Quotes about poet
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“Read from some humbler poet,
Whose songs gushed from his heart,
As showers from the clouds of summer,
Or tears from the eyelids start.”

Henry Wadsworth Longfellow (1807–1882) American poet

St. 7.
The Day is Done (1845)

Tear, Reading, Heart, Summer

“A poet knows war without objective war in the world; it was conflict at the root of his mind that impelled him to the masking of these conflicts in the apparent resolution and order of works of art. In a dialectical sense, all poetry is war.”

Richard Eberhart (1904–2005) American poet

The War Poets

War, World, Art, Sense

“Spring. All the things an artist must be: poet, explorer of nature, philosopher! And now I have become a bureaucrat as well as by compiling a large, precise catalogue of all my artistic productions ever since my childhood. I have left out only the school drawings, studies of nudes, etc., because they lack creative self-sufficiency.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (Spring 1911), # 895, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968
1911 - 1914

School, Spring, Nature, Study

“It is the poets and painters who react instantly to a new medium like radio or TV.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Understanding Media (1964), p. 53

“States of soul rightly expressed, as the poet expresses them in moments of pure inspiration, retain forever the power of creating like states. It is this that makes genuine literature a vital force.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 172

Soul, Literature

“When I was a boy I knew the Odes of Horace backwards and forwards, and when I came to manhood year by year those odes came knocking at the door of my heart at the most unexpected times and places. So, even if you do not realise it now, the time will come when you will be thankful that you were steeped in Shakespeare as boys. In him we not only have, as Sir Gerald du Maurier said here not long ago, perhaps the greatest man the world has ever seen, but one who had a profound knowledge of human nature and of the world. Shakespeare was one of those few poets in whom we find the magic which comes straight from heaven, and which is the prerogative of the very greatest…Shakespeare's plays, no matter of what country he may be writing, are redolent of our own soil and of our own country people. The habit of thought and the outlook of Shakespeare's country people and of those wise men, Shakespeare's fools, may be found to-day in our rural counties.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the City of London School (13 June 1924), quoted in On England, and Other Addresses (1926), p. 120.
1924

Men, People, World, Fools

“As Blake said, there is no competition between true poets.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“John Ransom’s Poetry”, p. 98
Poetry and the Age (1953)

“Most joyful let the Poet be;
It is through him that all men see.”

William Ellery Channing (poet) (1818–1901) American writer

The Poet of the old and new Times, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Men

“I don't call myself a poet because I don't like the word.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Bob Dylan Interview http://www.interferenza.com/bcs/interw/65-aug.htm by Nora Ephron & Susan Edmiston (1965)

“Sunshine cannot bleach the snow,
Nor time unmake what poets know.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

"The Test", as quoted in Emerson As A Poet (1883) by Joel Benton, p. 40

Time

“Innumerable men had passed by, across this Universe, with a dumb vague wonder, such as the very animals may feel; or with a painful, fruitlessly inquiring wonder, such as men only feel;—till the great Thinker came, the original man, the Seer; whose shaped spoken Thought awakes the slumbering capability of all into Thought. It is ever the way with the Thinker, the spiritual Hero. What he says, all men were not far from saying, were longing to say. The Thoughts of all start up, as from painful enchanted sleep, round his Thought; answering to it, Yes, even so! Joyful to men as the dawning of day from night;—is it not, indeed, the awakening for them from no-being into being, from death into life? We still honor such a man; call him Poet, Genius, and so forth: but to these wild men he was a very magician, a worker of miraculous unexpected blessing for them; a Prophet, a God!”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Life, Death, Men, God

“I suppose that I am a very serious poet – except for satirical verse, which I have also been compelled to write, though much of it may be inferior to my more serious poems – perhaps because I am not playful enough by nature, and even my satirical or polemical verse is not entertaining.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm

Nature

“Some old poet's grand imagination is imposed on us as adamantine everlasting truth, and God's own word! Pythagoras says, truly enough, "A true assertion respecting God, is an assertion of God"; but we may well doubt if there is any example of this in literature.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

A Week on the Concord and Merrimack Rivers http://www.gutenberg.org/dirs/etext03/7cncd10.txt (1849), Sunday

God, Truth, Imagination, Literature

“I became aware of something today when I was with Fräulein Weshoff [German woman-sculptor, who married later the poet Rilke ]. I should like to have her as a friend. She is grand and splendid to look at – and that's the way she is as a person and as an artist. Today we raced down the hill on our little sleds. It was such fun.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede 1897; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 194
1897

Way, Personality

“The poet
never must lose despair.”

Denise Levertov (1923–1997) Poet

Conversation in Moscow

Despair

“It is all work and forgotten work, this peopled, clothed, articulate-speaking, high-towered, wide-acred World. The hands of forgotten brave men have made it a World for us; they,— honour to them; they, in spite of the idle and the dastard. This English Land, here and now, is the summary of what was found of wise, and noble, and accordant with God's Truth, in all the generations of English Men. Our English Speech is speakable because there were Hero-Poets of our blood and lineage; speakable in proportion to the number of these. This Land of England has its conquerors, possessors, which change from epoch to epoch, from day to day; but its real conquerors, creators, and eternal proprietors are these following, and their representatives if you can find them: All the Heroic Souls that ever were in England, each in their degree; all the men that ever cut a thistle, drained a puddle out of England, contrived a wise scheme in England, did or said a true and valiant thing in England.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Men, God, People, Truth

“Yet even here all these peoples have remained rooted in their sacred homelands for centuries. Though oppressed and colonized by outsiders, they have never been expelled en masse, and so the theme of restoration to the homeland has played little part in the conceptions of these peoples. There are, however, two peoples, apart from the Jews, for whom restoration of the homeland and commonwealth have been central: the Greeks and the Armenians, and together with the Jews, they constitute the archetypal Diaspora peoples, or what John Armstrong has called ‘mobilized diasporas° Unlike diasporas composed of recent mi migrant workers—Indians, Chinese and others in Southeast Asia, East Africa and the Caribbean— mobilized diasporas are of considerable antiquity, are generally polyglot and multi-skilled trading communities and have ancient, portable religious traditions. Greeks, Jews, and Armenians claimed an ancient homeland and kingdom, looked back nostalgically to a golden age or ages of great kings, saints, sages and poets, yearned to return to ancient capitals with sacred sites and buildings, took with them wherever they went their ancient scriptures, sacred scripts and separate liturgies, founded in every city congregations with churches, clergy and religious schools, traded across the Middle East and Europe using the networks of enclaves of their co-religionists to compete with other ethnic trading networks, and used their wealth, education and economic skills to offset their political powerlessness)”

Anthony D. Smith (1939–2016) British academic

Source: Myths and Memories of the Nation (1999), Chapter: Greeks, Armenians and Jews.

People, Age, Education, School

“The poet-philosopher put greater stress on the spiritual aspect of our struggle, while the Quaid-e-Azam was mainly concerned with outlining its political aspect: but both were one in their intense desire to assure to the Muslims of India a future on Islamic lines.”

Muhammad Asad (1900–1992) Austro-Hungarian writer and academic

Source: This Law of Ours and Other Essays (1987), Chapter: Calling All Muslims, Radio Broadcast # 5, p 108

Future

“In its most general form and from the point of view of physics, love is the internal, affectively apprehended, aspect of the affinity which links and draws together the elements of the world, centre to centre. This is how it has been understood by the great philosophers from Plato, the poet, to Nicolas of Cusa and other representatives of frigid scholasticism. Once this definition has been accepted, it gives rise to a series of important consequences. Love is power of producing inter-centric relationship. It is present, therefore (at least in a rudimentary state), in all the natural centres, living and pre-living, which make up the world; and it represents, too, the most profound, most direct, and most creative form of inter-action that it is possible to conceive between those centres. Love, in fact, is the expression and the agent of universal synthesis.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

pp. 70–71 https://archive.org/stream/ActivationOfEnergy/Activation_of_Energy#page/n65/mode/2up Activation of Energy (1976)

Love, World, Nature, Universe

“The prose writer drags meaning along with a rope, the poet makes it stand out and hit you.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Speculations (Essays, 1924)

“Because of the distrust that has grown from our experience, we are very careful whom we welcome. We are selective in our companions, we look suspiciously those who sit beside us in a bar and start talking to us: “is he crazy? What’s he up to?” we wonder. The city becomes a desert. With groups of friends who are nobody else’s friends. As Emily Dickinson, the reclusive poet, once wrote: “The soul selects its own society, then shuts the door.””

Michael Elmore-Meegan (1959) British humanitarian

All shall be well (2014)

Soul

“I have always wanted to play different kinds of stuff, but it's hard, first to find good material, and then to change people's perception of you so they'll let you do it. I mean, I would really like to play a poet, but once they get this notion of you as a street guy, it's hard to change that.”

Matt Dillon (1964) American actor

Terry Lawson (October 1, 1995) "Matter of Maturation? - Actor Swapping Rebellion for Responsibility in Recent Roles", Dayton Daily News, p. 1C.

People, Guy, Change

“There are no rules. However, principles may be discerned in actual practice; for example, in the way people actually speak, or in the lines the poets have written.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

The Sounds of Poetry 1998

People, Way

“He who writes poetry is not a poet. He whose poetry has become his life, and who has made his life his poetry — it is he who is a poet.”

Subramanya Bharathi (1882–1921) Tamil poet

English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece

Life

“Love and death are gritty subjects. Their appropriate handling by poets does not require myrtle petals and violets.”

Lindsey Davis book Last Act in Palmyra

Last Act in Palmyra

Love, Death

“Novelists, playwrights, painters and others may hold in their heads the expectation of fame, but not poets. Having chosen that road, all one can dream of is the jealousy of one's rivals. Celebrity is unexpected and almost unseemly--it forces one to wear a constant look of chagrin, if that is possible. Unless you are Byron, who was the first poet to become a star. At its worst, fame means being known by strangers--enough to bring on waves of paranoia.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

Jealousy, Dreams, Star

“All poets face the same task to 'follow the prompts' and satisfactorily shape the amorphous sounds, rhythms, images or phrases by which a potential poem is recognised.”

Dennis O'Driscoll (1954–2012) Irish poet, critic

Poetry Quotes

“I learned that poets aren’t God, but if there is a God…or anything approaching a God…he’s a poet. And a failed one at that.”

Dan Simmons book The Fall of Hyperion

Source: The Fall of Hyperion (1990), Chapter 45 (p. 504)

God, Learning

“Poetry is a religion without hope. The poet exhausts himself in its service, knowing that, in the long run, a masterpiece is nothing but the performance of a trained dog on very shaky ground.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Diary of an Unknown (1988), On Invisibility

Religion, Dogs, Hope, Training

“Lawrence is usually the first poet kids read in schools that they really like. It's a real turn-on for them.”

Nancy Peters (1936) American writer and publisher

Edward Epstein, "S.F. Finds Its Voice", http://sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/1998/08/12/MN76094.DTL San Francisco Chronicle, 1998-08-12. On Laurence Ferlinghetti becoming San Francisco's first poet laureate. 1990s

School, Reading

“Like all twenty-one-year-old poets, I thought I would be dead by thirty, and Sylvia Plath had not set a helpful example. For a while there, you were made to feel that, if a poet and female, you could not really be serious about it unless you'd made a least one suicide attempt. So I felt I was running out of time.”

Margaret Atwood (1939) Canadian writer

On Writing Poetry (1995)

Feeling, Suicide, Time, Help

“I will venture to assert, that a just translation of any ancient poet in rhyme is impossible. No human ingenuity can be equal to the task of closing every couplet with sounds homotonous, expressing at the same time the full sense, and only the full sense of his original.”

William Cowper (1731–1800) (1731–1800) English poet and hymnodist

The Iliad of Homer: translated into English blank verse (1791), Preface.

Sense, Time

“What makes a poet is, surely, the love of these things, a desperate search for the tiny ray of sunshine which used to flicker on the floor of a child’s bedroom.”

Francois Mauriac book Questions of Precedence

Ce qui fait le poète, n'est-ce pas l'amour, la recherche désespérée du moindre rayon de soleil d'autrefois jouant sur le parquet d'une chambre d'enfant?
Préséances (1921), cited from Oeuvres romanesques, vol.1 (Paris: Flammarion, 1965) p. 301; Gerard Hopkins (trans.) Questions of Precedence (London: Eyre & Spottiswoode, 1958) p. 46.

Love, Search

“Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.... the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 153-154

God, Food, Communication, Cooking

“Don't send a poet to London.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

English Fragments (1828), Ch. 2 : London

“The human mind is [a poet's] individual mind at first, but as soon as he writes a poem it becomes our [the readers'] minds too. There is no self-expression in [a poet's] poem, because once the poem is there the individual [poet] has disappeared. …there is really no such thing as self-expression in literature.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

Literature

“America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took — quite literally — the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's "Minnie the Moocher," moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of "Pink Elephants on Parade" from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?”

Dana Gioia (1950) American writer

"James Tate and American Surrealism," BBC Radio 3, published in Denver Quarterly (Fall 1998)
Essays

Men, Children, Dreams, Animals

“Acts of creation are ordinarily reserved for gods and poets, but humbler folk may circumvent this restriction if they know how. To plant a pine, for example, one need be neither god nor poet; one need only own a shovel. By virtue of this curious loophole in the rules, any clodhopper may say: Let there be a tree—and there will be one.”

Aldo Leopold book A Sand County Almanac

“December: Pines above the Snow”, p. 81.
A Sand County Almanac, 1949, "November: Axe-in-Hand," "November: A Mighty Fortress," and "December: Pines above the Snow"

God, Tree

“Really," said the poet, without enthusiasm.
"Mm—you say 'Really,' young man?" said the secretary. "That is undeniably a rather peculiar reply. Might I ask what you mean by that word?"
"I mean that I'm such an insignificant poet that it isn't worthwhile getting me to compose a poem," said Ólafur Kárason modestly.
The secretary gave the poet a stern and searching look and finally said, "I no longer understand young people nowadays. It's as if nothing serious or important makes any impression on young people any longer. The modern craze seems to be to squander money needlessly if possible. But luckily it isn't possible. Even you, young man, who are said to have a poetic bent, yes, and some say you even possess a modicum of intelligence, you just say 'Really' when you're invited to take part in a ceremony which is destined to revolutionize the religious, scientific, and moral life of the nation.”

Halldór Laxness (1902–1998) Icelandic author

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Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

Life, Money, People, Search

“What would we really know the meaning of? The meal in the firkin; the milk in the pan; the ballad in the street; the news of the boat; the glance of the eye; the form and the gait of the body; — show me the ultimate reason of these matters; show me the sublime presence of the highest spiritual cause lurking, as always it does lurk, in these suburbs and extremities of nature; let me see every trifle bristling with the polarity that ranges it instantly on an eternal law; and the shop, the plough, and the ledger, referred to the like cause by which light undulates and poets sing; — and the world lies no longer a dull miscellany and lumber-room, but has form and order; there is no trifle; there is no puzzle; but one design unites and animates the farthest pinnacle and the lowest trench.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

World, Law, Nature, Light

“The desire of a poet for his writings to be in print is as natural as a painter needs to exhibit his work in public.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Nature

“The first indication of one's status as a nature poet is that one does not invoke language right off when talking about poetry.”

Don McKay (1942) Canadian poet

Baler Twine

Nature

“Poets like Jayasi, Rahim, and Raskhan are rare phenomena. So are saints like Kabir, Nanak and Gharib Das. They attempted a synthesis of the two cultural streams in the field of literature in their own way. But their endeavours were severly limited and short-lived. They failed to be popular amongst and influence the Muslims.”

Harsh Narain (1921–1995) Indian writer

Harsh Narain, Myths of Composite Culture and Equality of Religions, 1990, p.27
Myths of Composite Culture and Equality of Religions (1990)

Way, Literature

“The artist and the poet have the facility for mistaking pure languor for meditative peace and strength. True meditation "rests" in swiftness.”

Vilhelm Ekelund (1880–1949) Swedish poet

Source: The Second Light (1986), p. 23

Peace

“A Poet is needed to fully interpret a poet”

Andrew Thomson (1814–1901) British writer

Samuel Rutherford Unwin Bros, Gresham Press, London 1891

“In recent centuries the only near spiritual relative of Tolstoy is the English poet, who in the fourteenth century, in the form of Piers Plowman, preached religious ideas so strikingly like those of Tolstoy. They are both individualists and they seek individual, not social, regeneration. …Both point to the simple toiling God-fearing peasant as one expressing the ideal of the Christian life and service.”

Robert Hunter (author) (1874–1942) American sociologist, author, golf course architect

Source: Why We Fail as Christians (1919), p. 29-30

Life, God, Fear, Idea

“I find it impossible to think of "favorite" poets. I would rather list the ones I cannot stand.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

Thinking

“Dour, anxious Hesiod writes about the daily round of farming and the effects if the seasons on rural life but also speaks in his Works and Days about the value of festal competitions with "potter against potter, carpenter against carpenter… poet against poet."”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch. III The Poet: How to Party

Life, Season

“There is a science of Dynamics in man's fortunes and nature, as well as of Mechanics. There is a science which treats of, and practically addresses, the primary, unmodified forces and energies of man, the mysterious springs of Love, and Fear, and Wonder, of Enthusiasm, Poetry, Religion, all which have a truly vital and infinite character; as well as a science which practically addresses the finite, modified developments of these, when they take the shape of immediate “motives,” as hope of reward, or as fear of punishment.
Now it is certain, that in former times the wise men, the enlightened lovers of their kind, who appeared generally as Moralists, Poets or Priests, did, without neglecting the Mechanical province, deal chiefly with the Dynamical; applying themselves chiefly to regulate, increase and purify the inward primary powers of man; and fancying that herein lay the main difficulty, and the best service they could undertake. But a wide difference is manifest in our age. For the wise men, who now appear as Political Philosophers, deal exclusively with the Mechanical province; and occupying themselves in counting-up and estimating men's motives, strive by curious checking and balancing, and other adjustments of Profit and Loss, to guide them to their true advantage”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

Love, Men, Age, Fear

“They are not like the – patron’s hands or the – blessing hands of the curate – They resemble their tools, mountains, tree trunks… The time is approaching when machines will – work FOR them – Then he will have hands like his boss – WHY NOT? – He's on the way – HIS LIFE begins TODAY [written text in his painting 'Les mains – hommage a Majakovski', 1951 - [ Vladimir Mayakovsky was a Russian Futurist poet].”

Fernand Léger (1881–1955) French painter

Quotes of Fernand Leger, 1950's
Source: Fernand Léger – The Later Years -, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 68

Life, Way, Mountain, Tree

“Sometimes I think Johnson´s Lives of the English Poets is all I need to be happy.”

Adolfo Bioy Casares (1914–1999) Argentine novelist

"A veces pienso que La vida de los poetas de Johnson es todo lo que necesito para ser feliz."
Descanso de caminantes, 2001.

Happiness, Thinking

“A book of poems should have almost as many dedications as titles for the poet must always sing for some friend whether the friend knows it or not”

Harriet Monroe (1860–1936) American poet and editor

Dedication 'You and I' Macmillan, New York October 1914
Other Quotes

Books, Singing

“It was from him I learned that the stage is too coarse a medium for the works of the supreme poet; Shakespeare's depths can only be plumbed in the solitude of the study. So I used to shut myself up and plumb away for hours, and I acquired such aptitude that for a time there was a belief that I might pipe Shakespeare into young minds of the rest of my days, as a full-fledged academic plumber.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Shakespeare over the Port (1960)

Solitude, Study, Learning, Time

“No state sorrier than that of the man who keeps up a continual round, and pries into "the secrets of the nether world," as saith the poet, and is curious in conjecture of what is in his neighbour's heart.”

Marcus Aurelius book Meditations

II, 13
Meditations (c. 121–180 AD), Book II

Secret, World, Heart

“The public has an unusual relationship to the poet: It doesn't even know that he is there.”

Karl Shapiro (1913–2000) Poet, essayist

"Poets, Critics, and Readers" (1959)

“Poetry begins in trivial metaphors, pretty metaphors, "grace" metaphors, and goes on to the profoundest thinking that we have. Poetry provides the one permissible way of saying one thing and meaning another. People say, "Why don’t you say what you mean?" We never do that, do we, being all of us too much poets. We like to talk in parables and in hints and in indirections — whether from diffidence or some other instinct.”

Robert Frost (1874–1963) American poet

" Education by Poetry http://www.en.utexas.edu/amlit/amlitprivate/scans/edbypo.html", speech delivered at Amherst College and subsequently revised for publication in the Amherst Graduates’ Quarterly (February 1931) 1930s

People, Way, Thinking

“O Divine Poet, me thy Verses please
More than soft slumber laid in quiet ease.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Bucolicks

“Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight… for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool…. Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen… [motions to Dean] you are looking at the end result!”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given at a Dean Martin Celebrity Roast. Viewable here http://www.youtube.com/watch?v=VlKR0i-51S4.

Health, World, Way, Quotes

“Every poet has trembled on the verge of science.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

July 18, 1852
Journals (1838-1859)

Science

“It occurred to me that I would like to be a poet. The chief qualification, I understand is that you must be born. Well, I hunted up my birth certificate, and found that I was all right on that score.”

Saki (1870–1916) British writer

"Reginald's Rubaiyat"
Reginald (1904)

Birth, Understanding

“The duty of a lyrical poet is not to express or explain, it is to intensify life.”

James Stephens (1882–1950) Irish writer

Collected Poems (London: Macmillan, 1954) p. xii.

Life

“For those who have dwelt in depression’s dark wood, and known its inexplicable agony, their return from the abyss is not unlike the ascent of the poet, trudging upward and upward out of hell’s black depths and at last emerging into what he saw as “the shining world.” There, whoever has been restored to health has almost always been restored to the capacity for serenity and joy, and this may be indemnity enough for having endured the despair beyond despair.
: E quindi uscimmo a riveder le stelle.
And so we came forth, and once again beheld the stars.”

William Styron book Darkness Visible

Source: Darkness Visible (1990), X

Health, World, Star, Hell

“In social terms the identification of poet with teacher is now complete. The first question one poet now asks another upon being introduced is "Where do you teach?" The problem is not that poets teach. The campus is not a bad place for a poet to work. It's just a bad place for all poets to work. Society suffers by losing the imagination and vitality that poets brought to public culture. Poetry suffers when literary standards are forced to conform with institutional ones.”

Dana Gioia (1950) American writer

Essays, Can Poetry Matter? (1991)

Imagination, Question, Problem, Suffering

“In my own prejudice … I would have of a poet … whose worlds would not be too esoteric … fond of talking … capable of pity and laughter … appreciative of women … involved in personal relationships … susceptible to physical impressions…”

Louis MacNeice (1907–1963) poet

Qualities of a poet from Modern Poetry 1938.

Women, World, Laughter, Personality

“Even sticking to the higher plane of love, is it so very obvious that you can't love more than one person? We seem to manage it with parental love (parents are reproached if they don't at least pretend to love all their children equally), love of books, of food, of wine (love of Chateau Margaux does not preclude love of a fine Hock, and we don't feel unfaithful to the red when we dally with the white), love of composers, poets, holiday beaches, friends... why is erotic love the one exception that everybody instantly acknowledges without even thinking about it?”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Banishing the Green-Eyed Monster http://newsweek.washingtonpost.com/onfaith/panelists/richard_dawkins/2007/11/banishing_the_greeneyed_monste.html, November 2007.

Love, Children, Books, Unfaithfulness

“Travellers like poets are mostly an angry race.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

"Narrative of a Trip to Harar" (11 June 1855); published in The Journal of the Royal Geographical Society (June 1855)

Travel

“How do things stand, now, if the subject contains a large element of pathos?... Consider such an interesting subject as the scene taking place around the bed of a dying woman, for example; seize and render that ensemble by photography, if that is possible [photography was a very recent invention in Paris ca. 1853, a. o. by the photographer Nadar ]: it will be falsified in a thousand ways. The reason is that, according to the degree of your imagination, the subject will appear to you more or less beautiful, you will be more or less the poet in that scene in which you are an actor; you see only what is interesting, whereas the instrument puts in everything.”

Eugène Delacroix (1798–1863) French painter

In Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 233
quote circa 1853, in which Delacroix relates painting to theater from the view of the visitor / spectator
1831 - 1863

Beauty, Way, Imagination, Appearance

“Richard Chase declares, "No great poet has written so much bad verse as Emily Dickinson." He blames the Victorian cult of little women for the fact that "two thirds of her work" is seriously flawed: "Her coy and oddly childish poems of nature and female friendship are products of a time when one of the careers open to women was perpetual childhood." Dickinson's sentimental feminine poems remain neglected by embarrassed scholars. I would maintain, however, that her poetry is a closed system of sexual reference and that the mawkish poems are designed to dovetail with those of violence and suffering.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 637

Women, Friendship, Nature, Suffering

“God is the poet, men are only the actors.”

Jean-Louis Guez de Balzac (1597–1654) French author, best known for his epistolary essays

Dieu est le poète et les hommes ne sont que les acteurs.
Socrate Chrétien, Discours VIII.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 42.
Socrate Chrétien (1662)

Men, God

“…even in the folly of youth we know that nothing lasts, but … even in that folly we are afraid that maybe Nothing will last, that maybe Nothing will last forever, and anything is better than Nothing.… So now, as another poet sings, That Fancy passed me by And nothing will remain; which, praise the gods, is a damned lie since, praise, O gods! Nothing cannot remain anywhere since nothing is vacuum and vacuum is paradox and unbearable and we will have nothing of it even if we would, the damned-fool poet's Nothing.”

William Faulkner book The Town

Gavin Stevens in Ch. 8
The two lines quoted — not altogether accurately — are from A. E. Housman, A Shropshire Lad (1896), XVIII:And now the fancy passes by
And nothing will remain.
The Town (1957)

God, Lie, Youth, Fools

“The title of poet's a noble thing, worth living and dying for,
Though all the devils on earth and in Hell spit at me their disdain.
It is stern work, it is perilous work, to thrust your hand in the sun
And pull out a spark of immortal flame to warm the hearts of men:
But Prometheus, torn by the claws and beaks whose task is never done,
Would be tortured another eternity to go stealing fire again.”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), The Proud Poet

Men, Hell, Sun, Heart

“I take unceasing delight in Chaucer. His manly cheerfulness is especially delicious to me in my old age. How exquisitely tender he is, and yet how perfectly free from the least touch of sickly melancholy or morbid drooping! The sympathy of the poet with the subjects of his poetry is particularly remarkable in Shakspeare and Chaucer; but what the first effects by a strong act of imagination and mental metamorphosis, the last does without any effort, merely by the inborn kindly joyousness of his nature. How well we seem to know Chaucer! How absolutely nothing do we know of Shakspeare!”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

15 March 1834
Table Talk (1821–1834)

Age, Imagination, Nature, Effort

“Even in the act of composition, the poet is in a state in which the reflective elements are subordinated to the intuitive. The vision, however, is not operative for so long as it continues, its very stress acts as a check on expression.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

“The Vedic hymns were sung in post glacial times (8,000BC) by poets who had inherited their knowledge or contents thereof from their antediluvian forefathers.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

[Ashok Pant, The Truth of Babri Mosque, http://books.google.com/books?id=39tW7k_0MI4C&pg=PA15, August 2012, iUniverse, 978-1-4759-4289-7, 15–]

Knowledge, Time

“The movie stars Michelle Pfeiffer as LouAnne Johnson… [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas… [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/dangerous-minds-1995 Dangerous Minds (11 August 1995) Reviews, One-and-a-half star reviews

Education, School, Star, Reading

“There have been many most excellent poets that never versified, and now swarm many versifiers that need never answer to the name of poets.”

Philip Sidney (1554–1586) English diplomat

Page 87.
An Apology of Poetry, or The Defence of Poesy (1595)

“How very bright this empire of stars, he mused. Which poet had said that?”

Stephen R. Lawhead (1950) American writer

Source: The Bone House (2011), p. 55

Star

“It is possible to become a painter, a sculptor, or a musician by study, but not a dramatic poet; a man is so either at once or never, as he is blonde or brown, and cannot help it.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

On peut devenir un peintre, un sculpteur, un musicien même à force d'étude; on ne devient pas un auteur dramatique. On l'est tout de suite ou jamais, comme on est blond ou brun, sans le vouloir.
Preface to Le Père Prodigue (1859), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 3, p. 199; translation by E. P. Evans from The Atlantic Monthly, May 1890, pp. 584-5.

Study, Help

“Now, there are some, and I don’t just mean Communists like you, but thinking men of all political parties, who think that not many of these gods actually exist. Some believe that ‘’none’’ of them exist. There’s just us and an ocean of darkness around us. I’m no philosopher or poet, how would I know the truth? It’s true that all these gods seem to do awfully little work—much like our politicians—and yet keep winning reelection to their golden thrones in heaven, year after year. That’s not to say that I don’t respect them, Mr. Premier! Don’t you ever let that blasphemous idea into your yellow skull. My country is the kind where it pays to play it both ways: the Indian entrepreneur has to be straight and crooked, mocking and believing, sly and sincere, at the same time.”

Aravind Adiga book The White Tiger

The First Night.
The White Tiger (2008)

Men, God, Truth, Way

“To imagine is the characteristic act, not of the poet's mind, or the painter's, or the scientist's, but of the mind of man.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

"The Reach of Imagination" (1967)

Imagination

“Those who present directly and immediately the new forms and symbols are the artists — the dramatists, the musicians, the painters, the dancers, the poets, and those poets of the religious sphere we call saints. They portray the new symbols in the form of images — poetic, aural, plastic, or dramatic, as the case may be. They live out their imaginations.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22

Imagination

“But where does by far the bulk, the whole ambulance load, of pain really come from? Where must it come from? Isn't the true poet or painter a seer? Isn't he, actually, the only seer we have on earth? Most apparently not the scientist, most emphatically not the psychiatrist.”

Jerome David Salinger book Raise High the Roof Beam, Carpenters and Seymour: An Introduction

Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963), Seymour: An Introduction (1959)

Pain

“Alas, tears are the poet's heritage!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Juliet after the Masquerade. By Thompson
The Troubadour (1825)

Tear

“The word "Sanskrit" means "prepared, pure, refined or perfect". It was not for nothing that it was called the "devavani" (language of the Gods). It has an outstanding place in our culture and indeed was recognized as a language of rare sublimity by the whole world. Sanskrit was the language of our philosophers, our scientists, our mathematicians, our poets and playwrights, our grammarians, our jurists, etc. In grammar, Panini and Patanjali (authors of Ashtadhyayi and the Mahabhashya) have no equals in the world; in astronomy and mathematics the works of Aryabhatta, Brahmagupta and Bhaskar opened up new frontiers for mankind, as did the works of Charak and Sushrut in medicine.”

Markandey Katju (1946) Indian judge

On Sanskrit, as quoted in the transcript of a speech, titled "Sanskrit as a Language of Science" http://www.iisc.ernet.in/misc/bang_speech.html and delivered on 13 October 2009, published by Indian Institute of Science, Bangalore

God, World, Mathematics, Perfection

“It is impossible for a poet to fashion the voice deliberately by contrivance and experiment; it could not be discovered or simulated through the cultivation of an eccentric diction or prosody, or by the employment of regional speech rhythms and patterns.”

Vernon Scannell (1922–2007) British boxer and poet

A Proper Gentleman, 1977

Fashion

“Shakespeare is not our poet, but the world's,
Therefore on him no speech! and brief for thee,
Browning! Since Chaucer was alive and hale,
No man hath walked along our roads with step
So active, so inquiring eye, or tongue
So varied in discourse.”

Walter Savage Landor (1775–1864) British writer

To Robert Browning (1846). Compare: "Nor sequent centuries could hit/ Orbit and sum of Shakespeare's wit", Ralph Waldo Emerson, May-Day and Other Pieces, Solution.

World

“I am not as these are, the poet saith
In youth's pride, and the painter, among men
At bay, where never pencil comes nor pem”

Dante Gabriel Rossetti (1828–1882) English poet, illustrator, painter and translator

from Not As These in The House of Life 1870 kindle ebook ASIN B0082R81E8

Men, Youth

“One of the loveliest daughters of that land,
Divinest Greece! that taught the painter's hand
To give eternity to loveliness;
One of those dark-eyed maids, to whom belong
The glory and the beauty of each Song
Thy poets breathed, for it was theirs to bless
With life the pencil and the lyre's dreams,
Giving reality to visioned gleams
Of bright divinities.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Leander and Hero from The London Literary Gazette (22nd February 1823)
The Vow of the Peacock (1835)

Life, Beauty, Dreams, Reality

“Antagoras the poet was boiling a conger, and Antigonus, coming behind him as he was stirring his skillet, said, "Do you think, Antagoras, that Homer boiled congers when he wrote the deeds of Agamemnon?" Antagoras replied, "Do you think, O king, that Agamemnon, when he did such exploits, was a peeping in his army to see who boiled congers?"”

Plutarch (46–127) ancient Greek historian and philosopher

46 Antigonus I
Apophthegms of Kings and Great Commanders

Thinking

“The violinist must possess the poet's gift of piercing the protective hide which grows on propagandists, stockbrokers and slave traders, to penetrate the deeper truth which lies within.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: The complete violinist: thoughts, exercises, reflections of an itinerant violinist http://books.google.co.in/books?id=qC0xAQAAIAAJ, Summit Books, 1 April 1986, p. 95

Truth

“Master Gascoigne is not to bee abridged of his deserved esteeme, who first beate the path to that perfection which our best Poets have aspired too since his departure.”

George Gascoigne (1525–1577) English politician and poet

Thomas Nashe, Preface to Robert Greene's Menaphon (1589), cited from G. Gregory Smith (ed.) Elizabethan Critical Essays (Oxford: Oxford University Press, 1904) vol. 1, p. 315.
Criticism

Departure, Bee, Perfection

“If they leave college thinking, as they usually do, that science offers a full, accurate, and literal description of man and Nature; if they think scientific research by itself yields final answers to social problems; if they think scientists are the only honest, patient, and careful workers in the world; if they think that Copernicus, Galileo, Newton, Lavoisier, and Faraday were unimaginative plodders like their own instructors; if they think theories spring from facts and that scientific authority at any time is infallible; if they think that the ability to write down symbols and read manometers is fair grounds for superiority and pride, and if they think that science steadily and automatically makes for a better world — then they have wasted their time in the science lecture room; they live in an Ivory Laboratory more isolated than the poet's tower, and they are a plain menace to the society they belong to. They are a menace whether they believe all this by virtue of being engaged in scientific work themselves or of being disqualified from it by felt or fancied incapacity.”

Jacques Barzun (1907–2012) Historian

On students, in Teacher in America (1945)

World, Spring, Nature, Problem

“The poet is a particular kind of expert.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

Singing School

“Men saw the stars at the edge of the sea
They thought great thoughts about liberty
Poets wrote down words that did fit
Writers wrote books
Thinkers thought about it.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Take It Where You Find It
Song lyrics, Wavelength (1978)

Men, Books, Star, Sea

“I conceive it is a vulgar error in translating poets, to affect being fidus interpres… [for] poetry is of so subtile a spirit, that in the pouring out of one language into another, it will all evaporate; and if a new spirit be not added in the transfusion, there will remain nothing but a caput mortuum, there being certain graces and happinesses peculiar to every language, which give life and energy to the words… therefore if Virgil must needs speak English, it were fit he should speak not only as a man of this nation, but as [a] man of this age.”

John Denham (1615–1669) English poet and courtier

The Destruction of Troy (1656), Preface.

Life, Happiness, Age, Error

“Souls of Poets dead and gone,
What Elysium have ye known,
Happy field or mossy cavern,
Choicer than the Mermaid Tavern?”

John Keats (1795–1821) English Romantic poet

"Lines on the Mermaid Tavern", l. 1–4
Poems (1820)

Happiness, Soul, Dead

“A story is told according to which Saint-Pol-Roux, in times gone by, used to have a notice posted on the door of his manor house in Camaret, every evening before he went to sleep, which read: ‘THE POET IS WORKING’.”

André Breton (1896–1966) French writer

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Sleep, Time, Reading, Housing

“It needs a poet like Schwitters to show us that unobserved elements of beauty are strewn and spread all around us and we can find them everywhere in the portentous as well as in the insignificant, if only we care to look, to choose and to fit them into a comely order.”

Naum Gabo (1890–1977) Russian sculptor

Attributed to Gabo in: Andrew Lambirth (2013) " Finding beauty in junk http://www.spectator.co.uk/arts/exhibitions/8839071/finding-beauty-in-junk/" in: The Spectator 9 February 2013 1936 - 1977

Beauty

“The young come to us creatures of imagination and strong affection; they want to feel, but they don’t know how—that is to say, they do not know the right objects and the right measures. And it is entirely certain that if we leave them to the sort of education obtainable today for extra-scholastic sources, the great majority will be schooled in the two vices of sentimentality and brutality. Now great poetry, rightly interpreted, is the surest antidote to both of these. In contrast with journalists and others, the great poets relate the events of history to a pure or noble metaphysical dream, which our students will have all their lives as a protecting arch over their system of values.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 51.
Language is Sermonic (1970)

Education, School, Dreams, Feeling

“There is joy over disappointment
And delight in hopes that were vain.
Each poet is glad there was no cure
To stop his lonely pain.
For nothing keeps a poet
In his high singing mood
Like unappeasable hunger
For unattainable food.”

Joyce Kilmer (1886–1918) American poet, editor, literary critic, soldier

Main Street and Other Poems (1917), Apology

Hunger, Pain, Food, Hope

Quotes about poet page 6

Quotes about poet
page 6