Quotes about sorrow
page 6

Carole King photo

“I'll never let you see
The way my broken heart is hurting me.
I've got my pride and I know how to hide
All my sorrow and pain.
I'll do my crying in the rain.”

Carole King (1942) Nasa

Crying in the Rain (1962), Co-written with Howard Greenfield, first recorded by The Everly Brothers
Song lyrics, Singles

Francis Quarles photo
Bawa Muhaiyaddeen photo
Khaled Hosseini photo
Paul of Tarsus photo

“For the desire of money is the root of all evils; which some coveting have erred from the faith, and have entangled themselves in many sorrows.”

1 Timothy 6:10 (as quoted in Catholic Bible Douay-Rehims http://www.biblebible.com/text-bible/Catholic-Bible/1_timothy_6.asp)
First Epistle to Timothy

Bion of Borysthenes photo

“How stupid it was for the king to tear out his hair in grief, as if baldness were a cure for sorrow.”

Bion of Borysthenes (-325–-246 BC) ancient greek philosopher

As quoted by Cicero, Tusculan Disputations, iii. 26

Richard Fuller (minister) photo
Henry Wadsworth Longfellow photo
Henry Miller photo

“Writing is Crude hieroglyphs chiseled in pain & sorrow to commemorate an event which is intransmissible.”

Henry Miller (1891–1980) American novelist

Henry Miller on Writing (1964)

Michael Swanwick photo
Thomas Sackville, 1st Earl of Dorset photo
Francis Quarles photo

“T is now the summer of your youth. Time has not cropt the roses from your cheek, though sorrow long has washed them.”

Edward Moore (1712–1757) English dramatist and writer

The Gamester (1753), Act iii. Sc. 4.

Charles Reade photo
Letitia Elizabeth Landon photo
Theodore L. Cuyler photo
Calvin Coolidge photo

“p>One translucent day I leave the city
to visit my home, the land of Champa.Here are stupas gaunt with yearning,
ancient temples ruined by time,
streams that creep alone through the dark
past peeling statues that moan of Champa.Here are dense and drooping forests
where long processions, lost souls of Champa,
march; and evening spills through thick,
fragrant leaves, mingling with the cries of moorhens.Here is the field where two great armies
were reduced to a horde of clamoring souls.
Champa blood still cascades in streams of hatred
to grinding oceans filled with Champa bones.Here too are placid images: hamlets at rest
in evening sun, Champa girls gliding homeward,
their light chatter floating
with the pink and saffron of their dresses.Here are magnificent sunbaked palaces,
temples that blaze in cerulean skies.
Here battleships dream on the glossy river, while the thunder
of sacred elephants shakes the walls.Here, in opaque light sinking through lapis lazuli,
the Champa king and his men are lost in a maze of flesh
as dancers weave, wreathe, entranced,
their bodies harmonizing with the flutes.All this I saw on my way home years ago
and still I am obsessed,
my mind stunned, sagged with sorrow
for the race of Champa.”

Chế Lan Viên (1920–1989) Vietnamese writer

"On the Way Home", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), p. 167; quoted in full in Buddhism & Zen in Vietnam by Thich Thien-an (Tuttle Publishing, 1992)

Henry George Liddell photo

“I do not think that any sorrow of youth or manhood equalled in intensity or duration the black and hopeless misery which followed the wrench of transference from a happy home to a school.”

Henry George Liddell (1811–1898) Headmaster, lexicographer, classical scholar, and dean

Source: Colin Gordon, Beyond the Looking Glass (1982), P.29.

Xi Murong photo
Henry Howard, Earl of Surrey photo

“And thus I see among these pleasant things
Each care decays, and yet my sorrow springs!”

Henry Howard, Earl of Surrey (1516–1547) English Earl

"Description of Spring", line 13

Vincent Van Gogh photo

“Text: Psalm 119:19. I am a stranger on the earth, hide not Thy command ments from me.
Are we what we dreamt we should be? No, but still the sorrows of life..., so much more numerous than we expected, the tossing to and fro in the world, they have covered it over, but it is not dead, it sleepeth.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote from van Gogh's first sermon, 29 October, 1876; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18
1870s

Ernest Hemingway photo
Letitia Elizabeth Landon photo
John Fletcher photo

“Weep no more, nor sigh, nor groan,
Sorrow calls no time that's gone;
Violets plucked, the sweetest rain
Makes not fresh nor grow again.”

John Fletcher (1579–1625) English Jacobean playwright

The Queen of Corinth (1647), Act III, sc. ii. Compare: "Weep no more, Lady! weep no more, Thy sorrow is in vain; For violets plucked, the sweetest showers Will ne'er make grow again", Thomas Percy, Reliques of Ancient English Poetry, "The Friar of Orders Gray".

George Eliot photo
Gottfried von Straßburg photo

“He that never had sorrow of love never had joy of it either!”

Swem nie von liebe leit geschach,
dem geschach ouch liep von liebe nie.
Source: Tristan, Line 204

Thomas Gray photo

“What sorrow was, thou bad'st her know,
And from her own she learned to melt at others' woe.”

Thomas Gray (1716–1771) English poet, historian

Hymn to Adversity http://www.thomasgray.org/cgi-bin/display.cgi?text=otad, St. 2 (1742)

David Hume photo
Edmund Spenser photo
François de La Rochefoucauld photo

“Our repentance is not so much sorrow for the ill we have done as a fear of the ill that may befall us.”

Notre repentir n'est pas tant un regret du mal que nous avons fait, qu'une crainte de celui qui nous en peut arriver.
Maxim 180.
Reflections; or Sentences and Moral Maxims (1665–1678)

Julian of Norwich photo
Julian of Norwich photo
L. Ron Hubbard photo
Michael Swanwick photo

““You ask a question that cannot be answered without knowing the nature of the primal chaos from which being arose. Is Spiral Castle like a crystal, once shattered, forever destroyed? That is what I prefer to believe. Or is it like a still pond, whose mirrored surface may be shattered and churned, but which will inevitably restore itself as the waves die down? You may believe this if you choose. You can even believe—why not?—that the restored universe will be an improvement on the old. For me, so long as I have my vengeance I care not what comes after.”
“And us?”
“We die.” An involuntary rise in the dragon’s voice, a slight quickening of cadence, told her that she had touched upon some unclean hunger akin to but less seemly than battle-lust. “We die beyond any chance of rebirth. You and I and all we have known will cease to be. The worlds that gave us birth, the creatures that shaped us—all will be unmade. So comprehensive will be their destruction that even their pasts will die with them. It is an extinction beyond death that we court. Though the ages stretch empty and desolate into infinity and beyond, there will be none to remember us, nor any to mourn. Our joys, sorrows, struggles, will never have been.
“And even if there is a universe to come, it will know naught of us.””

Source: The Iron Dragon's Daughter (1993), Chapter 19 (pp. 340-341)

“At the end of the season of sorrows comes the time of rejoicing. Spring, like a well-oiled clock, noiselessly indicates this time.”

Roger Zelazny (1937–1995) American speculative fiction writer

First lines of Zelazny's first published short story, Passion Play (1962)

Halldór Laxness photo
John Calvin photo
James Cromwell photo

“Making the movie Babe opened my eyes to the intelligence and the inquisitive personalities of pigs. These highly social animals possess an amazing capacity for love, joy and sorrow that makes them remarkably similar to our beloved canine and feline friends.”

James Cromwell (1940) American actor and producer

Said in a press statement for SaveBabe campaign, as quoted in "James Cromwell: King Lear, Babe and the Black Panthers" http://www.nouse.co.uk/2007/10/26/james-cromwell-king-lear-babe-and-the-black-panthers/ in Nouse (26 October 2007)

“Every joy brings the sorrow of its absence in its wake.”

Carlos Gershenson (1978) Mexican researcher

Zire Notes (May 2004 - December 2006)

Letitia Elizabeth Landon photo

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Nguyễn Du photo

“How sorrowful is women's lot!" she cried.
"We all partake of woe, our common fate.”

Source: The Tale of Kiều (1813), Lines 83–84

A. J. Cronin photo

“Worry never robs tomorrow of its sorrow, but only saps today of its strength.”

A. J. Cronin (1896–1981) Scottish novelist and physician

As quoted in Today's Gift : Daily Meditations for Families (1985) by Hazelden Publishing, p. 11

David Hume photo

“No quality of human nature is more remarkable, both in itself and in its consequences, than that propensity we have to sympathize with others, and to receive by communication their inclinations and sentiments, however different from, or even contrary to our own. This is not only conspicuous in children, who implicitly embrace every opinion propos’d to them; but also in men of the greatest judgment and understanding, who find it very difficult to follow their own reason or inclination, in opposition to that of their friends and daily companions. To this principle we ought to ascribe the great uniformity we may observe in the humours and turn of thinking of those of the same nation; and ’tis much more probable, that this resemblance arises from sympathy, than from any influence of the soil and climate, which, tho’ they continue invariably the same, are not able to preserve the character of a nation the same for a century together. A good-natur’d man finds himself in an instant of the same humour with his company; and even the proudest and most surly take a tincture from their countrymen and acquaintance. A chearful countenance infuses a sensible complacency and serenity into my mind; as an angry or sorrowful one throws a sudden dump upon me. Hatred, resentment, esteem, love, courage, mirth and melancholy; all these passions I feel more from communication than from my own natural temper and disposition. So remarkable a phaenomenon merits our attention, and must be trac’d up to its first principles.”

Part 1, Section 11
A Treatise of Human Nature (1739-40), Book 2: Of the passions

Reginald Heber photo

“Thou art gone to the grave; but we will not deplore thee,
Though sorrows and darkness encompass the tomb.”

Reginald Heber (1783–1826) English clergyman

"At a Funeral", No. II.
need further publication dates

Julian of Norwich photo
Nisargadatta Maharaj photo
Lyndon B. Johnson photo
Sinclair Lewis photo
Alain-Fournier photo
Samuel Beckett photo
Swami Vivekananda photo

“Learn to recognise the mother in Evil, Terror, Sorrow, Denial, as well as in Sweetness and in Joy.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Address to his English disciples, as quoted in The life of Vivekananda and the Universal Gospel, 5th edition (1960) by Romain Rolland, p. 53

Max Heindel photo
Franz Marc photo
Hal David photo
Margrethe II of Denmark photo
Frederick Douglass photo

“The slave is a man, "the image of God," but "a little lower than the angels;" possessing a soul, eternal and indestructible; capable of endless happiness, or immeasurable woe; a creature of hopes and fears, of affections and passions, of joys and sorrows, and he is endowed with those mysterious powers by which man soars above the things of time and sense, and grasps, with undying tenacity, the elevating and sublimely glorious idea of a God. It is such a being that is smitten and blasted. The first work of slavery is to mar and deface those characteristics of its victims which distinguish men from things, and persons from property. Its first aim is to destroy all sense of high moral and religious responsibility. It reduces man to a mere machine. It cuts him off from his Maker, it hides from him the laws of God, and leaves him to grope his way from time to eternity in the dark, under the arbitrary and despotic control of a frail, depraved, and sinful fellow-man. As the serpent-charmer of India is compelled to extract the deadly teeth of his venomous prey before he is able to handle him with impunity, so the slaveholder must strike down the conscience of the slave before he can obtain the entire mastery over his victim.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Nature of Slavery. Extract from a Lecture on Slavery, at Rochester, December 1, 1850
1850s, My Bondage and My Freedom (1855)

Elizabeth Barrett Browning photo

“Do ye hear the children weeping, O my brothers,
Ere the sorrow comes with years?
They are leaning their young heads against their mothers—
And that cannot stop their tears.”

Elizabeth Barrett Browning (1806–1861) English poet, author

The Cry of the Children http://www.webterrace.com/browning/The%20Cry%20Of%20The%20Children.htm, st. 1 (1844).

Julian of Norwich photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Torquato Tasso photo

“Two inward vultures, Sorrow and Disdain.”

Torquato Tasso (1544–1595) Italian poet

Dagl'interni avoltoj, sdegno e dolore.
Canto X, stanza 6 (tr. Fairfax)
Gerusalemme Liberata (1581)

John Fletcher photo

“Drink today, and drown all sorrow;
You shall perhaps not do't tomorrow.”

John Fletcher (1579–1625) English Jacobean playwright

Act II, scene ii.
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)

Adi Da Samraj photo
Julian of Norwich photo

“For in the sight of God all man is one man, and one man is all man. This man was hurt in his might and made full feeble; and he was stunned in his understanding so that he turned from the beholding of his Lord. But his will was kept whole in God’s sight; — for his will I saw our Lord commend and approve. But himself was letted and blinded from the knowing of this will; and this is to him great sorrow and grievous distress: for neither doth he see clearly his loving Lord, which is to him full meek and mild, nor doth he see truly what himself is in the sight of his loving Lord. And well I wot when these two are wisely and truly seen, we shall get rest and peace here in part, and the fulness of the bliss of Heaven, by His plenteous grace.
And this was a beginning of teaching which I saw in the same time, whereby I might come to know in what manner He beholdeth us in our sin.”

Julian of Norwich (1342–1416) English theologian and anchoress

Summations, Chapter 51
Context: The Lord that sat stately in rest and in peace, I understood that He is God. The Servant that stood afore the Lord, I understood that it was shewed for Adam: that is to say, one man was shewed, that time, and his falling, to make it thereby understood how God beholdeth All-Man and his falling. For in the sight of God all man is one man, and one man is all man. This man was hurt in his might and made full feeble; and he was stunned in his understanding so that he turned from the beholding of his Lord. But his will was kept whole in God’s sight; — for his will I saw our Lord commend and approve. But himself was letted and blinded from the knowing of this will; and this is to him great sorrow and grievous distress: for neither doth he see clearly his loving Lord, which is to him full meek and mild, nor doth he see truly what himself is in the sight of his loving Lord. And well I wot when these two are wisely and truly seen, we shall get rest and peace here in part, and the fulness of the bliss of Heaven, by His plenteous grace.
And this was a beginning of teaching which I saw in the same time, whereby I might come to know in what manner He beholdeth us in our sin. And then I saw that only Pain blameth and punisheth, and our courteous Lord comforteth and sorroweth; and ever He is to the soul in glad Cheer, loving, and longing to bring us to His bliss.

José Rizal photo
Rubén Darío photo

“Blessed is the almost insensitive tree,
more blessed is the hard stone that doesn't feel,
for no pain is greater than the pain of being alive,
and no sorrow more intense than conscious life.”

Dichoso el árbol, que es apenas sensitivo,
y más la piedra dura porque esa ya no siente,
pues no hay dolor más grande que el dolor de ser vivo,
ni mayor pesadumbre que la vida consciente.
Cantos de vida y esperanza (1901), "Lo fatal" ("Fatalism")
Quoted in Chambers Dictionary of Quotations (1997), p. 305.

Thomas Malory photo

“The joy of love is too short, and the sorrow thereof, and what cometh thereof, dureth over long.”

Book X, ch. 56
Le Morte d'Arthur (c. 1469) (first known edition 1485)

Thomas Carlyle photo
Robert Southey photo
Conor Oberst photo

“For a song I was bought
Now I lie when I talk
With a careful eye on the cue card.
Onto a stage I was pushed,
With my sorrow well rehearsed.
So give me all your pity and your money, now (all of it).”

Conor Oberst (1980) American musician

False Advertising
Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

George Eliot photo
Bob Dylan photo

“Don't turn away, you'll create sorrow,
Time is an ocean but it ends at the shore,
You may not see me tomorrow.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Desire (1976), Oh, Sister

Edwin Hubbell Chapin photo
Sri Aurobindo photo
L. Ron Hubbard photo
Matteo Maria Boiardo photo

“Not deep his sorrow who in silence grieves.”

Matteo Maria Boiardo (1441–1494) Italian writer

Poco ha doglia chi dolendo tace.
Sonetti e Canzoni, Book II, as reported in T. B. Harbottle's Dictionary of Quotations (French and Italian) (1904), p. 395

Frederick William Robertson photo
Prince photo

“I never meant 2 cause u any sorrow
I never meant 2 cause u any pain
I only wanted 2 one time see u laughing
I only wanted 2 see u laughing in the purple rain.”

Prince (1958–2016) American pop, songwriter, musician and actor

Purple Rain
Song lyrics, Purple Rain (1984)

“Always Dowland, always sorrowful.”
Semper Dowland semper dolens.

John Dowland (1563–1626) English Renaissance composer, lutenist, and singer

Title of a pavan in Lachrimae, or Seven Tears (1604).

Robert F. Kennedy photo

“When there were periods of crisis, you stood beside him. When there were periods of happiness, you laughed with him. And when there were periods of sorrow, you comforted him.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Tribute to John F. Kennedy http://www.rfkmemorial.org/lifevision/tributetojfkatthednc/, 1964 Democratic National Convention in Atlantic City (27 August 1964)

Julian of Norwich photo
James Allen photo

“The heart that sins must sorrow.”

James Allen (1864–1912) British philosophical writer

Morning and Evening Thoughts

Pythagoras photo
Subhash Kak photo

“If the heart sorrows over physical loss, the spirit rejoices over hope of understanding.”

Subhash Kak (1947) Indian computer scientist

The Loom of Time (2016)

Nick Cave photo

“The carny had a horse, all skin and bone,
A bow-backed nag, that he named "Sorrow",
Now it is buried in a shallow grave,
In the then parched meadow.”

Nick Cave (1957) Australian musician

Song lyrics, Your Funeral… My Trial (1986), The Carny

Alexander Maclaren photo
Richard Rodríguez photo
Sri Anandamoyi Ma photo
Seal (musician) photo
Sri Aurobindo photo

“O soldier and hero of God, where for thee is sorrow or shame or suffering? For thy life is a glory, thy deeds a consecration, victory thy apotheosis, defeat thy triumph.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913), Karma

Thomas Babington Macaulay, 1st Baron Macaulay photo
Robert Graves photo

“Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses
There is one story and one story only.”

Robert Graves (1895–1985) English poet and novelist

"To Juan at the Winter Solstice" from Poems 1938-1945 (1946).
Poems