Quotes about piece
page 10

“Prokofiev had a particular talent for creating a fully identifiable mood within the first notes of a piece, passage, or theme.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

Jeremy Clarkson photo
Oliver Wendell Holmes photo

“It went to pieces all at once—
All at once and nothing first,
Just as bubbles do when they burst.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The Deacon's Masterpiece; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Newton Lee photo
Jeremy Clarkson photo
H.V. Sheshadri photo
David Puttnam photo
Richard Aldington photo
Chinua Achebe photo
Max Frisch photo
Ben Croshaw photo
Atal Bihari Vajpayee photo

“India is not a piece of land, but a living entity.”

Atal Bihari Vajpayee (1924–2018) 10th Prime Minister of India

As quoted in Agnohotri, V. (2018). Urban Naxals: The making of Buddha in a traffic jam. Also quoted in Kashmir integral part of India, Article 370 should be scrapped: Vijay Rupani https://indianexpress.com/elections/gujarat-assembly-elections-2017/kashmir-integral-part-of-india-article-370-should-be-scrapped-vijay-rupani-4934767/ Indian Express.

Joseph Strutt photo

“A number of little birds, to the amount, I believe, of twelve or fourteen, being taken from different cages, were placed upon a table in the presence of the spectators; and there they formed themselves into ranks like a company of soldiers: small cones of paper bearing some resemblance to grenadiers caps were put upon their heads, and diminutive imitations of muskets made with wood, secured under their left wings. Thus equipped, they marched to and fro several times; when a single bird was brought forward, supposed to be a deserter, and set between six of the musketeers, three in a row, who conducted him from the top to the bottom of the table, on the middle of which a small brass cannon charged with a little gunpowder had been previously placed, and the deserter was situated in the front part of the cannon; his guards then divided, three retiring on one side, and three on the other, and he was left standing by himself. Another bird was immediately produced; and, a lighted match being put into one of his claws, he hopped boldly on the other to the tail of the cannon, and, applying the match to the priming, discharged the piece without the least appearance of fear or agitation. The moment the explosion took place, the deserter fell down, and lay, apparently motionless, like a dead bird; but, at the command of his tutor he rose again; and the cages being brought, the feathered soldiers were stripped of their ornaments, and returned into them in perfect order.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 250
The Sports and Pastimes of the People of England (1801), Public entertainment

Terence McKenna photo

“No piece of art can depict feelings if a piece of reality is not included in it.”

Jean Fautrier (1898–1964) French painter

Ruhrberg, Karl. 2000. “The Paris–New York Shift.” Art of the 20th Century. Ed. Ingo F. Walter. Cologne: Benedikt Taschen Verlag GmbH. 269–344.

Colm Tóibín photo

“The only time I've ever learned anything from a review was when John Lanchester wrote a piece in the Guardian about my second novel, The Heather Blazing. He said that, together with the previous novel, it represented a diptych about the aftermath of Irish independence. I simply hadn't known that – and I loved the grandeur of the word "diptych."”

Colm Tóibín (1955) Irish novelist and writer

I went around quite snooty for a few days, thinking: "I wrote a diptych."
Colm Tóibín, novelist – portrait of the artist http://www.guardian.co.uk/books/2013/feb/19/colm-toibin-novelist-portrait-artist, The Guardian (19 February 2013)

Robert Smith (musician) photo
George Santayana photo
Christopher Hitchens photo
Andy Warhol photo
Gerhard Richter photo

“Idiots can do what I do. When I first started to do this [projecting photos on the canvas and painting them after having them traced in details with a piece of charcoal] in the 60's, people laughed. I clearly showed that I painted from photographs. It seemed so juvenile. The provocation was purely formal - that I was making paintings like photographs. Nobody asked about what was in the pictures. Nobody asked who my Aunt Marianne was. That didn't seem to be the point.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's aunt had been murdered by the Nazis in the name of euthanasia, a crime for which his father-in-law from his first marriage, a Nazi doctor named Heinrich Eufinger, had been partially responsible. Richter painted a portrait of his aunt in 1965, based on an old photo. It was called 'Tante Marianne' / 9Aunt Marianne).
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Willem Roelofs photo

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

André Maurois photo
Nathanael Greene photo
John C. Dvorak photo
Neal Stephenson photo
Lloyd Kenyon, 1st Baron Kenyon photo
Thomas Kuhn photo

“I rapidly discovered that Aristotle had known almost no mechanics at all. … How could his characteristic talents have deserted him so systematically when he turned to the study of motion and mechanics? Equally, if his talents had so deserted him, why had his writings in physics been taken so seriously for so many centuries after his death? … I was sitting at my desk with the text of Aristotle's Physics open in front of me… Suddenly the fragments in my head sorted themselves out in a new way, and fell into place together. My jaw dropped, for all at once Aristotle seemed a very good physicist indeed, but of a sort I'd never dreamed possible. Now I could understand why he had said what he'd said, and what his authority had been. Statements that had previously seemed egregious mistakes, now seemed at worst near misses within a powerful and generally successful tradition. That sort of experience -- the pieces suddenly sorting themselves out and coming together in a new way -- is the first general characteristic of revolutionary change that I shall be singling out after further consideration of examples. Though scientific revolutions leave much piecemeal mopping up to do, the central change cannot be experienced piecemenal, one step at a time. Instead, it involves some relatively sudden and unstructured transformation in which some part of the flux of experience sorts itself out differently and displays patterns that were not visible before.”

Thomas Kuhn (1922–1996) American historian, physicist and philosopher

Source: The Road Since Structure (2002), p. 16-17; from "What Are Scientific Revolutions?" (1982)

Ralph Waldo Emerson photo
Curt Flood photo
Sri Aurobindo photo
Salvador Dalí photo

“September 1952/the2nd/Again this morning, while I was on the toilet, I had a truly remarkable piece of insight. My bowel movement, by the way, was perfectly exceptional, smooth and odourless.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), pp. 59 – 64

Ed Bradley photo

“People know that they can tune in to "60 Minutes" any Sunday and know that they're going to learn something by watching the broadcast. They may not like every piece, they may not agree with every piece, but they'll say, huh, I didn't know that about something in there.”

Ed Bradley (1941–2006) News correspondent

[Larry King, Interview with Ed Bradley, http://transcripts.cnn.com/TRANSCRIPTS/0402/08/lkl.00.html, February 8, 2004, Larry King Live, CNN]

Vitruvius photo

“There are three departments of architecture: the art of building, the making of time-pieces, and the construction of machinery.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter III "The Departments of Architecture" Sec. 1

Amir Khusrow photo
Igor Stravinsky photo
Anastacia photo
Edward O. Wilson photo
David Brooks photo

“Are we really here? Is this really happening? Is this America? Are we a great country talking about trying to straddle the world and create opportunity in this country? It's just mind-boggling. And we have sort of become acculturated, because this campaign has been so ugly. We have become acculturated to sleaze and unhappiness that you just want to shower from every 15 minutes. The Trump comparison of the looks of the wives, he does have, over the course of his life, a consistent misogynistic view of women as arm candy, as pieces of meat. It’s a consistent attitude toward women which is the stuff of a diseased adolescent. And so we have seen a bit of that show up again. But if you go back over his past, calling into radio shows bragging about his affairs, talking about his sex life in public, he is childish in his immaturity. And his — even his misogyny is a childish misogyny. And that’s why I do not think Republicans, standard Republicans, can say, yes, I’m going to vote for this guy because he’s our nominee. He’s of a different order than your normal candidate. And this whole week is just another reminder of that… The odd thing about his whole career and his whole language, his whole world view is there is no room for love in it. You get a sense of a man who received no love, can give no love, so his relationship with women, it has no love in it. It’s trophy. And his relationship toward the world is one of competition and beating, and as if he’s going to win by competition what other people get by love. And so you really are seeing someone who just has an odd psychology unleavened by kindness and charity, but where it’s all winners and losers, beating and being beat. And that’s part of the authoritarian personality, but it comes out in his attitude towards women.”

David Brooks (1961) American journalist, commentator and editor

David Brooks, as quoted in "Shields and Brooks on Trump-Cruz wife feud, ISIS terror in Brussels" http://www.pbs.org/newshour/bb/shields-and-brooks-on-trump-cruz-wife-feud-isis-terror-in-brussels/ (25 March 2016), PBS NewsHour
2010s

Steven Pinker photo
Ibn Battuta photo
Trygve Haavelmo photo
Jeremy Clarkson photo

“He tried also to encourage civilised warfare among earthworms, by supplying them with small pieces of pipe, with which they might fight if so disposed.”

Stuart Dodgson Collingwood (1870–1937) English clergyman, headmaster, author

The Life and Letters of Lewis Carroll (1898) p. 11.

Ivan Turgenev photo

“"What is Bazarov?" Arkady smiled. "Would you like me to tell you, uncle, what he really is?""Please do, nephew.""He is a nihilist!""What?" asked Nikolai Petrovich, while Pavel Petrovich lifted his knife in the air with a small piece of butter on the tip and remained motionless."He is a nihilist," repeated Arkady."A nihilist," said Nikolai Petrovich. "That comes from the Latin nihil, nothing, as far as I can judge; the word must mean a man who… who recognizes nothing?""Say — who respects nothing," interposed Pavel Petrovich and lowered his knife with the butter on it."Who regards everything from the critical point of view," said Arkady."Isn't that exactly the same thing?" asked Pavel Petrovich."No, it's not the same thing. A nihilist is a person who does not bow down to any authority, who does not accept any principle on faith, however much that principle may be revered.""Well, and is that good?" asked Pavel Petrovich. "That depends, uncle dear. For some it is good, for others very bad.""Indeed. Well, I see that's not in our line. We old-fashioned people think that without principles, taken as you say on faith, one can't take a step or even breathe. Vous avez changé tout cela; may God grant you health and a general's rank, and we shall be content to look on and admire your… what was the name?""Nihilists," said Arkady, pronouncing very distinctly."Yes, there used to be Hegelists and now there are nihilists. We shall see how you will manage to exist in the empty airless void; and now ring, please, brother Nikolai, it's time for me to drink my cocoa."”

Ivan Turgenev (1818–1883) Russian writer

Source: Father and Sons (1862), Ch. 5.

Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Pliny the Elder photo
Kwame Nkrumah photo

“I was introduced to the great philosophical systems of the past to which the Western universities have given their blessing, arranging and classifying them with the delicate care lavished on museum pieces. When once these systems were so handled, it was natural that they should be regarded as monuments of human intellection. And monuments, because they mark achievements at their particular point in history, soon become conservative in the impression which they make on posterity. I was introduced to Plato, Aristotle, Descartes, Kant, Hegel, Schopenhauer, Nietzsche, Marx and other immortals, to whom I should like to refer as the university philosophers. But these titans were expounded in such a way that a student from a colony could easily find his breast agitated by Conflicting attitudes. These attitudes can have effects which spread out over a whole society, should such a student finally pursue a political life. A colonial student does not by origin belong to the intellectual history in which the university philosophers are such impressive landmarks. The colonial student can be so seduced by these attempts to give a philosophical account of the universe, that surrenders his whole personality to them. When he does this, he loses sight of the fundamental social fact that he is a colonial subject. In this way, he omits to draw from his education and from the concern displayed by the great philosophers for human problems, anything which he might relate to the very real problem of colonial domination, which, as it happens, conditions the immediate life of every colonized African. With single-minded devotion, the colonial student meanders through the intricacies of the philosophical systems. And yet these systems did aim at providing a philosophical account ofthe world in the circumstances and conditions of their time. For even philosophical systems are facts of history. By the time, however, that they come to be accepted in the universities for exposition, they have lost the vital power which they had at their first statement, they have shed their dynamism and polemic reference. This is a result of the academic treatment which they are given. The academic treatment is the result of an attitude to philosophical systems as though there was nothing to them hut statements standing in logical relation to one another. This defective approach to scholarship was suffered hy different categories of colonial student. Many of them had heen handpicked and, so to say, carried certificates ofworthiness with them. These were considered fit to become enlightened servants of the colonial administration. The process by which this category of student became fit usually started at an early age, for not infrequently they had lost contact early in life with their traditional background. By reason of their lack of contact with their own roots, they became prone to accept some theory of universalism, provided it was expressed in vague, mellifluous terms. Armed with their universalism, they carried away from their university courses an attitude entirely at variance with the concrete reality of their people and their struggle. When they came across doctrines of a combative nature, like those of Marxism, they reduced them to arid abstractions, to common-room subtleties. In this way, through the good graces oftheir colonialist patrons, these students, now competent in the art of forming not a concrete environmental view of social political problems, but an abstract, 'liberal' outlook, began to fulfil the hopes and expectations oftheir guides and guardians.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Introduction, pp. 2-4.

Fernand Léger photo
Claude Lévi-Strauss photo

“A day will come when the idea that for the sake of food the people of the past raised and massacred living beings and with complete equanimity displayed their flesh in bits and pieces in shop windows, will no doubt inspire the same revulsion that the cannibalistic meals of the Americans, Oceanians, or Africans inspired in the travelers of the seventeenth and eighteenth centuries.”

Claude Lévi-Strauss (1908–2009) French anthropologist and ethnologist

"La leçon de sagesse des vaches folles" [The wise lesson of mad cows], in Études rurales (2001); as quoted in Matthieu Ricard, A Plea for the Animals, trans. Sherab Chödzin Kohn, Shambhala Publications, 2016, p. 68 https://books.google.it/books?id=bTLuDAAAQBAJ&pg=PA68

Thomas Carlyle photo
Patrick Kavanagh photo
Elisabetta Canalis photo

“Each fur jacket and piece of fur trim is taken from a terrified living being who was trapped in the wild … or who had a miserable life locked inside a barren wire cage before being drowned, electrocuted, poisoned, or skinned alive. … I, along with many … would love to see … take a step into the compassionate future of fashion by pledging not to feature fur.”

Elisabetta Canalis (1978) Italian model and actress

Letter to Vogue Italia; quoted in "Lose the Fur: Elisabetta Canalis’ Message to New Editor of ‘Vogue Italia’" https://www.peta.org.uk/blog/lose-the-fur-elisabetta-canalis-vogue-italia/, PETA UK (22 February 2017).

Victor Borge photo

“I only know two pieces, one is 'Clair de Lune', the other one isn't.”

Victor Borge (1909–2000) Danish and US-American comedian and musician

From the obit in The Independent.
Quotations from Borge's performances
Source: Tom Vallance, "Obituary: Victor Borge", The Independent (London), 26 December 2000

Willem Roelofs photo

“I also sold some drawings [he means his watercolors] - the Dutch pieces [he painted in The Netherlands] sell rather well [in Brussels, where he lived then]. People seem to prefer colored drawings here. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb alweder ook eenige teekeningen [hij bedoelt hiermee zijn aquarellen] verkocht – de Hollandsche gevallen vinden nogal aftrek [in Brussel, waar hij toen woonde]. Men schijnt hier gekleurde teekeningen te prefereren.
In a letter to Jan Weissenbruch, 18 Dec. 1847; in Haagsch Gemeentearchief / Municipal Archive of The Hague; ; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, in 1995a, pp. 233-35
1840' + 1850's

George Macartney photo
Raheem Kassam photo
Joseph Strutt photo
Nasreddin photo
Ai Weiwei photo
Tori Amos photo

“I think there are pieces of me you've never seen.”

Tori Amos (1963) American singer

"Tear In Your Hand".
Songs

Uri Avnery photo
Robert Benchley photo

“The free-lance writer is a man who is paid per piece or per word or perhaps.”

Robert Benchley (1889–1945) American comedian

Quoted by James Thurber in The Bermudian (November 1950)

Richard Leakey photo
Madeleine Stowe photo
Joanna MacGregor photo
Alastair Reynolds photo

“Pretty smart piece of thinkware by all accounts: full Turing compliance; about as clever as you can make a machine before you have to start giving it human rights.”

Alastair Reynolds (1966) British novelist and astronomer

Nightingale (p. 277)
Short fiction, Galactic North (2006)

Mahmud of Ghazni photo
Mahmud of Ghazni photo

“Mahmud, as soon as his eyes fell on this idol, lifted up his battle-axe with much anger, and struck it with such force that the idol broke into pieces. The fragments of it were ordered to be taken to Ghaznin, and were cast down at the threshold of the Jami Masjid where they are lying to this day.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Somnath (Gujarat) . Tarikh-i-Alfi in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. p. 471
Quotes from The History of India as told by its own Historians

Amy Lee photo
Charles Lamb photo

“Place something good in front of me, and I'll smash it to pieces.”

Jim Goad (1961) Author, publisher

Shit Magnet: One Man's Miraculous Ability to Absorb the World's Guilt (Feral House, 2002)

Mark Satin photo
Alex Jones photo

“I believe from history and my own gut, instinct, that if I go ahead and lay it all out here, what we're really facing, you've got courage and you've got will, and you're gonna get angry and stop caring. It begins with not caring about what your slack-jawed knuckle-dragging cowardly pseudo tough-guy football-watching neighbor thinks. Okay? That's where it begins. It begins with not caring what happens to your individual person. And when you have that attitude, when you have that attitude, then the enemy doesn't have anything over you anymore. Stop being gelded domesticated garbage. Stop being weak! And when you see a threat coming down on you, deal with it! Become a human again! Stop being weak! We have a bunch of criminals coming down on us. God, ugh! Murdering scum. I wanna get humanity awake. I wanna get our forces up. And I wanna bring these people to justice. And you know what I mean. You know what I mean! I wanna unleash humanity, not have a bunch of con artist pot-bellied chicken-neck pieces of garbage running our world! More importantly they act like effeminate cowardly chicken necks cuz they want to train you to act like that they want to train you to be weak they want to train you. That's a nasty taste coming up in my mouth. Tastin' those globalists. I can taste their fear and their weakness. I taste metal, I taste blood.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Alex's Bill Gates Chicken-Neck Bastard 'Rant' https://www.youtube.com/watch?v=Vg-5WgcMV_o, September 2011.

Steve Jobs photo
Richard Feynman photo
David Attenborough photo
Terry Gilliam photo
Calvin Coolidge photo
Alfred Horsley Hinton photo

“Both with the negative in position and subsequently without it, every part of a large print is, maybe, thus printed in, piece by piece, a large print often occupying me two or three days.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 88

Irene Dunne photo

“One of the choicest occupations here is ripping reputations into pieces.”

Irene Dunne (1898–1990) American actress

How To Get Along In Hollywood (1948)

William Dean Howells photo
Edward Witten photo
Honoré de Balzac photo

“The wife is a piece of property, acquired by contract; she is part of your furniture, for possession is nine-tenths of the law; in fact, the woman is not, to speak correctly, anything but an adjunct to the man; therefore abridge, cut, file this article as you choose; she is in every sense yours.”

La femme est une propriété que l'on acquiert par contrat, elle est mobilière, car la possession vaut titre; enfin, la femme n'est, à proprement parler, qu'une annexe de l'homme; or, tranchez, coupez, rognez, elle vous appartient à tous les titres.
Part II, Meditation Number XII: The Hygiene of Marriage.
Physiology of Marriage (1829)