“Here, in the last pages of the "Abegg" Variations, Schumann plays the motto theme A-B-E-G-G (B in German notation is the English Bb) not by sounding the last four notes but by taking them away, one by one, from, the chord of Bb-E-G. This is the first time in history that a melody is signified not by the attack but by the release of a series of notes. The motto, however, ends with a repeated final G. If the motto is played by releasing each successive note, we are faced with a paradox: when the G is released once on the piano, it is no longer there to be released again-the motto is not only unplayable as conceived but unimaginable. Schumann signifies as much by another paradox: he adds accents to the sustained notes.”

In " I am single, apply within – Muma Gee http://www.nigeriafilms.com/content.asp?contentid=3376&ContentTypeID=2" by Funmi Salome Johnson on nigeriafilms.com, October 25, 2008: On the meaning behind her stage name

Living Systems: Basic Concepts (1969)

Source: Sex, Art and American Culture : New Essays (1992), Junk Bonds and Corporate Raiders : Academe in the Hour of the Wolf, p. 204

Tumiłowicz, Bronisław (February 2018): Zrób sobie mózg https://www.tygodnikprzeglad.pl/zrob-sobie-mozg/. Przegląd (6/2018): pp. 58–59.

Great Dinosaur Mystery Solved! (2000)

For My Legionaries: The Iron Guard (1936), Politics

Das Kontinuum. Kritische Untersuchungen uber die Grundlagen der Analysis (1918), as quoted/translated by Erhard Scholz, "Philosophy as a Cultural Resource and Medium of Reflection for Hermann Weyl" http://arxiv.org/abs/math/0409596 (2004)

Henry Flynt: "Essay: Concept Art." (1961) In: La Monte Young (ed.) An Anthology, 1963.

Source: Guide for the Perplexed (c. 1190), Part III, Ch.12