Quotes about sorrow
page 7

Julian of Norwich photo

“But howsoever I might behold and desire, I could in no wise see this point in all the Shewing.
But how I understood and saw of the work of mercy, I shall tell somewhat, as God will give me grace. I understood this: Man is changeable in this life, and by frailty and overcoming falleth into sin: he is weak and unwise of himself, and also his will is overlaid. And in this time he is in tempest and in sorrow and woe; and the cause is blindness: for he seeth not God. For if he saw God continually, he should have no mischievous feeling, nor any manner of motion or yearning that serveth to sin.
Thus saw I, and felt in the same time; and methought that the sight and the feeling was high and plenteous and gracious in comparison with that which our common feeling is in this life; but yet I thought it was but small and low in comparison with the great desire that the soul hath to see God.”

Julian of Norwich (1342–1416) English theologian and anchoress

Summations, Chapter 47
Context: Two things belong to our soul as duty: the one is that we reverently marvel, the other that we meekly suffer, ever enjoying in God. For He would have us understand that we shall in short time see clearly in Himself all that we desire.
And notwithstanding all this, I beheld and marvelled greatly: What is the mercy and forgiveness of God? For by the teaching that I had afore, I understood that the mercy of God should be the forgiveness of His wrath after the time that we have sinned. For methought that to a soul whose meaning and desire is to love, the wrath of God was harder than any other pain, and therefore I took that the forgiveness of His wrath should be one of the principal points of His mercy. But howsoever I might behold and desire, I could in no wise see this point in all the Shewing.
But how I understood and saw of the work of mercy, I shall tell somewhat, as God will give me grace. I understood this: Man is changeable in this life, and by frailty and overcoming falleth into sin: he is weak and unwise of himself, and also his will is overlaid. And in this time he is in tempest and in sorrow and woe; and the cause is blindness: for he seeth not God. For if he saw God continually, he should have no mischievous feeling, nor any manner of motion or yearning that serveth to sin.
Thus saw I, and felt in the same time; and methought that the sight and the feeling was high and plenteous and gracious in comparison with that which our common feeling is in this life; but yet I thought it was but small and low in comparison with the great desire that the soul hath to see God.

Richard Fuller (minister) photo
Léon Bloy photo

“It is the small flock of God. "Whoever receives in my name one of those little" said Jesus, "It is myself who receives." What thinks the one that sticks, that maims, or inflicts to their pure souls more black sorrow than death? (…) The curse of a crowd of children, is a cataclysm, a horror prodigy, a chain of dark mountains in the sky, with a cavalcade of thunder and lightning in their tops. It is the infinite of the cries of all deep, is a not know what highly powerful unforgiving and extinguishing any hope of forgiveness.”

Léon Bloy (1846–1917) French writer, poet and essayist

Léon Bloy, Octavio de Faria, portuguese edition, page 101. Léon Bloy, Octavio de Faria, portuguese edition, page 101. https://books.google.com.br/books?id=wI4SAAAAYAAJ&q=%C3%89+o+rebanho+dos+pequenos+de+Deus.+%22Quem+quer+que+receba+em+meu+nome+um+desses+pequenos%22+disse+Jesus&dq=%C3%89+o+rebanho+dos+pequenos+de+Deus.+%22Quem+quer+que+receba+em+meu+nome+um+desses+pequenos%22+disse+Jesus&hl=pt-BR&sa=X&ved=0CBsQ6AEwAGoVChMI0Ovrgrn5yAIVQpGQCh3fFwGB

Muhammad photo
William Wordsworth photo
Lafcadio Hearn photo
Michael Chabon photo
Hermann Hesse photo
Thomas Carlyle photo

“In every pang that rends the heart
The Man of Sorrows had a part”

Michael Bruce (1746–1767) Scottish poet and hymnist

"Where high the heavenly temple stands".

“Thou hast no sorrow in thy song,
No winter in thy year.”

John Logan (1748–1788) Scottish minister and historian

To the Cuckoo, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Neil Young photo

“You take my hand,
I'll take your hand
Together we may get away
This much madness is too much sorrow
It's impossible to make it today.”

Neil Young (1945) Canadian singer-songwriter

Down by the River
Song lyrics, Everybody Knows This Is Nowhere (1969)

Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

Charles Brockden Brown photo
Thomas Moore photo

“Alas! how light a cause may move
Dissension between hearts that love!
Hearts that the world in vain had tried,
And sorrow but more closely tied;
That stood the storm when waves were rough,
Yet in a sunny hour fall off,
Like ships that have gone down at sea
When heaven was all tranquillity.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part IX: The Light of the Harem

Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Van Morrison photo

“Days that need borrow
No part of their good morrow
From a fore-spent night of sorrow.”

Richard Crashaw (1612–1649) British writer

Wishes for the Supposed Mistress

Sarada Devi photo

“People complain about their griefs and sorrows and how they pray to God but find no relief from pain. But grief itself is a gift from God. It is the symbol of His compassion.”

Sarada Devi (1853–1920) Hindu religious figure, spiritual consort of Ramakrishna

[In the Company of the Holy Mother, 220-221]

“When everyone sorrows, no one hears the sorrows.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Donde se lamentan todos, no se oyen lamentos.
Voces (1943)

Nisargadatta Maharaj photo
Kuruvilla Pandikattu photo
Boris Yeltsin photo

“I cannot shift the blame for Chechnya, for the sorrow of numerous mothers and fathers. I made the decision, therefore I am responsible.”

Boris Yeltsin (1931–2007) 1st President of Russia and Chairman of the Supreme Soviet of the RSFSR

Interview on Russian television (2000), as quoted in the BBC Obituary (23 April 2007) http://news.bbc.co.uk/1/hi/world/europe/6584481.stm
2000s

Letitia Elizabeth Landon photo

“I dreamed a dream, that I had flung a chain
Of roses around Love,—I woke, and found
I had chained Sorrow.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Literary Souvenir, 1826 (1825) The Forsaken
Other Gift Books

Homér photo

“Glory to him, but to us a sorrow.”

IV. 197 (tr. R. Lattimore).
Iliad (c. 750 BC)

William Wordsworth photo

“Never to blend our pleasure or our pride
With sorrow of the meanest thing that feels.”

William Wordsworth (1770–1850) English Romantic poet

Hart-leap Well, part ii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Letitia Elizabeth Landon photo
Julian of Norwich photo
Julian of Norwich photo
George W. Bush photo
Ippen photo

“From far, far in the distant past,
Down to this day, this very instant,
Those things we have longed for most
Have not been attained, and we sorrow.”

Ippen (1239–1289) Japanese Buddhist monk, founder of the Jishu school.

"Hymn of Amida's Vow" (Chapter 1, p. 3).
No Abode: The Record of Ippen (1997)

William Winwood Reade photo
Andrew Johnson photo

“I have had a son killed, a son-in-law die during the last battle of Nashville, another son has thrown himself away, a second son-in-law is in no better condition, I think I have had sorrow enough without having my bank account examined by a Committee of Congress.”

Andrew Johnson (1808–1875) American politician, 17th president of the United States (in office from 1865 to 1869)

Letter to his friend Colonel William G. Moore, complaining of Congressional investigations.... (1 May 1867).
Quote

Arthur Symons photo

“I have laid sorrow to sleep;
Love sleeps.
She who oft made me weep
Now weeps.”

Arthur Symons (1865–1945) British poet

Love and Sleep, st. 1.

Sara Teasdale photo
Jiddu Krishnamurti photo

“The very word "sorrow" colours the fact of sorrow, the pain of it.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

3rd Public Talk, Brockwood Park, UK (5 September 1981)
1980s

Charles Wolfe photo
Thomas Carlyle photo
Amy Hempel photo
José Ortega Y Gasset photo
William Wordsworth photo

“A Creature not too bright or good
For human nature's daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears and smiles.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 2.
She Was a Phantom of Delight http://www.bartleby.com/145/ww259.html (1804)

Nikolai Gogol photo
Charlotte Brontë photo
George du Maurier photo

“A little work, a little gay
To keep us going—and so good-day!

A little warmth, a little light
Of love’s bestowing—and so, good-night.

A little fun, to match the sorrow
Of each day’s growing—and so, good-morrow!

A little trust that when we die
We reap our sowing—and so—good-bye!”

Trilby (1894). Compare:
:PEU DE CHOSE
La vie est vaine,
Un peu d’amour,
Un peu de haine,
Et puis—Bonjour!

La vie est brève:
Un peu d’espoir,
Un peu de rève
Et puis—Bon soir!
::Léon de Montenaeken; translated by Louise Chandler Moulton as:
:Ah, brief is Life,
Love’s short sweet way,
With dreamings rife,
And then—Good-day!

And Life is vain—
Hope’s vague delight,
Grief’s transient pain,
And then—Good-night.

Vanna Bonta photo

“Joy and Sorrow have as source the very soul who planned their course.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Rewards of Passion (Sheer Poetry) (1981)

Herman Melville photo

“Well, there is sorrow in the world, but goodness too; and goodness that is not greenness, either, no more than sorrow is.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

Source: The Confidence-Man: His Masquerade (1857), Ch. 5

George William Russell photo
Percy Bysshe Shelley photo

“The desire of the moth for the star,
Of the night for the morrow,
The devotion to something afar
From the sphere of our sorrow.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

One Word is Too Often Profaned (1821), st. 2

Omar Khayyám photo
Joseph Addison photo

“I will indulge my sorrows, and give way
To all the pangs and fury of despair.”

Act IV, scene iii.
Cato, A Tragedy (1713)

Alfred Noyes photo

“A shadow leaned over me, whispering, in the darkness,
Thoughts without sound;
Sorrowful thoughts that filled me with helpless wonder
And held me bound.”

Alfred Noyes (1880–1958) English poet

"The Shadow" in The Empire Review (1923) Vol. 37, p. 620

Berthe Morisot photo

“Anger is stronger than fear, stronger than sorrow.”

p 69 - Book one: The winds of change - The web of illusion
Way of the Peaceful Warrior (1980)

Arthur O'Shaughnessy photo
Henry Wadsworth Longfellow photo

“When we feel how God was in our sorrows, we shall trust the more blessedly that He will be in our deaths.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 556.

Conrad Aiken photo
Arthur Hugh Clough photo

“And almost every one when age,
Disease, or sorrows strike him,
Inclines to think there is a God,
Or something very like Him.”

Arthur Hugh Clough (1819–1861) English poet

Dipsychus http://whitewolf.newcastle.edu.au/words/authors/C/CloughArthurHugh/verse/poemsproseremains/dipsychusprologue.html, Pt. I, sc. v (1862).

Narendra Modi photo

“Yes I have spoken on Gandhi ji’s Vaishnav Jan bhajan at many places. In fact, I used to deliver hour-long speeches describing why Gandhi ji loved this bhajan. If we think carefully and dwell on each word of this song, composed 500 years ago, we will find that everything said in it is still relevant, especially for our public life. He speaks against corruption and importance of personal integrity. In short, it is a manifesto for public life and morality. So, I worked around the words and would say: … "A people’s representative is one who feels the pain of others; one who removes the sorrows of others and yet does not let a trace of pride or arrogance come into his heart."
This used to be part of my worker development programmes. I used to analyse each line of this bhajan and explain why Gandhi ji promoted these values in public life; it contains all the wisdom you need for public life. It is a great misfortune for our country that this bhajan is played only on October 2 at Rajghat. It should have become an instrument of inculcating moral values. Gandhi ji liked this bhajan because Gandhi’s DNA and the elements of this geet match each other. I hold it up as a model of conduct for our party and RSS workers. In the RSS, there is an old tradition of remembering this bhajan every morning. Their pratah smaran (morning remembrance) starts with Gandhi ji’s name.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.379-380
2013

Mata Amritanandamayi photo
Michael Chabon photo
Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

Felix Adler photo
Letitia Elizabeth Landon photo
William Somervile photo
William Blake photo
Michel De Montaigne photo
Khalil Gibran photo

“The tears that you spill, the sorrowful, are sweeter than the laughter of snobs and the guffaws of scoffers.”

Khalil Gibran (1883–1931) Lebanese artist, poet, and writer

A Handful of Sand on the Shore

Samuel Beckett photo
John Dewey photo
Johann Wolfgang von Goethe photo
Taliesin photo
Julian of Norwich photo
Clifford D. Simak photo
Letitia Elizabeth Landon photo

“Let the rose fall, another rose
Will bloom upon the self-same tree;
Let the bird die, ere evening close
Some other bird will sing for me.
It is for the beloved to love,
'Tis for the happy to be kind;
Sorrow will more than death remove
The associate links affections bind.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(2nd April 1831) Lines Supposed to be the Prayer of the Supplicating Nymph in Mr. Lawrence Macdonald’s Exhibition of Sculptures
The London Literary Gazette, 1831

Michael Swanwick photo
Khaled Hosseini photo
Letitia Elizabeth Landon photo

“Farewell, and when to-morrow
Seems little, like to-day,
And we find life's deepest sorrow
Melts gradual away;
Yet do not quite forget me.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1837 1) (Vol. 49) Songs - I.
The Monthly Magazine

George Borrow photo
Adelaide Anne Procter photo

“It quieted pain and sorrow,
Like love overcoming strife;
It seemed the harmonious echo
From our discordant life.”

Adelaide Anne Procter (1825–1864) English poet and songwriter

"A Lost Chord".
Legends and Lyrics: Second Series (1861)

Frederic William Farrar photo
Michelle Obama photo

“And that brings me to the other big lesson that I want to share with you today. It’s a lesson about how to get through those struggles, and that is, instead of letting your hardships and failures discourage or exhaust you, let them inspire you. Let them make you even hungrier to succeed. Now, I know that many of you have already dealt with some serious losses in your lives. Maybe someone in your family lost a job or struggled with drugs or alcohol or an illness. Maybe you’ve lost someone you love […]. […] So, yes, maybe you’ve been tested a lot more and a lot earlier in life than many other young people. Maybe you have more scars than they do. Maybe you have days when you feel more tired than someone your age should ever really feel. But, graduates, tonight, I want you to understand that every scar that you have is a reminder not just that you got hurt, but that you survived. And as painful as they are, those holes we all have in our hearts are what truly connect us to each other. They are the spaces we can make for other people’s sorrow and pain, as well as their joy and their love so that eventually, instead of feeling empty, our hearts feel even bigger and fuller. So it’s okay to feel the sadness and the grief that comes with those losses. But instead of letting those feelings defeat you, let them motivate you. Let them serve as fuel for your journey.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, Commencement speech for Martin Luther King Jr. College Prep graduates (2015)

Joseph Campbell photo
Wolfram von Eschenbach photo

“A loyal-hearted man rejoices at a friend's advancement; a disloyal man cries out in sorrow when something pleasant befalls his friend and he is there to see it.”

Der getriwe ist friundes êren vrô:
der ungetriwe wâfenô
rüefet, swenne ein liep geschiht
sînem friunde und er daz siht.
Bk. 13, st. 675, line 17; p. 337.
Parzival

Sören Kierkegaard photo
William Cobbett photo
Richard Fuller (minister) photo
Halldór Laxness photo
William Morris photo
Frederick William Faber photo

“Labour itself is but a sorrowful song,
The protest of the weak against the strong.”

Frederick William Faber (1814–1863) British hymn writer and theologian

The Sorrowful World.
Bartlett's Familiar Quotations, 10th ed. (1919)

Tanith Lee photo
Nick Cave photo
Thomas Moore photo

“Weep on! and as thy sorrows flow,
I 'll taste the luxury of woe.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Anacreontic.
Bartlett's Familiar Quotations, 10th ed. (1919)

Percy Bysshe Shelley photo