Quotes about room
page 8

William Morris photo
Malcolm Muggeridge photo
Bret Easton Ellis photo
Walt Whitman photo

“In our sun-down perambulations, of late, through the outer parts of Brooklyn, we have observed several parties of youngsters playing "base", a certain game of ball … Let us go forth awhile, and get better air in our lungs. Let us leave our close rooms … the game of ball is glorious.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Comments on baseball in the Brooklyn Daily Eagle (23 July 1846), as quoted in Walt Whitman Looks at the Schools (1950) by Florence Bernstein Freedman, p. 126-127 http://books.google.com/books?id=M34nK8SaiMcC&dq=Walt+Whitman+schools&lr=&source=gbs_summary_s&cad=0

Ramakrishna photo
George W. Bush photo

“Barack and Michelle Obama arrived on the North Portico just before 10:00 a. m. Laura and I had invited them for a cup of coffee in the Blue Room, just as Bill and Hillary Clinton had done for us eight years earlier. The Obamas were in good spirits and excited about the journey ahead. Meanwhile, in the Situation Room, homeland security aides from both our teams monitored intelligence on a terrorist threat to Washington. It was a stark reminder that evil men still want to harm our country, no matter who is serving as president. After our visit, we climbed into the motorcade for the trip up Pennsylvania Avenue. I thought back to the drive I'd made with Bill Clinton eight years earlier. That day in January 2001, I could never have imagined what would unfold over my time in office. I knew some of the decisions I had made were not popular with many of my fellow citizens. But I felt satisfied that I had been willing to make the hard decisions, and I had always done what I believed was right. At the Capitol, Laura and I took our seats for the Inauguration. I marveled at the peaceful transition of power, one of the defining features of our democracy. The audience was riveted with anticipation for he swearing-in. Barack Obama had campaigned on hope, and that was what he had given many Americans. For our new president, the Inauguration was a thrilling beginning. For Laura and me, it was an end. It was another president's turn, and I was ready to go home.”

George W. Bush (1946) 43rd President of the United States

Source: 2010s, 2010, Decision Points (November 2010), p. 474

Jim Garrison photo
Clinton Edgar Woods photo
Ludovico Ariosto photo

“Partial and unwise
Your judgment seems, as well all judgments may,
Wherein the losing party has not room
To plead before the judge pronounces doom.”

A me non par che ben deciso,
Né che ben giusto alcun giudicio cada,
Ove prima non s'oda quanto nieghi
La parte o affermi, e sue ragioni alleghi.
Canto XXXII, stanza 101 (tr. W. S. Rose)
Orlando Furioso (1532)

William Empson photo
Alan Sillitoe photo

“Makes Room at the Top look like a vicarage tea-party.”

Alan Sillitoe (1928–2010) British writer

The Daily Telegraph, reviewing Saturday Night and Sunday Morning; cited from The Bookseller, October 25, 1958, p. 1641.
Also used as a tagline for the 1960 film adaptation.
Criticism

Benjamin J. Davis Jr. photo
John Holloway photo
James Hudson Taylor photo

“If you want blessing, make room for it.”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Six: Assault on the Nine. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1988, 309).

Andrei Sakharov photo
Juhani Aho photo
Gregory Benford photo
Ani DiFranco photo

“I have been strongly influenced by the Mahabharata, discourses of the Buddha, Sri Aurobindo and Plato. My masters have been Vyasa, Buddha and Sri Aurobindo, as elucidated by Ram Swarup. … Paganism was a term of contempt invented by Christianity for people in the countryside who lived close to and in harmony with Nature, and whose ways of worship were spontaneous as opposed to the contrived though-categories constructed by Christianity’s city-based manipulators of human minds. In due course, the term was extended to cover all spiritually spontaneous culture of the world – Greek, Roman, Iranian, Indian, Chinese, native American. It became a respectable term for those who revolted against Christianity in the modern West. But it has yet to recover its spiritual dimension which Christianity had eclipsed. For me, Hinduism preserves ancient Paganism in all its dimensions. In that sense, I am a Pagan. The term "Polytheism' comes from Biblical discourse, which has the term 'theism' as its starting point. I have no use for these terms. They create confusion. I dwell in a different universe of discourse which starts with 'know thyself' and ends with the discovery, 'thou art that'…
I met her [Mother Theresa] briefly in Calcutta in 1954 or 1955 when she was unknown. I had gone to see an American journalist who was a friend and had fallen ill, when she came to his house asking for money for her charity set-up. The friend went inside to get some cash, leaving his five or six year old daughter in the drawing room. Teresa told her, "He is not your real father. Your real father is in heaven." The girl said, "He is very ill." Theresa commented, "If he dies, your father does not die. For your real father who is in heaven never 'dies."”

Sita Ram Goel (1921–2003) Indian activist

The girl was in tears.
Interview, The Observer. Date : February 22, 1997. http://sathyavaadi.tripod.com/truthisgod/Articles/goel.htm https://egregores.blogspot.com/2009/10/buddha-sri-aurobindo-and-plato.html https://egregores.wordpress.com/2009/11/16/hindus-and-pagans-a-return-to-the-time-of-the-gods/

Edvard Munch photo
Jozef Israëls photo

“I take advantage of a painting that I now have at the Paris' exhibition. 3 orphan girls who are sewing in an interior room. I have sold [it] there for a nice price and have heard some interesting reviews published about it. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Ik heb nogal plaizier van eene schilderij die ik thans op de parijsche tentst. Heb. 3 weesmeisjes die in een binnekamer zitten te naaijen. Ik heb [het] daar voor een mooije prijs verkocht en hier en daar interessante kritieken over hooren uitbrengen.
In a letter to A.C. Vosmaer, June 1866; ARA - Tweede afdeling, Archief Vosmaer, input no. 249
Quotes of Jozef Israels, 1840 - 1870

Stephen King photo
Coretta Scott King photo
Samuel Butler photo
Psy photo
Steve Jobs photo

“We hired truly great people and gave them the room to do great work. A lot of companies […] hire people to tell them what to do. We hire people to tell us what to do. We figure we're paying them all this money; their job is to figure out what to do and tell us.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

The management philosophy here really is to give people enough rope to hang themselves. We hire people to tell us what to do. That's what we pay them for.
1990s
Source: Steve Jobs, 1996, Fresh Air radio interview by Terry Gross, npr.org http://www.npr.org/2011/10/06/141115121/steve-jobs-computer-science-is-a-liberal-art, audio 26:30/31:05
Source: Steve Jobs 1982, interview in InfoWorld March 4, 1982, p.15 books.google https://books.google.fr/books?id=gT4EAAAAMBAJ&pg=PA15&dq=rope

Kate Bush photo

“Our engineer had a different idea
From people who nearly died but survived,
Feeling no fear of leaving their bodies here,
And went to a room that was soon full of visitors.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Samantha Bee photo
Andy Warhol photo

“You'd be surprised who'll hang an electric chair in the living room. Especially if the background matches the drapes.”

Andy Warhol (1928–1987) American artist

As quoted in Moderna Museet (1968), Andy Warhol: Stockholm, Moderna Museet, February–March 1968 (exhib. cat.), Malmö: Sydsvenska Dagbladets, [ISBN]; repr. 1970, Boston: Boston Book and Art, [ISBN] As quoted in Mike Wrenn (1991), Andy Warhol: In His Own Words, London & New York: Omnibus Press [Music Sales Group], ISBN 0-7119-2400-7 [ISBN 978-0-7119-2400-0] As quoted in Isabel Kühl (2007), Andy Warhol: Living Art, Munich & New York: Prestel, ISBN 978-3-7913-3814-9 [ISBN 3-7913-3814-5]
1968 - 1974, Electric chair quote
Variant: You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background color matches the drapes.

William Westmoreland photo
Sören Kierkegaard photo

“But it never occurred to him to want to be a philosopher, or dedicate himself to Speculation; he was still too fickle for that. True, he was not drawn now to one thing and now to another – thinking was and remained his passion – but he still lacked the self-discipline required for acquiring a deeper coherence. Both the significant and the insignificant attracted him equally as points of departure for his pursuits; the result was not of great consequence – only the movements of thought as such interested him. Sometimes he noticed that he reached one and the same conclusion from quite different starting points, but this did not in any deeper sense engage his attention. His delight was always just to be pressing on; wherever he suspected a labyrinth, he had to find the way. Once he had started, nothing could bring him to a halt. If he found the going difficult and became tired of it before he ought, he would adopt a very simple remedy – he would shut himself up in his room, make everything as festive as possible, and then say loudly and clearly: I will do it. He had learned from his father that one can do what one wills, and his father’s life had not discredited this theory. Experiencing this had given Johannes indescribable pride; that there could be something one could not do when one willed it was unbearable to him. But his pride did not in the least indicate weakness of will, for when he had uttered these energetic words he was ready for anything; he then had a still higher goal – to penetrate the intricacies of the problem by force of will. This again was an adventure that inspired him. Indeed his life was in this way always adventurous. He needed no woods and wanderings for his adventures, but only what he possessed – a little room with one window.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Johannes Climacus p. 22-23
1840s, Johannes Climacus (1841)

Leszek Kolakowski photo

“Lenin’ s article of 1905, "Party Organization and Party Literature", was used for decades, and is still used, to justify ideologically the enslavement of the written word in Russia. It has been argued that it refers only to political literature, but this is not so: it relates to every kind of writing. It contains the words: "Down with non-partisan writers! Down with literary supermen! Literature must become part of the common cause of the proletariat, ‘ a cog and a screw’ of one single great Social Democratic mechanism set in motion by the entire politically conscious vanguard of the entire working class" (Works, vol. 10, p. 45). For the benefit of "hysterical intellectuals" who deplore this seemingly bureaucratic attitude, Lenin explains that there can be no mechanical levelling in the field of literature; there must be room for personal initiative, imagination, etc.; none the less, literary work must be part of the party’ s work and controlled by the party. This, of course, was written during the fight for "hourgeois democracy", on the assumption that Russia would in due course enjoy freedom of speech but that literary members of the party would have to display party-mindedness in their writings; as in other cases, the obligation would become general when the party controlled the apparatus of state coercion.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 515
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Jane Roberts photo
Hugh Macmillan, Baron Macmillan photo
Camille Paglia photo
Jeremy Clarkson photo
Thomas Fuller (writer) photo

“1345. Drunkenness turns a Man out of himself, and leaves a Beast in his room.”

Thomas Fuller (writer) (1654–1734) British physician, preacher, and intellectual

Introductio ad prudentiam: Part II (1727), Gnomologia (1732)

“The Angel of Death came to David's room,
He said, "Friend, it's time to go."”

The Angel of Death Came to David's Room.
It's All Crazy! It's All False! It's All A Dream! It's Alright (2009)

Neil Gorsuch photo
Charlotte Perkins Gilman photo
T.S. Eliot photo

“In the room the women come and go
Talking of Michelangelo.”

The Love Song of J. Alfred Prufrock (1915)

Hans Christian Andersen photo
Stevie Nicks photo

“Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Laura Furman, Rumours Exposed http://books.google.com/books?id=SW31aVVDc_AC (2003: Citadel Press), ISBN 9780806524726, p. 75

Dylan Moran photo
Sarah McLachlan photo
Frank Wilczek photo
Toni Morrison photo
Yehudi Menuhin photo
Kakinomoto no Hitomaro photo

“I sit at home
In our room
By our bed
Gazing at your pillow.”

Kakinomoto no Hitomaro (662–710) Japanese poet

XXV, p. 27
Kenneth Rexroth's translations, One Hundred Poems from the Japanese (1955)

George Holmes Howison photo

“We went around the room together, And he Clement Greenberg finally let me know that he thought my picture was the worst one in the show.. [she laughs]. At the same time he took my phone number.”

Helen Frankenthaler (1928–2011) American artist

Greenberg visited her early show early 1950, Frankenthaler was asked to organize a benefit show of paintings by Bennington alumnae
1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Bon Scott photo

“I've never had a message for someone in my entire life. Except maybe to give out my room number.”

Bon Scott (1946–1980) Rock musician

From The Good Times, July 1979.

Harriet Beecher Stowe photo
John Fante photo
Conor Oberst photo
Tim McGraw photo
Stanley Baldwin photo

“What about my Soul? That's all right. The essence of such service is unselfishness. My first thought has to be of others, of the relationship of Crown and people: there will be no room to think of money or of my own career.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Letter to J. C. C. Davidson (28 January 1919) on contemplating acceptance of government office, quoted in Robert Rhodes James (ed.), Memoirs of a Conservative: J. C. C. Davidson's Memoirs and Papers, 1910-1937 (London: Weidenfeld and Nicolson, 1969), p. 95.
1910s

Adlai Stevenson photo
Louis C.K. photo
David Icke photo

“It got to the point where I sat on the side of the bed in a hotel room in London in early-1990 and said to whoever or whatever: 'If you are there will you please contact or leave me because you are driving me up the wall.”

David Icke (1952) English writer and public speaker

Source: About David Icke: The Man, His Philosophy, and His Work by Icke himself. He claimed to have felt a subtle entities presence in the room.

Paul Williams (songwriter) photo

“So much of life ahead
We'll find a place where there's room to grow,
And yes, we've just begun.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"We've Only Just Begun" (1970).

Joseph Strutt photo
Lee Child photo
Marshall McLuhan photo
Joseph Joubert photo
Sufjan Stevens photo
Brian Wilson photo
Zoran Đinđić photo

“I'd have to lock the door of the paint room. He wouldn't allow anyone in. I was like a prisoner.”

Margaret Keane (1927) American artist

1999, Cited by Amy M. Spindler

Juliana Hatfield photo

“Okay I gotta go
Maybe I don't want to know
There's too much truth in this room.”

Juliana Hatfield (1967) American guitarist/singer-songwriter and author

"Total System Failure"
Juliana's Pony: Total System Failure (2000)

Charles Stross photo
Max Horkheimer photo
E.M. Forster photo
John Fante photo

“I went up to my room, up the dusty stairs of Bunker Hill, past the soot-covered frame buildings along that dark street, sand and oil and grease choking the futile palm trees standing like dying prisoners, chained to a little plot of ground with black pavement hiding their feet. Dust and old buildings and old people sitting at windows, old people tottering out of doors, old people moving painfully along the dark street. The old folk from Indiana and Iowa and Illinois, from Boston and Kansas City and Des Moines, they sold their homes and their stores, and they came here by train and by automobile to the land of sunshine, to die in the sun, with just enough money to live until the sun killed them, tore themselves out by the roots in their last days, deserted the smug prosperity of Kansas City and Chicago and Peoria to find a place in the sun. And when they got here they found that other and greater thieves had already taken possession, that even the sun belonged to the others; Smith and Jones and Parker, druggist, banker, baker, dust of Chicago and Cincinnati and Cleveland on their shoes, doomed to die in the sun, a few dollars in the bank, enough to subscribe to the Los Angeles Times, enough to keep alive the illusion that this was paradise, that their little papier-mâché homes were castles. The uprooted ones, the empty sad folks, the old and the young folks, the folks from back home. These were my countrymen, these were the new Californians. With their bright polo shirts and sunglasses, they were in paradise, they belonged.”

Ask the Dust (1939)

Clive Barker photo
Margaret Thatcher photo
Donald J. Trump photo
John Bunyan photo
Albert Gleizes photo

“People crowded into our room, they shouted, they laughed, they got worked up, they protested, they luxuriated in all kinds of utterances.”

Albert Gleizes (1881–1953) French painter

Quote of Gleizes, 1911, on the Paris' 'Salon d'Automne' exhibition of 1911; as cited by Anne Ganteführer-Trier, in 'Cubism, Taschen, 2004
1910s

George William Russell photo
Christopher Titus photo
Willa Cather photo
Filippo Tommaso Marinetti photo

“Let the divine reign of Electric Light finally commence, liberating Venice from its venal moonlight of furnished rooms”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's
Source: 'Contra Venezia passatista', ('Against Venice, mired in the past') 27 April, 1910; as quoted in The Other Futurism: Futurist Activity in Venice, Padua and Verona, Willard Bohn, University of Toronto Press Incorporated, 2004, ISBN 0-8020-8816-3, p. 8

Sandra Day O'Connor photo

“It is difficult to discern a serious threat to religious liberty from a room of silent, thoughtful schoolchildren.”

Sandra Day O'Connor (1930) Former Associate Justice of the Supreme Court of the United States

Upholding the constitutionality of a "moment of silent prayer" in schools in Wallce v. Jaffree, 472 U.S. 38 (1985) (concurring).

Tracey Ullman photo

“It's very therapeutic, what I do. Other people get this anonymity and thrill from being in an Internet chat room, where they can be anybody they want to be. That's the feeling I get, but to an even greater extent. I physically take on these characteristics. Afterwards, I feel I'm a parrot. I need a black bag put over my head until I become myself again.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

On playing multiple characters in her television shows
"Ullman, By Hook & By 'Crooks'" http://www.nydailynews.com/ullman-hook-crooks-tracey-tireless-efforts-landed-role-woody-allen-leading-lady-article-1.859726 (NY Daily News, 14 May 2000)

Dean Acheson photo

“No change (Marshall replacing former SecDef. Louis Johnson, who, soon after he resigned, was diagnosed with a fatal "brain malady") could have been more welcome to me. It brought only one embarrassment. The General (Marshall) insisted, overruling every protest of mine, in meticulously observing the protocol involved in my being the senior Cabinet officer. Never would he go through a door before me, or walk anywhere but on my left; he would go around an automobile to enter it after me and sit on the left; in meetings he would insist on my speaking before him. To be treated so by a revered and beloved former chief was a harrowing experience. But the result in government was, I think, unique in the history of the Republic. For the first time and perhaps, though I am not sure, the last, the Secretaries of State and Defense, with their top advisors, met with the Chiefs of Staff in their map room and discussed common problems together. At one of these meetings General Bradley and I made a treaty, thereafter scrupulously observed. The phrases 'from a military point of view' and 'from a political point of view' were excluded from our talks. No such dichotomy existed. Each of us had our tactical and strategic problems, but they were interconnected, not separate.”

Present at the Creation: My Years in the State Department (1969), State Department Management, Leadership Perspectives

Roger Manganelli photo
John Fante photo
Jacqueline Kennedy Onassis photo

“The neurotic feels as though trapped in a gas-filled room where at any moment someone, probably himself, will strike a match.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Neurotics and neurosis

Lewis Black photo
Wallace Stevens photo

“With six meats and twelve wines or else without
To walk another room…Monsieur and comrade,
The soldier is poor without the poet’s lines.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

Dorothy Parker photo

“All those writers who write about their own childhood! Gentle God, if I wrote about mine you wouldn't sit in the same room with me.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Interview in The Paris Review, Issue #13 http://books.google.com/books?id=iZt6sBaHemQC&q="all+those+writers+who+write+about+their+childhood+gentle+god+if+i+wrote+about+mine+you+wouldn't+sit+in+the+same+room+with+me"&pg=PA8#v=onepage (Summer 1956)

Steve Jobs photo
Vincent Van Gogh photo

“At the moment I quite often go to draw with Breitner [in the streets of The Hague], a young painter who's acquainted with Rochussen as I am with Mauve. He draws very skilfully and very differently from me, and we often draw types together in the soup kitchen or the waiting room &c. He sometimes comes to my studio to look at woodcuts, and I go to see the ones he has as well.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to his brother Theo, from The Hague, Monday, 13 February 1882, http://vangoghletters.org/vg/letters/let204/letter.html, from the original letter; location and translation: Van Gogh museum, Amsterdam]]
1880s, 1882