"P'raps its true for all that," I replied encouragingly.”

Kenneth Grahame book The Reluctant Dragon

Dream Days (1898), The Reluctant Dragon

Parting

“For an instant a half-formed prayer struggled into Havor’s mouth. But he could not utter it. Not for himself. For him those words were already drowned by the noise the thong-whip had made, or the sounds of children crying out of hunger or the cold or sheer misery in that grey house of orphans in the far North, eight years ago.”

Tanith Lee (1947–2015) British writer

Source: Short fiction, Companions on the Road (1975), Chapter 7, “The Snow-Waste” (p. 69)

Hunger, Children, Housing, Cry

“White moon gleaming
Among trees,
From every branch
Sound rising into
Canopies.”

Paul Verlaine La lune blanche

La lune blanche
Luit dans les bois;
De chaque branche
Part une voix
Sous la ramée.
"La lune blanche", line 1, from La Bonne Chanson (1872); Sorrell p. 57

Tree

“On the artist, Charley Patton, who changed him: What happened was I was going out on a Saturday night, so I went into my mam’s bedroom, she’s got a double mirror, really kitsch 50s. So I’m in there, doing that, and she’s got an old alarm clock where the radio comes on, but she never learned how to do it properly. And it came on. […] I remember it was ten past three in the afternoon and it was winter, it was getting dark, and it was when the BBC had just started doing Telstar live things from America. It was some station in Memphis - one of those classic names, ‘RK 51’ or whatever. […] On it came and there’s this record. The satellite thing was a bit cloudy and it was a 78 record and there was compression on the radio, so it was this strange kind of musical blur with this voice coming through: Charley Patton. […] On that night I told the bass player of one of the local bands that I’d heard this record and it sounded weird, it sounded like a violin. He said, ‘No, it’s not a violin, it’s a slide guitar.’ I thought, ‘What’s one of them?”

Chris Rea (1951) English singer-songwriter

2017

Music, Learning, Winter, Change

“A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..”

Franz Marc (1880–1916) German painter

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

School, Music, Color, Imagination

“A thousand trills and quivering sounds
In airy circles o'er us fly,
Till, wafted by a gentle breeze,
They faint and languish by degrees,
And at a distance die.”

Joseph Addison (1672–1719) politician, writer and playwright

Ode on St. Cecilia's Day (1699), st. 6.

Flying

“How can U just leave me standing?
Alone in a world that's so cold? (So cold)
Maybe I'm just 2 demanding
Maybe I'm just like my father, 2 bold
Maybe you're just like my mother
She's never satisfied (She's never satisfied)
Why do we scream at each other?
This is what it sounds like
When doves cry.”

Prince (1958–2016) American pop, songwriter, musician and actor

When Doves Cry
Song lyrics, Purple Rain (1984)

World, Cry

“My position is to listen to my constituents, learn from the best information available and ultimately make sound, rational decisions that are going to be beneficial to the people of the 8th Congressional District.”

Gabrielle Giffords (1970) American politician

On her political positions during campaign — [Stephanie Innes, Giffords: Too soon to settle on a plan for health care, The Arizona Daily Star, August 11, 2009, A1, Arizona]

People, Decision, Learning

“I desired as many as could to join together in fasting and prayer, that God would restore the spirit of love and of a sound mind to the poor deluded rebels in America.”

John Wesley (1703–1791) Christian theologian

Journal entry (1 August 1777), published in The Journal of the Rev. John Wesley (1827), p. 104
General sources

Love, God

“There was never a sound beside the wood but one,
And that was my long scythe whispering to the ground.”

Robert Frost (1874–1963) American poet

" Mowing http://www.poemhunter.com/poem/mowing-2/" <br class="br">1910s

“…the practice of thrift is not one of the most distinguishing characteristics of the people of this country. It exists more beyond the border, in Scotland, undoubtedly, than it does in England, but it is increasing, and increasing very much, happily, in England itself. I rejoice to say that it has been in the power of the State to effect this by judicious legislation—not by what is called "grandmotherly legislation", of which I for one have a great deal of suspicion—but by legislation thoroughly sound in principle—namely, that legislation which like your savings bank, helps the people by enabling the people to help themselves.”

William Ewart Gladstone (1809–1898) British Liberal politician and prime minister of the United Kingdom

Speech to the annual meeting of the depositors in the provident savings banks connected with the South-Eastern and Metropolitan Railway Companies in the City Terminus Hotel (18 June 1890), quoted in The Times (19 June 1890), p. 6.
1890s

People, Help, Country