Quotes about review
page 2

“p. 651Abstract. Investigations of the function of consciousness in human information processing have focused mainly on two questions: (1) where does consciousness enter into the information processing sequence and (2) how does conscious processing differ from preconscious and unconscious processing. Input analysis is thought to be initially "preconscious," "pre-attentive," fast, involuntary, and automatic. This is followed by "conscious," "focal-attentive" analysis which is relatively slow, voluntary, and flexible. It is thought that simple, familiar stimuli can be identified preconsciously, but conscious processing is needed to identify complex, novel stimuli. Conscious processing has also been thought to be necessary for choice, learning and memory, and the organization of complex, novel responses, particularly those requiring planning, reflection, or creativity. The present target article reviews evidence that consciousness performs none of these functions. Consciousness nearly always results from focal-attentive processing (as a form of output) but does not itself  enter into this or any other form of human information processing. This suggests that the term "conscious process" needs re-examination. Consciousness appears to be necessary in a variety of tasks because they require focal-attentive processing; if consciousness is absent, focal-attentive processing is absent. Viewed from a first-person perspective, however, conscious states are causally effective. First-person accounts are complementary to third-person accounts. Although they can be translated into third-person accounts, they cannot be reduced to them.”

Max Velmans (1942) British psychologist

Is human information processing conscious?, 1991

Alex Kozinski photo

“Appellate review is not a magic wand and we undermine public confidence in the judicial process when we make it look like it is.”

Alex Kozinski (1950) American judge

Concluding words of dissent from a denial of rehearing en banc in United States v. Ziegler http://scholar.google.com/scholar_case?case=995042337184945695, 2007.

George Holmes Howison photo

“My readers, I fear, have like my reviewer been somewhat misled by looking into my concluding essay for the most important proofs of my main position. But there I am dealing with a problem, or with problems, important and intricate, indeed, but still subordinate to this main one, and only auxiliary to my principal aim.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), Appendix D: Reply to a Review in the New York Tribune, p.416

George Holmes Howison photo
Leo Tolstoy photo

“We cannot pretend that we do not see the armed policeman who marches up and down beneath our window to guarantee our security while we eat our luxurious dinner, or look at the new piece at the theater, or that we are unaware of the existence of the soldiers who will make their appearance with guns and cartridges directly our property is attacked.
We know very well that we are only allowed to go on eating our dinner, to finish seeing the new play, or to enjoy to the end the ball, the Christmas fete, the promenade, the races or, the hunt, thanks to the policeman's revolver or the soldier's rifle, which will shoot down the famished outcast who has been robbed of his share, and who looks round the corner with covetous eyes at our pleasures, ready to interrupt them instantly, were not policeman and soldier there prepared to run up at our first call for help.
And therefore just as a brigand caught in broad daylight in the act cannot persuade us that he did not lift his knife in order to rob his victim of his purse, and had no thought of killing him, we too, it would seem, cannot persuade ourselves or others that the soldiers and policemen around us are not to guard us, but only for defense against foreign foes, and to regulate traffic and fetes and reviews; we cannot persuade ourselves and others that we do not know that the men do not like dying of hunger, bereft of the right to gain their subsistence from the earth on which they live; that they do not like working underground, in the water, or in the stifling heat, for ten to fourteen hours a day, at night in factories to manufacture objects for our pleasure. One would imagine it impossible to deny what is so obvious. Yet it is denied.”

Leo Tolstoy (1828–1910) Russian writer

Source: The Kingdom of God is Within You (1894), Chapter 12

Anton Chekhov photo
George S. Patton photo
Han Han photo
Thomas Carlyle photo
William Carlos Williams photo
Dorothy Parker photo

“And you remember, Rabbi Wise has declared, in a heated moment, that our plays seem to be written for the hosiery buyers. If Dr. Wise had only witnessed our new summer reviews, he doubtless would have amended his statement to read “by the hosiery buyers.””

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Source: Dorothy Parker: Complete Broadway, 1918–1923 (2014) https://openlibrary.org/books/OL25758762M/Dorothy_Parker_Complete_Broadway_1918-1923, Chapter 2: 1919, p.89

Benjamin R. Barber photo
Gustav Stresemann photo
George W. Bush photo
Ursula K. Le Guin photo
Ann Coulter photo
Conor Oberst photo

“Ambition, I’ve found, can lead only to failure. I do not read the reviews. No, I am not singing for you.”

Conor Oberst (1980) American musician

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Archibald Primrose, 5th Earl of Rosebery photo

“Depersonalization is a concept difficult to delineate. It can be regarded as a symptom or as a loosely associated group of symptoms that occurs in psychiatric patients. It can be induced experimentally and also occurs spontaneously in normal subjects. A major obstacle to clearer definition of this concept lies in the fact that it refers to exceedingly private events in the individual's experience. These prove very difficult to describe by a language geared to the description of public (consensually validated) events or private events, such as pain, that occur usually in clearly defined social settings. When it comes to describing and conveying something as ineffable as depersonalization or derealization, the subject resorts to metaphors, "as if" expressions, and figures of speech. The result is semantic confusion. Different authors mean different things when they use the term depersonalization.
The concept of depersonalization merges by imperceptible degrees with the concept derealization, the concept of altered body image and self, deja vu, jamais vu, altered time and space perception and so on - the whole gamut of phenomenological description of the experiences of mental patients. Therefore, it is rather difficult to evaluate and to review objectively the psychiatric literature on the phenomena of depersonalization.”

Thaddus E. Weckowicz (1919–2000) Canadian psychologist

Source: Depersonalization, (1970), p. 171

“Now, practically all reviewers have academic aspirations. The people from the universities are used to a captive audience, but the literary journalist has to please his audience.”

V.S. Pritchett (1900–1997) British writer and critic

As quoted in "V.S. Pritchett Himself" http://www.nytimes.com/books/00/06/18/specials/theroux-pritchett.html?_r=1&oref=slogin by Paul Theroux in The New York Times (22 May 1977)

Susan Faludi photo
John Bright photo
Sandy Koufax photo

“The game has a cleanness. If you do a good job, the numbers say so. You don't have to ask anyone or play politics. You don't have to wait for the reviews.”

Sandy Koufax (1935) American baseball player

As quoted in "Koufax" https://www.washingtonpost.com/archive/politics/1979/03/21/koufax/3139f66f-996a-485f-8cce-8f7671152136/?utm_term=.174cfc71ede2) by Thomas Boswell, in The Washington Post (March 21, 1979)

“The fact that Councillor Wong-Tam published the letter’s return address rather than wait for police to review the matter, makes me suspect that either she is complicit in the hoax, or she saw an opportunity to use it for political theatre.”

James Sears (1963) Canadian pickup artist, physician, politician and National Socialist

19 April 2017 https://torontoist.com/2017/04/controversial-publisher-ward-news-send-homophobic-hate-mail-councillor-wong-tam/

Henry Wadsworth Longfellow photo

“This is the place. Stand still, my steed,—
Let me review the scene,
And summon from the shadowy past
The forms that once have been.”

Henry Wadsworth Longfellow (1807–1882) American poet

A Gleam of Sunshine, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Martin Amis photo
Eric Holder photo
Roger Ebert photo

“For 40 years, I didn't miss a single deadline, but since July, I have missed every one. I also, to my intense disappointment, missed the Telluride and Toronto film festivals. Having just written my first review since June (The Queen), I think an update is in order.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Roger writes to readers" Chicago Sun Times (11 October 2006) http://www.rogerebert.com/interviews/roger-writes-to-readers

Roger Ebert photo
Roger Ebert photo

“New Directions is a reviewer’s nightmare; it’s enough punishment to read it all, without writing about it too.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

In All Directions”, p. 87
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Eric R. Kandel photo

“What biological processes enable me to review my own history with such emotional vividness?”

Eric R. Kandel (1929) American neuropsychiatrist

In Search of Memory (2006)

Aron Ra photo

“Owen believed in common archetypes rather than a common ancestor, and his conduct presents an archetype of the modern creation scientists, except that they submit to peer review rarely, (if ever) and none of them are experts in anything. They’ve never produced any research indicative of their position. They cannot substantiate any of their assertions, and they’ve never successfully refuted anyone else’s hypotheses either. But every argument of evidence they’ve ever made in favor of creation has been refuted immediately and repeatedly. All they’ve ever been able to do was criticize real science, and even then the absolute best arguments they’ve ever come up with were all disproved in a court of law with mountains of research standing against their every allegation. Yet creationists still use those same ridiculous rationalizations because they will never accept where their beliefs are in error! Their only notable strength is how anyone can be so consistently proven to be absolutely wrong about absolutely everything, 100% of the time, for such a long time, and still make-believe theirs is the absolute truth. More amazing still is how often they will actually lie in defense of their alleged truth. Every publication promoting creation over any avenue of actual science contains misquotes, misdefinitions, and misrepresented misinformation, while their every appeal to reason is based entirely on erroneous assumptions and logical fallacies. There is a madness to their method, but it is naught but propaganda.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"12th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=2TkY7HrJOhc Youtube (April 19, 2008)
Youtube, Foundational Falsehoods of Creationism

Dana Gioia photo
Courtney Love photo

“I wore a dress that was so restricting and shoes that were five inches high, I could barely stage-dive. Then I got the best write-ups, for being feminine, I guess. I couldn’t move well and I was restrained, which equals great review. That’s pretty horrid.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her attire during live performances, Billboard https://books.google.com/books?id=gA0EAAAAMBAJ&pg=PA135&dq=I+wore+a+dress+that+was+so+restricting+and+shoes+that+were+five+inches+high,+I+could+barely+stage-dive,+Then+I+got+the+best+write-ups,+for+being+feminine,+I+guess.+I+couldn’t+move+well+and+I+was+restrained,+which+equals+great+review.+That’s+pretty+horrid+Read+more+at+http://www.nme.com/list/courtney-love-30-of-her-most-candid-quotes-1309%233eCzLehAzLfAYAW2.99&hl=en&sa=X&ved=0ahUKEwiHoYHrgbfSAhUDOSYKHeg-DR8Q6AEIGjAA#v=onepage&q=I%20wore%20a%20dress%20that%20was%20so%20restricting%20and%20shoes%20that%20were%20five%20inches%20high%2C%20I%20could%20barely%20stage-dive%2C%20Then%20I%20got%20the%20best%20write-ups%2C%20for%20being%20feminine%2C%20I%20guess.%20I%20couldn’t%20move%20well%20and%20I%20was%20restrained%2C%20which%20equals%20great%20review.%20That’s%20pretty%20horrid%20Read%20more%20at%20http%3A%2F%2Fwww.nme.com%2Flist%2Fcourtney-love-30-of-her-most-candid-quotes-1309%233eCzLehAzLfAYAW2.99&f=false (30 March 1996)
1996–2005

Joseph Massad photo
John Morley, 1st Viscount Morley of Blackburn photo

“There are some books which cannot be adequately reviewed for twenty or thirty years after they come out.”

John Morley, 1st Viscount Morley of Blackburn (1838–1923) British Liberal statesman, writer and newspaper editor

Vol. I, bk. 2, ch. 8.
Recollections (1917)

Dana Gioia photo
Fenella Fielding photo
Confucius photo

“Reviewing what you have learned and learning anew, you are fit to be a teacher.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

Source: The Analects, Chapter II

Richard Rodríguez photo

“Delmore carries such a petty, personally involved, New Yorkish atmosphere around with him it's almost unpleasant for me to see him. He thinks that Schiller and St Paul were just two Partisan Review editors.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

Quoted in Christopher Lehmann-Haupt, "Books of the Times," The New York Times (6 May 1985) http://query.nytimes.com/gst/fullpage.html?res=9D00E0D7173BF935A35756C0A963948260&sec=&spon=&pagewanted=all. The quote is cited from a 1952 letter in Randall Jarrell's Letters: An Autobiographical and Literary Selection, ed. Mary Jarrell, assisted by Stuart Wright (Houghton Mifflin, 1985).
General sources

Francis Escudero photo
Ma Ying-jeou photo

“The military should learn a lesson from the incident and correct its mistakes immediately after a review of its system. We must restore the people’s faith in the military.”

Ma Ying-jeou (1950) Taiwanese politician, president of the Republic of China

Ma Ying-jeou (2013) cited in: " Minister repeats apologies over death http://www.taipeitimes.com/News/taiwan/archives/2013/07/19/2003567672/2" in The Taipei Times, 19 July 2013.
Statement made at the Republic of China Veterans Association meeting in Taipei commenting on the death of army corporal Hung Chung-chiu, 18 July 2013.
Defense issues

Byron White photo

“As an exercise of raw judicial power, the Court perhaps has authority to do what it does today; but, in my view, its judgment is an improvident and extravagant exercise of the power of judicial review that the Constitution extends to this Court.”

Byron White (1917–2002) Associate Justice of the U.S. Supreme Court, American football player

Dissenting from the decision of the US Supreme Court in Doe v. Bolton, 410 U.S. 179 at 222 (1973); also applied to Roe v. Wade, 410 U.S. 113 (1973).

Bill Gates photo
Mohammad bin Salman photo

“And the court did not, at all, make any distinction between whether or not a person is Shi’ite or Sunni. They are reviewing a crime, and a procedure, and a trial, and a sentence, and carrying out the sentence.”

Mohammad bin Salman (1985) Saudi crown prince and minister of defense

2016-01-06, on the execution of Nimr Baqir al-Nimr. Interview with Muhammad bin Salman, The Economist

Evelyn Underhill photo
L. David Mech photo
Rutherford B. Hayes photo
Roger Ebert photo
Angelique Rockas photo
Jiang Zemin photo
Colm Tóibín photo

“The only time I've ever learned anything from a review was when John Lanchester wrote a piece in the Guardian about my second novel, The Heather Blazing. He said that, together with the previous novel, it represented a diptych about the aftermath of Irish independence. I simply hadn't known that – and I loved the grandeur of the word "diptych."”

Colm Tóibín (1955) Irish novelist and writer

I went around quite snooty for a few days, thinking: "I wrote a diptych."
Colm Tóibín, novelist – portrait of the artist http://www.guardian.co.uk/books/2013/feb/19/colm-toibin-novelist-portrait-artist, The Guardian (19 February 2013)

Roger Ebert photo

“Last year, I reviewed a nine-hour documentary about the lives of Mongolian yak herdsmen, and I would rather see it again than sit through The Frighteners.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/the-frighteners-1996 of The Frighteners (19 July 1996)
Reviews, One-star reviews

Arthur Koestler photo
Camille Paglia photo
Bernhard Riemann photo
Roger Ebert photo

“I was noodling around Rotten Tomatoes, trying to determine who played the bank's security chief, and noticed the movie had not yet been reviewed by anybody. Hold on! In the "Forum" section for this movie, "islandhome" wrote at 7:58 a. m. Jan. 8: "review of this movie … tonight i'll post." At 11:19 a. m. Jan. 10, "islandhome" was finally back with the promised review. It is written without capital letters, flush left like a poem, and I quote it verbatim, spelling and all:
:hello sorry i slept when i got back
:well it was kinda fun
:it could never happen in the way it was portraid
:but what ever its a movie
:for the girls most will like it
:and the men will not mind it much
:i thought it was going to be kinda like how to beat the high cost of living
:kinda the same them but not as much fun
:ill give it a 4 0ut of 10
I read this twice, three times. I had been testing out various first sentences for my own review, but somehow the purity and directness of islandhome's review undercut me. It is so final. "for the girls most will like it/and the men will not mind it much."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

How can you improve on that? It's worthy of Charles Bukowski. ...The bottom line is some girls will like it, the men not so much, and I give it 1½ stars out of 4.
Review http://www.rogerebert.com/reviews/mad-money-2008 of Mad Money (17 January 2008)
Reviews, One-and-a-half star reviews

Nayef Al-Rodhan photo
Edward Albee photo

“The only time I'll get good reviews is if I kill myself.”

Edward Albee (1928–2016) American playwright

As quoted in a review of "The Goat, or Who is Sylvia? in Broadway Yearbook 2001-2002 (2003) by Steven Suskin, p. 195

Patrick Matthew photo
Vasily Grossman photo
Alexander Mackenzie photo
José Rizal photo
Peter L. Berger photo
Bret Easton Ellis photo

“In our online descriptions and program literature we describe the cloisters as a public sphere for networked interaction, the gathering place for students, professors, and librarians engaged in planning, evaluating, or reviewing the efforts of research and study utilizing the whole range of technologies of literacy. We go further and describe the task of the cloisters as to "channel flows of research, learning and teaching between the increasingly networked world of the library and the intimacy and engagement of our classrooms and other campus spaces". There we continue to explore the "collectible object", which I tentatively described in Othermindedness in terms of maintaining an archive of "the successive choices, the errors and losses, of our own human community" and suggesting that what constitutes the collectible object is the value which suffuses our choices. It seemed to me then that electronic media are especially suited to tracking such "changing change".
I think it still seems so to me now but I do fear we have lost track of the beauty and nimbleness of new media in representing and preserving the meaning-making quotidian, the ordinary mindfulness which makes human life possible and valuable.
It is interesting, I think, that recounting and rehearsing this notion leaves this interview layered and speckled with (self) quotations, documentations, implicit genealogies, images, and traditions of continuity, change, and difference. Perhaps the most quoted line of afternoon over the years has been the sentence "There is no simple way to say this."”

Michael Joyce (1945) American academic and writer

The same is true of any attempt to describe the way in which the collectible object participates in (I use this word as a felicitous shorthand for the complex of ideas involved in what I called "representing and preserving the meaning-making quotidian" above) the library as living archive.
An interview with Michael Joyce and review of Liam’s Going at Trace Online Writing Centre Archive (2 December 2002) http://tracearchive.ntu.ac.uk/review/index.cfm?article=33

Woody Allen photo
Iain Banks photo
TotalBiscuit photo

“Stephane replied within 24 hours and gave us a review code. These are the facts. It's unthinkable that Stephane could possibly believe that we had no intention of monetizing the content.”

TotalBiscuit (1984–2018) British game commentator

Other videos, This video is no longer available: The Day One[:<nowiki>]</nowiki> Garry's Incident Incident

Denis Healey photo

“I think the Services can be rightly very upset at the continuous series of defence reviews which the Government has been forced by economic circumstances—and maybe economic mistakes too—to carry out…”

Denis Healey (1917–2015) British Labour Party politician and Life peer

On BBC Television's Panorama programme (22 January, 1968).
1960s

Paul Thurrott photo

“Is this thing even worth reviewing? Right off the bat, I'm glad to see that my initial reactions to this thing were accurate. Anyone who believes this thing is a game changer is a tool. I'm sorry, but that's just the way it is.”

Paul Thurrott (1966) American podcaster, author, and blogger

Apple iPad Hands-On First Impressions http://winsupersite.com/article/product-review/apple-ipad-hands-on-first-impressions in Paul Thurrott's Supersite For Windows (6 October 2010)

Eric Holder photo
Thomas Henry Huxley photo

“Since Lord Brougham assailed Dr Young, the world has seen no such specimen of the insolence of a shallow pretender to a Master in Science as this remarkable production, in which one of the most exact of observers, most cautious of reasoners, and most candid of expositors, of this or any other age, is held up to scorn as a "flighty" person, who endeavours "to prop up his utterly rotten fabric of guess and speculation," and whose "mode of dealing with nature" is reprobated as "utterly dishonourable to Natural Science."
And all this high and mighty talk, which would have been indecent in one of Mr. Darwin's equals, proceeds from a writer whose want of intelligence, or of conscience, or of both, is so great, that, by way of an objection to Mr. Darwin's views, he can ask, "Is it credible that all favourable varieties of turnips are tending to become men?"; who is so ignorant of paleontology, that he can talk of the "flowers and fruits" of the plants of the Carboniferous epoch; of comparative anatomy, that he can gravely affirm the poison apparatus of the venomous snakes to be "entirely separate from the ordinary laws of animal life, and peculiar to themselves"…
Nor does the reviewer fail to flavour this outpouring of preposterous incapacity with a little stimulation of the odium theologicum. Some inkling of the history of the conflicts between Astronomy, Geology, and Theology, leads him to keep a retreat open by the proviso that he cannot "consent to test the truth of Natural Science by the word of Revelation;" but, for all that, he devotes pages to the exposition of his conviction that Mr. Darwin's theory "contradicts the revealed relation of the creation to its Creator," and is "inconsistent with the fulness of his glory."”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

If I confine my retrospect of the reception of the 'Origin of Species' to a twelvemonth, or thereabouts, from the time of its publication, I do not recollect anything quite so foolish and unmannerly as the Quarterly Review article...
Huxley's commentary on the Samuel Wilberforce review of the Origin of Species in the Quarterly Review.
1880s, On the Reception of the Origin of Species (1887)

George Hendrik Breitner photo

“.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923

Freeman Dyson photo
Homér photo

“Here let us feast, and to the feast be joined
Discourse, the sweeter banquet of the mind;
Review the series of our lives, and taste
The melancholy joy of evils passed:
For he who much has suffered, much will know,
And pleased remembrance builds delight on woe.”

XV. 398–401 (tr. Alexander Pope).
E. V. Rieu's translation:
: Meanwhile let us two, here in the hut, over our food and wine, regale ourselves with the unhappy memories that each can recall. For a man who has been through bitter experiences and travelled far can enjoy even his sufferings after a time.
Odyssey (c. 725 BC)

Chris Rea photo
Tina Fey photo
Paul Karl Feyerabend photo
William Hazlitt photo