Quotes about sound
page 16

Richard Roxburgh photo
Margaret Fuller photo
Éamon de Valera photo

“The ideal Ireland that we would have, the Ireland that we dreamed of, would be the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit – a land whose countryside would be bright with cosy homesteads, whose fields and villages would be joyous with the sounds of industry, with the romping of sturdy children, the contest of athletic youths and the laughter of happy maidens, whose firesides would be forums for the wisdom of serene old age. The home, in short, of a people living the life that God desires that men should live. With the tidings that make such an Ireland possible, St. Patrick came to our ancestors fifteen hundred years ago promising happiness here no less than happiness hereafter. It was the pursuit of such an Ireland that later made our country worthy to be called the island of saints and scholars. It was the idea of such an Ireland - happy, vigorous, spiritual - that fired the imagination of our poets; that made successive generations of patriotic men give their lives to win religious and political liberty; and that will urge men in our own and future generations to die, if need be, so that these liberties may be preserved. One hundred years ago, the Young Irelanders, by holding up the vision of such an Ireland before the people, inspired and moved them spiritually as our people had hardly been moved since the Golden Age of Irish civilisation. Fifty years later, the founders of the Gaelic League similarly inspired and moved the people of their day. So, later, did the leaders of the Irish Volunteers. We of this time, if we have the will and active enthusiasm, have the opportunity to inspire and move our generation in like manner. We can do so by keeping this thought of a noble future for our country constantly before our eyes, ever seeking in action to bring that future into being, and ever remembering that it is for our nation as a whole that future must be sought.”

Éamon de Valera (1882–1975) 3rd President of Ireland

Radio broadcast http://www.rte.ie/archives/exhibitions/eamon-de-valera/719124-address-by-mr-de-valera/, "On Language & the Irish Nation" (17 March 1943), often called "The Ireland that we dreamed of" speech

Hendrik Werkman photo

“There the telephone is ringing again - the engine, the machines [of the printing company] that call you with their sounds - those people who honor and tease [you] with their orders and admonitions - the chiefs who ask - the bills that have to be paid - the interest that force you to work.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Daar heb je weer de telefoon, de motor de machines [ van de drukkerij] die met hun geluiden je roepen, die mensen die met hun orders en standjes vereeren en plagen, de chefs die vragen, de wissels die betaald moeten worden, de rente die je noodzaakt tot werken.
Quote of Hendrik Werkman, c. 1920's; as cited by Martin Werkman, in Pakketten voor Dames, quoted by Doeke Sijens in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 35
1920's

Eugène Fromentin photo

“The art of painting is only the art of expressing the invisible by the visible. Whether its roads be great or small, they are sown with problems which it is permitted to sound for one's self as truth, but which it is well to leave in their darkness as mysteries.”

Eugène Fromentin (1820–1876) French painter

Quote from The Old Masters of Belgium and Holland - Les Maitres d’Autrefois, 'Preface', Eugène Fromentin; ed. Mary Caroline Robbins, publisher: J. R. Osgood and company, Boston 1882, p. iv

Benjamin Graham photo

“Intelligent investment is more a matter of mental approach than it is of technique. A sound mental approach toward stock fluctuations is the touchstone of all successful investment under present-day conditions.”

Benjamin Graham (1894–1976) American investor

Source: The Intelligent Investor: The Classic Text on Value Investing (1949), Chapter II, The Investor and Stock-Market Fluctuations, p. 21

Chuck Palahniuk photo
Muma Gee photo

“People mistake it for a guy's name or a nick name. Gift is my real name and that is where I got the G in Muma Gee, forget the fact that I added double ‘e’ to it, just as it sounds Gee but the G is just the G in Gift. For the Muma, the Jamaicans will call mother Muma and papa Pupa. The Muma in my name means 'do good' in my language.”

Muma Gee (1978) Nigerian singer and songwriter

In " I am single, apply within – Muma Gee http://www.nigeriafilms.com/content.asp?contentid=3376&ContentTypeID=2" by Funmi Salome Johnson on nigeriafilms.com, October 25, 2008: On the meaning behind her stage name

Dag Hammarskjöld photo

“The more faithfully you listen to the voices within you, the better you will hear what is sounding outside.”

Dag Hammarskjöld (1905–1961) Swedish diplomat, economist, and author

As quoted in Sacred Seasonings (2003) by Sherri Purdom

Benjamin Graham photo
George Eliot photo

“Perhaps the wind
Wails so in winter for the summers dead,
And all sad sounds are nature's funeral cries
For what has been and is not.”

George Eliot (1819–1880) English novelist, journalist and translator

Book 1
The Spanish Gypsy (1868)

Aldo Leopold photo

“A profession is a body of men who voluntarily measure their work by a higher standard than their clients demand. To be professionally acceptable, a policy must be sound as well as salable. Wildlife administration, in this respect, is not yet a profession.”

Aldo Leopold (1887–1948) American writer and scientist

"Chukaremia" [1938]; Published in The River of the Mother of God and Other Essays by Aldo Leopold, Susan L. Flader and J. Baird Callicott (eds.) 1991, p. 246.
1930s

Conrad Aiken photo
John Quincy Adams photo
A.E. Housman photo

“And silence sounds no worse than cheers
After earth has stopped the ears.”

No. 19 ("To an Athlete Dying Young"), st. 4.
A Shropshire Lad (1896)

Statius photo

“The sounds of early night die down. Mingled with the darkness of his kinsman Death and dripping with Stygian dew, Sleep enfolds the doomed city, pouring heavy ease from his unforgiving horn, and separates the men.”
Primae decrescunt murmura noctis, cum consanguinei mixtus caligine Leti rore madens Stygio morituram amplectitur urbem Somnus et implacido fundit grauia otia cornu secernitque viros.

Source: Thebaid, Book V, Line 196

Tim Powers photo
John Ogilby photo

“Th' Old Man a feeble Javelin threw,
Which could not pierce his sounding Target through,
But on the Margin hung the harmless Spear.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Arthur Ponsonby photo
Johannes Tinctoris photo

“Rhythmical music is that which is made by instruments which render the sound by touch.”

Johannes Tinctoris (1435–1511) Flemish composer

Dictionary of Musical Terms (1475)

Czeslaw Milosz photo
Fausto Cercignani photo

““Love the others and you will be loved!” is a saying that might sound as a terrible and unjust accusation against all the innocents that have been hated and perhaps even tortured and killed.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Lyndon B. Johnson photo

“I will propose a Highway Safety Act of 1966 to seek an end to this mounting tragedy. We must also act to prevent the deception of the American consumer—requiring all packages to state clearly and truthfully their contents—all interest and credit charges to be fully revealed—and keeping harmful drugs and cosmetics away from our stores. It is the genius of our Constitution that under its shelter of enduring institutions and rooted principles there is ample room for the rich fertility of American political invention. We must change to master change. I propose to take steps to modernize and streamline the executive branch, to modernize the relations between city and state and nation. A new Department of Transportation is needed to bring together our transportation activities. The present structure—35 government agencies, spending $5 billion yearly—makes it almost impossible to serve either the growing demands of this great nation or the needs of the industry, or the right of the taxpayer to full efficiency and real frugality. I will propose in addition a program to construct and to flight-test a new supersonic transport airplane that will fly three times the speed of sound—in excess of 2,000 miles per hour. I propose to examine our federal system-the relation between city, state, nation, and the citizens themselves. We need a commission of the most distinguished scholars and men of public affairs to do this job. I will ask them to move on to develop a creative federalism to best use the wonderful diversity of our institutions and our people to solve the problems and to fulfill the dreams of the American people. As the process of election becomes more complex and more costly, we must make it possible for those without personal wealth to enter public life without being obligated to a few large contributors. Therefore, I will submit legislation to revise the present unrealistic restriction on contributions—to prohibit the endless proliferation of committees, bringing local and state committees under the act—to attach strong teeth and severe penalties to the requirement of full disclosure of contributions—and to broaden the participation of the people, through added tax incentives, to stimulate small contributions to the party and to the candidate of their choice.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, State of the Union Address (1966)

Babe Ruth photo
A.E. Housman photo
William Howard Taft photo
Alain photo
John Varley photo

“Just because Beethoven doesn’t sound like currently popular art doesn’t mean his music is worthless.”

John Varley (1947) American science fiction author

"The Phantom of Kansas" (1976), The World Treasury of Science Fiction (ed. David Hartwell), p. 375

Kent Hovind photo
William Edmondstoune Aytoun photo
Douglas Coupland photo
Beck photo
Agatha Christie photo
Will Eisner photo

“This patchwork of largely fictional works makes the Protocols an incoherent text that easily reveals its fabricated origins. It is hardly credible, if not in a roman feuilleton or in a grand opera, that the “bad guys” should express their evil plans in such a frank and unashamed manner, that they should declare, as the Elders of Zion do, that they have “boundless ambition, a ravenous greed, a merciless desire for revenge and an intended hatred.” If at first the Protocols was taken seriously, it is because it was presented as a shocking revelation, and by sources all in all trustworthy. But what seems incredible is how this fake arose from its own ashes each time someone proved that it was, beyond all doubt, a fake. This is when the “novel of the Protocols” truly starts to sound like fiction. Following the article that appeared in 1921 in the Times of London revealing that the Protocols was plagiarized, as well as every other time some authoritative source confirmed the spurious nature of the Protocols, there was someone else who published it again claiming its authenticity. And the story continues unabated on the Internet today. It is as if, after Copernicus, Galileo, and Kepler, one were to continue publishing textbooks claiming that the sun travels around the earth.
How can one explain resilience against all evidence, and the perverse appeal that this book continues to exercise? The answer can be found in the works of Nesta Webster, an antisemetic author who spent her life supporting this account of the Jewish plot. In her Secret Societies and Subversive Movements, she seems well informed and knows the whole story as Eisner narrates it here, but this is her conclusion:
The only opinion I have committed myself is that, whether genuine or not, the Protocols represent the programme of a world revolution, and that in view of their prophetic nature and of their extraordinary resemblance to the protocols of certain secret societies of the past, they were either the work of some such society or of someone profoundly versed in the lore of secret society who was able to reproduce their ideas and phraseology.
Her reasoning is flawless: “since the Protocols say what I said in my story, they confirm it,” or: “the Protocols confirm the story that I derived from them, and are therefore authentic.” Better still: “the Protocols could be fake, but they say exactly what the Jews think, and must therefore be considered authentic.””

Will Eisner (1917–2005) American cartoonist

In other words, it is not the Protocols that produce antisemetism, it is people’s profound need to single out an Enemy that leads them to believe in the Protocols.
I believe that-in spite of this courageous, not comic but tragic book by Will Eisner- the story is hardly over. Yet is is a story very much worth telling, for one must fight the Big Lie and the hatred it spawns.
Umberto Eco, Milan Italy December 2004 translated by Allesandra Bastagli, p. vi-vii
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Noam Chomsky photo

“As for drugs, my impression is that their effect was almost completely negative, simply removing people from meaningful struggle and engagement. Just the other day I was sitting in a radio studio waiting for a satellite arrangement abroad to be set up. The engineers were putting together interviews with Bob Dylan from about 1966-7 or so (judging by the references), and I was listening (I'd never heard him talk before — if you can call that talking). He sounded as though he was so drugged he was barely coherent, but the message got through clearly enough through the haze. He said over and over that he'd been through all of this protest thing, realized it was nonsense, and that the only thing that was important was to live his own life happily and freely, not to "mess around with other people's lives" by working for civil and human rights, ending war and poverty, etc. He was asked what he thought about the Berkeley "free speech movement" and said that he didn't understand it. He said something like: "I have free speech, I can do what I want, so it has nothing to do with me. Period."”

Noam Chomsky (1928) american linguist, philosopher and activist

If the capitalist PR machine [term used in the question] wanted to invent someone for their purposes, they couldn't have made a better choice.
Reply (via email) to Douglas Lain, June 1994 https://web.archive.org/web/20021214024709/http://www.douglaslain.com/diet-soap.html
Quotes 1990s, 1990-1994

Don Soderquist photo

“Listen. Listening is one of those dynamics that sounds like the easiest thing in the world to do, but in reality is one of the hardest.”

Don Soderquist (1934–2016)

Don Soderquist “ Live Learn Lead to Make a Difference https://books.google.com/books?id=s0q7mZf9oDkC&lpg=pg=PP1&dq=Don%20Soderquist&pg=PP1#v=onepage&q&f=false, Thomas Nelson, April 2006 p. 87.
On Listening

Larry Wall photo

“What is the sound of Perl? Is it not the sound of a wall that people have stopped banging their heads against?”

Larry Wall (1954) American computer programmer and author, creator of Perl

[1992Aug26.184221.29627@netlabs.com, 1992]
Usenet postings, 1992

James Macpherson photo
Charles Lyell photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

George Santayana photo

“I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

The Poet's Testament http://www.poemhunter.com/poem/the-poet-s-testament/
Other works

Leon Fleisher photo
Alfred Domett photo
William Cobbett photo
George Reisman photo
Karel Appel photo
Ray Charles photo
Margaret Thatcher photo
Brandon Boyd photo
Peter Sloterdijk photo
Wilhelm Liebknecht photo
Adolf Hitler photo
Erik Naggum photo

“If I sound grumpy, it is only because I have come across too many idiots of the "it can't be done" persuasion lately, the kind of managers who have an aquarium in their office because fifteen brains think better than one.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Upper limits of CL http://groups.google.com/group/comp.lang.lisp/msg/b3b24fb7512f220f (Usenet article).
Usenet articles, Miscellaneous

Joseph Joubert photo
Steve Keen photo

“Though mainstream economics began by assuming that his hedonistic, individualistic approach to analysing consumer demand was intellectually sound, it ended up proving that it was not.”

Steve Keen (1953) Australian economist

Source: Debunking Economics - The Naked Emperor Of The Social Sciences (2001), Chapter 2, The Calculus Of Hedonism, p. 23

Manav Gupta photo

“Life – the break of dawn, the sound of a stream.Twilight.Dusk. Silent or loud, eloquent scream of joy or despair or just an ecstatic dream…<Br”

Manav Gupta (1967) Indian artist

Referenced from TEDx Talk (19 October, 2012) http://lingayasuniversity.edu.in/tedx/?page_id=77
"on my eyot", Manav Gupta (Anthology of poems, 2012)
2010s

John the Evangelist photo

“His feet were like fine copper when glowing in a furnace, and his voice was like the sound of many waters.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

1:15 http://www.jw.org/en/publications/bible/nwt/books/revelation/1/
Revelation

Samir Amin photo
Otto Weininger photo
Charb photo

“I am not afraid of reprisals, I have no children, no wife, no car, no debt. It might sound a bit pompous, but I'd prefer to die on my feet than to live on my knees.”

Charb (1967–2015) French caricaturist and journalist

Xavier Ternisien, A "Charlie Hebdo", on n'a "pas l’impression d’égorger quelqu’un avec un feutre" http://www.lemonde.fr/actualite-medias/article/2012/09/20/je-n-ai-pas-l-impression-d-egorger-quelqu-un-avec-un-feutre_1762748_3236.html, Le Monde, 20 september 2012.

Ron Paul photo
Bernhard Riemann photo
Calvin Coolidge photo
Glen Cook photo

“My arguments were beginning to sound a little strained to me, too. I was in the position of a priest trying to sell religion.”

Source: Shadows Linger (1984), Chapter 32, “Juniper: Visitors” (p. 365)

Margaret Thatcher photo

“Detente sounds a fine word. And, to the extent that there really has been a relaxation in international tension, it is a fine thing. But the fact remains that throughout this decade of detente, the armed forces of the Soviet Union have increased, are increasing, and show no signs of diminishing.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Chelsea Conservative Association (26 July 1975) http://www.margaretthatcher.org/document/102750
Leader of the Opposition

Connie Willis photo
Herbert Marcuse photo

“No matter how close and familiar the temple or cathedral were to the people who lived around them, they remained in terrifying or elevating contrast to the daily life of the slave, the peasant, and the artisan—and perhaps even to that of their masters. Whether ritualized or not, art contains the rationality of negation. In its advanced positions, it is the Great Refusal—the protest against that which is. The modes in which man and things are made to appear, to sing and sound and speak, are modes of refuting, breaking, and recreating their factual existence. But these modes of negation pay tribute to the antagonistic society to which they are linked. Separated from the sphere of labor where society reproduces itself and its misery, the world of art which they create remains, with all its truth, a privilege and an illusion. In this form it continues, in spite of all democratization and popularization, through the nineteenth and into the twentieth century. The “high culture” in which this alienation is celebrated has its own rites and its own style. The salon, the concert, opera. theater are designed to create and invoke another dimension of reality. Their attendance requires festive-like preparation; they cut off and transcend everyday experience. Now this essential gap between the arts and the order of the day, kept open in the artistic alienation, is progressively closed by the advancing technological society. And with its closing, the Great Refusal is in turn refused; the “other dimension” is absorbed into the prevailing state of affairs. The works of alienation are themselves incorporated into this society and circulate as part and parcel of the equipment which adorns and psychoanalyzes the prevailing state of affairs.”

Source: One-Dimensional Man (1964), pp. 63-64

“I never heard a thrown ball make that sound before. The ball seemed to accelerate as it came close; an accelerating, impossibly fast pitch that made the noises of hornets and snakes.”

Roger Kahn (1927–2020) American baseball writer

Source: The Boys Of Summer, Chapter 1, The Trolley Car That Ran By Ebbets Field, p. 55

Daniel Hannan photo
Brandon Boyd photo

“You're so much more endearing with the sound turned off.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, A Crow Left of the Murder... (2004)

“Once, along with The Transfigured Night, he played a class Rachmaninoff’s Isle of the Dead. Most of the class had not seen the painting, so he went to the library and returned with a reproduction of it. Then he pointed, with a sober smile, to a painting which hung on the wall of the classroom (A Representation of Several Areas, Some of Them Grey, one might have called it; yet this would have been unjust to it—it was non-representational) and played for the class, on the piano, a composition which he said was an interpretation of the painting: he played very slowly and very calmly, with his elbows, so that it sounded like blocks falling downstairs, but in slow motion. But half his class took this as seriously as they took everything else, and asked him for weeks afterward about prepared pianos, tone-clusters, and the compositions of John Cage and Henry Cowell; one girl finally brought him a lovely silk-screen reproduction of a painting by Jackson Pollock, and was just opening her mouth to—
He interrupted, bewilderingly, by asking the Lord what land He had brought him into. The girl stared at him open-mouthed, and he at once said apologetically that he was only quoting Mahler, who had also diedt from America; then he gave her such a winning smile that she said to her roommate that night, forgivingly: “He really is a nice old guy. You never would know he’s famous.””

“Is he really famous?” her roommate asked. “I never heard of him before I got here. ...”
Source: Pictures from an Institution (1954) [novel], Chapter 4, pp. 138–139

Alexander Maclaren photo

“The never-ceasing boom of the great ocean as it breaks on the beach, drowns all smaller sounds.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 277.

Joseph Conrad photo
Seneca the Younger photo

“You are doing an excellent thing, one which will be wholesome for you, if, as you write me, you are persisting in your effort to attain sound understanding; it is foolish to pray for this when you can acquire it from yourself. We do not need to uplift our hands towards heaven, or to beg the keeper of a temple to let us approach his idol's ear, as if in this way our prayers were more likely to be heard. A god is near you, with you, and in you. This is what I mean, Lucilius: there sits a holy spirit within us, one who marks our good and bad deeds, and is our a guardian.”
Facis rem optimam et tibi salutarem, si, ut scribis, perseveras ire ad bonam mentem, quam stultum est optare, cum possis a te impetrare. Non sunt ad caelum elevandae inarms nee exorandus aedituus, ut nos ad aurem simulacri, quasi magis exaudiri possimus, admittat; Prope est a te deus, tecum est, intus est. Ita dico, Lucili: sacer intra nos spiritus sedet, malorum bonorumque nostrorum observator et custos...

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter XLI: On the god within us

William Ewart Gladstone photo
Stephen Foster photo
Derek Walcott photo
Kate Bush photo

“Lying in my tent
I can hear your cry
Echoing round the mountainside
You sound lonely”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, 50 Words for Snow (2011)

Joseph Smith, Jr. photo
Franklin D. Roosevelt photo
Jeremy Clarkson photo
Bruce Springsteen photo
Rutherford B. Hayes photo

“The only road, the sure road to unquestioned credit and a sound financial condition is the exact and punctual fulfilment of every pecuniary obligation, public and private, according to its letter and spirit.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

Speech at New England Society Dinner, Brooklyn (21 December 1880)

Bob Ezrin photo

“You can give him a ukulele and he can make it sound like a Stradivarius.”

Bob Ezrin (1949) Canadian music producer and keyboardist

Regarding David Gilmour
Guitar World article on Bob Ezrin by Alan Di Perna, Feb. 1993 http://utopia.knoware.nl/users/ptr/pfloyd/interview/cc.html (url accessed on October 16, 2008)

David Crystal photo
Louis Sullivan photo