
"A NOTE TO THOSE GROWNUPS WHO MIGHT READ THIS BOOK TO CHILDREN", as translated by Antonio T. de Nicolas (1985), p. xv.
Platero and I (1917)
"A NOTE TO THOSE GROWNUPS WHO MIGHT READ THIS BOOK TO CHILDREN", as translated by Antonio T. de Nicolas (1985), p. xv.
Platero and I (1917)
Speech in Birmingham (29 October 1858), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 275.
1850s
Robert Gould Shaw: Oration upon the Unveiling of the Shaw Monument http://www.holycross.edu/departments/english/sluria/wjspeech.htm (31 May 1897)
1910s, Memories and Studies (1911)
“The poet never asks for admiration; he wants to be believed.”
Newsweek (7 April 1958)
Source: Embodiments of Mind, (1965), p. 347 cited in: Roberto Moreno-Díaz, José Mira, Warren Sturgis McCulloch (1996) Brain processes, theories, and models: an international conference in honor of W.S. McCulloch 25 years after his death. p. 9
"Recent Poetry," The Yale Review (Autumn 1955) [p. 231]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)
"Hypothesis and Imagination" (Times Literary Supplement, 25 Oct 1963)
1960s
The Pilgrim, Chapter 33
Song lyrics, The Silver Tongued Devil and I (1971)
Radio broadcast http://www.rte.ie/archives/exhibitions/eamon-de-valera/719124-address-by-mr-de-valera/, "On Language & the Irish Nation" (17 March 1943), often called "The Ireland that we dreamed of" speech
“Such were the notes thy once lov'd poet sung,
Till death untimely stopp'd his tuneful tongue.”
"Epistle to Robert, Earl of Oxford and Mortimer" preface to Thomas Parnell's Poems on Several Occasions (1721).
“A satirical poet is the check of the laymen on bad priests.”
Preface to the Fables.
Fables, Ancient and Modern (1700)
The Greek Anthology (p. 59)
Classics Revisited (1968)
Addendum for C
Drafts and Fragments of Cantos CX-CXVII
“The poet should touch our heart by showing his own”
Quote by Thomas Hardy from The life of Thomas Hardy 1840-1928 by Florence Emily Hardy ASIN: B0027MJJSI Macmillan (1 Jan 1962)
Attributed
Lectures on Rhetoric and Belles Lettres (1784), Lecture XLIII: Homer's Iliad and Odyssey—Virgil's Aeneid.
Source: Essay on Translated Verse (1684), Line 95.
Shakespeare's Sonnets, Facsimile of the First Edition 1609, ed. S. Lee, 1905
Quote of Malevich, Nov. 1915; as cited by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 26
1910 - 1920
“Let me remain a traveler
Searching my meaning ever.
Let me remain a poet
Singing my reason simple.”
From the poem Let me remain a poet
Song of a Bard and Other Poems (2005)
“The rhythm of poetry and the routine of work are interdependent for some poets”
'Sing for the Taxman-Poetry Magazine-Poetry Foundation May 1 2009
Poetry Quotes
“Fifty Years of American Poetry”, p. 329
The Third Book of Criticism (1969)
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
“To a poet nothing can be useless.”
Source: The History of Rasselas, Prince of Abissinia (1759), Chapter 10
Source: The Literary Character, Illustrated by the History of Men of Genius (1795–1822), Ch. III.
Source: Enigmas Of Chance (1985), Chapter 1, The Beginning, p. 11.
The Music of Poetry (24 February 1942) the third W. P. Ker memorial lecture delivered in the University of Glasgow
Kālidāsa: His Art and Culture by Ram Gopal (1984)
Collected Essays in Literary Criticism (1938)
Literary Quotes
“Chameleons feed on light and air:
Poets' food is love and fame.”
An Exhortation http://www.poetryconnection.net/poets/Percy_Bysshe_Shelley/2579 (1819), st. 1
“I’m the authentic poet to get lyrical
For you to beat me, it’s gonna take a miracle.”
"Ain't No Half Steppin'"
Albums, Long Live the Kane (1988)
“Love is a boy by poets styl'd;
Then spare the rod and spoil the child.”
Canto I, line 843
Source: Hudibras, Part II (1664)
Quote (1900), # 121, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902
Örn Úlfar
Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland
The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter III. Greece and Rome
“High poet, pride of the English squires,
I would be just a nettle in your garden.”
Poete hault, loenge d'escuiye,
En ton jardin ne seroie qu'ortie.
"Grant translateur, noble Geoffroy Chaucier" line 31; text and translation from Ian S. Laurie and Deborah M. Sinnreich-Levi (eds.), David Curzon and Jeffrey Fiskin (trans.) Eustache Deschamps: Selected Poems (London: Routledge, 2003) pp. 70-71.
“There is a pleasure in poetic pains
Which only poets know.”
Source: The Task (1785), Book II, The Timepiece, Line 285.
Source: Utopia of Usurers (1917), pp. 15-17
Why I Am Not a Painter (l. 24-28) (1976).
My Literary Passions (1895)
Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm
Le poète est ainsi dans les Landes du monde.
Lorsqu'il est sans blessure, il garde son trésor.
Il faut qu'il ait au cœur une entaille profonde
Pour épancher ses vers, divines larmes d'or!
"Le Pin des Landes", line 13, in Poésies Complètes (Paris: Charpentier, 1845) p. 323; Miroslav John Hanak (ed.) Romantic Poetry on the European Continent (Washington: University Press of America, 1983) vol. 1, p. 415.
“Whatever is praised everywhere else yields to Spain alone. It is she that spawns the toughest soldiers, the most experienced generals, the most eloquent orators, the most famous poets; she is the mother of judges—and the mother of Emperors. She gave the Empire the great Trajan, and then Hadrian; to her the Empire is indebted for you [Theodosius I].”
Dum Hispaniae uni quidquid ubique laudatur adsurgat. Haec durissimos milites, haec experientissimos duces, haec facundissimos oratores, haec clarissimos uates parit, haec iudicum mater haec principum est. Haec Traianum illum, haec deinceps Hadrianum misit imperio; huic te debet imperium.
"Panegyric of Theodosius" (389), as recorded in the Panegyrici Latini. Translation from C. E. V. Nixon and Barbara Saylor Rodgers, In Praise of Later Roman Emperors: The Panegyrici Latini (1994), p. 452 https://books.google.com/books?id=0WlC_UtU8M4C&pg=PA452&dq=%22It+is+she+that+spawns+the+toughest+soldiers%22&hl=en&sa=X#v=onepage&q=%22It%20is%20she%20that%20spawns%20the%20toughest%20soldiers%22&f=false, original Latin at p. 649 https://books.google.com/books?id=0WlC_UtU8M4C&pg=PA649&dq=%22It+is+she+that+spawns+the+toughest+soldiers%22&hl=en&sa=X#v=onepage&q=%22Haec%20durissimos%20milites%22&f=false.
Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens
“Walt Whitman's a hell of a lot more revolutionary than any Russian poet I've ever heard of.”
Response to the questionnaire "Whiter the American Writer?" in Modern Quarterly, Summer 1932
“Poets, Critics, and Readers”, p. 109
No Other Book: Selected Essays (1999)
From 'Sonnet - to Expression', Poems 1786, kindle ebook ASIN B00849523Q
On his seventieth birthday (1926); as quoted in The Liberal Imagination (1950) by Lionel Trilling
1920s
Mettez un lieu commun en place, nettoyez-le, frottez-le, éclairez-le de telle sorte qu'il frappe avec sa jeunesse et avec la même fraîcheur, le même jet qu'il avait à sa source, vous ferez œuvre de poète. Tout le reste est littérature.
"Le Secret Professionnel" (originally published 1922); later published in Collected Works Vol. 9 (1950)
A Call to Order (1926)
Plunkitt of Tammany Hall, Chapter 16, Plunkitt’s Fondest Dream
Speech in defence of Aurobindo Ghosh in the Maincktala Bomb Case. The judgement was issued in 1909. Quoted by Dr. Nitish Sengupta in his “History of the Bengali-speaking People.”
Legal
Father Barron, Robert. Catholicism: A Journey to the Heart of the Faith (Kindle Locations 75-81). The Crown Publishing Group. Kindle Edition.
“The Collected Poems of Wallace Stevens”, p. 64
The Third Book of Criticism (1969)
" Artists of Resistance http://books.google.ca/books?id=qMYNNGiHQ0kC&pg=PT52&lpg=PT52#v=onepage&q&f=false", July 2001
Rival Caesars (1903)
The Artist and His Mirror, W. Baziotes, in Right Angle Vol. III, no. 2, Washington DC, June 1949
1940s
"A Few Words to a Young Writer" http://www.ursulakleguin.com/WordsYoungWriter.html (2008)
G. W. Pigman III, in The Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004) vol. 21, p. 585.
Criticism
As quoted in A Century of Sundays : 100 years of Breaking News in the Sunday Papers (2006) by Nadine Dreyer, p. 65 http://books.google.com/books?id=5rFGX4z8-S8C&pg=PA65&dq=%22Love+is+an+illusion;+it+is+the+world's+greatest+mistake%22&hl=en&sa=X&ei=NPAkT7mJDJKy0AH5vcXkCA&ved=0CDIQ6AEwAA#v=onepage&q=%22Love%20is%20an%20illusion%3B%20it%20is%20the%20world's%20greatest%20mistake%22&f=false
1850s, Two Discourses at Friday Communion (August 1851)
Source: Ode Occasioned by the Death of Mr. Thomson, (1748) http://www.luminarium.org/eightlit/collins/thomson.php, line 1.
"Therefore All Poems Are Elegies" in New Poems : 1940 : An Anthology of British and American Verse (1941) edited by Oscar Williams, p. 15
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 672
"The Obscurity of the Poet". p. 9
No Other Book: Selected Essays (1999)
Variant: How poet and public stared at each other with righteous indignation, till the poet said, “Since you won’t read me, I’ll make sure you can’t” — is one of the most complicated and interesting of stories.
1946 - 1963, interview with John Richardson' (1957)
“writers without books, poets without verses, painters without pictures p198”
“Dialectics and reflection play the same role for the philosopher as does verse for the poet.”
Source: Nietzsche et la métaphore (1972), p. 13
Nobel lecture http://nobelprize.org/nobel_prizes/literature/laureates/1980/milosz-lecture-en.html (8 December 1980)
Source: An Introduction to English Poetry (2002), Ch. 3: The Training of the Poet (p. 21)
This passage has sometimes been paraphrased as "History is a cyclic poem written by Time upon the memories of man".
A Defence of Poetry http://www.bartleby.com/27/23.html (1821)
“It is a part of the poet's work to show each man what he sees but does not know he sees.”
As quoted in The Reader's Digest Great Encyclopedic Dictionary Special Supplement (1966), p. 2047
Interviewed in The Guardian http://www.guardian.co.uk/books/2002/aug/31/featuresreviews.guardianreview8, August 31, 2002.
Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 173
Source: 1920s, Prejudices, Third Series (1922), Ch. 3
Vidyapati, Kirtilata. Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Source: Castle Series, Castle in the Air (1990), pp. 16-17.
“Our Poets make us laugh at Tragœdy,
And with their Comoedies they make us cry.”
Prologue
The Rehearsal (1671)
"Charity" http://www.masielalushafoundation.org/
<p>Je suis belle, ô mortels! comme un rêve de pierre,
Et mon sein, où chacun s’est meurtri tour à tour,
Est fait pour inspirer au poète un amour
Eternel et muet ainsi que la matière.</p><p>Je trône dans l’azur comme un sphinx incompris;
J’unis un cœur de neige à la blancheur des cygnes;
Je hais le mouvement qui déplace les lignes,
Et jamais je ne pleure et jamais je ne ris.</p>
"La Beauté" [Beauty] http://fr.wikisource.org/wiki/La_Beaut%C3%A9_%28Les_Fleurs_du_mal%29
Les fleurs du mal (Flowers of Evil) (1857)
Letter to Anna (1814-09-28) [Letters of Jane Austen -- Brabourne Edition]
Letters
Letter to Coventry Patmore, published in The Letters of Gerard Manley Hopkins to Robert Bridges (1955), edited by C. C. Abbott, p. 263
Letters, etc