Quotes about poet
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Martin Amis photo
Wallace Stevens photo
Lima Barreto photo

“The poet is always concerned with achieving a balance between the inner and the outer world; it is his business to hold in a single thought reality and justice.”

Michael Roberts (writer) (1902–1948) English schoolteacher and man of letters

Two Alternatives? in ' T E Hulme ',Carcanet Press,Manchester, 1982

George Meredith photo

“"How divine is utterance!" she said. "As we to the brutes, poets are to us."”

George Meredith (1828–1909) British novelist and poet of the Victorian era

Source: Diana of the Crossways http://www.gutenberg.org/files/4470/4470.txt (1885), Ch. 16.

Dana Gioia photo
Pete Doherty photo

“Yeah, well, I subscribe to the Umberto Eco view that Noel is a Poet and Liam is a town crier.”

Pete Doherty (1979) English musician, writer, actor, poet and artist

Gigwise, 1997
Oasis (band)

“Some great poet or philosopher once said that " he who goes to nature for comfort must go to her empty handed ", and I think he was right.”

Flora Thompson (1876–1947) English author and poet

January Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Thomas Hardy photo

“To find beauty in ugliness is the province of the poet.”

Thomas Hardy (1840–1928) English novelist and poet

Statement (5 August 1888), as quoted in The life of Thomas Hardy 1840-1928 (1962) by Florence Emily Hardy

Thomas Carlyle photo

“A poet without love were a physical and metaphysical impossibility.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Burns (1828).
1820s, Critical and Miscellaneous Essays (1827–1855)

Charles Bernstein photo
Oliver Wendell Holmes photo

“I don't want to have the territory of a man's mind fenced in. I don't want to shut out the mystery of the stars and the awful hollow that holds them. We have done with those hypaethral temples, that were open above to the heavens, but we can have attics and skylights to them. Minds with skylights…
One-story intellects, two-story intellects, three-story intellects, with skylights. All fact-collectors, who have no aim beyond their facts, are one-story men. Two-story men compare, reason, generalize, using the labors of the fact-collectors as well as their own. Three-story men idealize, imagine, predict; their best illumination comes from above, through the skylight. There are minds with large ground floors, that can store an infinite amount of knowledge; some librarians, for instance, who know enough of books to help other people, without being able to make much other use of their knowledge, have intellects of this class. Your great working lawyer has two spacious stories; his mind is clear, because his mental floors are large, and he has room to arrange his thoughts so that he can get at them,—facts below, principles above, and all in ordered series; poets are often narrow below, incapable of clear statement, and with small power of consecutive reasoning, but full of light, if sometimes rather bare of furniture in the attics.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Poet at the Breakfast Table (1872)

Stanisław Lem photo
James Allen photo

“Composer, sculptor, painter, poet, prophet, sage, these are the makers of the after-world, the architects of heaven.”

James Allen (1864–1912) British philosophical writer

As A Man Thinketh (1902), Visions and Ideals

Colin Moulding photo
Heinrich von Treitschke photo
Patrick Swift photo
Anthony Ashley-Cooper, 3rd Earl of Shaftesbury photo
Jimmy Wales photo

“We come from geek culture, we come from the free software movement, we have a lot of technologists involved. If we had done the same sort of comparison on poets or artists, I think that we would not have fared nearly as well.”

Jimmy Wales (1966) Wikipedia co-founder and American Internet entrepreneur

Wales to the Miami Herald, "Will Wikipedia change history?" http://www.miami.com/mld/miamiherald/business/technology/15328352.htm

James E. Lovelock photo
Pope Benedict XV photo

“And you, beloved children, whose lost it is to promote learning under the magisterium of the Church, continue as you are doing to love and tend the noble poet whom We do not hesitate to call the most eloquent singer of the Christian idea.”

Pope Benedict XV (1854–1922) 258th Pope of the Catholic Church

In Praeclara Summorum http://www.vatican.va/holy_father/benedict_xv/encyclicals/documents/hf_ben-xv_enc_30041921_in-praeclara-summorum_en.html (1921-04-30)

Sarvepalli Radhakrishnan photo

“Poets and prophets do not go into committees.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Eminent Indians (1947)

Halldór Laxness photo
Suniti Kumar Chatterji photo
Jorge Luis Borges photo

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

John Taylor photo

“In paper, many a poet now survives
Or else their lines had perish'd with their lives.
Old Chaucer, Gower, and Sir Thomas More,
Sir Philip Sidney, who the laurel wore,
Spenser, and Shakespeare did in art excell,
Sir Edward Dyer, Greene, Nash, Daniel.
Sylvester, Beaumont, Sir John Harrington,
Forgetfulness their works would over run
But that in paper they immortally
Do live in spite of death, and cannot die.”

John Taylor (1578–1653) English poet of the 16th and 17th centuries

From "The Praise of Hemp-seed" http://ebooks.gutenberg.us/Renascence_Editions/taylor1.html, published 1620. This is the earliest surviving printed reference to the death of William Shakespeare and Francis Beaumont, who had both died in 1616.

Herbert Read photo

“It is not my purpose as a poet to condemn war (or to be exact, modern warfare). I only wish to present the universal aspects of a particular event”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Note appended to his poem The End of War (1933)
Literary Quotes

Umberto Boccioni photo

“To the Young Artists of Italy!
The cry of rebellion that we launch, linking our ideals with those of the Futurist poets, does not originate in an aesthetic clique. It expresses the violent desire that stirs in the veins of every creative artist today.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Original text:
Agli artisti giovani d'Italia!
Il grido di ribellione che noi lanciamo, associando i nostri ideali a quelli dei poeti futuristi, non parte già da una chiesuola estetica, ma esprime il violento desiderio che ribolle oggi nelle vene di ogni artista creatore.
Source: 1910, Manifesto of Futurist Painters', Feb. 1910, p. 24: Lead paragraph

Edward Bulwer-Lytton photo

“Alone! — that worn-out word,
So idly spoken, and so coldly heard;
Yet all that poets sing and grief hath known
Of hopes laid waste, knells in that word ALONE!”

Edward Bulwer-Lytton (1803–1873) English novelist, poet, playwright, and politician

The New Timon, (1846). Part ii.

Henry Wadsworth Longfellow photo
Dana Gioia photo
Thomas Campbell photo

“And muse on Nature with a poet's eye.”

Thomas Campbell (1777–1844) British writer

Part II, line 98
Pleasures of Hope (1799)

Fortunato Depero photo

“The Futurists were the first painters, poets, and architects who exalted modern work with their art—
they painted speeding automobiles—
they painted lamps bursting with light—
they painted steaming locomotives and swift bicyclists—
the Futurists stylized their compositions, adopting a violently colored look; with synoptic and geometric shapes they multiplied and decomposed the rhythms of objects and landscapes in order to increase their dynamic qualities and to give an effective rendering of their swift ideas, the states of mind, their conceptions.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

Depero (1931) "Futurism and Adverticing Art"; Republished in: Futurism : an anthology http://modernistarchitecture.files.wordpress.com/2011/09/ebooksclub-org__futurism__an_anthology__henry_mcbride_series_in_modernism_.pdf. edited by Lawrence Rainey, Christine Poggi, and Laura Wittman, (2011), p. 290

Fritz Leiber photo
Ethan Hawke photo

“A poet educated to his finger tips will tend to be allusive”

Kenneth Allott (1912–1973) Irish poet

Introduction Contemporary Verse, Ed Kenneth Allott, Penguin Books, London 1950

Archibald Hill photo

“In the last few years there has been a harvest of books and lectures about the "Mysterious Universe." The inconceivable magnitudes with which astronomy deals produce a sense of awe which lends itself to a poetic and philosophical treatment. "When I consider thy heavens, the work of thy hands, the moon and the starts, whuch thou hast ordained: what is man that thou art mindful of him? The literary skill with which this branch of science has been exploited compels one's admiration, but alos, a little, one's sense of the ridiculous. For other facts than those of astronomy, oother disciplines than of mathematics, can produce the same lively feelings of awe and reverence: the extraordinary finenness of their adjustments to the world outside: the amazing faculties of the human mind, of which we know neither whence it comes not whither it goes. In some fortunate people this reverence is produced by the natural bauty of a landscape, by the majesty of an ancient building, by the heroism of a rescue party, by poetry, or by music. God is doubtless a Mathematician, but he is also a Physiologist, an Engineer, a Mother, an Architect, a Coal Miner, a Poet, and a Gardener. Each of us views things in his own peculiar war, each clothes the Creator in a manner which fits into his own scheme. My God, for instance, among his other professions, is an Inventor: I picture him inventing water, carbon dioxide, and haemoglobin, crabs, frogs, and cuttle fish, whales and filterpassing organisms ( in the ratio of 100,000,000,000,000,000,000,000 to 1 in size), and rejoicing greatly over these weird and ingenious things, just as I rejoice greatly over some simple bit of apparatus. But I would nor urge that God is only an Inventor: for inventors are apt, as those who know them realize, to be very dull dogs. Indeed, I should be inclined rather to imagine God to be like a University, with all its teachers and professors together: not omittin the students, for he obviously possesses, judging from his inventions, that noblest human characteristic, a sense of humour.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

Claude Bernard photo

“A modern poet has characterized the personality of art and the impersonality of science as follows: Art is I: Science is We.”

Claude Bernard (1813–1878) French physiologist

Bulletin of New York Academy of Medicine, Vol. IV (1928)

Karl Wilhelm Friedrich Schlegel photo

“The Satan of the Italian and English poets may be poetic; but the German Satan is satanic; and thus one could say that Satan is a German invention.”

Karl Wilhelm Friedrich Schlegel (1772–1829) German poet, critic and scholar

Der Satan der italienischen und englischen Dichter mag poetischer sein; aber der deutsche Satan ist satanischer; und insofern könnte man sagen, der Satan sei eine deutsche Erfindung.
Athenäumsfragmente 379; the Italian and English poets referred to are Dante, and John Milton.
Athenäum (1798 - 1800)

John Keats photo
Amir Taheri photo

“Some poets still write about the hair and eyes and body of a beloved and depict scenes of joy when lovers meet to drink and dance and be merry. But that is not the kind of poetry that the Islamic movement, grown on the concept of jihad and martyrdom, wants.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Joyce Carol Oates photo
John Keats photo

“I think I shall be among the English Poets after my death.”

John Keats (1795–1821) English Romantic poet

Letter to George and Georgiana Keats (October 14, 1818)
Letters (1817–1820)

George William Curtis photo

“Mayor Macbeth, of Charleston, told General Howard that he did not believe that a bureau at Washington could manage the social relations of the people from the Potomac to the Rio Grande. But the answer to Mayor Macbeth is that he and his companions have managed those relations at a cost to the country of four years of civil war, three thousand millions of dollars, and hundreds of thousands of lives. The Freedmen's Bureau will hardly be as expensive as that. And while such a bureau merely defends the rights of a certain class under the laws, the aid societies give them that education which in the present state of local feeling would be inevitably withheld. The mighty arch of Sherman, wasting and taming the land, is followed by the noiseless steps of the band of unnamed heroes and heroines who are teaching the people. The soldier drew the furrow, the teacher drops the seed. There is many and many a devoted woman, hidden at this moment in the lowliest cabins of the South, whose name poets will not sing nor historians record, but whose patient toil the eye that marks the sparrow's fall beholds and approves. Not more noble, not more essential, was the work of the bravest and most famous of the heroes who fell in the wild storm of battle, than that of many a woman to us unknown, faithful through privation and exposure and disease, and perishing at the lonely outpost of duty in the act of helping the nation keep its word.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Johann Wolfgang von Goethe photo

“Modern poets put a lot of water into their ink.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Neuere Poeten tun viel Wasser in die Tinte.
Maxim 749, trans. Stopp
Variant translation: Modern poets mix a lot of water with their ink.
Maxims and Reflections (1833)

Charles Baudelaire photo

“There exist only three beings worthy of respect: the priest, the soldier, the poet. To know, to kill and to create. Other men are taxable and exploitable, made for the stable, that is to say, to exercise so called professions.”

Charles Baudelaire (1821–1867) French poet

Il n'existe que trois êtres respectables: le prêtre, le guerrier, le poète. Savoir, tuer et créer. Les autres hommes sont taillables et corvéables, faits pour l'écurie, c'est-à-dire pour exercer ce qu'on appelle des professions.
Journaux intimes (1864–1867; published 1887), Mon cœur mis à nu (1864)

Jean Giraudoux photo
Margaret Fuller photo

“Heroes have filled the zodiac of beneficent labors, and then given up their mortal part to the fire without a murmur. Sages and lawgivers have bent their whole nature to the search for truth, and thought themselves happy if they could buy, with the sacrifice of all temporal ease and pleasure, one seed for the future Eden. Poets and priests have strung the lyre with heart-strings, poured out their best blood upon the altar which, reare'd anew from age to age, shall at last sustain the flame which rises to highest heaven. What shall we say of those who, if not so directly, or so consciously, in connection with the central truth, yet, led and fashioned by a divine instinct, serve no less to develop and interpret the open secret of love passing into life, the divine energy creating for the purpose of happiness; — of the artist, whose hand, drawn by a preexistent harmony to a certain medium, moulds it to expressions of life more highly and completely organized than are seen elsewhere, and, by carrying out the intention of nature, reveals her meaning to those who are not yet sufficiently matured to divine it; of the philosopher, who listens steadily for causes, and, from those obvious, infers those yet unknown; of the historian, who, in faith that all events must have their reason and their aim, records them, and lays up archives from which the youth of prophets may be fed. The man of science dissects the statement, verifies the facts, and demonstrates connection even where he cannot its purpose·”

Woman in the Nineteenth Century (1845)

Letitia Elizabeth Landon photo
William Faulkner photo
Joshua Reynolds photo
Elfriede Jelinek photo
William Wordsworth photo
Denis Diderot photo
E. B. White photo

“A despot doesn't fear eloquent writers preaching freedom — he fears a drunken poet who may crack a joke that will take hold.”

E. B. White (1899–1985) American writer

Salt Water Farm http://books.google.com/books?id=njRHAAAAYAAJ&q=%22A+despot+doesn't+fear+eloquent+writers+preaching+freedom+he+fears+a+drunken+poet+who+may+crack+a+joke+that+will+take+hold%22&pg=PA52#v=onepage
One Man's Meat (1942)

Matthew Arnold photo

“Ah! two desires toss about
The poet's feverish blood;
One drives him to the world without,
And one to solitude.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Stanzas in Memory of the Author of "Obermann"" (1852), st. 24

Samuel Taylor Coleridge photo
Muhammad photo

“Abu Hurayra stated that the Prophet, may Allah bless him and grant him peace, said, "The most truthful phrase ever said by a poet is the words of Labid: "Everything except Allah is false."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh-as-Saliheen by Imam Al-Nawawi, volume 3, hadith number 490
Sunni Hadith

Bono photo

“Every Artist is a Cannibal, every Poet is a Thief. All kill for inspiration and sing about their grief”

Bono (1960) Irish rock musician, singer of U2

"The Fly"
Lyrics, Achtung Baby (1991)

James Elroy Flecker photo

“The poet's business is not to save the soul of man but to make it worth saving.”

James Elroy Flecker (1884–1915) Poet

Quoted by Louis Untermeyer in Modern British Poetry http://books.google.com/books?id=GiwMAQAAIAAJ&q=%22The+poet's+business%22+%22is+not+to+save+the+soul+of+man+but+to+make+it+worth+saving%22&pg=PA178#v=onepage (1920)

Sister Nivedita photo
Herbert Read photo

“Words, their sound and even their very appearance, are, of course, everything to the poet.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

René Char photo

“A poet should leave traces of his passage, not proofs. Traces alone engender dreams.”

René Char (1907–1988) 20th-century French poet

Un poète doit laisser des traces de son passage, non des preuves. Seules les traces font rêver.
As quoted in The French-American Review (1976) by Texas Christian University, p. 132
Variant translation: A poet must leave traces of his passage, not proofs. Only traces bring about dreams.
As quoted in Popular Dissent, Human Agency, and Global Politics (2000) by Roland Bleiker, p. 50

“If poets spoke their poetry, they would not need to write it.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

Peter Ackroyd photo
Michael Drayton photo

“For that fine madness still he did retain
Which rightly should possess a poet’s brain.”

Michael Drayton (1563–1631) English poet

To Henry Reynolds, of Poets and Poesy (1627).

Siddharth Katragadda photo
Harriet Monroe photo
Halldór Laxness photo

“Three things, according to poets, are considered bliss in Iceland: hot rye-cakes, plump girls, and cold buttermilk.”

Halldór Laxness (1902–1998) Icelandic author

Paradísarheimt (Paradise Reclaimed) (1960)

George Steiner photo
William Wordsworth photo
Marcus Aurelius photo
Edward Lucie-Smith photo
Steve Jobs photo

“Jobs: Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields. We all brought to this a sort of “liberal arts” air, an attitude that we wanted to pull the best that we saw into this field. You don’t get that if you are very narrow.
Cringley: How does the Web affect the economy?
Jobs: We live in an information economy. The problem is that information's usually impossible to get, at least in the right place, at the right time. The reason Federal Express won over its competitors was its package-tracking system. For the company to bring that package-tracking system onto the Web is phenomenal. I use it all the time to track my packages. It's incredibly great. Incredibly reassuring. And getting that information out of most companies is usually impossible.
But it's also incredibly difficult to give information. Take auto dealerships. So much money is spent on inventory—billions and billions of dollars. Inventory is not a good thing. Inventory ties up a ton of cash, it's open to vandalism, it becomes obsolete. It takes a tremendous amount of time to manage. And, usually, the car you want, in the color you want, isn't there anyway, so they've got to horse-trade around. Wouldn't it be nice to get rid of all that inventory? Just have one white car to drive and maybe a laserdisc so you can look at the other colors. Then you order your car and you get it in a week.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Robert X. Cringley for a Public Broadcasting System [PBS] television series, “Triumph of the Nerds” (1995), “The Lost Interview: Steve Jobs Tells Us What Really Matters” https://www.forbes.com/sites/stevedenning/2011/11/17/the-lost-interview-steve-jobs-tells-us-what-really-matters/#5cb0fc8e6c3a, Forbes, Steve Denning, Nov 17, 2011,
1990s

Walther von der Vogelweide photo

“For five hundred years after Walther's death – until Goethe – no German lyric poet was his equal.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Frederick Goldin German and Italian Lyrics of the Middle Ages (New York: Anchor, 1973) p. 101.
Praise

Gore Vidal photo
Rose Wilder Lane photo
Thomas Traherne photo

“At present I'm re-reading Traherne's Centuries of Meditations which I think almost the most beautiful book (in prose, I mean, excluding poets) in English.”

Thomas Traherne (1636–1674) English poet

C. S. Lewis, letter to Arthur Greeves in December 1941. http://www.discovery.org/scripts/viewDB/index.php?command=view&id=978
Criticism

“He came, and no man knew it; no man knew
The wondrous boon to Scotland given;
That there—beneath that grim and wintry blue—
A glorious Poet, strong and true,
Had newly dropp'd from heaven!”

John Stanyan Bigg (1828–1865) British writer

Ode to the Centenary of Burns http://www.gerald-massey.org.uk/massey/dmc_burns_centenary2.htm#7 (1858)

Ralph Waldo Emerson photo

“The most significant feature of our histories, however, is the religious zeal felt or exhibited by the swordsmen of Islam before and after the “infidels” who resisted “were sent to hell”, the Brahmans massacred or molested or expelled, idols desecrated, temples demolished, and mosques raised in their stead. The prophet of Islam appears in a dream and bids a sultãn to start on the “holy expedition”, leaving no doubt that the “victory of religion” was assured. Amîr Khusrû was very eloquent about the transformation that was taking place. When the hordes of Alãu’d-Dîn Khaljî sacked the temple of Somnath, he exulted, “The sword of Islãm purified the land as the Sun purifies the earth.” His enthusiasm broke all bounds when the same hordes swept over South India: “The tongue of the sword of the Khalifa of the time, which is the tongue of the flame of Islãm, has imparted light to the entire darkness of Hindustãn by the illumination of its guidance… and several capitals of the gods of the Hindus in which Satanism had prevailed since the time of Jinns, have been demolished. All these impurities of infidelity have been cleansed by the Sultãn’s destruction of idol-temples, beginning with his first expedition to Deogîr, so that the flames of the fight of the law illumine all these unholy countries… God be praised!” One wonders whether the poet of Islam is being honoured or slandered when he is presented in our own times as the pioneer of Secularism. Or, perhaps, Secularism in India has a meaning deeper than that we find in the dictionaries or dissertations on political science. We may not be much mistaken if, seeing its studied exercise in blackening everything Hindu and whitewashing everything Islamic, we suspect that this Secularism is nothing more than the good old doctrine of Islam in disguise.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

John Milton photo

“Emerson writes in his Journal that all men try their hands at poetry, but few know which their poems are. The poets are not those who write poems, but those who know which of the things they write are poems.”

Carl Andre (1935) American artist

Quote from a 1962 essay by Andre; as quoted in ' Objects Are What We Aren't' https://www.theparisreview.org/blog/2015/02/26/objects-are-what-we-arent/, by Andy Battaglia; The Parish Review, February 26, 2015

Paul Klee photo

“Music, for me, is a love bewitched. / Fame as a painter? / Writer, modern poet? Bad joke. / So I have no calling, and loaf.”

Paul Klee (1879–1940) German Swiss painter

Quote (1899), # 67, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

John Gibson Lockhart photo
Herbert Read photo

“The distinction between a major and minor poet is the ability to write a long poem successfully.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)