Quotes about rock
page 10

Percy Bysshe Shelley photo
Halldór Laxness photo
Anatole France photo
Bob Dylan photo

“When I first heard Elvis's voice I just knew that I wasn't going to work for anybody and nobody was going to be my boss. He is the deity supreme of rock and roll religion as it exists in today's form. Hearing him for the first time was like busting out of jail. I think for a long time that freedom to me was Elvis singing 'Blue Moon of Kentucky.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

I thank God for Elvis.
US magazine (24 August 1987); on the occasion of the tenth anniversary of Elvis Presley's death, as reported in Bob Dylan: Performing Artist 1986–1990 and Beyond, Mind out of Time (2009)

Gideon Mantell photo
Charlie Sheen photo
Billy Joel photo
Charles Stross photo
Rachel Carson photo
Tim McGraw photo
Ben Klassen photo
Giorgio de Chirico photo

“Painting is the magic art, the fire set alight on the windows of the rich dwelling, as on those of the humble hovel, from the last rays of the setting sun, it is the long mark, the humid mark, the fluent and still mark that the dying wave etches on the hot sand, it is the darting of the immortal lizard on the rock burnt by the midday heat, it is the rainbow of conciliation, on sad May afternoons, after the storm has passed, down there, making a dark backdrop to the almond trees in flower, to the gardens with their washed colours, to the ploughmen's huts, smiling and tranquil, it is the livid cloud chased by the vehement blowing of Aeolus enraged, it is the nebulous disk of the fleeting moon behind the ripped-open funereal curtain of a disturbed sky in the deep of night, it is the blood of the bull stabbed in the arena, of the warrior fallen in the heat of battle, of Adonis' immaculate thigh wounded by the obstinate boar's curved tusk, it is the sail swollen with the winds of distant seas, it is the centuries-old tree browned in the autumn..”

Giorgio de Chirico (1888–1978) Italian artist

Quote from the first lines in De Cirico's essay 'Painting', 1938; from http://www.fondazionedechirico.org/wp-content/uploads/211_Painting_1938_Metaphysical_Art.pdf 'Painting', 1938 - G. de Chirico, presentation to the catalogue of his solo exhibition Mostra personale del pittore Giorgio de Chirico, Galleria Rotta, Genoa, May 1938], p. 211
1920s and later

Billy Joel photo
Nisargadatta Maharaj photo

“The image of rock and roll since Elvis has ranged from teen rebellion to challenging of the status quo. It represented freedom in the 60's, but lately it represents corporate hegemony, the opposite of what hippies envisioned at Woodstock. The RIAA to many consumers today symbolizes oppression, oppression of both artist and consumer.”

Richard Menta American journalist

Source The RIAA Settles Fast With 12-year-old Trader http://web.archive.org/web/20041010141527/http://www.mp3newswire.net/stories/2003/brianna_laHara.html - 9/10/2003
Quotes from the MP3 Newswire

M. C. Escher photo
Robert Lanza photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Robert J. Sawyer photo
Carole King photo

“Most work for their belly, for cloth of cubit dimension
Some worship Lakshmi’s spouse for salvation
Lifting palanquins Is for their belly
Fighting powerful wrestlers is for the belly
Telling lies is for the belly
Thinking of Lord is for salvation
Concocting politics is for the belly
Riding elephant or horse is for the belly
Hurting other people is for belly
To pray Lord is for emancipation
Lifting heavy rocks is for the belly
Yelling loud is for the belly
Pray Purandara Vittala is for salvation
With pre-planned contemplation.”

Purandara Dasa (1484–1564) Music composer

In this composition Dasa describes the plight of the working class to work for their survival as the rich exploit them, as quoted here[Narayan, M.K.V., Lyrical Musings on Indic Culture: A Sociology Study of Songs of Sant Purandara Dasa, http://books.google.com/books?id=-r7AxJp6NOYC&pg=PA79, 1 January 2010, Readworthy, 978-93-80009-31-5, 85]

Kent Hovind photo
Walter Scott photo

“Come one, come all! this rock shall fly
From its firm base as soon as I.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Canto V, stanza 10.
The Lady of the Lake http://www.gutenberg.org/etext/3011 (1810)

Robert Chambers (publisher, born 1802) photo
Paramahansa Yogananda photo
Abdullah II of Jordan photo
Conrad Aiken photo

“Over the mountains,
And over the waves,
Over the fountains,
And under the graves;
Over the floods that are deepest,
Which do Neptune obey;
Over the rocks that are steepest,
Love will find out the way.”

"Love Will Find Out the Way"; in its published form this is suspected to have been extensively written by Percy himself; it was later used by Pierre de Beaumarchais in Act III of The Marriage of Figaro (1778).
Reliques of Ancient English Poetry (1765)

Richard Bach photo
Letitia Elizabeth Landon photo
Francis Pegahmagabow photo
Matt Mullenweg photo

“The first 3 years the focus would be entirely on […] building a rock solid infrastructure.”

Matt Mullenweg (1984) American entrepreneur

Ma.tt http://ma.tt/2009/08/starting-a-bank/, Starting a Bank, August 2009

Chris Cornell photo

“They were [my] friends. Those guys were like The Monkees. They lived in this house all together… no joke, the whole band all together in the same house, and they were really fun. They were really young guys and they lived the real Rock life. Of course it all went horribly wrong later, but they were great.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked about Alice in Chains - Howard Stern Show, June 2007 ** Chris Cornell on Pearl Jam, Eddie Vedder, Alice in Chains, Nirvana and Kurt Cobain https://www.youtube.com/watch?v=gQzyZfhutYk,
Solo career Era

Wesley Willis photo
Dwight L. Moody photo
Algis Budrys photo

“What am I drinking? NyQuil on the rocks, for when you're feeling sick but sociable.”

Mitch Hedberg (1968–2005) American stand-up comedian

Do You Believe in Gosh?

Miles Davis photo
Lyndon LaRouche photo
Little Richard photo
Gloria Estefan photo
Bert McCracken photo

“All rock and roll is homosexual, yes it is.”

Richey James Edwards (1967–2008) Welsh musician

everything: A Book About Manic Street Preachers, Simon Price 1999, p.114

John McLaughlin photo
Donald J. Trump photo

“Crazy Joe Scarborough and dumb as a rock Mika are not bad people, but their low rated show is dominated by their NBC bosses. Too bad!”

Donald J. Trump (1946) 45th President of the United States of America

Tweet published by @realdonaldtrump https://twitter.com/realDonaldTrump/status/881140479454310401 (1 July 2017)
2010s, 2017, July

Stevie Nicks photo
James Hamilton photo
Rudyard Kipling photo

“She has no strong white arms to fold you,
But the ten-times-fingering weed to hold you—
Out on the rocks where the tide has rolled you.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Harp Song of the Dane Women http://www.kipling.org.uk/poems_harp.htm, Stanza 3 (1906).
Puck of Pook's Hill 1906

Henry David Thoreau photo
Ross Mintzer photo
Letitia Elizabeth Landon photo
Dwight D. Eisenhower photo
Joseph Strutt photo
Vanna Bonta photo

“The view from space is described as life-changing…seeing Earth, our home planet, the jewel it is, a mass, a rock suspended in its neighborhood, our neighborhood, the universe.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)

“That the U. N. Human Rights Council chose to honor an apologist for genocide perpetrators only underscores the inverted morality of this Orwellian body. Just when we thought the council had already reached rock bottom, today it found a way to sink even deeper.”

Hillel Neuer Canadian activist

U.N. Rights Council Backs 'Censorship' Watchdog, Elevates U.S. Foes http://www.foxnews.com/politics/2010/06/18/suffers-blow-united-nations-council-backs-censorship-watchdog.html, Fox News, 2010-06-18

Thomas Carlyle photo
Bruce Springsteen photo

“We're here to re-dedicate you to The Power, The Passion, The Mystery, and The Ministry of Rock and Roll.”

Bruce Springsteen (1949) American singer and songwriter

Guitar magazine (July 1999)

Howard Bloom photo
Robert Hunter (author) photo
Neil Young photo

“My my, hey hey
Rock and roll is here to stay.
It's better to burn out
Than to fade away.
My my, hey hey.”

Neil Young (1945) Canadian singer-songwriter

Hey Hey, My My, written with Jeff Blackburn; quoted by Kurt Cobain in his suicide note.
Song lyrics, Rust Never Sleeps (1978)

“During the feminist seventies men were caught between a rock and a hard-on; in the fathering eighties they are caught between good hugs and bad hugs.”

Florence King (1936–2016) American writer

"From Captain Marvel to Captain Valium", in Reflections in a Jaundiced Eye (1989)

Liam O'Flaherty photo

“I was born on a storm-swept rock and hate the soft growth of sun-baked lands where there is no frost in men's bones.”

Liam O'Flaherty (1896–1984) Irish writer

Joseph Conrad: An Appreciation (1930; New York: Haskell House, 1973) p. 11

Camille Paglia photo
Milo Yiannopoulos photo

“I would say, that situation I am describing on Joe Rogan show I was very definitely a predator on both occasions. As offensive as some people would find that I don’t much care. That was certainly my experience. The law is probably about right, that’s probably roughly the right age. I think it’s probably about okay, but there are certainly people who are capable of giving consent at a younger age, I certainly consider myself to be one of them. You’re misunderstanding what pedophilia means. Pedophilia is not a sexual attraction to somebody 13-years-old who is sexually mature. Pedophilia is attraction to children who have not reached puberty. Pedophilia is attraction to people who don’t have functioning sex organs yet. Who have not gone through puberty. Some of those relationships between younger boys and older men, the sort of coming of age relationships, the relationships in which those older men help those young boys to discover who they are, and give them security and safety and provide them with love and a reliable and sort of a rock where they can’t speak to their parents. You don’t understand what pedophilia is if you are saying I’m defending it because I’m certainly not.”

Milo Yiannopoulos (1984) British journalist

Episode 193 http://drunken-peasants-podcast.wikia.com/wiki/Episode_193 of Drunken Peasants Podcast debuted 4 January 2016 https://www.youtube.com/watch?v=azC1nm85btY&t=3552s, transcript circulated 20 February 2017 by Heavy http://heavy.com/news/2017/02/milo-yiannopolous-pedophilia-transcript-pederasty-video-full-sex-boys-men-catholic-priest-cpac-quotes/ with supplements from discover-the-truth https://discover-the-truth.com/2017/02/20/full-unedited-video-of-milo-yiannopoulos-defending-pedophilia/
2017

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Karen Blixen photo
Felicia Hemans photo

“The breaking waves dashed high
On a stern and rock-bound coast,
And the woods against a stormy sky
Their giant branches tossed.”

Felicia Hemans (1793–1835) English poet

Stanza 1.
The Landing of the Pilgrim Fathers http://www.poetry-archive.com/h/landing_of_the_pilgrim_fathers.html (1826)

Kamisese Mara photo
Willa Cather photo
John Muir photo
Lobão photo

“That movie about Cazuza looks like an episode of Malhação. The 1980s rock music was junk.”

Lobão (1957) Brazilian musician

IstoÉ Gente magazine, issue #260

Peter Greenaway photo
Chris Rea photo
James Fenimore Cooper photo
Ursula K. Le Guin photo
Ken Ham photo

“The question of origins can’t be proven through experimentation—indeed, there is no absolute proof for either evolution or creation! But a creation geologist looks at the layers of rock and the fossil record and finds that much of it fits in the biblical framework of a catastrophic global Flood, not in the evolutionary model of slow erosion over millions of years.”

Ken Ham (1951) Australian young Earth creationist

"It is a Fearful Thing to fall into the Hands of the Living God" http://blogs.answersingenesis.org/blogs/ken-ham/2014/06/01/a-fearful-thing-to-fall-into-the-hands-of-the-living-god/, Around the World with Ken Ham (June 1, 2014)
Around the World with Ken Ham (May 2005 - Ongoing)

David Livingstone photo

“The islands above the falls are covered with foliage as beautiful as can be seen anywhere. Viewed from the mass of rock which overhangs the fall, the scenery was the loveliest I had seen.”

David Livingstone (1813–1873) Scottish explorer and missionary

Exploring Magnificent Waterfalls http://wol.jw.org/en/wol/d/r1/lp-e/102004126?q=livingstone&p=par

Bon Scott photo

“I'm 33…before AC/DC I've played in a lot of bands in Australia. You're never too old to rock and roll.”

Bon Scott (1946–1980) Rock musician

From Best, December 1979.

Nikos Kazantzakis photo
Bill Engvall photo
Anita Pallenberg photo
Charlie Sheen photo

“I don't believe in rock bottom. Rock bottom is like a fishing term.”

Charlie Sheen (1965) American film and television actor

On TMZ, February 28 2011