“On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.”

— James Berardinelli

Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002). Four star reviews

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James Berardinelli64

American film critic 1967

James Berardinelli (1967) American film critic

Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres. Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002). Four star reviews

“Minority Report reminds us why we go to the movies in the first place.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/minority-report-2002 of Minority Report (21 June 2002) Reviews, Four star reviews Context: American movies are in the midst of a transition period. Some directors place their trust in technology. Spielberg, who is a master of technology, trusts only story and character, and then uses everything else as a workman uses his tools. He makes Minority Report with the new technology; other directors seem to be trying to make their movies from it. This film is such a virtuoso high-wire act, daring so much, achieving it with such grace and skill. Minority Report reminds us why we go to the movies in the first place.

“I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea… the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000) Reviews, Three star reviews

“It was reported that Guy Ritchie has cast his wife Madonna in a small walk-on role in his new movie, Revolver. Madonna will play the part of the woman who ruins the film.”

Tina Fey (1970) American comedian, writer, producer and actress

citation needed

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

“The movie delights me with its cocky confidence that the audience can keep up. Primer is a film for nerds, geeks, brainiacs, Academic Decathlon winners, programmers, philosophers and the kinds of people who have made it this far into the review. It will surely be hated by those who 'go to the movies to be entertained', and embraced and debated by others, who will find it entertains the parts the others do not reach.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/primer-2004 of Primer (29 October 2004) Reviews, Three-and-a-half star reviews

“I just decided to make a movie. I had no training, no film school, but I had been to a lot of movies.”

Michael Moore (1954) American filmmaker, author, social critic, and liberal activist

As quoted in "Wait Wait Don't Tell Me" (23 June 2007)
2009

“There was such a dearth of films like that…And the high-school teen movie is a genre that I love. Everything at that age is so heightened and dramatic, and high-school movies capture that so perfectly. But those films are all white, too; there’s no black teen movie genre that exists in the same way.”

Issa Rae (1985) American actress and writer

On how she didn’t see herself represented in the teen film genre in “Issa Rae: ‘I’ve not started writing season four of Insecure yet. We needed a break’” https://www.theguardian.com/film/2019/apr/13/issa-rae-interview-insecure-little in The Guardian (2019 Apr 13)

“The audience is equally responsible for making Scary Movie 3 as the studio system is because as long as they continue to go see Fast and Furious 4, they're going to make it. You have to remember that studio heads went to NYU and stuff and film school and they wanted to make great films and were seduced by The Godfather and instead, this is the world that were in.”

Natasha Lyonne (1979) actress

Suicidegirls interview (2004)

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