Quotes about picture
page 12

“The big artist does not sit down monkey like & copy a coal scuttle or an ugly old woman like some Dutch painters have done nor a dungpile, but he keeps a sharp eye on Nature & steals her tools. He learns what she does with light the big tool & then colour then form and appropriates them to his own use. Then he's got a canoe of his own smaller than Nature's but big enough for every purpose except to paint the midday sun which is not beautiful at all. It is plenty strong enough though to make midday sunlight or the setting sun if you know how to handle it. With this canoe he can sail parallel to Nature's sailing. He will soon be sailing only where he wants to selecting nice little coves & shady shores or storms to his own liking, but if ever he thinks he can sail another fashion from Nature or make a better shaped boat he'll capsize or stick in the mud & nobody will buy his pictures or sail with him in his old tub.”

Thomas Eakins (1844–1916) American painter

Letter to Benjamin Eakins (1868-03-03).

Beauty, Fashion, Nature, Thinking

“The frame [is no longer as in the beginning version] is in a harmony opposed to those of the tones, tints, and lines of the [motif of the] picture.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

“Dear Jones, - Two months nearly in getting to this Terra Pictura, and at work; but the length of time is my own fault. [because] I must see the South of France, which almost knocked me up, the heat was so intense, particularly at Nismes and Avignon; and until I got a plunge into the sea at Marseilles, I felt so weak that nothing but the change of scene kept me onwards to my distant point. Genoa, and all the sea-coast from Nice to Spezzia, is remarkably rugged and fine; so is Massa... Hope that you have been better than usual, and that the pictures go on well.”

J.M.W. Turner (1775–1851) British Romantic landscape painter, water-colourist, and printmaker

Quote in Turner's letter from Rome, 13 Oct. 1828 to his friend George Jones; as cited in The Life of J. M. W. Turner R.A. , Walter Thornbury - A new Edition, Revised https://ia601807.us.archive.org/24/items/gri_33125004491185/gri_33125004491185.pdf; London Chatto & Windus, 1897, p. 101 1821 - 1851

Hope, Distant, Change, Time

“In addition to vision-level BHAGs [shorthand for Big, Hairy, Audacious Goals], an envisioned future needs what we call vivid description – that is, a vibrant, engaging, and specific description of what it will be like to achieve the BHAG. Think of it as translating the vision from words into pictures, of creating an image that people can carry around in their heads. It is a question of painting a picture with your words. Picture painting is essential for making the 10-to-30- year BHAG tangible in people’s minds.”

Jerry I. Porras (1938) American writer

Source: "Building your company's vision," 1996, p. 74

People, Question, Thinking, Future

“I don't feel any direct relationship between what I do and existing art. Though there is unavoidable progression: the things all paintings have in common are paint, and color, and some means of application. With the standard you can make any two pictures appear either alike of different. I don't think whether they're alike or different is really very interesting.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

Art, Color, Feeling, Thinking

“I have read your pleasant letter of 14th with singular pleasure. I discern your kind inclination and affection which I feel deeply obliged to requite [you] with service and friendship. Because of [my] inclination to do this, [and] in spite of your wish (of Constantijn Huygens], [I] am sending [you] along [with this letter] a painting, hoping that you will accept it, because it is the first momento which I offer you, Sir.... postscripttum]: My [dear] Sir: hang this picture in a bright light and in such a manner that it can be viewed from a distance. It will then sparkle at its best.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

1630 - 1640

Friendship, Pleasure, Hope, Feeling

“Everybody is of course free to interpret the work in his own way. I think seeing a picture is one thing and interpreting it is another.”

Jasper Johns (1930) American artist

as quoted in photo-exhibition 'Cy Twombly', museum Marseille Amsterdam, autumn 2008
2000s

Way, Thinking

“Jeff Gannon: In your denunciations of the Abu Ghraib photos, you've used words like "sickening," "disgusting" and "reprehensible." Will you have any adjectives left to adequately describe the pictures from Saddam's rape rooms and torture chambers? And will Americans ever see those images?
Scott McClellan: I'm glad you brought that up, Jeff, because the President talks about that often.”

Scott McClellan (1968) Former White House press secretary

Source: Press briefing http://georgewbush-whitehouse.archives.gov/news/releases/2004/05/20040510-14.html, May 10, 2004

Photo

“He supposes they pretty much have the picture. Most people do, in life. People know more than they let on.”

John Updike book Rabbit at Rest

Rabbit at Rest (1990)

Life, People

“To synthesize is not necessarily to simplify in the sense of suppressing certain parts of the object: it is to simplify in the sense of rendering intelligible. It is, in short, to put in hierarchic order: to set each picture to a single rhythm, to a dominant; it is sacrifice, to subordinate — to generalize.”

Maurice Denis (1870–1943) French painter

Quote, 1907 from Denis' text 'Synthetism'; as cited in Theories of Modern Art: A Source Book by Artists and Critics, Herschel Browning Chipp, ‎Peter Selz - 1968, p. 105
1890 - 1920

Intelligence, Sense, Parting

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

Motivation, Painting

“Finally it should be noted that the picture education, especially the pictorial statistics, are of international importance. Words carry more emotional elements than set pictures, which can be observed by people of different countries, different parties without any protest; Words divide, pictures unite.”

Otto Neurath (1882–1945) austrian economist, philosopher and sociologist

Otto Neurath (1931), "Bildstatistik nach Wiener Methode", Die Volksschule 27 (1931): 569 ; Translated and cited in Sybilla Nikolow (2013) "‘Words Divide, Pictures Unite.’Otto Neurath’s Pictorial Statistics in Historical Context."
1930s

People, Education, Country

“Despite the 43 years I've devoted to cinematography, I must admit that I was scarcely prepared for the many problems which were to confront me upon my initial excursion into the realm of television with the "I Love Lucy" show. Fortunately, this motion picture experience helped to cushion many of the serious problems and aided me in adapting myself to this new medium.”

Karl Freund (1890–1969) German film director and cinematographer

Filming The Lucy Show (December 1953)

Love, Problem, Help

“Picture yourself when you were five. In fact, dig out a photo of little you at that time and tape it to your mirror. How would you treat her, love her, feed her? How would you nurture her if you were the mother of little you? I bet you would protect her fiercely while giving her space to spread her itty-bitty wings. She'd get naps, healthy food, imagination time, and adventures into the wild. If playground bullies hurt her feelings, you'd hug her tears away and give her perspective. When tantrums or meltdowns turned her into a poltergeist, you'd demand a loving time-out in the naughty chair. From this day forward I want you to extend the same compassion to your adult self.”

Kris Carr (1971) American actress and filmmaker

Source: Crazy Sexy Diet (2011), Ch. 7

Love, Food, Feeling, Imagination

“Have you noticed that there are some people, who when they lose something, their first reaction is that it had to be stolen? First thing- "Hey! It was stolen!" It's an ego defense. They can't stand the fact that they might have been stupid enough to have lost something. And even if it's something that anyone would really want that much. "Hey! Who stole my collection of used bandages?! And they also got away with my nude pictures of Ernest Borgnine!"”

George Carlin (1937–2008) American stand-up comedian

Playing With Your Head (1986)

People, Stupidity

“My accomplishments as Secretary of State? Well, I'm glad you asked. My proudest accomplishment in which I take the most pride, mostly because of the opposition it faced early on, you know. The remnants of prior situations and mindsets that were too narrowly focused in a manner whereby they may have overlooked the bigger picture and we didn't do that. Very proud. I would say that's a major accomplishment.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Claimed to be from a speech in letter to the editor by Scott Boyer. " Hillary Clinton: A killer public speaker http://missoulian.com/news/opinion/mailbag/hillary-clinton-a-killer-public-speaker/article_c8a22488-10e7-11e4-8550-001a4bcf887a.html", Missoulian (). There is no record of Hillary Clinton having engaged in a public appearance on this date, nor any news account or transcript recording such a quote, according to snopes.com ( "Stating the Oblivious" http://www.snopes.com/politics/clintons/achievements.asp). Misattributed

“The founders of this New Left reasoned that neither the current political status-quo nor the socialist states, as exemplified by the Soviet Union and its slave states, were the solution to the problems they reasoned were facing the American people. But as history teaches, the New Left fell victim to the power politics of the Old Left. As the result, what is still rhetorically referred to as the New Left is, in reality, only a Dorian Grey picture of the original vision of its founders.”

Phillip Abbott Luce (1935–1998)

Source: The New Left Today: American Trojan Horse (1971), p. xi

People, History, Problem, Reality

“You tell the big lie by carefully selecting only the small, isolated truths, linking them in such a way that that advance the bigger lie by painting a picture inside the viewer's head. The Ascended High Master of this Dark Art is Noam Chomsky.”

Bill Whittle (1959) author, director, screenwriter, editor

MAGIC https://web.archive.org/web/20030602124318/http://www.ejectejecteject.com/archives/000051.html (18 May 2003) 2000s

Truth, Lie, Art, Way

“Children of Men is a solemn, haunting picture, but it's also a thrilling one, partly because of the sheer bravado with which it's made. It left me feeling more fortified than drained. [Director Alfonso] Cuarón, the most openhearted of directors, prefers to give rather than take away.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2006/12/25/children/print.html of Children of Men (2006)

Men, Children, Feeling

“The term "godawful" should be used sparingly in connection with motion pictures. With Angels & Demons, however, it seems oddly appropriate. Not only does this prequel-turned-sequel to The Da Vinci Code make its predecessor seem like a masterwork of pacing and plotting, but it may represent a nadir for director Ron Howard and is probably the worst instance of acting from star Tom Hanks since back in the days when he was struggling out from under the shadow of Bosom Buddies.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1637 of Angels & Demons (2009). One-and-a-half star reviews

Angels, Star

“What is a well-chosen collection of pictures, but walls hung round with thoughts?”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Quoted in The Examiner (1825) p. 633.
Other

“Along the way, I had the opportunity to pass through the dominions of the [http://en.wikipedia.org/wiki/United_Fruit_Company United Fruit], convincing me once again of just how terrible these capitalist octopuses are. I have sworn before a picture of the old and mourned comrade Stalin that I won't rest until I see these capitalist octopuses annihilated.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Letter to his aunt Beatriz describing what he had seen while traveling through Guatemala (1953); as quoted in Che Guevara: A Revolutionary Life (1997) by Jon Lee Anderson ISBN 0802116000

Way

“A picture that I painted after the defeat of the Republicans in Spain [in 1936, Max Ernst was a resolute opponent of the Spanish dictator General Franco, who was supported by Germany's Nazi regime] is 'The Fireside Angel'. This is, of course, an ironic title for a rampaging beast that destroys and annihilates anything that gets in its way. This was my idea at the time of what would probably happen in the world, and I was right.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote in 'Room 10, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is referring to his painting 'L'ange du foyer' / 'Le triomphe du surréalisme', 1937 ('The Fireside Angel' / The Triumph of Surrealism'); the alternative title was offered by Ernst himself in 1938, when he spontaneously opted for a different title: 'The Triumph of Surrealism'.
1936 - 1950

World, Angels, Way, Idea

“Suso has even left a diagrammatic picture of the relations subsisting between Godhead, triune God and creatures. In this very curious and interesting drawing a chain of manifestation connects the mysterious symbol of the Divine Ground with the three Persons of the Trinity, and the Trinity in turn is connected in a descending scale with angels and human beings. These last, as the drawing vividly shows, may make one of two choices. They can either live the life of the outer man, the life of the separative selfhood; in which case they are lost (for, in the words of the Theologia Germanica, “nothing burns in hell but the self”). Or else they can identify themselves with the inner man, in which case it becomes possible for them, as Suso shows, to ascend again, through unitive knowledge, to the Trinity and even, beyond the Trinity, to the ultimate Unity of the Divine Ground.”

Aldous Huxley (1894–1963) English writer

Introduction to the Bhagavad-Gita (1944)

Life, God, Angels, Hell

“I get the biggest thrill once in awhile when someone does notice me. I just beam from ear to ear. I went to see my picture, The Creature Walks Among Us it's a science- fiction thriller-and took my children, Cathy and Bobby, along. After the show I stood in front of a very large picture of myself in the lobby -and, you know, not one person knew who I was or said a word.”

Leigh Snowden (1929–1982) American actress

How Leigh Snowden Broke into Movies http://archives.chicagotribune.com/1956/06/03/page/328/article/how-leigh-snowden-broke-into-movies#text (June 3, 1956)

Children, Science, Personality

“The study of contemporary species does not establish the existence of evolution; it provides facts which support it, but which do not fully demonstrate its existence. This is understandable, since at present we cannot show the series of successive stages which make up evolution, but only a fleeting picture of evolution.”

Pierre-Paul Grassé (1895–1985) French zoologist

Grassé, Pierre Paul (1977); Evolution of living organisms: evidence for a new theory of transformation. Academic Press, p. 3
Evolution of living organisms: evidence for a new theory of transformation (1977)

Understanding, Support, Study, Success

“It gives my brain a rest, painting flowers. I don't feel the same tension as when I have a model in front of me. When I paint flowers, I put on colours and try out values boldly, without worrying about wasting a canvas. I wouldn't dare to do it with a figure; I'd be afraid of spoiling the whole thing. And the experience I gain this way is then applied to my pictures.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 196 : quote on painting flowers, to art-buyer George Riviere, who was watching a flower still-life of Renoir.

Way, Feeling, Flowers, Painting

“But it’s not so hard, learning to picture yourself as part of a great chain. One that began long before you, and will go on long after.”

David Brin book Glory Season

Source: Glory Season (1993), Chapter 21 (p. 387)

Learning, Parting

“Say anything you want against The Seventh Seal. My fear of death — this infantile fixation of mine — was, at that moment, overwhelming. I felt myself in contact with death day and night, and my fear was tremendous. When I finished the picture, my fear went away. I have the feeling simply of having painted a canvas in an enormous hurry — with enormous pretension but without any arrogance. I said, 'Here is a painting; take it, please.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Interview with Charles Thomas Samuels (1971).

Death, Fear, Feeling, Painting

“In another's eyes I'm afraid that I can't see
This picture perfect portrait that they paint of me.
They don't realize and I pray they never do,
'Cause every time I look I'm seein' you
In another's eyes.”

Garth Brooks (1962) American country music artist

In Another's Eyes, written by Bobby Wood, John Peppard, and G. Brooks, duet with Trisha Yearwood.
Song lyrics, Sevens (1997)

Time, Painting, Perfection

“It was no accident that I found my way to Götz at the time [c. 1960-62]. This 'Informal' element runs through every picture I've painted, whether it's a landscape, or a family painted from a photograph, or the Colour Charts or a Grey picture. And so now it is a pursuit of the same objectives by other means... As I now see it, all my paintings are 'Informal'.... except for the landscapes, perhaps... The 'Informal' is the opposite of the constructional quality of classicism – the age of kings, of clearly formed hierarchies.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), p. 42, note 45 : quote on his period of Informal art

Age, Family, Way, Time

“Contrary to generations of western progressives, it was not Russian backwardness or mistakes in applying Marxian theory that produced the society that Lyons observed. Similar regimes came into being wherever the communist project was attempted. Lenin’s Russia, Mao’s China, Ceausescu’s Romania and many more were variants of a single dictatorial model. From being a movement aiming for universal freedom, communism turned into a system of universal despotism. That is the logic of utopia. If 1984 is such a powerful myth, one reason is that it captures this truth. Yet there is a flaw in Orwell’s story, which emerges in his picture of the all-powerful interrogator. The dystopia of perpetual power is a fantasy, and so is O’Brien. Soviet torturers were sweating functionaries living in constant fear. Like their victims, they knew that they were resources that would be used up in the service of power. There was no inner-party elite safe from the contingencies of history.”

John Gray (1948) British philosopher

An Old Chaos: Two Times Two Equals Five (p. 52)
The Silence of Animals: On Progress and Other Modern Myths (2013)

Truth, Fear, History, Communication

“Child! Do not throw this book about;
Refrain from the unholy pleasure
Of cutting all the pictures out!
Preserve it as your chiefest treasure.”

Hilaire Belloc (1870–1953) writer

"Dedication on the Gift of a Book to a Child"
Verses (1910)

Pleasure, Books

“There is a philosophical, or metaphysical position that can be taken–maybe its a scientific hypothesis–that the past cannot in fact exist. Everything that can possibly exist exists now. Things now may be expressive of some conceivable or describable past state of affairs, yes:but that's different from saying this this former state actually somehow exists in the form of "the past". Even in our memory[…]there is no past:no scenes preserved with all their sights and sounds. Merely fleeting states of mind, myriad points assembled for a moment to make a new picture (but "picture" is wrong too, too full, too fixed) of what we think are former states of things: things that once were, or may have been the case.”

John Crowley book Four Freedoms

Prelude
Four Freedoms (2009)

Thinking, Memory, Past

“To me, the irony of this involvement with size, as I observed earlier, is the unwillingness or inability of so many Americans to identify themselves with something as vast as the United States. Bigger cars, bigger parking lots, bigger corporate structures, bigger farms, bigger drug stores, bigger supermarkets, bigger motion-picture screens. The tangible and the functional expand, while the intangible and the beautiful shrink. Left to wither is the national purpose, national educational needs, literature and theater, and our critical faculties. The national dialogue is gradually being lost in a froth of misleading self-congratulation and cliche. National needs and interests are slowly being submerged by the national preoccupation with the irrelevant.”

J. William Fulbright (1905–1995) American politician

"In Need of a Consensus," Penrose Memorial Lecture to the American Philosophical Society, Philadelphia (April 20, 1961), in Proceedings of the American Philosophical Society, August 1961, p. 352.

Education, Beauty, Cars, Literature

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Nature

“Artistic responsibility? (Schliessmann answers using Bach performance as his example): After the rediscovery of Bach by Mendelssohn, Bach was interpreted in a very romantic style. This had nothing to do with Bach. Leopold Stokowski made arrangements for orchestra. O. K., the public had a chance to know the works, but it also had nothing to do with Bach. So Tureck and Gould - despite their substantial differences - came and made something completely radical. Only in this way was there a chance to ‘correct’ the ‘picture’ of interpretation and move in the right direction.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Way, Chance

“Always the same picture, the narrow waters of Carrick Roads in Falmouth, the murky hump of Pendennis Castle lying across the starboard bow of the ship flying an admiral's flag: his flag — the knowledge of that had been quite definite, as it so often was in dreams. The squadron had been all around him, ready to weigh, or still shortening their cables. About to leave Falmouth, as he had done so many times.”

Douglas Reeman (1924–2017) British author

For My Country's Freedom, Cap 8 "Dreams"

Dreams, Lying, Knowledge, Water

“When I have to think about it, I know the picture is wrong. And sizing is a form of thinking and coloring is too. My instinct about painting says, 'If you don’t think about it, it's right'. As soon as you have to decide and choose, it's wrong. And the more you decide about, the more wrong it gets. Some people, they paint abstract, so they sit there thinking about it because their thinking makes them feel they're doing something. But my thinking never makes me feel I'm doing anything.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), p. 149

People, Color, Feeling, Thinking

“Indeed how many were the seers and sages, poets and prophets - right from the Vedic age upto the modern times - who had fostered in the nation's breast the integrated and whole picture of Bharat as the Divine Mother. Bharat, in their eyes, was not a mere clod of clay. It was verily the Matrubhoomi, the Punyabhoomi, the Dharmabhoomi, the Devabhoomi, the Karmabhoomi - all sublimated into one single majestic figure of Bharat Mata. To Bankimchandra, She appeared as the triple manifestation of Saraswati, Lakshmi and Durga. Rabindranath Tagore visualised Her as Devi bhuvana-mana-mohini - the divine enchantress of the world. To Swami Vivekananda, She was the Mother of all the thirty-three crores of gods and goddesses - whose worship would gratify all those myriad deities. Guruji Golwalkar visualised Her as Trinity of Mata - the loving mother, Pita - the protecting father, and Guru - the elevating spiritual guide. The unity of Bharat is so basic to its nature, so sublime in its depths - in fact, an inseparable aspect of its national soul.”

H.V. Sheshadri (1926–2005) Indian writer

Source: The Tragic Story of Partition (1982), p.9

Love, God, Age, World

“The idea of objectivity in the evaluation of pictures introduces the concept of rational and scientific assessment. There are some sciences involved in the making and in the study of pictures, but the art itself is finally not a science and will not submit to scientific regimentation because its life depends on the degree to which it is inhabited by mystery, speaks to us of the unknown. It is simply an avoidance of the interesting difficulty to subject the inexplicable to the process of rational explanation. For since the real pleasures of painting and the reality of its meaning exist in the part of its structure which cannot be explained, all suggestions and pretensions at explanation must lead us away from the area of greatest interest. This is to say that such analysis as purports to lay bare the machinery which makes a painting work — makes it a good painting — not only leaves out the most important factor, the element of mystery, but actively denies the reality which is the justification for the art at all.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)

Life, Pleasure, Art, Idea

“Narrated Aisha: I bought a cushion having pictures on it. When Allah’s Apostle saw it, he stopped at the gate and did not enter. I noticed the signs of hatred (for that) on his face! I said, "O Allah’s Apostle! I turn to Allah and His Apostle in repentance! What sin have I committed?" He said, "What about this cushion?" I said, ‘I bought it for you to sit on and recline on." Allah’s Apostle said, "The makers of these pictures will be punished (severely) on the Day of Resurrection and it will be said to them, ‘Make alive what you have created.’" He added, "Angels do not enter a house in which there are pictures."”

Aisha (605–678) Muhammad's wife

Sahih al-Bukhari, Volume 7, Book 72, Number 844

Angels, Housing

“The theatre gives us representations of things, and there we see a sort of moving, speaking pictures but they are transient whereas painting remains and is always at hand.”

Jonathan Richardson (1667–1745) English painter

Essay on the Theory of Painting (1725)

Painting

“What we hear about eternal inflation or the string landscape, seems somehow unavoidably to lead to some kind of multiverse. However, it seems to me there is a fundamental problem there. Once of course you have the multiverse, then you can start playing around and try to find probability or getting to the anthropic principle, or whatever. But the point is that the picture is essentially a classical one, and it is difficult to see that if you have many universes, coming essentially with an inflationary state, that there would not be plenty of horizons in this. Now the quantum mechanics of horizons is, I think, perfectly not understood. The simplest example is the black hole, where after all nobody knows really if the problem lies in the singularity or if it lies really already in the horizon.”

François Englert (1932) Belgian theoretical physicist

as quoted in: [Gross, David; Henneaux, Marc; Sevrin, Alexander, eds., The Theory of the Quantum World: Proceedings of the 25th Solvay Conference on Physics, Brussels, Belgium 19-22 October 2011, World Scientific, 2013, 309, https://books.google.com/books/about/The_Theory_of_the_Quantum_World.html?id=0o-6CgAAQBAJ&pg=PA309]

Problem, Thinking, Universe

“I have tried to show pragmatism as a moment in the swing of thought from realism to idealism, and how for it the most vital, that is to say, the moral and religious aspects of our world are things to work and fight for, to make and to mould, not just to find and come across. Its god is indeed a god of battles, and we are his soldiers on whom his victory depends. But as I view this battle, it is not to be fought out in heart throes and outpourings of sentiment. These may indeed change and better human relationships; but it must not be forgotten that human relationships exist in a physical universe that is older than they, and promises to outlast them. Now, just the physics of things show a strong tendency to be amoral and atheistic. "You all know the picture of the last state of the universe which evolutionary science foresees.”

Edgar A. Singer, Jr. (1873–1954) American philosopher

Source: Modern thinkers and present problems, (1923), p. 243-44: Partly cited in: John Barton (1999, p. 10)

God, World, Strong, Universe

“To all, proportioned terms he must dispense,
And make the sound a picture of the sense.”

Christopher Pitt (1699–1748) English poet

Book III, p. 103
Vida's Art of Poetry (1725)

Sense

“You look like a faded picture / I see the cracks forming on your skin
For smoking all my stash / For burning all my cash.. It's all over town that the sun's / Going down on the days / Of your easy life”

Noel Gallagher (1967) British musician

Force of Nature
Heathen Chemistry (2002)

Life, Sun

“It occurs to me that I really need a picture of Patrick Stewart as Captain Picard driving Optimus Prime through space. I would follow either of them into the gates of hell without question or hesitation.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060622

Hell, Question

“It all began with my painting a picture of an American flag. Using this design took care of a great deal for me because I didn't have to design it. So I want on to similar things like the targets things the mind already knows. That gave me room to work on other levels. For instance, I've always thought of a painting as a surface; painting it in one color made this very clear... A picture ought to be looked at the same way you look at a radiator.”

Jasper Johns (1930) American artist

His heart belong to DADA, Time 73, 4 May, 1959: 58; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 82
1950s

Color, Way, Painting

“[In The Achieving Society, 'need for achievement' is uncovered by having individuals write stories based on pictures they see] the stories represented short samples of the things people are most likely to think about or imagine when they are in a state of heightened motivation having to do with achievement. It may be worth considering for a moment why fantasy as a type of behavior has many advantages over any other type of behavior for sensitively reflecting the effects of motivational arousal. In fantasy anything is at least symbolically possible… Overt action, on the other hand, is much more constrained by limits set by reality or by the person's abilities. Furthermore, fantasy is more easily influenced than other kinds of behavior.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 40; As cited in: Kevin Hindle, ‎Kim Klyver (2011), Handbook of Research on New Venture Creation, p. 74-75

People, Behavior, Imagination, Motivation

“Mr. Lely, I desire you would use all your skill to paint my picture truly like me, and not flatter me at all; but remark all these roughnesses, pimples, warts, and everything as you see me, otherwise I will never pay a farthing for it.”

Oliver Cromwell (1599–1658) English military and political leader

As quoted in Anecdotes of Painting in England (1762-1771) by Horace Walpole often credited as being the origin of the phrase "warts and all".
Variant: Paint me as I am. If you leave out the scars and wrinkles, I will not pay you a shilling.

Painting

“The barrenness of sand, as it is usually pictured, was not caused by simple dryness, but apparently was due to the ceaseless movement that made it inhospitable to all living things. What a difference compared with the dreary way human beings clung together year in year out.”

Kóbó Abe book The Woman in the Dunes

Part 1, Ch. 2
The Woman in the Dunes (1962)

Way

“In the end, what I do is about feeling. Certain buildings, certain architects generate a strong emotion. It is hard to explain, but, if am I lucky, I can find this feeling, these emotions, slowly and quietly in the darkroom when my pictures come to light.”

Hélène Binet (1959) Swiss photographer

Source: Jonathan Glancey, in The dream life of buildings http://www.theguardian.com/culture/2002/apr/15/artsfeatures, The Guardian, 15 April 2002

Feeling, Light, Strong

“When you enter an environment that is different from your normal sleeping environment, remember that every single dwelling has the energy of the people that frequent it. […] By chanting, meditating, or even putting up spiritual pictures for the duration of your stay, you can transform the area into a place that actually augments your spiritual consciousness. If nothing is done to spiritualize the atmosphere, it will be like walking into a room filled with poisonous fumes. The converse of this is also true: by sleeping in a spiritually surcharged atmosphere, dreams that offer spir- itual realization and assistance can be obtained.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 22

People, Dreams, Sleep

“One problem the museum has always had in the eyes of some cadets is its worship of General Mark Clark. One whole room of the museum is dedicated to the propagation of Clark's exploits through two wars. The room itself is dark, an inner sanctum lit with tabernacle lights, and smoking with a kind of mystical incense which seems to compliment the godly aura of the man himself… Statues of Clark, pictures of Clark, letters from Clark, letters to Clark, speeches by Clark, and a seemingly endless amount of Clark memorabilia helps make the museum a monument to his career. If any pictures were available of Clark walking on water or changing wine into water, they would be dutifully placed in the museum by people who suffer guilt feelings that The Citadel has never produced an international figure of its own.”

Pat Conroy book The Boo

Source: The Boo (1970), p. 95

War, People, Feeling, Problem

“There are some things a chappie's mind absolutely refuses to picture, and Aunt Julia singing 'Rumpty-tiddley-umpty-ay' is one of them.”

P.G. Wodehouse (1881–1975) English author

The Man with Two Left Feet (1917)

Singing

“I don't think I shall ever forget my first sight of Hercule Poirot. Of course, I got used to him later on, but to begin with it was a shock, and I think everyone else must have felt the same! I don't know what I'd imagined — something like Sherlock Holmes — […] Of course, I knew he was a foreigner, but I hadn't expected him to be quite as foreign as he was, if you know what I mean. When you saw him you just wanted to laugh! He was like something on the stage or at the pictures. […] He looked like a hairdresser in a comic play!”

Agatha Christie book Murder in Mesopotamia

Amy Leatheran
Murder in Mesopotamia (1936)

Imagination, Thinking, Forgetting

“writers without books, poets without verses, painters without pictures p198”

Fernando Sabino (1923–2004) Brazilian writer

Books

“Science fiction writers thought it would be possible. H. G. Wells, Jules Verne, and other authors found ways to get people to the moon. But none of those writers foresaw any possibility of the lunar explorers being able to communicate with Earth, transmit data, position information, or transmit moving pictures of what they saw back to Earth. The authors foresaw my part of the adventure, but your part was beyond their comprehension.”

Neil Armstrong (1930–2012) American astronaut; first person to walk on the moon

40th anniversary of the Apollo 11 landing (2009)

People, Way, Communication, Science

“The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.”

Naomi Watts (1968) British actress and film producer

Interview at Dark Horizons (7 December 2005) http://www.darkhorizons.com/news05/kong3.php

Love, People, Hope, Way

“The Bible says, God made a perfect world. Man wrecked it. By one man sin came into the world, and death by sin. It was Adam's fault. You can't blame a wrecked car on the manufacturer. Send a picture to the manufacturer of a wreck and say, "Why did you build a car like this?" It didn't look like this when it left the factory. Today, folks, we are living in a junkyard. Now I like living on planet earth, and Knoxville is a beautiful place; but, I'm telling you, folks, this is nothing compared to what Adam and Eve saw. This is a junkyard, but God's going to fix it back.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Garden of Eden

Death, God, World, Beauty

“Correct me if I'm wrong here, but truth is something that arises out of the relationship between language and the world. If I look at a picture alone, it tells me nothing. In the previous incarnation of this lecture, I was going to put a picture of the Titanic and the Lusitania up on the screen. They look very, very similar - four smokestacks. They look almost identical. You look at either picture, true or false? Neither. Put a caption at the bottom of one of them, that changes everything. If you put in the caption, "This is the Lusitania," and the picture is a picture of the Lusitania, then the caption is true. However, the picture itself is neither true nor false. It's just a picture.”

Errol Morris (1948) American filmmaker and writer

Source: The Anti-Post-Modern Post-Modernist http://errolmorris.com/content/lecture/theantipost.html

Truth, World, Change, Falseness

“Follow the light that glows
Through your bedroom window,
Tonight, the fading twilight.
There's a hollow deep in the woods,
Where you know you're crazy to go,
Not even meant to know there are…
Pictures in the dark, I see all around,
Voices calling underground;
And I'm watching the stars since the world was found…
One, two, three…”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Collection (2002)

World, Star, Light

“He [ Otto Mueller ] himself omitted certain things in his pictures that his contemporaries deemed to be of importance, in order to capture the essence.... with the greatest possible simplicity.”

Erich Heckel (1883–1970) German artist

In a letter to Emmy Mueller, 1953; as quoted in Otto Mueller: A Stand-Alone Modernist, Dieter W. Posselt

“It would, however, be wrong to think of an electron as a bullet-like structure with tentacles sticking out from its surface. We can calculate the mass of the bullet, and also the mass of the tentacles. The two masses are found to be identical, each agreeing with the known mass of the electron. Thus we cannot take the electron to be bullet plus tentacles… The two pictures do not depict two different parts of the electron, but two different aspects of the electron. They are not additive but alternative; as one comes into play, the other must disappear.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Thinking, Parting

“I think you have to rise above, to remain true to who you are. No matter what is said about you in the media, you have to look at the big picture — and you have to have a plan for where you want your life to go. And you also can't think that everyone is going to be there to help you; it's a lonely road to success.”

Erika Jayne (1969) American singer, actress and television personality

Interview to Cosmopolitan (2016)

Life, Thinking, Success, Help

“It was no affair for the watch: Satan was at large tonight and Satan seemed to be he who appeared dimly in front, heel over gate, knee over fence. Moreover, the adversary was obviously travelling near home or at least in that section of London consecrated to his coarser whims, for the street narrowed like a road in a picture and the houses bent over further and further, cooping in natural ambushes suitable for murder and its histrionic sister, sudden death.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

"Tarquin of Cheapside"
Quoted, Tales of the Jazz Age (1922)

Death, Travel, Home, Nature

“I was surprised by photography, which we all use so massively every day. Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting, but use painting as a means to photography.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Art, Way, Time, Painting

“Although we tend to think about saints as holy and pious, and picture them with halos above their heads and ecstatic gazes, true saints are much more accessible. They are men and women like us, who live ordinary lives and struggle with ordinary problems. What makes them saints is their clear and unwavering focus on God and God’s people.”

Henri Nouwen (1932–1996) Dutch priest and writer

Bread For the Journey (1996)

Women, Men, God, People

“It's all about the sun. Just take a look at the picture above and notice just how small earth is compared to the sun, or even a large solar flare. Anybody whom thinks the human race has more effect on our global energy balance than an active sun does is just deluding themselves.”

Anthony Watts (1958) American television meteorologist

Scientists Predict Large Solar Cycle Coming http://wattsupwiththat.com/2006/12/23/scientists-predict-large-solar-cycle-coming/, wattsupwiththat.com, December 23, 2006. 2006

Thinking, Sun

“Once helium burning has occurred… the next possible reaction—carbon burning—is not necessarily slow… This reaction involves …a strong as opposed to a weak interaction. …Carbon burning results in magnesium. …Taking a cross section of a highly evolved star would reveal a system of many layers. The inner layers have been subjected to the largest pressures, thereby forced to the highest temperatures, and burned the furthest; the outermost layers, by contrast, have not burned at all. Thus, as we proceed from outside in, there will be an outermost layer with the initial mix of hydrogen and helium, a layer of mostly helium, a layer of carbon, a layer of magnesium, and so on. …So we arrive at the picture of a star, in the latest stages of its evolution… now composed of mostly carbon nuclei and other explosive material.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Star, Strong

“But there was something else that the Abstract Expressionists taught us: they began to use something besides the conventional means of art; to want other kinds of paint, or kinds of canvas, or ways of making pictures that weren't the usual ways. Some of the next generation, the Pop Art artists [like Roy Lichtenstein and Andy Warhol, picked up this attitude and began to put actual things into art. We [=w:Morris Louis and Noland] were making abstract art, but we wanted to simplify the selection of materials, and to use them in a very economical way. To get to raw canvas, to use the canvas un-stretched – to use it in more basic or fundamental ways, to use it as fabric rather than as a stretched surface.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Art, Way, Painting

“[Descriptive research provides] an accurate description or picture of the status or characteristics of a situation or phenomenon.”

Clayton M. Christensen (1952–2020) Mormon academic

Johnson & Christensen (2004) Seeing What's Next. p. 302 as cited in: L.M. DeBruhl (2006) Leave No Parent Behind. p. 9
2000s

“When that happens, and the “World’s Sole Remaining Superpower” loses its early-adopter advantage, drone technology will work to the advantage of the side with the most decentralized, distributed organizational infrastructure, and the most widely dispersed and hardened end-points. And it will disproportionately hurt the side with the most centralized, hierarchical form of organization and the most concentrated target profile. Anyone want to venture a guess as to which respective sides fit those descriptions? Imagine, if you will, a world in which drones are cheap and widely available. Then stop and think about the target profile of the Empire and the corporate interests it serves. Imagine how easy it would be to get targeting information on the homes, churches and country clubs of the senior management and directors of the aerospace companies that make American drones. The Boardrooms and C-Suites themselves. The factories. The whole South Asian chain of command, from CINC CENTCOM down to battalion and flight headquarters. The logistical tail of the drones, including the control centers at every airbase from which drones are staged. Begin to get the picture?”

Kevin Carson (1963) American academic

Bring on the Drones! (2013)
Other Writing

World, Home, Imagination, Thinking

“I'm not a suffragette... Women, as a rule, tend to tidy up pictures that don't need tidying up. How many good women artists are there?”

Helen Frankenthaler (1928–2011) American artist

1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Women

“Very soon I discovered that if one gets a feeling for no more than a dozen other radiation and nuclear constants, one can imagine the subatomic world almost tangibly, and manipulate the picture dimensionally and qualitatively, before calculating more precise relationships.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Source: Adventures of a Mathematician - Third Edition (1991), Chapter 8, Los Alamos, p. 148

World, Feeling, Imagination

“The first time I saw a picture of Elvis - I was in a state of shock, because I couldn't believe that a human being could be so beautiful.”

Gottfried Helnwein (1948) Austrian photographer and painter

Interview by Helmut Sorge, Los Angeles, 2006

Beauty, Time

“My noble friend Lord Morrison of Lambeth rather suggested that it was a really good Socialist policy to join up with these countries. I do not think that comes into it very much. They are not Socialist countries, and the object, so far as I can see, is to set up an organisation with a tariff against the rest of the world within which there shall be the freest possible competition between, capitalist interests. That might be a kind of common ideal. I daresay that is why it is supported by the Liberal Party. It is not a very good picture for the future…I believe in a planned economy. So far as I can see, we are to a large extent losing our power to plan as we want and submitting not to a Council of Ministers but a collection of international civil servants, able and honest, no doubt, but not necessarily having the best future of this country at heart…I think we are parting, to some extent at all events, with our powers to plan our own country in the way we desire. I quite agree that that plan should fit in, as far as it can, with a world plan. That is a very different thing from submitting our plans to be planned by a body of international civil servants, no doubt excellent men. I may be merely insular, but I have no prejudice in a Britain planned for the British by the British. Therefore, as at present advised, I am quite unconvinced either that it is necessary or that it is even desirable that we should go into the Common Market.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Speech http://hansard.millbanksystems.com/lords/1962/aug/02/britain-and-the-common-market in the House of Lords on the British application to join the Common Market (2 August 1962). Later life

Men, World, Way, Support

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

Georges Braque (1882–1963) French painter and sculptor

the letters
Source: posthumous quotes, Braque', (1968), p. 68

Art

“Traditional measures of relatedness provide an incomplete and potentially inaccurate picture of the scope of exploit interrelationships between its SBUs. This is because traditional measures look at relatedness only at the industry or market level. But as we explain below, the relatedness that really matters is that between 'strategic assets' (i. e., those that cannot be accessed quickly and cheaply by nondiversified competitors.) Therefore, to accurately measure whether two businesses are related, we need to go beyond broad definitions of relatedness that focus on market similarity; we need to look at the similarities between the underlying strategic assets of the various businesses that a company is operating in.”

Constantinos C. Markides (1960) Cypriot business theorist

Source: "Related diversification, core competences and corporate performance", 1994, p. 150

Business

“1,024 Colours in 4 Permutations'
In order to represent all extant colour shades in one painting, I worked out a system which – starting from the three primaries, plus grey – made possible a continual subdivision (differentiation) through equal gradations. 4 x 4 = 16 x 4 = 64 x 4 = 256 x 4 = 1,024. The multiplier 4 was necessary because I wanted to keep the image size, the square size and the number of squares in a constant proportion to each other. To use more than 1,024 tones (4,096, for instance) seemed pointless, since the difference between one shade and the next would no longer have been detectable.
The arrangement of the colours on the squares was done by a random process, to obtain a diffuse, undifferentiated overall effect, combined with stimulating detail. The rigid grid precludes the generation of figurations, although with an effort these can be detected. This aspect of artificial naturalism fascinates me – as does the fact that, if I had painted all the possible permutations, light would have taken more than 400 billion years to travel from the first painting to the last. I wanted to paint four large, colourful pictures.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's

Travel, Nature, Effort, Light

“If people would only realize when they ask me why I don't do a picture with him - they ask me that all the time, and were quite keen on it while I was in Hollywood - if they'd only realize that he's gone 'way ahead of me. Why I couldn't begin to keep up with him. I couldn't even reach the steps he throws away.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Adele Astaire op. cit.

People, Way, Time

“Boamund scratches his head. Imagine a knight by Alma-Tadema who's somehow managed to fall off the picture and is wondering how to get back in without breaking the glass.”

Tom Holt (1961) British writer

c. 1
Grailblazers (1994)

Imagination

“As some of you know, I some years ago — a few — painted a picture of Mr. Whitman. I began in the usual way, but soon found that the ordinary methods wouldn't do — that technique, rules and traditions would have to be thrown aside; that before all else, he was to be treated as a man, whatever became of what are commonly called the principles of art.”

Thomas Eakins (1844–1916) American painter

Testimonial dinner, Camden NJ, for Walt Whitman on his seventy-second birthday (1891-05-31) .

Art, Way, Painting

“I am an advocate of having a gold dollar with Reagan's picture on it, and calling it the Ronnie. The Canadians have the Loonie, and we can have the Ronnie.”

Trent Lott (1941) United States Senator from Mississippi

On Ronald Reagan, as quoted in an interview in the New York Times Sunday Magazine (20 June 2004).
2000s

“I was a model—someone saw my picture—and I landed a stock contract at Universal. Because of my experience, I received a higher salary than the other girls starting out—and during my first week in Hollywood, I got to meet and have dinner with Greta Garbo!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Girl, Universe

“My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you’re lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 15, “Distractions and Farewells” (pp. 119-120)

Love, World, Music, Parent

“In such a picture the artist may depart from actual fact, from what actually was, so long as he does not exceed what might have been.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Printing the picture and controlling its formation, p. 78

“LA is a hole where everything good goes to die. Every year I come here, it's like a contest to see how short I can cut the trip for the next year. Eventually I'm just going to run inside, take a picture, and fly home. The next year I'll just rent some time on a satellite and get pics from orbit. But everything is shiny.”

Brian Clevinger (1978) writer

http://www.nuklearpower.com/daily.php?date=060511

Home, Time, Flying

“I guess that is my biggest fear, sort of worrying about the fact that I keep getting more insecure as time goes on rather than feeling more grand with each turn. I feel more and more afraid. When I get my picture taken, I'm convinced it's because I must look terrible and they're going to put it in US Weekly as a joke.”

Natasha Lyonne (1979) actress

Suicidegirls interview (2004)

Fear, Feeling, Time

“Not everyone is concerned with the deep future,” Manfred interrupts. “It’s important! If we live or die, that doesn’t matter—that’s not the big picture. The big question is whether information originating in our light cone is preserved, or whether we’re stuck in a lossy medium where our very existence counts for nothing. It’s downright embarrassing to be a member of a species with such a profound lack of curiosity about its own future, especially when it affects us all personally! I mean, if there’s going to come a time when there’s nobody or nothing to remember us then what does –”
“Manfred?”

Charles Stross book Accelerando

He stops in midsentence, his mouth open, staring dumbly.
Source: Accelerando (2005), Chapter 8 (“Elector”), pp. 347-348

Question, Light, Time, Future

“I would give a good deal of money, blood, books or years to be able to watch as Amanda, in a picture hat, looked back from the vantage of a long and productive career to reject her first published efforts as uneven or only halfway there or, worst of all, as promising, or to see her condescend to them, cuddle them almost, as mature writers sometimes do with their early books, the way we give our old stuffed pony or elephant, with its one missing shirt-button eye, a fond squeeze before returning it to the hatbox in the attic.At bottom of this kind of behavior on the part of old, established writers is the undeniable way in which our young selves, and the books that issued from them, invariably seem to reproach us: with the fading of our fire, the diminishment of our porousness to the world and the people in it, the compromises made, the friendships abandoned, the opportunities squandered, the loss of velocity on our fastball.”

Michael Chabon (1963) Novelist, short story writer, essayist

The New York Times Magazine http://wonderwhenyoullmissme.com/chabon.html (December 28th, 2003) About Amanda Davis, who died at the age of 32 in a plane crash

Money, Friendship, People, Books

“The boats, and trains, and cows and horses were quite meaningless to him, but not quite so baffling as the odd little figures which appeared beneath and between the colored pictures — some strange kind of bug he thought they might be, for many of them had legs though nowhere could he find one with eyes and a mouth. It was his first introduction to the letters of the alphabet, and he was over ten years old.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 6 : Jungle Battles

Color, Appearance, Horse, Training

“Elin Nordegren could not be happier. How many girls here would trade places with her in a second? Where do I sign? First of all, she doesn't have to bang him (Tiger Woods) anymore! And she's probably gonna get, like $500 million! So they keep getting these pictures of her with the two kids, and she's just laughing all the way to the bank…haaa haaa haaa haaa…heugen fleugen heugen fleugen…hjorda fjorda hjorda fjorda…”

Kathy Griffin (1960) American actress and comedian

Whores on Crutches (2010)

Way, Girl

“The final test of painting, theirs, mine, any other, is; does the painter’s emotion comes across?.... Procedure is the keyword.... The difference is that we don't begin with a definite sense of procedure. It's free association from the start to the finished state. The old idea was to make use of your talent. This, we feel, is often to take the line of least resistance.... painters like Rothko, Pollock, Still, perhaps in reaction to the tendency to analyze which has dominated painting from Seurat to Albers, associate with very little analysis. A new form of expressionism inevitably followed. With De Kooning the procedure is continual change, and the immediacy of the change. With Jackson, it's the confidence you feel from the concentration of his energy in a given picture..”

Franz Kline (1910–1962) American painter

1958
Quote from Kline, in Conversations with Artists, Seldon Rothman, New York Capricorn Books, 1961, p. 106 - 109: Talk ing about the Abstract expressionists
1960's

Feeling, Confidence, Idea, Sense

“Iran humiliated the United States with the capture of our 10 sailors. Horrible pictures & images. We are weak. I will NOT forget!”

Donald J. Trump (1946) 45th President of the United States of America

Twitter post https://twitter.com/realDonaldTrump/status/687510877847851008 (13 January 2016). 2010s, 2016, January

Forgetting

“Maybe it was senseless to want to be near a person so badly here in a country where bullets had shredded her own brothers to pieces. But all Laila had to do was picture Tariq going at Khadim with his leg and then nothing in the world seemed more sensible to her.”

Khaled Hosseini book A Thousand Splendid Suns

Laila, p. 153
A Thousand Splendid Suns (2007)

World, Personality, Country

“Though Frank Shallard might have come to admire pictures, great music, civilized furniture, he had been trained to regard them as worldly, and to content himself with art which 'presented a message,' to regard 'Les Miserables' as superior because the bishop was a kind man, and 'The Scarlet Letter' as a poor book because the heroine was sinful and the author didn't mind.”

Sinclair Lewis book Elmer Gantry

Elmer Gantry (1927)

Books, Art, Music, Training

“Animals of the MONKEY class are furnished with hands instead of paws; their ears, eyes, eye-lids, lips, and breasts, are like those of mankind; their internal conformation also bears some distant likeness; and the whole offers a picture that may mortify the pride of such as make their persons the principal objects of their admiration.”

John Wesley (1703–1791) Christian theologian

A Survey of the Wisdom of God in the Creation; Or A Compendium of Natural Philosophy New York: Bangs and T. Mason, 1823, Part the Second, Chapter I, volume 1, pages 147-148. Wesley Center Online http://wesley.nnu.edu/john-wesley/a-compendium-of-natural-philosophy/chapter-1-of-beasts/ General sources

Distant, Animals, Personality

“I should be acting the part of an ungrateful servant, unworthy of the favours which unite my duty to your great kindness, if I were not to say that his Majesty [ Charles V ] forced me to go to him and pays the expenses of my journey, I start discontented because I have not fulfilled your wish and my obligation in presenting myself to my Lord [ Pope Paul III ] and yours, and working in obedience to his intentions [to paint the Pope's portrait].... But I promise as a true servant to pay interest on my return with a new picture in addition to the first.... So with your license, Padron mio unico, I shall go, whither I am called, and returning with the grace of God, I shall serve you with all the strength of the talents which I got from my cradle..”

Titian (1488–1576) Italian painter

In a letter to Cardinal Farnese in Rome, from Venice 24th December 1547; after the original in Rochini's 'Belazione' u.s. pp. 9-10; as quoted in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, pp. 164-165
Titian had to chose between Pope & Emperor when they were on the worst of terms; he decided to obey the Emperor Charles V who ordered Titian to come to his court at Augsburg, Germany
1541-1576

God, Parting, Painting

Quotes about picture page 12

Quotes about picture
page 12