Quotes about reveal
page 5

Martin Amis photo
Albert Einstein photo

“Certain it is that a conviction, akin to religious feeling, of the rationality or intelligibility of the world lies behind all scientific work of a higher order. … This firm belief, a belief bound up with deep feeling, in a superior mind that reveals itself in the world of experience, represents my conception of God.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

'Essays in Science (1934) p. 11. Reprinted in Ideas and Opinions On Scientific Truth (1954) p. 261, Crown Publishers, Inc. New York, New York, USA, 1954, ISBN 0679601058.
1940s

Arkady Rosengolts photo
Neal Stephenson photo
Orson Scott Card photo

“A good work of art reveals something that is in reality. A new metaphor, a new myth, a new type of character, all these reveal a feature of reality for which we previously had no name.”

Michael Roberts (writer) (1902–1948) English schoolteacher and man of letters

Hulme and Modrern Poetry' in ' T E Hulme ',Carcanet Press,Manchester, 1982

Prem Rawat photo
A. James Gregor photo
Raymond Chandler photo

“The solution, once revealed, must seem to have been inevitable. At least half of all the mystery novels published violate this law.”

Raymond Chandler (1888–1959) Novelist, screenwriter

"Casual Notes on the Mystery Novel" (essay, 1949), first published in Raymond Chandler Speaking (1962)

Steve Jobs photo
Arshile Gorky photo

“The Persian art is great, I feel compelled to tell you this my Mouguch [pet name for his wife], because it pleases me so much. I adore those sick and lovely Persian – civilization which reveals there ancient custom's to me, which is deeply impregnated with my own.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 356: in a letter to his wife Mougouch Gorky, late Summer 1947

Adolf Hitler photo
Peter Sloterdijk photo
Richard Rorty photo
John Buchan photo
Anne Hutchinson photo
Don Marquis photo
Christopher Hitchens photo
Ramakrishna photo
Gideon Mantell photo

“In times of violence, personal predilections for niceties of colour and form seem irrelevant. All primitive expression (like the myths) reveals the constant awareness of powerful forces, the immediate presence of terror and fear.”

Adolph Gottlieb (1903–1974) American artist

Radio broadcast with Mark Rothko, 1943, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990.
1940s

John Ruysbroeck photo
Theodor Mommsen photo

“Of greater importance than this regulation of African clientship were the political consequences of the Jugurthine war or rather of the Jugurthine insurrection, although these have been frequently estimated too highly. Certainly all the evils of the government were therein brought to light in all their nakedness; it was now not merely notorious but, so to speak, judicially established, that among the governing lords of Rome everything was treated as venal--the treaty of peace and the right of intercession, the rampart of the camp and the life of the soldier; the African had said no more than the simple truth, when on his departure from Rome he declared that, if he had only gold enough, he would undertake to buy the city itself. But the whole external and internal government of this period bore the same stamp of miserable baseness. In our case the accidental fact, that the war in Africa is brought nearer to us by means of better accounts than the other contemporary military and political events, shifts the true perspective; contemporaries learned by these revelations nothing but what everybody knew long before and every intrepid patriot had long been in a position to support by facts. The circumstance, however, that they were now furnished with some fresh, still stronger and still more irrefutable, proofs of the baseness of the restored senatorial government--a baseness only surpassed by its incapacity--might have been of importance, had there been an opposition and a public opinion with which the government would have found it necessary to come to terms. But this war had in fact exposed the corruption of the government no less than it had revealed the utter nullity of the opposition. It was not possible to govern worse than the restoration governed in the years 637-645; it was not possible to stand forth more defenceless and forlorn than was the Roman senate in 645: had there been in Rome a real opposition, that is to say, a party which wished and urged a fundamental alteration of the constitution, it must necessarily have now made at least an attempt to overturn the restored senate. No such attempt took place; the political question was converted into a personal one, the generals were changed, and one or two useless and unimportant people were banished. It was thus settled, that the so-called popular party as such neither could nor would govern; that only two forms of government were at all possible in Rome, a -tyrannis- or an oligarchy; that, so long as there happened to be nobody sufficiently well known, if not sufficiently important, to usurp the regency of the state, the worst mismanagement endangered at the most individual oligarchs, but never the oligarchy; that on the other hand, so soon as such a pretender appeared, nothing was easier than to shake the rotten curule chairs. In this respect the coming forward of Marius was significant, just because it was in itself so utterly unwarranted. If the burgesses had stormed the senate-house after the defeat of Albinus, it would have been a natural, not to say a proper course; but after the turn which Metellus had given to the Numidian war, nothing more could be said of mismanagement, and still less of danger to the commonwealth, at least in this respect; and yet the first ambitious officer who turned up succeeded in doing that with which the older Africanus had once threatened the government,(16) and procured for himself one of the principal military commands against the distinctly- expressed will of the governing body. Public opinion, unavailing in the hands of the so-called popular party, became an irresistible weapon in the hands of the future king of Rome. We do not mean to say”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 3, pg 163, Translated by W.P. Dickson.
The History of Rome - Volume 3

Dorothy Parker photo
David Eugene Smith photo
Maurice Merleau-Ponty photo
John Horgan (journalist) photo
Susan Sontag photo
Percy Bysshe Shelley photo

“Sing again, with your dear voice revealing
A tone
Of some world far from ours,
Where music and moonlight and feeling
Are one.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

To Jane. The keen Stars were twinkling; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Aung San Suu Kyi photo
Alfred de Zayas photo
Derren Brown photo
Nadine Gordimer photo

“It is known that the mathematics prescribed for the high school [Gymnasien] is essentially Euclidean, while it is modern mathematics, the theory of functions and the infinitesimal calculus, which has secured for us an insight into the mechanism and laws of nature. Euclidean mathematics is indeed, a prerequisite for the theory of functions, but just as one, though he has learned the inflections of Latin nouns and verbs, will not thereby be enabled to read a Latin author much less to appreciate the beauties of a Horace, so Euclidean mathematics, that is the mathematics of the high school, is unable to unlock nature and her laws. Euclidean mathematics assumes the completeness and invariability of mathematical forms; these forms it describes with appropriate accuracy and enumerates their inherent and related properties with perfect clearness, order, and completeness, that is, Euclidean mathematics operates on forms after the manner that anatomy operates on the dead body and its members.
On the other hand, the mathematics of variable magnitudes—function theory or analysis—considers mathematical forms in their genesis. By writing the equation of the parabola, we express its law of generation, the law according to which the variable point moves. The path, produced before the eyes of the 113 student by a point moving in accordance to this law, is the parabola.
If, then, Euclidean mathematics treats space and number forms after the manner in which anatomy treats the dead body, modern mathematics deals, as it were, with the living body, with growing and changing forms, and thus furnishes an insight, not only into nature as she is and appears, but also into nature as she generates and creates,—reveals her transition steps and in so doing creates a mind for and understanding of the laws of becoming. Thus modern mathematics bears the same relation to Euclidean mathematics that physiology or biology … bears to anatomy. But it is exactly in this respect that our view of nature is so far above that of the ancients; that we no longer look on nature as a quiescent complete whole, which compels admiration by its sublimity and wealth of forms, but that we conceive of her as a vigorous growing organism, unfolding according to definite, as delicate as far-reaching, laws; that we are able to lay hold of the permanent amidst the transitory, of law amidst fleeting phenomena, and to be able to give these their simplest and truest expression through the mathematical formulas”

Christian Heinrich von Dillmann (1829–1899) German educationist

Source: Die Mathematik die Fackelträgerin einer neuen Zeit (Stuttgart, 1889), p. 37.

Jiddu Krishnamurti photo
Francis Bacon photo

“The winning of honor, is but the revealing of a man's virtue and worth, without disadvantage.”

Of Honor and Reputation
Essays (1625)

Charles Grandison Finney photo
Georg Wilhelm Friedrich Hegel photo
Fritjof Capra photo
Kapila photo

“Kapila's arguments are listed [by Dr. Ambedkar], and the last one introduces yet another fundamental concept of Buddhism: suffering (dukkha). It is brought in from an unusual angle: 'Kapila argued that the process of development of the unevolved is through the activities of three constituents of which it is made up, Sattva, Rajas and Tamas. These are called three Gunas. [Sattva is] light in nature, which reveals, which causes pleasure to men; [Rajas is] what impels and moves, what produces activity; [Tamas is] what is heavy and puts under restraint, what produces the state of indifference or inactivity (') When the three Gunas are in perfect balance, none overpowering the other, the universe appears static (achetan) and ceases to evolve. When the three Gunas are not in balance, one overpowers the other, the universe becomes dynamic (sachetan) and evolution begins. Asked why the Gunas become unbalanced, the answer which Kapila gave was that this disturbance in the balance of the three Gunas was due to the presence of Dukkha (suffering).”

Kapila Vedic sage, of the Samkhya school of Hindu philosophy

Buddhism is quite close to the Samkhya-Yoga viewpoint: to Samkhya for its philosophical framework, to Yoga for its methods of meditation.
Quoted in Elst, Koenraad (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism. ISBN 978-8185990743, with quote from Ambedkar: The Buddha and his Dhamma, 1:5:2.

“Each painting has its own way of evolving. One may start with a few color areas on the canvas; another with a myriad of lines, another with a profusion of colors... Once I sense the suggestion I begin to paint intuitively. The suggestion then becomes a phantom that must be caught and made real. As I work, or when the painting is finished, the subject reveals itself.”

William Baziotes (1912–1963) American painter

I Cannot Evolve Any Concrete Theory, William Baziotes, in Possibilities, Vol. I, no. 1, New York, winter 1947-48, p. 2
William Baziotes is referring in this quote to Surrealist automatism originally a surrealist art concept
1940s

Edward Norris Kirk photo

“Brethren, the Deity was not revealed to gratify our curiosity, or to increase our pride of intellect, but to bring us into relations of affection, submission, and communion with Him.”

Edward Norris Kirk (1802–1874) American Christian missionary, pastor, teacher, evangelist and writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 258.

Thomas Aquinas photo

“All that I have written seems like straw compared to what has now been revealed to me.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Remarks on being requested to resume writing, after a mystical experience while saying mass on or around 6 December 1273, as quoted in A Taste of Water : Christianity through Taoist-Buddhist Eyes (1990) by Chwen Jiuan Agnes Lee and Thomas G. Hand
All that I have written seems like straw to me.
As quoted in The Thought of Thomas Aquinas (1993), by Brian Davies, p. 9
Everything I have written seems like straw by comparison with what I have seen and what has been revealed to me.
As quoted in Sacred Games : A History of Christian Worship (1997) by Bernhard Lang, p. 323
Original: (la) Raynalde, non possum, quia omnia quae scripsi videntur mihi palae.

Michael von Faulhaber photo
Adrianne Wadewitz photo

“Wadewitz said to attract more women editors, attitudes within the Wikipedia community need to change. This became clear when she revealed her gender, after writing anonymously for several years.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Wholf, Tracy (May 18, 2014). "'Wikipedian' editor took on website’s gender gap" http://www.pbs.org/newshour/bb/wikipedian-editor-took-wikipedias-gender-gap/. PBS NewsHour (PBS). Retrieved May 19, 2014.
About

Heinrich Heine photo

“The whole system of symbolism impressed on the art and the life of the Middle Ages must awaken the admiration of poets in all times. In reality, what colossal unity there is in Christian art, especially in its architecture! These Gothic cathedrals, how harmoniously they accord with the worship of which they are the temples, and how the idea of the Church reveals itself in them! Everything about them strives upwards, everything transubstantiates itself; the stone buds forth into branches and foliage, and becomes a tree; the fruit of the vine and the ears of corn become blood and flesh; the man becomes God; God becomes a pure spirit. For the poet, the Christian life of the Middle Ages is a precious and inexhaustibly fruitful field. Only through Christianity could the circumstances of life combine to form such striking contrasts, such motley sorrow, such weird beauty, that one almost fancies such things can never have had any real existence, and that it is all a vast fever-dream the fever-dream of a delirious deity. Even Nature, during this sublime epoch of the Christian religion, seemed to have put on a fantastic disguise; for oftentimes though man, absorbed in abstract subtilties, turned away from her with abhorrence, she would recall him to her with a voice so mysteriously sweet, so terrible in its tenderness, so powerfully enchanting, that unconsciously he would listen and smile, and become terrified, and even fall sick unto death.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

Religion and Philosophy in Germany, A fragment https://archive.org/stream/religionandphilo011616mbp#page/n5/mode/2up, p. 26

Jerry Saltz photo

“I'm looking for what the artist is trying to say and what he or she is actually saying, what the work reveals about society and the timeless conditions of being alive.”

Jerry Saltz (1951) American art historian

Source: Thornton, Sarah. Seven Days in the Art World. New York: W. W. Norton & Company. 2008. p. 174–75 : Saltz on his approach to criticism

Ellen G. White photo
Smita Nair Jain photo
Herbert Marcuse photo
Muhammad photo
James Thurber photo

“When all things are equal, translucence in writing is more effective than transparency, just as glow is more revealing than glare.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988)
Letters and interviews

“In similar fashion we may approach the personality and induce the individual to reveal his way of organizing experience by giving him a field (objects, materials, experiences) with relatively little structure and cultural patterning so that the personality can project upon that plastic field his way of seeing life, his meanings, significances, patterns, and especially his feelings, Thus we elicit a projection of the individual's private world, because he has to organize the field, interpret the material, and react affectively to it. More specifically, a projection method for study of personality involves the presentation of a stimulus-situation designed or chosen because it will mean to the subject, not what the experimenter has arbitrarily decided it should mean (as in most psychological experiments using standardized stimuli in order to be “objective”), but rather whatever it must mean to the personality who gives it, or imposes it, his private, idiosyncratic meaning and organization. The subject then will respond to his meaning of the presented stimulus-situation by some form of action and feeling that is expressive of his personality.”

Lawrence K. Frank (1890–1968) American cyberneticist

Source: Projective methods for the study of personality (1939), p. 402-403; As cited in: Edwin Inglee Megargee, Charles Donald Spielberger (1992) Personality assessment in America: a retrospective on the occasion of the fiftieth anniversary of the Society for Personality Assessment. p. 20-21

Mark Pattison photo
René Girard photo

“An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.”

Source: Things Hidden Since the Foundation of the World (1978), p. 11-12.

Kurien Kunnumpuram photo

“Mission of the Church is to collaborate with God in his work for the wholeness of the human person, the human community and the cosmos according to the pattern revealed in Jesus Christ.”

Kurien Kunnumpuram (1931–2018) Indian theologian

Kunnumpuram, K. (2009) Towards the Fullness of Life: Reflections on the Daily Living of the Faith. Mumbai: St Pauls
On the Church

Gary Gygax photo
Koenraad Elst photo

“…H. K. Srivastava, made a proposal to attack the problem of communal friction at what he apparently considered its roots. He wanted all press writing about the historical origins of temples and mosques to be banned. And it is true : the discussion of the origins of some mosques is fundamental to this whole issue. For, it reveals the actual workings of an ideology that, more than anything else, has caused countless violent confrontations between the religious communities. However, after the news of this proposal came, nothing was heard of it anymore. I surmise that the proposal was found to be juridically indefensible in that it effectively would prohibit history-writing, a recognized academic discipline of which journalism makes use routinely. And I surmise that it was judged politically undesirable because it would counterproductively draw attention to this explosive topic. The real target of this proposal was the book Hindu Temples : What Happened to Them (A Preliminary Survey) by Arun Shourie and others. In the same period, there has been a proposal in the Rajya Sabha by Congress MP Mrs. Aliya to get this book banned,… The really hard part of the book is a list of some two thousand Muslim buildings that have been built on places of previous Hindu worship (and for which many more than two thousand temples have been demolished). In spite of the threat of a ban on raking up this discussion, on November 18 the U. P. daily Pioneer has published a review of this book, by Vimal Yogi Tiwari,…. "History is not just an exercise in collection of facts though, of course, facts have to be carefully sifted and authenticated as Mr. Sita Ram Goel has done in this case. History is primarily an exercise in self-awareness and reinforcement of that self-awareness. Such a historical assessment has by and large been missing in our country. This at once gives special significance to this book."”

Koenraad Elst (1959) orientalist, writer

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Thomas Carlyle photo
Arthur Penrhyn Stanley photo

“The manuscripts in which these early Greek treatises have been preserved to us seem to be derived from an encyclopaedia compiled during the tenth century, at Constantinople, from the works of various alchemists…. The Greek text. now published by M. Berthelot and M. [Ch. Em. ] Ruelle, custodian of the Library of Ste.-Geneviève, is derived from a careful collation of all these sources, and is accompanied with notes by M. Berthelot bringing light and order into the mystical obscurity in which from the beginning the alchemists enveloped their doctrines.
First among these is the 'Physica et Mystica,' ascribed to Democritus of Abdera, a collection of fragments, among which a few receipts for dyeing in purple may be genuine, while the story of magic and the alchemical teaching are evidently spurious. The philosopher is made to state that his studies were interrupted by the death of his master, Ostanes the Magian. He therefore evoked his spirit from Hades, and learned from him that the books which contained the secrets of his art were in a certain temple. He sought them there in vain, till one day, during a feast in the sanctuary, a column opened, and revealed the precious tomes, in which the doctrines of the Master were summed up in the mysterious words: 'Nature rejoices in Nature, Nature conquers Nature, Nature rules Nature.'
The unknown Alexandrian who wrote under the name of Democritus gives not only receipts for making white alloys of copper, but others which, he positively asserts, will produce gold. M. Berthelot, however, shows in his notes that they can only result in making amalgams for gilding or alloys resembling gold or varnishes which will give a superficial tinge to metals”

Osthanes (-500) pen-name used by several pseudo-anonymous authors of Greek and Latin works of alchemy

, Marcellin Berthelot, Ch. Em. Ruelle, "The Alchemists of Egypt and Greece," Art. VIII. (Jan. 1893) in The Edinburgh Review (Jan.-Apr. 1893) Vol. 177, pp. 208-209. https://books.google.com/books?id=GuvRAAAAMAAJ&pg=PA208

Ted Chiang photo
Osama bin Laden photo
Winston S. Churchill photo
Pope John Paul II photo

“Man is called to a fullness of life which far exceeds the dimensions of his earthly existence, because it consists in sharing the very life of God. The loftiness of this supernatural vocation reveals the greatness and the inestimable value of human life even in its temporal phase.”

Pope John Paul II (1920–2005) 264th Pope of the Catholic Church, saint

Encyclical Evangelium vitae, 25 March 1995
Source: Libreria Editrice Vaticana http://www.vatican.va/holy_father/john_paul_ii/encyclicals/documents/hf_jp-ii_enc_25031995_evangelium-vitae_en.html

Nigel Lawson photo
António de Oliveira Salazar photo

“The discussions have revealed the mistake, but not explained the problem, since even if you know what you will understand it for democracy.”

António de Oliveira Salazar (1889–1970) Prime Minister of Portugal

Speeches, Volume 4 - Page 250; of António de Oliveira Salazar - Published by Coimbra Editora, 1935 - 391 pages

Susan Neiman photo
Stephen Miller photo
Jean-Baptiste-Camille Corot photo
David Brewster photo
Mario Bunge photo

“If one aims to judge political movements, their deeds are far more important than their speeches, which are often masking rather than revealing.”

Mario Bunge (1919) Argentine philosopher and physicist

Emergence and Convergence (2003), p. 424.
2000s

Naum Gabo photo
Karl Wilhelm Friedrich Schlegel photo

“In a perfect literature all books should be only a single book, and in such an eternally developing book, the gospel of humanity and culture will be revealed.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Auf eine ähnliche Weise sollen in der vollkommnen Litteratur alle Bücher nur Ein Buch seyn, und in einem solchen ewig werdenden Buche wird das Evangelium der Menschheit und der Bildung offenbart werden.
“Ideas,” Lucinde and the Fragments, P. Firchow, trans. (1991), § 95

Will Eisner photo
Horace Bushnell photo

“Any man, to the extent to which he is good, reveals the nature of God.”

Leslie Weatherhead (1893–1976) English theologian

Source: The Christian Agnostic (1965), p.38

Cormac McCarthy photo
Norman Spinrad photo

“Flaming torches arching from hand to hand, the silken rolling of flesh on flesh, tautened wire vibrating to the human word, ideogrammatic gestures of fear, love, and rage, the mathematical grace of bodies moving through space—all seemed revealed as shadows on the void, the pauvre panoply of man’s attempt to transcend the universe of space and time through the transmaterial purity of abstract form.
Yet beyond this noble dance of human art, the highest expression of our spirit’s striving to transcend the realm of time and form, lay that which could not be encompassed by the artifice of man. From nothing are we born, to nothing do we go; the universe we know is but the void looped back upon itself, and form is but illusion’s final veil.
We touch that which lies beyond only in those fleeting rare moments when the reality of form dissolves—through molecule and charge, the perfection of the meditative trance, orgasmic ego-loss, transcendent peaks of art, mayhap the instant of our death.
Vraiment, is not the history of man from pigments smeared on the walls of caves to our present starflung age, our sciences and arts, our religions and our philosophies, our cultures and our noble dreams, our heroics and our darkest deeds, but the dance of spirit round this central void, the striving to transcend, and the deadly fear of same?”

Source: The Void Captain's Tale (1983), Chapter 10 (p. 117)

Gustav Holst photo
Auguste Rodin photo
Helena Petrovna Blavatsky photo
Tomáš Baťa photo
Prem Rawat photo
Theodore Roszak photo
Samuel R. Delany photo