Quotes about poet
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“I rejoice to hear that you have begun Homer's Iliad; and have made so great a progress in Virgil. I hope you taste and love those authors particularly. You cannot read them too much: they are not only the two greatest poets, but they contain the finest lessons for your age to imbibe: lessons of honour, courage, disinterestedness, love of truth, command of temper, gentleness of behaviour, humanity, and in one word, virtue in its true significance.”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Letter to his nephew, Thomas Pitt (12 October 1751), quoted in W. S. Taylor and J. H. Pringle (eds.), The Correspondence of William Pitt, Earl of Chatham (London: 1838), p. 62.

Love, Truth, Age, Hope

“The best poetry of the second World war written by both British & American servicemen need not fear comparison with the generally more well highly regarded work of the 1914-18 poets.”

Vernon Scannell (1922–2007) British boxer and poet

Introductory Essay 'Setting the Scene'
Not Without Glory, 1976

War, World, Fear

“Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. …After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

Children, Age, Flowers, Idea

“LSD, yeah, the big parade – everybody's doin' it now. Take LSD, then you are a poet, an intellectual. What a sick mob. I am building a machine gun in my closet now to take out as many of them as I can before they get me.”

Charles Bukowski (1920–1994) American writer

in a letter to Steven Richmond (Published in Charles Bukowski: Locked in the Arms of a Crazy Life by Howard Sounes)
Letters

“A poet’s Mistress is a hallowed thing.”

Richard Monckton Milnes, 1st Baron Houghton (1809–1885) British politician and poet

Tempe.

“In my view, the composer, just as the poet, the sculptor or the painter, is in duty bound to serve Man, the people. He must beautify human life and defend it. He must be a citizen first and foremost, so that his art might consciously extol human life and lead man to a radiant future. Such is the immutable code of art as I see it.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 136; from his "Music and Life" (1951).
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Life, People, Art, Future

“[Robert Lowell] is a poet of both Will and Imagination, but his Will is always seizing his Imagination by the shoulders and saying to it in a grating voice: “Don’t sit there fooling around; get to work!” — and his poor Imagination gets tense all over and begins to revolve determinedly and familiarly, like a squirrel in a squirrel-cage. Goethe talked about the half-somnambulistic state of the poet; but Mr. Lowell too often is either having a nightmare or else is wide awake gritting his teeth and working away at All The Things He Does Best. Cocteau said to poets: Learn what you can do and then don’t do it; and this is so—we do it enough without trying. As a poet Mr. Lowell sometimes doesn’t have enough trust in God and tries to do everything himself: he proposes and disposes — and this helps to give a certain monotony to his work.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Three Books”, p. 236
Poetry and the Age (1953)

God, Fools, Imagination, Learning

“Every great architect is — necessarily — a great poet. He must be a great original interpreter of his time, his day, his age.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

The Future of Architecture (1953)

Age, Time

“It is important for the poet not to be emotional because you cannot see the world clearly with tears in your eyes.”

Billy Collins (1941) American poet

Interview with Kritya: In the Name of Poetry

World, Tear

“To suppose that chemistry and poetry are incompatible (as I am sure Prof Donnan would not do!), or that biology is inconsistent with a religious outlook on the world (I don not say with theology!) is to misunderstand entirely what the human mind, by contemplation and experiment, has achieved. By extreme specialization at intervals, by overloading the machine to its limit, discoveries and progress are made: but their bearing is best seen by letting the engine idle and giving oneself time to look around. The chemist and the poet are both right, the biologist and the saint: and each must pull up now and then to find whither he is going and to adjust his spectacles.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

World, Time

“Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice; With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress; In the deserts of the heart
Let the healing fountains start,
In the prison of his days
Teach the free man how to praise.”

W. H. Auden (1907–1973) Anglo-American poet

Source: In Memory of W.B. Yeats (1939), Lines 66–77

Singing, Heart, Night

“But for a few phrases from his letters and an odd line or two of his verse, the poet walks gagged through his own biography.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

On T. S. Eliot (1984) by Peter Ackroyd, in which the Eliot estate forbade quotation from Eliot’s books and letters, The New Yorker (25 March 1985)

“Shall we say, for example, that Science and Art are indebted principally to the founders of Schools and Universities? Did not Science originate rather, and gain advancement, in the obscure closets of the Roger Bacons, Keplers, Newtons; in the workshops of the Fausts and the Watts; wherever, and in what guise soever Nature, from the first times downwards, had sent a gifted spirit upon the earth? Again, were Homer and Shakspeare members of any beneficed guild, or made Poets by means of it? Were Painting and Sculpture created by forethought, brought into the world by institutions for that end? No; Science and Art have, from first to last, been the free gift of Nature; an unsolicited, unexpected gift; often even a fatal one.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1820s, Signs of the Times (1829)

World, School, Art, Nature

“As any poet knows, a system is a way of looking at the world.”

Gerald M. Weinberg (1933–2018) American computer scientist

Source: Introduction to General Systems Thinking, 1975, p. 52

World, Way

“…we must go to the poets to see what they all meant by it; but the sum is an emotion — clear and strong as love and much clearer than logic,— whose charm lies in its unstable balance. The Transition is the equilibrium between the Love of God,— which is Faith, and the Logic of God,— which is Reason; between the round arch and the pointed. One may not be sure which pleases most, but one need not be harsh towards people who think that the moment of balance is exquisite. The last and highest moment is seen at Chartres where, in 1200, the charm depends on the constant doubt whether emotion or science is uppermost.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, God, People, Faith

“I said I knew a very wise man so much of Sir Christopher's sentiment, that he believed if a man were permitted to make all the ballads he need not care who should make the laws of a nation, and we find that most of the ancient legislators thought that they could not well reform the manners of any city without the help of a lyric, and sometimes of a dramatic poet.”

Andrew Fletcher (1961–2022) English musician, member of Depeche Mode

An ACCOUNT of A CONVERSATION concerning A RIGHT REGULATION of GOVERNMENTS For the common Good of Mankind: In A LETTER to the Marquiss of Montrose , the Earls of Rothes, Roxburg and Haddington , From London the first of December, 1703'. Later variants express the sentiment in the first person, e.g.: Let me make the songs of a nation, and I care not who makes its laws. Give me the making of a people's songs, and I care not who makes its laws. They may also substitute equivalent words, such as "songs" for "ballads" or "country" for "nation". The sentiment is sometimes attributed to Plato, but does not appear in his works. Austin Matzko has discovered http://www.ilfilosofo.com/blog/2006/10/20/what-plato-might-have-said-but-didnt/ that the mistaken attribution probably originated in an ambiguous sentence in Donald J. Grout's A History of Western Music (1973, p. 8).

Law, Help

“The inversion theory has a long and fascinating history in the discussion of vertebrate origins. The founding version dates to the early nineteenth century and became the centerpiece of a movement often called "transcendental biology," and centered on the attempt to reduce organic diversity to one or a very few archetypal building blocks that could generate all actual anatomies as products of rational laws of transformation. Some of Europe's greatest thinkers participated in this grand, if flawed enterprise. Goethe, Germany's preeminent poet-scientist, tried to explain the varied parts of plants as different manifestations of an archetypal leaf.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Brotherhood by Inversion", p. 325
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Law, History, Parting

“When an Englishman has professed his belief in the supremacy of Shakespeare amongst all poets, he feels himself excused from the general study of literature. He also feels himself excused from the particular study of Shakespeare.”

Aubrey Beardsley (1872–1898) English illustrator and author

Table Talk" p. 63
Under the Hill and Other Essays (1904)

Feeling, Literature, Study

“It is not uninteresting to observe in society the opinions of its different classes respecting honours conferred on science. Military and naval men, especially the most eminent, feel that genius is limited by no profession, and themselves sympathizing with it, would gladly hail as brothers in the same distinction, the philosopher and the poet. With lawyers the case is reversed; genius dwells not in their courts : industry and acuteness, monopolised by one absorbing professional subject, exclude larger views; and ribbons not being amongst the honoraria of their own profession, they reprobate their application to science. To this there are, however, some noble exceptions. Amongst the brightest ornaments, of their own profession, men are to be found of larger experience and more extended views than it often produces, who are themselves qualified to have become discoverers in other sciences. It is much to be regretted when such powers are applied to the mere administration, instead of to the reformation, of the laws of their country.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 224

Men, Law, Feeling, Science

“Four decades after the mullahs created the Khomeinist republic their revolution has not produced a single poet worth the name. Khomeini and Khamenei, both amateur poets, have produced nothing but frankly embarrassing imitations of classical ghazal without its charm. The last remaining great poets of the pre-revolution era are all in exile, among them Hushang Ebtehaj, Manuchehr Yektai, Yadollah Roya’i, Esmail Khoi, Muhammad Jalali, and Hadi Khorsandi. Inside Iran, some promising younger poets such as Sa’id Sultanpour, Heydar Mehregan, and, more recently, Hashem Shaabani were executed by the regime but gained posthumous popularity greater than any officially endorsed poet. At the same time, almost all of Iran’s poets, from the 9th century to this day, are either censored or, in rare cases, totally banned by the mullahs. Most poets of the past 100 years are on various blacklists established by the oxymoronically named Ministry of Islamic Guidance and Culture. And, yet, Khamenei calls on the government to prepare a plan, and allocate resources, to increase the production of poetry as if it were the same as centrifuges churning out enriched uranium.”

Amir Taheri (1942) Iranian journalist

When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Time, Past

“The poet is a god, or, the young poet is a god. The old poet is a tramp.”

Wallace Stevens (1879–1955) American poet

Opus Posthumous (1955), Adagia

God

“He is a prophet and not a poet and therefore his Koran is to be seen as Divine Law, and not as a book of a human being made for education or entertainment.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

On Muhammad, in Johann Wolfgang Goethe, Noten und Abhandlungen zum West-östlichen Diwan (1958), WA I, 7, 32; translator unknown

Books, Education, Law

“The poetic creation is nearly like the amazement state of a child who, in the first time, sees the strange phenomena of nature and finds out the human mysteries and complications… The poet is a selected person (temporarily called as a God-selected person), who is “granted a favour”in the spirit of Jesus Christ, or meets a “good fortune” in Buddhism.”

Mai Văn Phấn (1955) Vietnamese poet

Sáng tạo, tinh thần cho điểm đến - Nhà thơ Ko Hyeong Ryeol thực hiện PV http://maivanphan.vn/MaiVanPhan/32/398/781/1102/Tra-loi-phong-van/Sang-tao--tinh-than-cho-diem-den---Nha-tho-Ko-Hyeong-Ryeol-thuc-hien-PV.aspx

God, Nature, Time, Christ

“Through the mad mystic hammering of the wild ripping hail,
The sky cracked its poems in naked wonder,
That the clinging of the church bells blew far into the breeze
Leaving only bells of lightning and its thunder
Striking for the gentle, striking for the kind,
Striking for the guardians and protectors of the mind,
An’ the poet and the painter far behind his rightful time
An’ we gazed upon the chimes of freedom flashing.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Another Side of Bob Dylan (1964), Chimes of Freedom

Freedom, Time, Madness

“The poet is in command of his fantasy, while it is exactly the mark of the neurotic that he is possessed by his fantasy.”

Lionel Trilling book The Liberal Imagination

Freud and Literature
The Liberal Imagination (1950)

“These pieces have been and will, I think, during my life, continue to be to me the sources of daily and exalted pleasures. The tender and the sublime emotions of the mind were never before so wrought up by the human hand. I am not ashamed to own that I think this rude bard of the North the greatest poet that has ever existed. Merely for the pleasure of reading his works, I am become desirous of learning the language in which he sung, and of possessing his songs in their original form.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

Thomas Jefferson, letter to Charles McPherson, February 25, 1773, cited from H. A. Washington (ed.) The Writings of Thomas Jefferson (Washington, D.C.: Taylor & Maury, 1853) vol. 1, pp. 195-6.
Criticism

Life, Pleasure, Thinking, Learning

“His poetry may be divided into comic extravaganza on the one hand, and more personal work on the other. There is no one like him in the world in the former genre; as a "light poet" he is preferable to John Betjeman – as fluent in traditional forms, his work is never vitiated by refuge in the poetical or high sentimental, and his choice of words is subtler, funnier and altogether sharper. In his other vein Plomer is fastidious, reticent, elegant and the author of some memorable and moving lines.”

William Plomer (1903–1973) South African-British writer

Martin Seymour-Smith Guide to Modern World Literature (London: Hodder & Stoughton, [1973] 1975) vol. 1, p. 389.
Criticism

World, Light, Personality

“Modern civilization is so complex as to make the devotional life all but impossible. It wears us out by multiplying distractions and beats us down by destroying our solitude, where otherwise we might drink and renew our strength before going out to face the world again. … The thoughtful soul to solitude retires," said the poet of other and quieter times; but where is the solitude to which we can retire today? Science, which has provided men with certain material comforts, has robbed them of their souls by surrounding them with a world hostile to their existence.”

Aiden Wilson Tozer (1897–1963) American missionary

Of God and Men, p. 125

Life, Men, Hostility, World

“The anthology meets with two different kinds of reactions in living poets. They will either write toward the anthology or away from it. Anti-anthology poets often overreach themselves, inflicting protective distortions on their work - as parents in old Central Europe often deliberately maimed their sons to save them from compulsory military service.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Laura Riding and Robert Graves, from A Pamphlet Against Anthologies (Doubleday, 1928)

Parent

“The lesson is that dying men must groan;
And poets groan in rhymes that please the ear.”

John Wain (1925–1994) British writer

Poem Don't let's spoil it all, I thought that we were going to be such good friends.

Men

“All great poets become naturally, fatally, critics.”

Charles Baudelaire Richard Wagner and Tannhäuser in Paris

Tous les grands poètes deviennent naturellement, fatalement, critiques. XIV: "Richard Wagner et Tannhäuser à Paris" http://fr.wikisource.org/wiki/Richard_Wagner_et_Tannh%C3%A4user_%C3%A0_Paris_%28L%E2%80%99Art_romantique%29 L'art romantique (1869)

Nature

“Drill in exact translation is an excellent way of disposing the mind against that looseness and exaggeration with which the sensationalists have corrupted our world. If schools of journalism knew their business, they would graduate no one who could not render the Greek poets.”

Richard M. Weaver (1910–1963) American scholar

“The Power of the Word,” p. 53.
Language is Sermonic (1970)

World, School, Way, Business

“Volumes might be written upon the follies and imbecilities of great men. A full rounded man — a man of sterling sense and natural logic — is just as rare as a great painter, poet, or sculptor. If you tell your friend that he is not a painter, that he has no genius for poetry, he will probably admit the truth of what you say, without feeling that he has been insulted in the least. But if you tell him that he is not a logician, that he has but little idea of the value of a fact, that he has no real conception of what evidence is, and that he never had an original thought in his life, he will cut your acquaintance.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

The Great Infidels (1881)

Life, Men, Truth, Feeling

“Then Nature shaped a poet's heart — a lyre
From out whose chords the lightest breeze that blows
Drew trembling music.”

Emma Lazarus (1849–1887) American poet

Chopin http://www.poemhunter.com/poem/chopin/, IV

Music, Nature, Heart

“To be a poet is a condition rather than a profession.”

Robert Graves (1895–1985) English poet and novelist

Reply to questionnaire, "The Cost of Letters" in Horizon (September 1946).
General sources

“There is room neither for the poet nor for the contemplator in an egalitarian world.”

Jacques Maritain (1882–1973) French philosopher

Ransoming the Time (1941), p. 14.

World

“The great Egyptian age is but a remnant of The Atlantian culture.
The antediluvian kings colonised the world
All the gods who play in the mythological dramas
In all legends from all lands were from fair Atlantis.
Knowing her fate, Atlantis sent out ships to all corners of the Earth.
On board were the Twelve:
The Poet, the Physician, the Farmer, the Scientist,
The Magician and the other so-called Gods of our legends.
Though gods they were”

Donovan (1946) Scottish singer, songwriter and guitarist

Spoken prelude (varies slightly among versions)
Atlantis (1968)

God, Fate, Age, World

“Those who are placed in positions which demand the surrender of personality, which insist on strict conformity to definite political policies and opinions, must deteriorate, must become mechanical, must lose all capacity to give anything really vital. The world is full of such unfortunate cripples. Their dream is to “arrive,” no matter at what cost. If only we would stop to consider what it means to “arrive,” we would pity the unfortunate victim. Instead of that, we look to the artist, the poet, the writer, the dramatist and thinker who have “arrived,” as the final authority on all matters, whereas in reality their “arrival” is synonymous with mediocrity, with the denial and betrayal of what might in the beginning have meant something real and ideal. The “arrived” artists are dead souls upon the intellectual horizon. The uncompromising and daring spirits never “arrive.” Their life represents an endless battle with the stupidity and the dullness of their time. They must remain what Nietzsche calls “untimely,” because everything that strives for new form, new expression or new values, is always doomed to be untimely.”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

Intellectual Proletarians (1914)

Life, Stupidity, World, Dreams

“The player envies only the player, the poet envies only the poet.”

William Hazlitt (1778–1830) English writer

"On Envy"
The Plain Speaker (1826)

Envy

“The mountains are fountains of men as well as of rivers, of glaciers, of fertile soil. The great poets, philosophers, prophets, able men whose thoughts and deeds have moved the world, have come down from the mountains — mountain-dwellers who have grown strong there with the forest trees in Nature's workshops.”

John Muir (1838–1914) Scottish-born American naturalist and author

July 1890, pages 315-316
John of the Mountains, 1938

Men, World, Mountain, Nature

“As old Chaucer was wont to say, that broad famous English poet.”

Thomas Middleton (1580–1627) English playwright and poet

More Dissemblers besides Women (1614), Act i. Sc. 4.

“It is only when death releases the true poet from the embarrassing condition of being at once immortal and alive in the flesh that the people are prepared to honour him; and his spirit as it passes is saluted by a spontaneous display of public emotion. This explains the heavy black headlines in the Press of March 1944: ALUN LEWIS THE POET IS DEAD. Search the back-files and you will find no preparatory announcement: ALUN LEWIS WRITES GREAT POETRY.”

Alun Lewis (1915–1944) Welsh poet

Robert Graves, Ha! Ha! Among the Trumpets (London: George Allen and Unwin, 1945) p. 7.
Criticism

Death, People, Search, Dead

“Maeterlinck says that compared with ordinary truths mystic truths have strange privileges—they can neither age nor die. Beauty is eternal and ugliness, thank God, is ephemeral. Can there be any question as to which should attract the poet?”

Florence Earle Coates (1850–1927) American writer and poet

The New York Times (10 December 1916) From "Godlessness Mars Most Contemporary Poetry." http://query.nytimes.com/mem/archive-free/pdf?_r=1&res=9A0CE2D7153BE233A25753C1A9649D946796D6CF

God, Truth, Age, Beauty

“And when I say the world is governed by nothing but demons, who will continue to be demons until they have destroyed the world, I am not using profanities; on the contrary, demon is a scientific term, a formula covering a specific chemical composition without connotations from politics, religion, or moral philosophy.... Here among us on the lowest rung of the world of life, no attention is paid to books unless they are written by chemically analyzed demons, or at least for them. Poets and philosophers are respected in proportion to the contempt and disgust they feel for the creation of life. Give this day our daily war is the prayer of those who govern countries. Kill, kill, said the outlaw Skuggasveinn...”

Halldór Laxness book Kristnihald undir Jökli (bók)

Dr. Sýngmann
Kristnihald undir Jökli (Under the Glacier/Christianity at Glacier) (1968)

Life, War, Books, World

“Poets that lasting marble seek
Must come in Latin or in Greek.”

Edmund Waller (1606–1687) English poet and politician

Of English Verse (1668).
Poetical Works of Edmund Waller and Sir John Denham (1857)

“The Poet had, who had made a show of attaching no importance to this literary game (though it gnawed at his heart that he himself had not written such beautiful letters, provoking replies even more beautiful), and having no one with whom to fall in love, had fallen in love with the letters themselves — which, as Niketas remarked with a smile — was not surprising, since in youth we are prone to fall in love with love.”

Umberto Eco book Baudolino

Source: Baudolino (2000), Chapter 7, "Baudolino makes the Poet write love letters and poems to Beatrice"

Love, Youth, Smile, Beauty

“The modern poet is above all things honest. He does not write for fame nor for money. He merely writes to vent his own spleen, his own bitterness. His own sense of disparity between the ugliness of the world that is and the beauty of the world that might be.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Phases in English Poetry (1928)

Money, World, Beauty, Sense

“Two great poets are stronger than two thousand mediocrities”

Dana Gioia (1950) American writer

31
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

“A lyricist must be a poet by nature.”

Layal Abboud (1982) Lebanese pop singer

2014

Nature

“Thus Mr. Sale informs me, the old Arab Tribes would gather in liveliest gaudeamus, and sing, and kindle bonfires, and wreathe crowns of honour, and solemnly thank the gods that, in their Tribe too, a Poet had shewn himself. As indeed they well might; for what usefuller, I say not nobler and heavenlier thing could the gods, doing their very kindest, send to any Tribe or Nation, in any time or circumstances?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

God, Singing, Time

“It is well to start by distinguishing the few really great – the major novelists who count in the same way as the major poets, in the sense that they not only change the possibilities of the art for practitioners and readers, but that they are significant in terms of the human awareness they promote; awareness of the possibilities of life.”

F. R. Leavis book The Great Tradition

The Great Tradition: George Eliot, Henry James, Joseph Conrad (London: Chatto & Windus, 1948) p. 2

Life, Art, Way, Sense

“Paris remained Parisian in spite of change, mistress of herself though China fell. Scores of artists — sculptors and painters, poets and dramatists, workers in gems and metals, designers in stuffs and furniture — hundreds of chemists, physicists, even philosophers, philologists, physicians, and historians — were at work, a thousand times as actively as ever before, and the mass and originality of their product would have swamped any previous age, as it very nearly swamped its own; but the effect was one of chaos, and Adams stood as helpless before it as before the chaos of New York.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

The Education of Henry Adams (1907)

Age, Change, Time

“I therefore believe that these and many other movements of our time are in the great long picture of our civilizations related to the loss of an earlier organization of human natures. They are attempts to return to what is no longer there, like poets to their inexistent Muses, and as such they are characteristic of these transitional millennia in which we are imbedded.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book III, Chapter 6, p. 445
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Nature, Loss, Time

“Other days, other ways! For myself I would desire a combination of old romance and modern machinery. No housewife would wish to the return to the era when everything, had to be made at home by candlelight and which lost to us who knows how many women poets and painters!”

Flora Thompson (1876–1947) English author and poet

August Chapter The Peverel Papers - A yearbook of the countryside ed Julian Shuckburgh Century Hutchinson 1986
The Peverel Papers

Women, Way, Home

“The diversified authorship of the Prayerbook, embracing prophets and psalmists, legalists and poets, proclaims that all Israel has a share in its making.”

Philip Birnbaum (1904–1988) American translator and writer

Festival Prayer Book: Pesah (1971) p.IX

“"Sunlight's a thing that needs a window
Before it enter a dark room.
Windows don't happen."
So two old poets,
Hunched at their beer in the low haze
Of an inn parlour, while the talk ran
Noisily by them, glib with prose.”

R.S. Thomas (1913–2000) Welsh poet

"Poetry For Supper"
Poetry For Supper (1958)

Beer

“And poets by their sufferings grow;
As if there were no more to do,
To make a poet excellent,
But only want and discontent.”

Samuel Butler (poet) (1612–1680) poet and satirist

"Miscellaneous Thoughts" in The Poems of Samuel Butler, Volume 2, Press of C. Whittingham, 1822, p. 269
"Fragments", reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Suffering

“The scientist has marched in and taken the place of the poet. But one day somebody will find the solution to the problems of the world and remember, it will be a poet, not a scientist.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

As quoted in The Star (1959) and Morrow's International Dictionary of Contemporary Quotations (1982) by Jonathon Green.

World, Problem

“For the sake of having her with me I had to tolerate the shadow of a tracksuited poet, but one who has taken the guise of a man in love will indiscriminately eat and drink platefuls of thistles, barrels of vinegar.”

Cees Nooteboom book The Following Story

The Following Story (1991)

Love, Drink

“Say what some poets will, Nature is not so much her own ever-sweet interpreter, as the mere supplier of that cunning alphabet, whereby selecting and combining as he pleases, each man reads his own peculiar lesson according to his own peculiar mind and mood.”

Herman Melville book Pierre: or, The Ambiguities

Bk. XXV, ch. 4
Pierre: or, The Ambiguities (1852)

Mood, Nature, Reading

“Beneath this sod
A poet lies, or that which once seemed he —
Oh, lift a thought in prayer for S. T. C!
That he, who many a year, with toil of breath,
Found death in life, may here find life in death.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Epitaph", written for himself (1833)

Life, Death

“As soon as war is declared it will be impossible to hold the poets back. Rhyme is still the most effective drum.”

Jean Giraudoux The Trojan War Will Not Take Place

Tiger at the Gates (1935)

War

“Adorn thyself with simplicity and with indifference towards the things which lie between virtue and vice. Love mankind. Follow God. The poet says that Law rules all. And it is enough to remember that law rules all.”

Marcus Aurelius book Meditations

VII, 31
Meditations (c. 121–180 AD), Book VII

Love, God, Lie, Law

“If poetry were nothing but texture, [Dylan] Thomas would be as good as any poet alive. The what of his poems is hardly essential to their success, and the best and most brilliantly written pieces usually say less than the worst.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poetry in a Dry Season”, p. 36
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Success

“"Pelé shut up is a poet. On the field, he was our Father; outside it, he should put a shoe in his mouth"”

Romário (1966) Brazilian association football player

O Pelé calado é um poeta. Dentro de campo, ele foi o nosso pai. Fora dele, tem de colocar um sapato na boca.
Source: Veja Magazine; 1895 Edition. March 9th, 2005.
Context: Angry answer after Pele told different sources that Romário should retire from pro soccer.

Shoe

“It is long since Mr. Carlyle expressed his opinion that if any poet or other literary creature could really be "killed off by one critique" or many, the sooner he was so despatched the better; a sentiment in which I for one humbly but heartily concur.”

Algernon Charles Swinburne (1837–1909) English poet, playwright, novelist, and critic

Under the Microscope (1872)

“The poet is one who is able to keep the fresh vision of the child alive.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 127

“Man's conception of what is most worth knowing and reflecting upon, of what may best compel his scholarly energies, has changed greatly with the years. His earliest impressions were of his own insignificance and of the stupendous powers and forces by which he was surrounded and ruled. The heavenly fires, the storm-cloud and the thunderbolt, the rush of waters and the change of seasons, all filled him with an awe which straightway saw in them manifestations of the superhuman and the divine. Man was absorbed in nature, a mythical and legendary nature to be sure, but still the nature out of which science was one day to arise. Then, at the call of Socrates, he turned his back on nature and sought to know himself; to learn the secrets of those mysterious and hidden processes by which he felt and thought and acted. The intellectual centre of gravity had passed from nature to man. From that day to this the goal of scholarship has been the understanding of both nature and man, the uniting of them in one scheme or plan of knowledge, and the explaining of them as the offspring of the omnipotent activity of a Creative Spirit, the Christian God. Slow and painful have been the steps toward the goal which to St. Augustine seemed so near at hand, but which has receded through the intervening centuries as the problems grew more complex and as the processes of inquiry became so refined that whole worlds of new and unsuspected facts revealed themselves. Scholars divided into two camps. The one would have ultimate and complete explanations at any cost; the other, overcome by the greatness of the undertaking, held that no explanation in a large or general way was possible. The one camp bred sciolism; the other narrow and helpless specialization.
At this point the modern university problem took its rise; and for over four hundred years the university has been striving to adjust its organization so that it may most effectively bend its energies to the solution of the problem as it is. For this purpose the university's scholars have unconsciously divided themselves into three types or classes: those who investigate and break new ground; those who explain, apply, and make understandable the fruits of new investigation; and those philosophically minded teachers who relate the new to the old, and, without dogma or intolerance, point to the lessons taught by the developing human spirit from its first blind gropings toward the light on the uplands of Asia or by the shores of the Mediterranean, through the insights of the world's great poets, artists, scientists, philosophers, statesmen, and priests, to its highly organized institutional and intellectual life of to-day. The purpose of scholarly activity requires for its accomplishment men of each of these three types. They are allies, not enemies; and happy the age, the people, or the university in which all three are well represented. It is for this reason that the university which does not strive to widen the boundaries of human knowledge, to tell the story of the new in terms that those familiar with the old can understand, and to put before its students a philosophical interpretation of historic civilization, is, I think, falling short of the demands which both society and university ideals themselves may fairly make.
A group of distinguished scholars in separate and narrow fields can no more constitute a university than a bundle of admirably developed nerves, without a brain and spinal cord, can produce all the activities of the human organism.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Scholarship and service : the policies of a national university in a modern democracy https://archive.org/details/scholarshipservi00butluoft (1921)

Life, Men, God, Pain

“… the fact is, they are sculptures, since they show the relationship of object to object and that is the idea and purpose of a sculpture. I’ve got nothing against ‘poetry,’ but it’s only resonance and tempo. Each of my works is perhaps also indeed a poetic sculpture. It’s not that I think it’s a bad word, poetry, but I’m not a poet, since a poet is concerned with the relationship of human beings to human beings.”

Lawrence Weiner (1942) American artist

Gerti Fietzek, Gregor Stemmrich. Having been said: writings & interviews of Lawrence Weiner, 1968-2003, Hatje Cantz, 2004. p. 158

Idea, Thinking

“ONAELIA: What sort of poets are there?
POET: Two sorts lady: The great poets and the small poets.
ONAELIA: Great and small! Which do you call the great? The fat ones?”

Thomas Dekker The Noble Spanish Soldier

The Noble Spanish Soldier (1622)

“It is in a sculptor's interest that there should exist a close relationship between his art and that of the poet. Otherwise, his sculpture may lack human or emotional content and become too strictly architectural. We sculptors pay a heavy price for the limited freedom that we enjoy as a result of our being able to create in three dimensions; we must sacrifice color and whole realms of subject matter, such as landscape, that scarcely lend themselves to a representation in three dimensions.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960, in France
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 153

Art, Color, Freedom

“The writer of prose can only step aside when the poet passes…”

W. Somerset Maugham (1874–1965) British playwright, novelist, short story writer

Source: Cakes and Ale: Or, The Skeleton in the Cupboard (1930), p. 184

“Just because science can't in practice explain things like the love that motivates a poet to write a sonnet, that doesn't mean that religion can. It's a simple and logical fallacy to say, ' If science can't do something, therefore religion can.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Love, Religion, Motivation, Science

“He is equally great whether his theme be religion, patriotism, or love. As a political poet he is one of the greatest of all time.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

H. G. Atkins, in Edgar Prestage (ed.) Chivalry (London: Kegan Paul, Trench, Trubner & Co., 1928) pp. 99-100.
Praise

Love, Religion, Time

“Three poets, in three distant ages born,
Greece, Italy, and England did adorn.
The first in loftiness of thought surpassed;
The next, in majesty; in both the last.
The force of Nature could no further go.
To make a third, she joined the former two.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Under Mr. Milton's Picture (1688).

Age, Nature, Distant

“I couldn’t avoid being a poet. I was really having a pretty rough time of things, and I had a lot of energy, and poems were practically the only recourse I had to alleviate that energy and that anxiety. I take no credit for all the poems I’ve written. They were a way of releasing anxiety.”

A.R. Ammons (1926–2001) American poet

Paris Review interview (1996)

Way, Time

“Poets often have a conscious awareness that they are struggling with the daimonic, and that the issue is their working something through from the depths which push the self to a new plane.”

Rollo May book Love and Will

Source: Love and Will (1969), p. 127

“Your Dante! Homer of the Christian age,
The sacred poet of Faith’s mysteries—
Hero of thought—whose gloomy genius plunged
In Styx, and pierced to hell; and whose deep soul
Was like the abyss it fathomed.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Translations, From the French

Age, Faith, Soul, Hell

“Our poor friend Sisley, alas! will not assist at the final triumph, which is near, and of which he has seen but the dawning : he is gone too soon, and just at the moment when, in reparation for long injustice, full homage is about to be rendered those strong and charming qualities which make him a painter exquisite and original among them all, a magician of light, a poet of the heavens, of the waters, of the trees — in a word, one of the most remarkable landscapists of this day.”

Adolphe Tavernier (1853–1945) French writer, art critic, collector and journalist

As quoted in Burnley Bibb, The Work of Alfred Sisley, The Studio, December 1899,

Tree, Light, Strong, Water

“I have often argued that a poet more than thirty years old is simply an overgrown child. I begin to suspect that there may be some truth in it.”

H.L. Mencken (1880–1956) American journalist and writer

13
1940s–present, Minority Report : H.L. Mencken's Notebooks (1956)

Truth

“By mourning tongues
The death of the poet was kept from his poems. But for him it was his last afternoon as himself,
An afternoon of nurses and rumours;
The provinces of his body revolted,
The squares of his mind were empty,
Silence invaded the suburbs.
The current of his feeling failed: he became his admirers. Now he is scattered over a hundred cities
And wholly given over to unfamiliar affections;
To find his happiness in another kind of wood
And be punished under a foreign code of conscience.
The words of a dead man
Are modified in the guts of the living.”

W. H. Auden (1907–1973) Anglo-American poet

Source: In Memory of W.B. Yeats (1939), Lines 10–23

Death, Happiness, Feeling, Silence

“After all, in the poets love has its priests, and sometimes one hears a voice which knows how to defend it; but of faith one hears never a word. Who speaks in honor of this passion? Philosophy goes further. Theology sits rouged at the window and courts its favor, offering to sell her charms to philosophy. it is supposed to be difficult to understand Hegel, but to understand Abraham is a trifle. To go beyond Hegel's is a miracle, but to get beyond Abraham is the easiest thing of all.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Problemata: Preliminary Expectoration
1840s, Fear and Trembling (1843)

Love, Faith, Understanding, Passion

“Besides, for poets it wasn’t lying, it was art.”

Karen Lord (1968) Barbadian novelist and sociologist of religion

Source: Redemption in Indigo (2010), Chapter 9 “A Stranger is Coming to Makendha” (p. 72)

Art, Lying

“Shakespeare shows us tradition is a meaningless abstraction for the poet itself and I give thanks for for this poet reaching after nothing more distant than the impassioned accents of its own voice as it issued from an intuitive mind.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry (first published 1932) published -Vision Press, Estover, 1948
Form in Modern Poetry(1932)

Distant

“Two things stand like stone: kindness in anothers trouble, courage in your own. (This is a quote from poet Adam Lindsay Gordon)”

Diana, Princess of Wales (1961–1997) First wife of Charles, Prince of Wales

"Princess Diana Charity Work", Biography Online

Quotes, Courage

“A poet's first contract is with truth.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

State of the Art (2000)

Truth

“The rudest heathen that worshipped Canopus, or the Caabah Black-Stone, he, as we saw, was superior to the horse that worshipped nothing at all! Nay there was a kind of lasting merit in that poor act of his; analogous to what is still meritorious in Poets: recognition of a certain endless divine beauty and significance in stars and all natural objects whatsoever.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

Beauty, Star, Nature, Horse

“Before Khamenei, many failed poets who achieved political power tried to dictate to poets, among them the Qajar Nassereddin Shah and the Chinese despot Mao Zedong. They failed because poetry has a magic genius that defies attempts at definition let alone dictation. Poetry is like love, Rilke wrote to his imaginary young poet, everyone knows what it is but no one can agree on a definition. Khamenei, aged 77, no longer fits the image of Rilke’s young poet. Nevertheless, maybe for his next birthday someone could give him a copy of Rilke’s magical essay.”

Amir Taheri (1942) Iranian journalist

Two excellent Persian translations are available. When the Ayatollah Dictates Poetry http://www.aawsat.net/2015/07/article55344336/when-the-ayatollah-dictates-poetry, Ashraq Al-Awsat (Jul 11, 2015).

Love, Age, Birthday

“One never knows whether the Poet is speaking fact, fancy, or allegory. If fancy is clever enough, I doubt that the Poet would admit a difference between fancy and fact.”

Walter M. Miller, Jr. book A Canticle for Leibowitz

Ch 21
A Canticle for Leibowitz (1959), Fiat Lux

“I thought of Chatterton, the marvellous Boy,
The sleepless Soul that perished in his pride;
Of Him who walked in glory and in joy
Following his plough, along the mountain-side:
By our own spirits are we deified:
We Poets in our youth begin in gladness;
But thereof come in the end despondency and madness.”

William Wordsworth (1770–1850) English Romantic poet

Stanza 7.
Resolution and Independence (1807)

Youth, Soul, Mountain, Boy

“On Poe - I esteem Poe more highly than my countrymen are won't to do. The trouble with him (Poe) was, he did not KNOW enough. He needed to know a good many more things in order to be a great poet.”

Sidney Lanier (1842–1881) American musician, poet

“No matter what direction we start off in, the signposts of literature always keep pointing the same way, to a world where nothing is outside the imagination. If even time, the enemy of all living things, and to poets, the most hated and feared of all tyrants, can be broken down by the imagination, anything can be.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 3: Giants in Time

Hate, World, Fear, Way

“The animals themselves are incapable of demanding their own liberation, or of protesting against their condition with votes, demonstrations, or boycotts. Human beings have the power to continue to oppress other species forever, or until we make this planet unsuitable for living beings. Will our tyranny continue, proving that morality counts for nothing when it clashes with selfinterest, as the most cynical of poets and philosophers have always said? Or will we rise to the challenge and prove our capacity for genuine altruism by ending our ruthless exploitation of the species in our power, not because we are forced to do so by rebels or terrorists, but because we recognize that our position is morally indefensible? The way in which we answer this question depends on the way in which each one of us, individually, answers it.”

Peter Singer book Animal Liberation

Source: Animal Liberation: A New Ethics for our Treatment of Animals (1975), Ch. 6: Speciesism Today

Way, Question, Animals, Dependency

“Armenag Saroyan was the failed poet, the failed Presbyterian preacher, the failed American, the failed theological student.”

William Saroyan (1908–1981) American writer

Of his father
Sons Come and Go, Mothers Hang in Forever (1976)

“As a poet I compose aloud.”

Jan Zwicky (1955) Canadian philosopher

Other

“All poets adore explosions, thunderstorms, tornadoes, conflagrations, ruins, scenes of spectacular carnage. The poetic imagination is not at all a desirable quality in a statesman.”

W. H. Auden book The Dyer's Hand

"The Poet & The City", p. 84
The Dyer's Hand, and Other Essays (1962)

Imagination

“To persons whose pursuits are insulated from the common business of life—who are either in advance of mankind or apart from it—there often comes a sensation of moral cold that makes the spirit shiver as if it had reached the frozen solitudes around the pole. What the prophet, the poet, the reformer, the criminal, or any other man with human yearnings, but separated from the multitude by a peculiar lot, might feel, poor Owen felt.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

Life, Feeling, Business, Solitude

“Be sure from nature never to depart;
To copy nature is the task of art.
The noblest poets own her sovereign sway,
And ever follow where she leads the way.”

Christopher Pitt (1699–1748) English poet

Book II, p. 69
Vida's Art of Poetry (1725)

Art, Way, Nature

“In homage to Guillaume Apollinaire [famous French poet, art-critic, writer and defender of Cubism], who had just died and who, on several occasions, seemed to us to have followed a discipline of this kind, without however having sacrificed to it any mediocre literary means, Soupault and I baptized the new mode of pure expression which we had at our disposal and which we wished to pass on to our friends, by the name of SURREALISM. I believe that there is no point today in dwelling any further on this word and that the meaning we gave it initially has generally prevailed over its Apollinarian sense.”

André Breton (1896–1966) French writer

Breton's quote refers to the start of the term Surrealism, together with Philippe Soupault
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Art, Sense

“The Poet's License! — 't is the right,
Within the rule of duty,
To look on all delightful things
Throughout the world of beauty. To gaze with rapture at the stars
That in the skies are glowing;
To see the gems of perfect dye
That in the woods are growing, —
And more than sage astronomer,
And more than learned florist,
To read the glorious homilies
Of Firmament and Forest.”

John Godfrey Saxe (1816–1887) American poet

"The Poet's License".
The Masquerade and Other Poems (1866)

World, Beauty, Star, Learning

Quotes about poet page 11

Quotes about poet
page 11