Quotes about sound
page 15

Zach Braff photo

“I've been learning a lot about myself from reading about all the stuff I've been up to, not based on any form of truth. I lead a pretty boring life — I sit at home, I'm on the Internet, I eat cereal — that's a typical night for me.
I read online about all the places I've been out partying and all the women I've been out partying with. I'm like, "Wow, I should probably go to that place. It sounds like fun. It sounds like I had a good time there."”

Zach Braff (1975) American actor, director, screenwriter, producer

I'm kind of jealous of the life I'm supposedly leading.
In an appearance on the The Late Show With David Letterman, as quoted in "Zach Braff laughs off tabloid rumours" at Digital Spy (31 August 2006) http://www.digitalspy.co.uk/showbiz/a36502/zach-braff-laughs-off-tabloid-rumours.html.

Edward R. Murrow photo

“It seems to me that any action that arbitrarily limits the citizen's access to sight, sound and print, upon which opinion can be based, is, in the true sense of the phrase, un-American.”

Edward R. Murrow (1908–1965) Television journalist

In response to the House Un-American Activities Committee's ban on radio recording and television cameras from public hearings (1 February 1949), quoted in The New York Times http://query.nytimes.com/gst/abstract.html?res=9500E1DC173FE03ABC4E53DFB4668382659EDE&legacy=true

John Ruskin photo
Bert McCracken photo
Hank Green photo

“The way that we look does not have anything to do with the way that we sound, or the way that we are.”

Hank Green (1980) American vlogger

Homeless Man with a Golden Voice Gets a Job http://www.youtube.com/watch?v=N-7Qb0rzmno
Youtube

Girolamo Savonarola photo

“Elegance of language must give way before simplicity in preaching sound doctrine.”

Girolamo Savonarola (1452–1498) Italian Dominican friar and preacher

Reported in Dictionary of Burning Words of Brilliant Writers (1895) edited by Josiah Hotchkiss Gilbert, p. 481

“The same binome is printed in as many as half-a-dozen or more different combinations of characters that have been used throughout history lo write it out. This indicates powerfully the primacy of sound over written form as the ultimate determinant of Chinese language.”

Victor H. Mair (1943) American sinologist and linguist

The Need for an Alphabetically Arranged General Usage Dictionary of Mandarin Chinese (February 1986) http://www.sino-platonic.org/complete/spp001_chinese_dictionary.pdf.

Frederic G. Kenyon photo
Sukarno photo
Helen Nearing photo
S.L.A. Marshall photo
Albert Pike photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Peter D. Schiff photo

“The Founding Fathers, those who wrote the Constitution and founded the American Republic, they understood the benefits of sound money and the evils of paper money. They’ve put America on a gold standard from the very birth of the republic and we should heed their wise - they were very learned men. I think they were much more educated and understanding about economics then the people who lead the U. S. today. So, to try to suggest that we will have less robust economy if we went back to gold standard - mostly, that’s propaganda from Central Bankers and politicians, who want to scare us from going back to something that works, because when you go back to free market, the politicians and bankers will lose their power, and they want to maintain their power by scaring people into thinking that if we just go back to freedom and market forces, that’s somehow is going to be bad and we have to surrender our freedoms to politicians and bankers because they know much better than the market. They can define the proper rate of interest and they can manage the money supplier, centrally planning the economy, and it’s going to be more effective than free market capitalism - and that is just not the case.”

Peter D. Schiff (1963) American entrepreneur, economist and author

http://blogcritics.org/politics/article/peter-schiff-for-us-senate/http://rt.com/shows/sophieco/190800-economy-dollar-financial-armageddon/
Economic Views

Joseph Beuys photo
Francesc Ferrer i Guàrdia photo
Charlie Brooker photo

“If you're hell-bent on making your bank look and sound like a simpleton, a desk labelled Travel Money is still a bit too formal. Why not call it Oooh! Look at the Funny Foreign Banknotes instead? And accompany it with a doodle of a French onion-seller riding a bike, with a little black beret on his head and a baguette up his arse and a speech bubble saying, "Zut Alors! Here is where you gettez les Francs!"”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian, 6 November 2006, The banks are coming over all chummy. It's nauseating http://www.guardian.co.uk/commentisfree/story/0,,1940584,00.html
On Barclays' rebranding in an attempt to make themselves appear less stuffy
Guardian columns

T.S. Eliot photo

“They all laughed at Christopher Columbus
When he said the world was round;
They all laughed when Edison recorded sound.”

Ira Gershwin (1896–1983) American lyricist

"They All Laughed", Shall We Dance.

Frederick E. Morgan photo

“Sound opinion is not the exclusive prerogative of those who are paid to give it.”

Frederick E. Morgan (1894–1967) British Army general

Overture to Overlord (1950), p. 51

Mel Gibson photo

“I became an actor despite that. But with this look, who's going to think I'm gay? It would be hard to take me for someone like that. Do I sound like a homosexual? Do I talk like them? Do I move like them?”

Mel Gibson (1956) American actor, film director, producer and screenwriter

Discussing the perception that many actors are gay in an interview with El Pais magazine, December 1991.

M. R. James photo

“Reticence may be an elderly doctrine to preach, yet from the artistic point of view I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it.”

M. R. James (1862–1936) British writer

"Some Remarks on Ghost Stories", in The Bookman, December 1929; cited from Michael Cox M. R. James: An Informal Portrait (Oxford: Oxford University Press, 1986) p. 150.

Mao Zedong photo

“The richest source of power to wage war lies in the masses of the people. It is mainly because of the unorganized state of the Chinese masses that Japan dares to bully us. When this defect is remedied, the the Japanese aggressor, like a mad bull crashing into a ring of flames, will be surrounded by hundreds of millions of our people standing upright, the mere sound of their voices will strike terror into him, and he will be burned to death.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Original: (zh-CN) 战争的伟力之最深厚的根源,存在于民众之中。日本敢于欺负我们,主要的原因在于中国民众的无组织状态。克服了这一缺点,就把日本侵略者置于我们数万万站起来了的人民之前,使它像一匹野牛冲入火阵,我们一声唤也要把它吓一大跳,这匹野牛就非烧死不可。

Joseph Addison photo
Richard Monckton Milnes, 1st Baron Houghton photo

“The beating of my own heart
Was all the sound I heard.”

Richard Monckton Milnes, 1st Baron Houghton (1809–1885) British politician and poet

The Brookside.

Charles Edward Merriam photo
Ben Jonson photo

“But now, the sounds of infancy, always nearest the heart, and sure to come to the lips in our deepest emotion, returned in His anguish; and in words which He had learned at His mother's knee, His heart uttered its last wail — "Eloi! Eloi! lama sabachthani?"”

John Cunningham Geikie (1824–1906) Scottish Presbyterian minister and author

"My God! My God! why hast Thou forsaken me?"
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 73.

Jack London photo
Burkard Schliessmann photo

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Larry Sanger photo
Nisargadatta Maharaj photo
Herbert Read photo

“Words, their sound and even their very appearance, are, of course, everything to the poet.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Vladimir Mayakovsky photo

“Hey, you!
Heaven!
Off with your hat!
I am coming!

Not a sound.

The universe sleeps,
its huge paw curled
upon a star-infested ear.”

Vladimir Mayakovsky (1893–1930) Russian and Soviet poet, playwright, artist and stage and film actor

Page 109.
The Cloud in Trousers (1915)

Alfred de Zayas photo

“The existence of zero nuclear weapons may sound utopian, but the effort is required in the name of humanity.”

Alfred de Zayas (1947) American United Nations official

Report of the Independent Expert on the promotion of a democratic and equitable international order exploring the adverse impacts of military expenditures on the realization of a democratic and equitable international order http://www.ohchr.org/EN/Issues/IntOrder/Pages/Reports.aspx.
2015, Report submitted to the UN Human Rights Council

Keiji Nishitani photo
Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Alan Moore photo
Maddox photo

“"This sounds like the soundtrack of a coma." (On U2's song One Step Closer)”

Maddox (1978) American internet writer

The Best Page in the Universe

Phil Brooks photo

“Punk: Well, I've had six days to watch that scene over and over and over, and as painful as it was to watch, as painful it was to experience, I saw something more painful. Something caught my eye that was ten times more painful than my arm being mangled inside of a ladder while Alberto wrenched on it with his cross-armbreaker; it was more painful than Alberto butchering the English language; it was more painful than watching Miz [demonstrates] make his own bad-guy face, and his pathetic attempts to sound like a tough guy—"really? really?"—it was more painful than sitting through two hours of Michael Cole commentary as he struggles to sound relevant. No, I continued to watch Monday Night Raw, and what I saw was old clown shoes himself, the Executive Vice President of Talent Relations and Interim Raw General Manager, John Laurinaitis accept an award on my behalf. This wasn't just any award, it was the Slammy Award for Superstar of the Year, being accepted by a guy who's never been a superstar of thirty seconds. I mean, who's he ever beat? And I'm not a hard guy to find, I've yet to receive said Slammy. So what…[turns around and notices] oh. Speak of the devil. No, no, no, don't apologize. Where's my Slammy at?
Laurinaitis: Punk, I mailed your Slammy to you, but with the holiday season, it may take a while to get to you. But if I were you, I'd be more worried about your championship match tonight than your Slammy.
Punk: Well, if I were you, I'd wish myself best of luck in my future endeavors. But I don't expect you to do that; in fact, you wouldn't do that, just like I'm not gonna lose the Title tonight. So when TLC is over with, you're still gonna have to put up with CM Punk as your WWE Champion.
Laurinaitis: You know what, Punk? I'm gonna be the bigger man right now, okay? I mean, after all, I am taller than you. Good luck tonight, and merry Christmas.
Punk: Johnny, luck's for losers.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

TLC 2011
WWE Raw

Robert P. George photo
David Mermin photo
Haruki Murakami photo
Orson Scott Card photo
Vannevar Bush photo
Harry Turtledove photo

“"With these victories to which you refer, the Confederate States do seem to have retrieved their falling fortunes," Lord Lyons said. "I have no reason to doubt that Her Majesty's government will soon recognize that fact." "Thank you, your excellency," Lee said quietly. Even had Lincoln refused to give up the war- not impossible, with the Mississippi valley and many coastal pockets held by virtue of Northern naval power and hence relatively secure from rebel AK-47s- recognition by the greatest empire on earth would have assured Confederate independence. Lord Lyons held up a hand. "Many among our upper classes will be glad enough to welcome you to the family of nations, both as a result of your successful fight for self-government and because you have given a black eye to the often vulgar democracy of the United States. Others, however, will judge your republic a sham, with its freedom for white men based upon Negro slavery, a notion loathsome to the civilized world. I should be less than candid if I failed to number myself among that latter group." "Slavery was not the reason the Southern states chose to leave the Union," Lee said. He was aware he sounded uncomfortable, but went on, "We sought only to enjoy the sovereignty guaranteed us under the constitution, a right the North wrongly denied us. Our watchword all along has been, we wish but to be left alone."”

Source: The Guns of the South (1992), p. 182-183

Anastacia photo
Stephen Crane photo
Justina Robson photo

““So, you’re saying you have no idea what this stuff is.” At last, something that sounded plausible.”

Source: Natural History (2003), Chapter 2 “Isol and Corvax” (p. 29)

Colin Meloy photo

“All instruments sound fantastic in a church.”

Colin Meloy (1974) American musician

Colin Meloy interview transcript, 2005-10-20 http://www.inlander.com/soundadvice/284516358171408.php,

Robert Grosseteste photo
Friedrich Bauer photo

“[Software engineering is the] establishment and use of sound engineering principles to obtain economically software that is reliable and works on real machines efficiently.”

Friedrich Bauer (1924–2015) German computer scientist

Bauer (1972) "Software Engineering", In: Information Processing. p. 71

John Dolmayan photo
Harry Truman photo
Dylan Moran photo
Rachel Maddow photo

“The downside of playing dumb is that you sound dumb.”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (April 27, 2009)

John Fante photo
Elizabeth Barrett Browning photo
Khalil Gibran photo
George Eliot photo

“Do we not wile away moments of inanity or fatigued waiting by repeating some trivial movement or sound, until the repetition has bred a want, which is incipient habit?”

George Eliot (1819–1880) English novelist, journalist and translator

Source: Silas Marner: The Weaver of Raveloe (1861), Chapter 2 (at page 19)

John Milton photo
Lisa Wilcox photo
Gustav Stresemann photo

“For the old great, mighty Germany, which was the epitome of the yearning of our ancestors and our pride when one could still hold one's head high at being a German, is going under. One cannot say: it is long gone because it is not long at all but already it sounds to our ears like a fairy tale from a distant time.”

Gustav Stresemann (1878–1929) German politician, statesman, and Nobel Peace Prize laureate

Letter to his sons (21 June 1919), quoted in Jonathan Wright, Gustav Stresemann: Weimar's Greatest Statesman (Oxford University Press, 2004), pp. 135-136
1910s

Joseph Alois Schumpeter photo
Salman Rushdie photo
Jack Johnson (musician) photo
Christopher Titus photo
Richard Cobden photo
Letitia Elizabeth Landon photo
Han-shan photo

“If you want a peaceful place to dwell
Cold Mountain is guaranteed forever
A light wind blows softly in the pines
The sound is good when you are close
One old man sits beneath the trees
Reading Lao Tzu and Huang Ti, mumbling
I could not find the world if I searched ten years
I've forgotten the road by which I came”

Han-shan Chinese monk and poet

Variant, lines 5–8:
Under a tree I'm reading
Lao-tzu, quietly perusing.
Ten years not returning,
I forgot the way I had come.
Translated by Katsuki Sekida[citation needed]
Cold Mountain Transcendental Poetry

Bill Hicks photo
Ann Coulter photo
Tryon Edwards photo
Conrad Aiken photo
John Dewey photo
Antonin Artaud photo
Francis Bacon photo
Fran Lebowitz photo
Daniel Handler photo
Frederick Douglass photo
Mark Steyn photo
John Dryden photo

“Sound the trumpets; beat the drums…
Now give the hautboys breath; he comes, he comes.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Source: Alexander’s Feast http://www.bartleby.com/40/265.html (1697), l. 50–51.

Samuel Johnson photo

“The true, strong, and sound mind is the mind that can embrace equally great things and small.”

Samuel Johnson (1709–1784) English writer

1778
Bartlett's Familiar Quotations, 10th ed. (1919), Life of Johnson (Boswell)

Michael Collins (Irish leader) photo

“The European War, which began in 1914, is now generally recognized to have been a war between two rival empires, an old one and a new, the new becoming such a successful rival of the old, commercially and militarily, that the world-stage was, or was thought to be, not large enough for both. Germany spoke frankly of her need for expansion, and for new fields of enterprise for her surplus population. England, who likes to fight under a high-sounding title, got her opportunity in the invasion of Belgium. She was entering the war 'in defense of the freedom of small nationalities'. America at first looked on, but she accepted the motive in good faith, and she ultimately joined in as the champion of the weak against the strong. She concentrated attention upon the principle of self-determination and the reign of law based upon the consent of the governed. "Shall", asked President Wilson, "the military power of any small nation, or group of nations, be suffered to determine the fortunes of peoples over whom they have no right to rule except the right of force?" But the most flagrant instance of violation of this principle did not seem to strike the imagination of President Wilson, and he led the American nation- peopled so largely by Irish men and women who had fled from British oppression- into the battle and to the side of the nation that for hundreds of years had determined the fortunes of the Irish people against their wish, and had ruled them, and was still ruling them, by no other right than the right of force.”

Michael Collins (Irish leader) (1890–1922) Irish revolutionary leader

A Path to Freedom (2010), p. 38

John Kenneth Galbraith photo
Tom Rath photo
Kate Bush photo

“Mummy…
Daddy…
The day is full of birds
Sounds like they're saying words…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Spoken by Bush's son, Berty.
Song lyrics, Aerial (2005), A Sky of Honey (Disc 2)

Ken Dodd photo
Paul Cézanne photo

“Loved once for ever loved: how surely sounds
This gospel to me since I learned to list
Truth from thy lips, mine own evangelist.
What thought presumes to set now any bounds
To Love whose being informs us and surrounds?”

John Barlas (1860–1914) British writer

XXIII."Loved once for ever loved: how surely sounds"
Love Sonnets http://www.sonnets.org/love-sonnets.htm (1889)

Clement Attlee photo

“…nothing short of a world state will be really effective in preventing war. As long as you rely for security on a number of national armaments you will have the difficulty as to who shall bell the cat in case of need, while you will have general staffs in all countries planning future wars. I want us to come out boldly for a real long-range policy which will envisage the abolition of the conception of the individual sovereign state. … A united navy to police the seas of the world could be attained and would incidentally bring enormous pressure to bear on Japan. The next thing would be an international air force and an international air service. … The basis of such a move would have to be a frank recognition that all states must surrender a large degree of sovereignty and that the Peace Treaties must be revised. On this basis one must then proceed to build up a world structure politically and economically. … This may sound very visionary but I am convinced that unless we see the world we want it is vain to try to build a permanent habitation for Peace and that temporary structures will catch fire very soon if we wait any longer.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Letter to Tom Attlee (1 January 1933), quoted in W. Golant, 'The Emergence of C. R. Attlee as Leader of the Parliamentary Labour Party in 1935', The Historical Journal, Vol. 13, No. 2 (Jun., 1970), p. 323
Deputy Leader of the Opposition

Amit Ray photo