Shelby Foote Quotes

Shelby Dade Foote Jr. was an American historian and novelist who wrote The Civil War: A Narrative, a three-volume history of the American Civil War. With geographic and cultural roots in the Mississippi Delta, Foote's life and writing paralleled the radical shift from the agrarian planter system of the Old South to the Civil Rights era of the New South. Foote was little known to the general public until his appearance in Ken Burns's PBS documentary The Civil War in 1990, where he introduced a generation of Americans to a war that he believed was "central to all our lives." Foote did all his writing by hand with a nib pen, later transcribing the result into a typewritten copy.

✵ 17. November 1916 – 27. June 2005

Works

The Civil War: A Narrative

The Civil War: A Narrative

Shelby Foote

The Civil War: A Narrative

The Civil War: A Narrative

Shelby Foote

Shelby Foote: 16 quotes3 likes

Famous Shelby Foote Quotes

“A university is just a group of buildings gathered around a library. The library is the university.”

Shelby Foote quoted in: North Carolina Libraries, Vol. 51-54 (1993), p. 162

“Before the war, it was said 'the United States are' - grammatically it was spoken that way and thought of as a collection of independent states. And after the war it was always 'the United States is', as we say today without being self-conscious at all. And that sums up what the war accomplished. It made us an 'is'.”

Interviewed in the documentary series The Civil War, 1990

“People make a grievous error thinking that a list of facts is the truth. Facts are just the bare bones out of which truth is made.”

Interview for the Academy of Achievement, 1999

“I can’t begin to tell you the things I discovered while I was looking for something else.”

“I abhor the idea of a perfect world. It would bore me to tears.”

“I think making mistakes and discovering them for yourself is of great value.”

Interview for the Academy of Achievement, 1999

Shelby Foote Quotes about the trip

“Davis was winning a position as a leader in the Senate. Successor to Calhoun, he had become the spokesman for southern nationalism… not independence but domination from within the Union. This movement had been given impetus by the Mexican War. Up til then the future of the country pointed north and west, but now the needle trembled and suddenly swung south. The treaty signed at Guadalupe Hidalgo brought into the Union a new southwestern domain, seemingly ripe for slavery and the southern way of life: not only Texas down to the Rio Grande, the original strip of contention, but also the vast sun-cooked area that was to become Arizona, New Mexico, Nevada, Utah, part of Colorado, and California with its new-found gold. Here was room for expansion indeed, with more to follow; for the nationalists looked forward to taking what was left of Mexico, all of Central America down to Panama, and Yucatan and Cuba by extension. Yet the North… had no intention of yielding the reigns. The South would have to fight for this… using States Rights for a spear and the Constitution for a shield. Jefferson Davis, who had formed his troops in a V at Buena Vista and continued the fight with a boot full of blood, took a position, now as then, at the apex of the wedge.”

Shelby Foote book The Civil War: A Narrative

The Civil War: A Narrative, Volume 1: Fort Sumter to Perryville (1958)

“The bare bones of my life are almost unbearable. I was born during the First World War. I spent my adolescence in the Depression, and when I came of age, I was involved in the Second World War. That sounds a pretty horrible series of events. They seem perfectly natural to me. I prize the Depression, for instance, because I learned the value of things in the Depression that a way people who don't have to worry about such things never learned to prize it really, I believe. And the Second World War was a wonderful thing to be with. It's now called "the Good War." We usually referred to it as "this damned war."”

We didn't think of it as a good war. We did believe it was fought in a good cause.
Interview for the Academy of Achievement, 1999

“I learned to love my country, in two ways. I began to learn the geography of the South-the mountains, the rivers, the valleys. The other thing was the incredible heroism on both sides. It's hard to believe men were as brave as those men were. Somehow sense of honor was stronger than fear. God knows, they felt fear. I would really like it to be stressed that my work helped me to love my country. I hope my work does that for other people, learning both our virtues and our vices.”

Interview for the Lexington Herald-Leader, 1997

“Right now I'm thinking a good deal about emancipation. One of our sins was slavery. Another was emancipation. It's a paradox. In theory, emancipation was one of the glories of our democracy-and it was. But the way it was done led to tragedy. Turning four million people loose with no jobs or trades or learning. And then, in 1877, for a few electoral votes, just abandoning them entirely. A huge amount of pain and trouble resulted. Everybody in America is still paying for it.”

Smithsonian Magazine, August 1996

Shelby Foote Quotes

“It was the crossroads of our being, and it was a hell of a crossroads.”

Interviewed in the documentary series The Civil War, 1990
Context: Any understanding of this nation has to be based, and I mean really based, on an understanding of the Civil War. I believe that firmly. It defined us. The Revolution did what it did. Our involvement in European wars, beginning with the First World War, did what it did. But the Civil War defined us as what we are and it opened us to being what we became, good and bad things. And it is very necessary, if you are going to understand the American character in the twentieth century, to learn about this enormous catastrophe of the mid-nineteenth century. It was the crossroads of our being, and it was a hell of a crossroads.

“Any understanding of this nation has to be based, and I mean really based, on an understanding of the Civil War. I believe that firmly. It defined us.”

Interviewed in the documentary series The Civil War, 1990
Context: Any understanding of this nation has to be based, and I mean really based, on an understanding of the Civil War. I believe that firmly. It defined us. The Revolution did what it did. Our involvement in European wars, beginning with the First World War, did what it did. But the Civil War defined us as what we are and it opened us to being what we became, good and bad things. And it is very necessary, if you are going to understand the American character in the twentieth century, to learn about this enormous catastrophe of the mid-nineteenth century. It was the crossroads of our being, and it was a hell of a crossroads.

“The point I would make is that the novelist and the historian are seeking the same thing: the truth — not a different truth: the same truth — only they reach it, or try to reach it, by different routes. Whether the event took place in a world now gone to dust, preserved by documents and evaluated by scholarship, or in the imagination, preserved by memory and distilled by the creative process, they both want to tell us how it was: to re-create it, by their separate methods, and make it live again in the world around them.”

Shelby Foote, The Civil War, A Narrative: Fort Sumter to Perryville (1958; reprint, New York: Vintage, 1986), 815. ISBN 0-394-74623-6.

“As a protest against the election of Abraham Lincoln, who had received not a single southern electoral vote, secession was a fact—to be reinforced, if necessary, by the sword. The senator from Mississippi [Jefferson Davis] rose. It was high noon. …He was going home. …By nature he was a moderate, with a deep devotion to the Union. …he reserved secession as a last resort.”

Shelby Foote book The Civil War: A Narrative

The Civil War: A Narrative, Volume 1: Fort Sumter to Perryville (1958)

“There’s nothing better for a writer than to be reluctant to go to bed, anxious to wake up and start again. That’s living. That’s what I felt.”

Interview for the People Magazine, 1990

“When I was a hardworking, pistol-hot writer, I was unknown. Now that I’m a tired old man, they start hollerin’ how good I am. I’m not going to analyze what that all means. I’m just determined not to let it turn my life into something I don’t want it to be.”

Interview for the People Magazine, 1990

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