Quotes about sound
page 17

Plautus photo

“He whom the gods protect : the youth is dying whilst he is in health, and has his senses and his judgment sound.”
Quem di diligent, adolescens moritur, dum valet, sentit, sapit.

Bacchides Act IV, scene 7, line 18.
Variant translation: He whom the gods love dies young. (translator unknown)
Derived from Menander's The Double Deceiver; but only the Plautine version was known until the rediscovery of Menander in the 20th century; sometimes translated as "favor" instead of "love".
Bacchides (The Bacchises)

“Poetry is what looks like poetry, what sounds like poetry. It is metrical composition.”

J. V. Cunningham (1911–1985) American writer

'Poetry, Structure and Tradition' Dec 31 1939
General

Ingrid Newkirk photo
Mark Akenside photo

“If America says to you today that they are proud of the fact that, for two hundred years, they have been trying to make their union more perfect, it sounds very reasonable. But, in Nigeria, you are not even allowed to question your union, which is ridiculous.”

Chukwuemeka Odumegwu Ojukwu (1933–2011) Nigerian politician and military leader

9 July, 2001, as quoted by Rudolph Okonkwo, My Last Interview With Dim Chukwuemeka Ojukwu - Rudolf Okonkwo http://saharareporters.com/column/my-last-interview-dim-chukwuemeka-ojukwu-rudolf-okonkwo, Sahara Reporters (26 November, 2011)

Oliver Cowdery photo
Jackson Browne photo

“Take it easy, take it easy
Don't let the sound of your own wheels
Drive you crazy.”

Jackson Browne (1948) American singer-songwriter

Take It Easy

George Steiner photo
August Macke photo
Samuel Taylor Coleridge photo

“Be that blind bard who on the Chian strand,
By those deep sounds possessed with inward light,
Beheld the Iliad and the Odyssey
Rise to the swelling of the voiceful sea.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Fancy in Nubibus
Bartlett's Familiar Quotations, 10th ed. (1919)

Victor Villaseñor photo
Karl Kraus photo

“Sound opinions are valueless. What matters is who holds them.”

Karl Kraus (1874–1936) Czech playwright and publicist

Half-Truths and One-And-A-Half Truths (1976)

Kurt Schwitters photo

“Consistent poetry is made of letters. Letters have no idea. Letters as such have no sound, they offer only tonal possibilities, to be valuated by the performer. The consistent poem weighs the value of both letters and groups.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: 'Consistent Poetry Art', Schwitters' contribution to 'Magazine G', No. 3, 1924, ed. Hans Richter.

John Crowley photo
William Herschel photo
Edouard Manet photo

“Who is this Monet whose name sounds just like mine and who is taking advantage of my notoriety?”

Edouard Manet (1832–1883) French painter

Quote 1865, recorded by Theodore Duret at the [[w:Salon (Paris)|Paris Salon that year; as quoted on: SCRIBD - 'Manet's letters' https://www.scribd.com/document/344176445/manets-letters-worksheet
1850 - 1875

Georgia O'Keeffe photo

“Conducting is the sound of a musician who makes no sound.”

Adrian Leaper (1953) British conductor

The Hindu, Magazine section, October 19, 2008. http://www.hindu.com/mag/2008/10/19/stories/2008101950060200.htm

Murray Leinster photo

“Put dispassionately,” said Haynes cheerfully, “you sound like you’re crazy. But you’re stating facts. Okay so far.”

Murray Leinster (1896–1975) Novelist, short story writer

The Aliens, p. 113 (originally published in Thrilling Wonder Stories, April 1947).
Short fiction, The Skit-Tree Planet (1947)

Grandmaster Flash photo
Chris Rea photo
William Blake photo
Édouard Vuillard photo

“We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.”

Édouard Vuillard (1868–1940) French painter

11 Nov 1888.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940

Philip Massinger photo

“Out, you impostors!
Quack-salving, cheating mountebanks! Your skill
Is to make sound men sick, and sick men kill.”

Philip Massinger (1583–1640) English writer

Virgin Martyr (1622), Act IV, scene i.

Christopher Pitt photo

“To all, proportioned terms he must dispense,
And make the sound a picture of the sense.”

Christopher Pitt (1699–1748) English poet

Book III, p. 103
Vida's Art of Poetry (1725)

Jeffrey Moussaieff Masson photo
Pete Doherty photo

“If you get tired of just hanging around
Pick up a guitar, spin a web of sound
And then you could be strung out all day
With lovers and clowns
Now I find myself still hanging around”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Ha Ha Wall"(with Carl Barat)
Lyrics and poetry

Alastair Reynolds photo
Conor Oberst photo

“The sound of loneliness makes me happier”

Conor Oberst (1980) American musician

Poison Oak
I'm Wide Awake, It's Morning (2005)

Calvin Coolidge photo
David Rakoff photo
Francis Bacon photo
Ursula K. Le Guin photo
Mike Oldfield photo
Alexander Pope photo

“The world recedes; it disappears!
Heav'n opens on my eyes! my ears
With sounds seraphic ring!
Lend, lend your wings! I mount! I fly!
O grave! where is thy victory?
O death! where is thy sting?”

Alexander Pope (1688–1744) eighteenth century English poet

the last two lines are a quote of 1 Corinthians 15:55 http://en.wikisource.org/wiki/Bible_(King_James)/1_Corinthians#15:55.
The Dying Christian to His Soul (1712)

Morton Feldman photo

“Sound is all our dreams of music. Noise is music's dreams of us.”

Morton Feldman (1926–1987) American avant-garde composer

Sound Noise Varese Boulez, in Audio Culture: Readings in Modern Music http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport, edited by Christoph Cox, Daniel Warner. A&C Black, 2004. p. 16 http://books.google.pl/books?id=FgDgCOSHPysC&pg=PA16&lpg=PA15&focus=viewport.

Thom Yorke photo

“It annoys me how pretty my voice is…that sounds incredibly immodest, but it annoys me how polite it can sound when perhaps what I'm singing is deeply acidic.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.geocities.com/SunsetStrip/Stage/9346/RAAmain.html

Thomas S. Monson photo
Thomas Chatterton photo
Max Beckmann photo

“The trenches wound in meandering lines and white faces peered from dark dugouts – a lot of men were still preparing the positions, and everywhere among them there were graves. Where they sat, beside their dugouts, even between the sandbags, crosses stuck out. Corpses jammed in among them. It sounds like fiction – one man was frying potatoes on a grave next to his dugout. The existence of life here had already become a paradoxical joke.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

a letter to his first wife Minna, from the front, 21 May, 1915; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 213
1900s - 1920s

Morrissey photo
Miranda July photo

“It was a tiny sound but it woke me up because it was a human sound.”

Miranda July (1974) American performance artist, musician and writer

"The Man on the Stairs" in Fence (Spring/Summer 2004) http://fence.fenceportal.org/v7n1/text/july.html

Khaled Hosseini photo
Luigi Cornaro photo
L. Frank Baum photo
Léon Theremin photo

“I wanted to invent some kind of an instrument that would not operate mechanically, as does the piano, or the cello and the violin, whose bow movements can be compared to those of a saw. I conceived of an instrument that would create sound without using any mechanical energy, like the conductor of an orchestra.”

Léon Theremin (1896–1993) Russian inventor

Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.

“You want to cry aloud for your mistakes. But to tell the truth the world doesn't need any more of that sound.”

Mary Oliver (1935–2019) American writer

"The Poet With His Face in His Hands"
New and Selected Poems, Volume 2 (2005)

Menno Simons photo

“Maybe because I had been out very late the night before and was not able to put up my usual resistance, but it seemed to me, sitting there with the sound of his voice dying in my ears, that I could fall in love with him.
And then, as unexpected as a hidden step, I felt myself actually stumble and fall. And there it was, I was in love with him! As simple as that.
He was the first real person I’d ever been in love with. I couldn’t get over it. What I was trying to figure out was why I had never been in love with him before. I mean I’d had plenty of chance to. I’d seen him almost daily that summer in Maine two years ago when we were both in a Summer Stock company. … He was always rather nice to me in his insolent way, but there was also, I now remembered with a passing pang, an utterly ravishing girl, a model, the absolute epitome of glamour, called Lila. She used to come up at week ends to see him.
Then I heard from someone that he’d quit college the next winter and gone abroad to become a genius. I’d met him again when I first landed in Paris. He’d been very nice, bought me a drink, taken down my telephone number and never called me.
You’re a dead duck now, I told myself, as I relaxed back into my coma. You’re gone. I looked at him, smiling idly. I tried to imagine what was going on in his mind.”

Elaine Dundy (1921–2008) American journalist, actress

Part One, One
The Dud Avocado (1958)

Maxwell D. Taylor photo

“For if the trumpet give an uncertain sound, who shall prepare himself to the battle?”

Maxwell D. Taylor (1901–1987) United States general

I Corinthians 14:8, displayed on the page following the table of contents.
The Uncertain Trumpet (1960)

Zainab Salbi photo
Duke Ellington photo

“If it sounds good, it IS good.”

Duke Ellington (1899–1974) American jazz musician, composer and band leader

J.D. Moore's Ten Commandments for The Studio

Hugo Ball photo
Nora Ephron photo
Michael Halliday photo
H.L. Mencken photo

“There are no mute, inglorious Miltons, save in the hallucinations of poets. The one sound test of Milton is that he functions as a Milton.”

H.L. Mencken (1880–1956) American journalist and writer

Source: 1920s, Prejudices, Third Series (1922), Ch. 3

Conrad Aiken photo
Joanna MacGregor photo
Julian Assange photo

“Every time we witness an injustice and do not act, we train our character to be passive in its presence and thereby eventually lose all ability to defend ourselves and those we love. In a modern economy it is impossible to seal oneself off from injustice. If we have brains or courage, then we are blessed and called on not to frit these qualities away, standing agape at the ideas of others, winning pissing contests, improving the efficiencies of the neocorporate state, or immersing ourselves in obscuranta, but rather to prove the vigor of our talents against the strongest opponents of love we can find. If we can only live once, then let it be a daring adventure that draws on all our powers. Let it be with similar types whos hearts and heads we may be proud of. Let our grandchildren delight to find the start of our stories in their ears but the endings all around in their wandering eyes. The whole universe or the structure that perceives it is a worthy opponent, but try as I may I can not escape the sound of suffering. Perhaps as an old man I will take great comfort in pottering around in a lab and gently talking to students in the summer evening and will accept suffering with insouciance. But not now; men in their prime, if they have convictions are tasked to act on them.”

Julian Assange (1971) Australian editor, activist, publisher and journalist

[Witnessing, 2007-01-03, 2012-08-16, http://web.archive.org/web/20071020051936/http://iq.org/#Witnessing]

Hilary Duff photo
David Lynch photo
Henry Carey photo
Carlo Carrà photo

“[paintings as] the plastic equivalent of the sounds, noises and smells found in theaters, music-halls, cinemas, brothels, railways station, ports.”

Carlo Carrà (1881–1966) Italian painter

1910's
Source: 'Piani plastici come espanzione sferica nello spazio', Carrà, March 1913

Robert Fripp photo
Eric Hobsbawm photo
Dylan Moran photo

“It sounds like typewriters eating tin foil being kicked down the stairs.”

Dylan Moran (1971) Irish actor and comedian

On the German language.
Like, Totally (2006)

James Comey photo
Thomas Frank photo

“Class, conservatives insist, is not really about money or birth or even occupation. It is primarily a matter of authenticity, that most valuable cultural commodity. Class is about what one drives and where one shops and how one prays, and only secondarily about the work one does or the income one makes. What makes one a member of the noble proletariat is not work per se, but unpretentiousness, humility, and the rest of the qualities that our punditry claims to spy in the red states that voted for George W. Bush. The nation’s producers don’t care about unemployment or a dead-end life or a boss who makes five hundred times as much as they do. No. In red land both workers and their bosses are supposed to be united in disgust with those affected college boys at the next table, prattling on about French cheese and villas in Tuscany and the big ideas for running things that they read in books.This sounds like a complicated maneuver, but it should be quite familiar after all these years. We see it in its most ordinary, run-of-the-mill variety every time we hear a conservative pundit or politician deplore "class warfare"”

meaning any talk about the failures of free-market capitalism — and then, seconds later, hear them rail against the "media elite" or the haughty, Volvo driving "eastern establishment."
Part II: The Fury Which Passeth All Understanding, Chapter Six: Persecuted, Powerless, and Blind (pp. 113-114).
What's the Matter with Kansas? (2004)

Timothy McVeigh photo
Mike McCormack photo
Pete Seeger photo

“If singing were all that serious, frowning would make you sound better.”

Pete Seeger (1919–2014) American folk singer

Source: How Can I Keep from Singing: Pete Seeger (1981), p. 122

Evelyn Waugh photo
George Gershwin photo
Sarah Palin photo
Marshall McLuhan photo

“Marlowe anticipated Whitman's barbaric yawp by setting up a national PA system of blank verse – a rising iambic system of sound to suit the new success story.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 223

Daniel J. Bernstein photo
Nick Hornby photo
M. S. Swaminathan photo
Calvin Coolidge photo

“Undoubtedly one of the most important provisions in the preparation for national defense is a proper and sound selective service act. Such a law ought to give authority for a very broad mobilization of all the resources of the country, both persons and materials. I can see some difficulties in the application of the principle, for it is the payment of a higher price that stimulates an increased production, but whenever it can be done without economic dislocation such limits ought to be established in time of war as would prevent so far as possible all kinds of profiteering. There is little defense which can be made of a system which puts some men in the ranks on very small pay and leaves others undisturbed to reap very large profits. Even the income tax, which recaptured for the benefit of the National Treasury alone about 75 per cent of such profits, while local governments took part of the remainder, is not a complete answer. The laying of taxes is, of course, in itself a conscription of whatever is necessary of the wealth of the country for national defense, but taxation does not meet the full requirements of the situation. In the advent of war, power should be lodged somewhere for the stabilization of prices as far as that might be possible in justice to the country and its defenders.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Toleration and Liberalism (1925)

Bill Mollison photo
Daniel Dennett photo
Harry Chapin photo
Nassim Nicholas Taleb photo
Francesco Petrarca photo

“You who hear in scattered rhymes the sound of those sighs with which I nourished my heart during my first youthful error, when I was in part another man from what I am now.”

Voi ch'ascoltate in rime sparse il suono
di quei sospiri ond'io nudriva 'l core
in sul mio primo giovenile errore
quand'era in parte altr'uom da quel ch'i' sono.
Canzone 1, opening lines
Il Canzoniere (c. 1351–1353), To Laura in Life

Bret Easton Ellis photo

“That doesn't sound like…the Jayster.”

Lunar Park (2005)

Lewis Pugh photo
Mao Zedong photo

“In seeking victory, those who direct a war cannot overstep the limitations imposed by the objective conditions. Within these limitations, however, they can and must play a dynamic role in striving for victory. The stage of action for commanders in a war must be built upon objective possibilities, but on that stage they can direct the performance of many a drama, full of sound and color, power and grandeur.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Original: (zh-CN) 指导战争的人们不能超越客观条件许可的限度期求战争的胜利,然而可以而且必须在客观条件的限度之内,能动地争取战争的胜利。战争指挥员活动的舞台,必须建筑在客观条件的许可之上,然而他们凭借这个舞台,却可以导演出很多有声有色、威武雄壮的戏剧来。

Jeremiah Denton photo