Quotes about picture (2043 quotes, page 13)

“Your Excellency, Mr President: I greet you, in the name of the many thousands of people in Britain who stood against the tide and opposed the war and aggression against Iraq and continue to oppose the war by economic means, which is aimed to strangle the life out of the great people of Iraq. I greet you, too, in the name of the Palestinian people, amongst whom I've just spent two weeks in the occupied Palestinian territories. I can honestly tell you that there was not a single person to whom I told I was coming to Iraq and hoping to meet with yourself who did not wish me to convey their heartfelt, fraternal greetings and support. And this was true, especially at the base in the refugee camps of Jabaliyah and Beach Camp in Gaza, in the Balatah refugee camp in Nablus and on the streets of the towns and villages in the occupied lands.I thought the president would appreciate knowing that even today, three years after the war, I still met families who were calling their newborn sons Saddam; and that two weeks ago, when I was trapped inside the Orient House, which is the Palestinian headquarters in al-Quds [Jerusalem], with 5,000 armed mustwatinin [settlers] outside demonstrating, pledging to tear down the Palestinian flag from the flagpole, the hundreds of shabab [youths] inside the compound were chanting that they wish to be with a DSh K [machine gun] in Baghdad to avenge the eyes of Abu Jihad. And the Youth Club in Silwan, which is the one of the most resistant of all the villages around Jerusalem, asked me to ask the president's permission if they could enrol him as an honourary member of their club and to present him with this flag from holy Jerusalem.I wish to say, sir, that I believe that we are turning the tide in Europe, that the scale of the humanitarian disaster which has been imposed upon the Iraqi people is now becoming more and more widely known and accepted. Fifty-five British members of parliament opposed the war, but 125 are demanding the lifting of the embargo; and this does not include the invisible section of the Conservative Party who must also be moving in that direction, and Sir Edward Heath is being a very persuasive advocate inside the Conservative Party.It is my belief that we must convey the very clear picture that 1994 has to be the year of the ending of the embargo against Iraq. Otherwise, famine and all the awful consequences, including acts of despair by Iraqis, will be the result; and this is the message we must convey to civilized opinion in Europe.Sir, I salute your courage, your strength, your indefatigability, and I want you to know that we are with you, hatta al-nasr, hatta al-nasr, hatta al-Quds”

George Galloway (1954) British politician, broadcaster, and writer

until victory, until victory, until Jerusalem
"'I greet you in the name of thousands of Britons'", The Times, January 20, 1994, citing BBC monitoring service at 9 PM on January 19 as its source.
Speech to Saddam Hussein, January 19, 1994.
Source: See also David Morley Gorgeous George: The Life and Adventures of George Galloway, London: Politicos, 2007, p. 210-11. Galloway disputes the reporting of this quote and has repeatedly stated that the conclusion was a salute to "the Iraqi people" rather than Saddam Hussein personally.

Life , War , People , Youth

“Inevitably, people tell me that poor folks are lazy or unintelligent, that they are somehow deserving of their poverty. However, if you begin to look at the sociological literature on poverty, a more complex picture emerges. Poverty and unemployment are part and parcel of our economic order. Without them, capitalism would cease to function effectively, and in order to continue to function, the system itself must produce poverty and an army of underemployed or unemployed people.”

Bob Torres American podcaster

Source: Making a Killing: The Political Economy of Animal Rights (2007), p. 7

People , Literature , Parting

“Republicans bring out Colin Powell and J. C. Watts because they have no program, no policy. The play that game because they have no other game. They have no love and no joy. They'd rather take pictures with black children than feed them.”

Donna Brazile (1959) American author, educator, and political activist and strategist

As quoted in "Gore Aide Dealt From Bottom of Race Deck, Powell Says" http://www.highbeam.com/Search?searchTerm=%22Republicans+bring+out+Colin+Powell%22 (7 January 2000), by Ceci Connolly, The Washington Post

Love , Children , Game , Joy

“Pictures have their skeleton, muscles, and skin like human beings. One may speak of the specific anatomy of the picture. A picture representing 'a naked person' must not be created by the laws of human anatomy, but only by those of compositional anatomy. First one builds an armature on which the picture is to be constructed.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 840, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Law , Personality

“We are living a moment of truth in Iraq, a moment in which we have to look fair and square at disagreeable realities, in which we have to look at ourselves. The pictures from Abu Ghraib prison are a kind of mirror in which we have to look at ourselves and ask: what kind of people did this? How did this become possible? Could I have done a thing like this to those people?”

Michael Ignatieff (1947) professor at Harvard Kennedy School and former Canadian politician

From "Living Fearlessly in a Fearless World" Ignatieff Commencement Address to Whitman College (USA), 2004

People , Truth , Reality

“Let the picture imitate nothing; let it nakedly present its raison d'être. We should indeed be ungrateful were we to deplore the absence of all those things flowers, or landscape, or faces whose mere reflection it might have been. Nevertheless, let us admit that the reminiscence of natural forms cannot be absolutely banished; not yet, at all events. An art cannot be raised to the level of a pure effusion at the first step.”

Albert Gleizes (1881–1953) French painter

1910s, Du Cubisme (1912)

Art , Flowers , Nature

“Short of climbing aboard a time capsule and peeling back eight and one-half decades, James Cameron's magnificent Titanic is the closest any of us will get to walking the decks of the doomed ocean liner. Meticulous in detail, yet vast in scope and intent, Titanic is the kind of epic motion picture event that has become a rarity. You don't just watch Titanic, you experience it — from the launch to the sinking, then on a journey two and one-half miles below the surface, into the cold, watery grave where Cameron has shot never-before seen documentary footage specifically for this movie.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/t/titanic.html of Titanic (1997).
Four star reviews

Time

“He has lived to see Sex replaced by Fat as the Ultimate Sin, and at the annual shows of the Ontario Society of Water-colourists pictures of Christ Forgiving the Woman Taken in Adultery have given way to a new theme — Christ Forgiving the Woman Surprised in Laura Secord's.”

Robertson Davies book The Diary of Samuel Marchbanks

The Diary of Samuel Marchbanks (1947)

Sex , Way , Forgiveness , Water

“So geographers, in Afric maps,
With savage pictures fill their gaps,
And o'er unhabitable downs
Place elephants for want of towns.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

On Poetry: Poetry, a Rhapsody (1733)

“Citizen Kane is perhaps the one American talking picture that seems as fresh now as the day it opened. It may seem even fresher.”

Pauline Kael (1919–2001) American film critic

"Raising Kane" http://www.paulrossen.com/paulinekael/raisingkane.html, The New Yorker (1971-02-20 and 1971-02-27); reprinted in Kael's The Citizen Kane Book (1971).

“To give without sympathy is to build a temple without the idol and is as futile as painting a picture with black ink on a black-board.”

Chinmayananda Saraswati (1916–1993) Indian spiritual teacher

Quotations from Gurudev’s teachings, Chinmya Mission Chicago

Painting

“My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the very nature of each experience. I.... merely try to find a color that will fit my sensation. There is an impelling proportion of tones that can induce me to change the shape of a figure or to transform my composition. Until I have achieved this proportion in all the parts of the composition I strive towards it and keep on working. Then a moment comes when every part has found its definite relationship, and from then on it would be impossible for me to add a stroke to my picture without having to paint it all over again.”

Henri Matisse (1869–1954) French artist

Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412

Color , Feeling , Nature , Change

“It's a risky business to send a picture out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent who could extend their affliction universally!”

Mark Rothko (1903–1970) American painter

As quoted in Conversations with Artists (1957) by Selden Rodman, p. 92; later published in 'Notes from a conversation with Selden Rodman, 1956' in Writings on Art : Mark Rothko (2006) ed. Miguel López-Remiro ISBN 0300114400
1950's

World , Business , Affliction , Universe

“I guess I shoulda closed my eyes
When U drove me 2 the place
Where your horses run free.
'Cuz I felt a little ill
When I saw all the pictures
Of the jockeys that were there before me.Believe it or not,
I started to worry
I wondered if I had enough class.
But it was Saturday night
I guess that makes it all right
And U say, "Baby, have U got enough gas?"”

Prince (1958–2016) American pop, songwriter, musician and actor

Little Red Corvette
Song lyrics, 1999 (1982)

Horse , Baby , Night

“Simply because I liked it so much I saw it in Venice and thought: I'd like to have that for myself. To start with I only meant to make a copy, so that I could have a beautiful painting at home and with it a piece of that period, all that potential beauty and sublimity... Then my copy went wrong, and the pictures that finally emerged went to show that it just can't be done any more, not even by way of a copy. All I could do was to break the whole thing down and show that it's no longer possible”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote refers to his 'Annunciation after Titian', he made in 1973
Source: after 2000, Doubt and belief in painting' (2003), p. 104, note 52

Beauty , Way , Quotes , Home

“I still, when I judge my own pictures (either while I'm working or after I think it's finished) determine if they work in a certain kind of space through shape or color. I think all totally abstract pictures – the best ones that really come off – Newman, Pollock, Noland – have tremendous space; perspective space despite the emphasis on flat surface. For example, in Noland a band of yellow in relation to a band of blue and one of orange can move in depth although they are married to the surface. This has become a familiar explanation, but few people really see and feel it that way.... in my work, because of color and shape a lot is read in the landscape sense..”

Helen Frankenthaler (1928–2011) American artist

Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37

People , Color , Way , Feeling

“The landscapes of Ruysdael present the greatest possible contrast to those of Claude, showing how powerfully, from the most opposite directions, genius may command our homage. In Claude's pictures, with scarcely an exception, the sun ever shines. Ruysdael, on the contrary, delighted in, and has made delightful to our eyes, those solemn days, peculiar to his country and to ours, when without storm, large rolling clouds scarcely permit a ray of sunlight to break the shades of the forest.”

John Constable (1776–1837) English Romantic painter

Quote from 'The History of Landscape Painting,' third lecture, Royal Institution (9 June 1836), from notes taken by C.R. Leslie; as quoted in: 'A brief history of weather in European landscape art', John E. Thornes, in Weather Volume 55, Issue 10 Oct. 2000, p. 366-67
1830s, his lectures History of Landscape Painting (1836)

Sun , Country

“While our country remains untainted with the principles and manners which are now producing desolation in so many parts of the world; while she continues sincere, and incapable of insidious and impious policy, we shall have the strongest reason to rejoice in the local destination assigned us by Providence. But should the people of America once become capable of that deep simulation towards one another, and towards foreign nations, which assumes the language of justice and moderation, while it is practising iniquity and extravagance, and displays in the most captivating manner the charming pictures of candour, frankness, and sincerity, while it is rioting in rapine and insolence, this country will be the most miserable habitation in the world. Because we have no government, armed with power, capable of contending with human passions, unbridled by morality and religion. Avarice, ambition, revenge and licentiousness would break the strongest cords of our Constitution, as a whale goes through a net. Our Constitution was made only for a moral and religious people. It is wholly inadequate to the government of any other. Oaths in this country are as yet universally considered as sacred obligations. That which you have taken, and so solemnly repeated on that venerable ground, is an ample pledge of your sincerity and devotion to your country and its government.”

John Adams (1735–1826) 2nd President of the United States

Letter to the Officers of the First Brigade of the Third Division of the Militia of Massachusetts, 11 October 1798, in Revolutionary Services and Civil Life of General William Hull http://books.google.com/books?id=E2kFAAAAQAAJ&dq=editions%3AVsZcW99fWPgC&pg=PA265#v=onepage&q&f=false (New York, 1848), pp 265-6. There are some differences in the version that appeared in The Works of John Adams (Boston, 1854), vol. 9, pp. 228-9 http://books.google.com/books?id=PZYKAQAAIAAJ&pg=PA228#v=onepage&q&f=false, most notably the words "or gallantry" instead of "and licentiousness".
1790s

People , World , Religion , Justice

“Tuol Sleng was a Vietnamese exhibition; a journalist wrote that. People talk about Tuol Sleng, Tuol Sleng, Toul Sleng, but when we look at the pictures, the pictures are the same. When I first heard about Tuol Sleng, it was on VOA [Voice of America]. I listened twice.”

Pol Pot (1925–1998) former General Secretary of the Communist Party of Kampuchea

Nate Thayer interview (1997)

People

“I think the main thing is that I very rarely recognise the actual interview in print. To me, it's like being painted by an artist. And then you see the picture, and they've painted someone else.”

Morrissey (1959) English singer

From Oor magazine (February 1987)
In interviews etc., About interviews

Thinking , Painting

“So we already have the evidence of the dichotomy that runs through our culture. We all engage in purposeful activity, and we judge ourselves and others in terms of success in achieving the purposes that we set before ourselves. Yet we accept as the final product of this purposeful activity a picture of the world from which purpose has been eliminated. Purpose is a meaningful concept in relation to our own consciousness of ourselves, but it is allowed no place in our understanding of the world of facts.”

Lesslie Newbigin (1909–1998) Christian missionary

Foolishness to the Greeks. Eerdmans, 1986, 77-78.

World , Understanding , Success

“I am not a 'book of the month' artist, and I do not paint pretty pictures; but when I am no longer here my name will register forever in the history of American art.”

Marsden Hartley (1877–1943) American artist

In a letter to his sister at the end of his life; as quoted in 'The return of the Native' by Joseph Phelan, Artcyclopedia online
1931 - 1943

Books , Art , History , Painting

“My collages are only ideas for things much larger – things to cover walls. In fact all the things that I have done I would like to see much larger. I am not interested in painting as it has been accepted for so long – to hang on walls of houses as pictures. To hell with pictures – they should be the wall – even better – on the outside wall – of large buildings. Or stood up outside as billboards or a kind of modern 'icon'. We must make our art like the Egyptians, the Chinese & the African and the Island primitives – with their relation to life. It should meet the eye direct.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Quote in a letter to John Cage, 4 September 1950; as quoted in "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim museum, New York 1997, p. 11
1950 - 1968

Life , Art , Idea , Hell

“I remember the first time I saw a photograph of Lenda Murray in a magazine. I was in complete awe, I cut out that picture and placed it on my refrigerator and, from that point on, my goal was to develop a physique like hers.”

Iris Kyle (1974) American bodybuilder

2008-04-08
Iris Kyle, Ms. Olympia
IFBBPRO.com
Internet
http://www.ifbbpro.com/features/iris-kyle-ms-olympia/
Sourced quotes, 2008

Time

“I woke up in the middle of the night with the sound of heavy explosion. It was deep at night. I do not remember what time it was. I just remember the sound was so heavy and so very shocking. Everything in my room was shaking -- my heart, my windows, my bed, everything. I looked out the windows and I saw a full half-circle of explosion. I thought it was just like the movies, but the movies had not conveyed them in the powerful image that I was seeing full of bright red and orange and gray, and a full circle of explosion. And I kept on staring at it until it disappeared. I went back to my bed, and I prayed, and I secretly thanked God that that missile did not land on my family's home, that it did not kill my family that night. Thirty years have passed, and I still feel guilty about that prayer, for the next day, I learned that that missile landed on my brother's friend's home and killed him and his father, but did not kill his mother or his sister. His mother showed up the next week at my brother's classroom and begged seven-year-old kids to share with her any picture they may have of her son, for she had lost everything.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

God , Family , Feeling , Home

“The fact is that pictures which are unlike reality ought not be approved, and even if they are technically fine, this is no reason why they should offhand be judged to be correct, if their subject is lacking in the principles of reality carried out with no violations.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter V, Sec. 4

Reality

“The realities of globalization can be seen in something as simple as the investigation of a car crash. If a patrolman investigated a fatal accident in the 1970s, the victims and the witnesses were both likely from the local community; and if the officer climbed into the wreckage, to look for some malfunction in the vehicle, he would probably see from the serial numbers that the car was made in the U. S. He could put all that together, and make his case. But Consider the death of Princess Diana. This accident involved an English citizen, with an Egyptian boyfriend, crashed in a French tunnel, driving a German car with a Dutch engine, driven by a Belgian, who was drunk on Scotch whiskey, followed closely by Italian paparazzi, on Japanese motorcycles, and finally treated with Brazilian medicines by an American doctor. In this case, even leaving aside the fame of the victims, a mere neighborhood canvass would hardly have completed the forensic picture, as it might have a generation before.”

Mark Riebling (1963) American writer

The New Paradigm: Merging Law Enforcement and Intelligence Strategies (2006)

Death , Cars , Communication , Reality

“.. Your Lordship [Dartmouth], I am sure, will be sensible of the dress thus far, but I defy any but a painter of some sagacity (and such you see I am, my Lord) to be well aware of the different effects which one part of a picture has upon another, and how the eye may be cheated as to the appearance of size, &c., by an artful management of the accompaniments. A tune may be so confused by a false bass that if it is ever so plain, simple, and full of meaning it shall become a jumble of nonsense, and just so shall a handsome face be overset by a fictitious bundle of trumpery of the foolish painter's own inventing.... Lady Dartmouth's [second/repainted] picture will look more like and not so large when dressed properly..”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote from Gainborough's letter to Lord Dartmouth, 18 April 1771, after critic on the first portrait he made of Lady Dartmouth; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 74
1770 - 1788

Art , Appearance , Parting , Cheating

“My daughter looks at these pictures every day. She happily tells me, 'Mom, you’re becoming an anime heroine in Japan,' which of course is very exciting for her. As for myself, though, I'm too busy to really pay much attention to the drawings.”

Natalia Poklonskaya (1980) Prosecutor of the Republic of Crimea

Of the numerous cartoons of her appearing in Japanese newspapers.
As quoted in GMA News, 28 March 2014 http://www.gmanetwork.com/news/story/354509/scitech/socialmedia/comely-crimean-prosecutor-becomes-japanese-cartoon-sensation

Moms , Business , Animals , Drawing

“I am not a big fan of meaning. Logic is also another nebulous thought. I attempt to bring threads of subjects, however shaggy, to my work and inject little suggesters to the picture itself, and this often puts a smile on my face.”

Edward Ruscha (1937) American artist and photographer

Edward Ruscha in: " Me, you, us: Anthony d'Offay and others on ARTIST ROOMS http://www.tate.org.uk/context-comment/articles/me-you-us," at tate.org.uk. 1 May 2009

Smile

“…pornography is the orchestrated destruction of women's bodies and souls; rape, battery, incest, and prostitution animate it; dehumanization and sadism characterize it; it is war on women, serial assaults on dignity, identity, and human worth; it is tyranny. Each woman who has survived knows from the experience of her own life that pornography is captivity–the woman trapped in the picture used on the woman trapped wherever he's got her.”

Andrea Dworkin (1946–2005) Feminist writer

Introduction http://www.nostatusquo.com/ACLU/dworkin/PornIntro2.html, p xxvii.
Pornography, Men Possessing Women (1979)

Life , Women , War , Soul

“Two pictures painted in the year 1907 can conveniently be taken as the starting point of twentieth-century art. They are Matisse's Blue Nude and Picasso's Demoiselles d'Avignon; and both these cardinal, revolutionary pictures represent the nude. The reason is that the revolt of twentieth-century painters was not against academicism: that had been achieved by the impressionists. It was a revolt against the doctrine, with which the impressionists implicitly agreed, that the painter should be no more than a sensitive and well-informed camera. And the very elements of symbolism and abstraction that made the nude an unsuitable subject for the impressionists commended it to their successors. When art was once more concerned with concepts rather than sensations, the nude was the first concept that came to mind.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Nude: A Study in Ideal Form (1951), Ch. IX: The Nude As an End in Itself

Art , Painting

“We need to augment and amend the existing body of classical and neoclassical economic theory to achieve a more realistic picture of economic process.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Herbert A. Simon (1986) in Preface to: Gilad & Kaish (eds.), Handbook of Behavioral Economics, p. xvi.
1980s and later

“Daniel Dale is in my backyard taking pictures. I have little kids. He's taking pictures of little kids, I don't want to say that word but you start thinking what this guy is all about.”

Rob Ford (1969–2016) Canadian politician, 64th Mayor of Toronto

Ford, Interview to Conrad Black after confronting Daniel Dale http://www.cbc.ca/news/canada/toronto/rob-ford-kids-quote-sparks-controversy-with-toronto-star-1.2458389 (10 December 2013); Ford subsequently withdrew the statements and apologized http://www.cbc.ca/news/canada/toronto/rob-ford-apologizes-again-daniel-dale-drops-lawsuit-1.2469456 to Dale after Dale threatened to sue for defamation.
2010s, 2013

Guy , Thinking

“A picture is a thing which requires as much knavery, as much malice, and as much vice as the perpetration of a crime. Make it untrue and add an accent of truth.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Truth

“It is possible that a picture will move far away from Nature and yet find its way back to reality. The faculty of memory, experience at a distance produces pictorial associations.”

Paul Klee (1879–1940) German Swiss painter

Statement of mid-1920'; as quoted in Abstract Art (1990) by Anna Moszynska, p. 100
1921 - 1930

Way , Nature , Reality , Memory

“I finally got tired of making movies where all I did was walk across the screen and look pretty. I got a big chance to do some real acting in The Postman Always Rings Twice, and I'm not going to slip back if I can help it. I tried to persuade the studio to give me something different. But every time I went into my argument about how bad a picture was, they'd say, 'well, it's making a fortune.”

Lana Turner (1921–1995) American actress

That licked me.
On her experience in the film industry; quoted in MacPherson, Virginia; "Imagine This, Lads; Lana Turner Asks That You Concentrate On Her Acting," Toledo Blade (October 15, 1946).
On her career

Chance , Time , Help

“I fear the future I wish for my children is at risk, so I'm taking action. Please join me. Our greatest risk is not terrorism, and it's not Iraq or the "Axis of Evil". Our greatest risk is a lack of leadership, a lack of honesty and a complete lack of consciousness. Unfortunately our current government cannot see the big picture. They think too small. They suffer from the “what's in it for me?” syndrome. The simple truth is that the current administration has squandered incredible opportunities to bring the world together, to promote peace in regions that have only known war, to encourage health in places that are ravaged with disease, to make us more secure by living up to our principles at home and abroad. The simple truth is that the policies of our current administration do not reflect what is great about America.”

Madonna (1958) American singer, songwriter, and actress

From Madonna's open letter about the War in Iraq & the Bush administration http://www.foxnews.com/story/0,2933,107771,00.html

War , Children , Health , Truth

“Vision is the beginning point of any great endeavor. Vision is a picture of how we would like tomorrow to look—or, put another way, how we would like ourselves to look tomorrow. Every good leadership book identifies vision as an essential characteristic of a leader, and every good leader has learned his or her responsibility to create and communicate a vision. But the danger is that talk of a vision has become so prevalent—maybe even so commonplace—that many leaders take the process and discipline out of vision-casting for granted.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 11.
On Having a Personal Mission and Vision

Books , Way , Communication , Learning

“The Dutch historian and indologist Andre Wink writes, referring to Prof. Sharma's chief claim to fame, his book on Indian Feudalism in the early medieval period : 'R. S. Sharma's Indian Feudalism has misguided virtually all historians of the period… Sharma's thesis essentially involves an obstinate attempt to find 'elements' which fit a preconceived picture of what should have happened in India because it happened in Europe (or is alleged to have happened in Europe by Sharma and his school of historians whose knowledge of European history is rudimentary and completely outdated)… The methodological underpinnings of Sharma's work are in fact so thin that one wonders why, for so long, Sharma's colleagues have called his work 'pioneering.”

Koenraad Elst (1959) orientalist, writer

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Books , School , History , Knowledge

“The same feeling [when Hartley saw a work of the American painter w:Albert Pinkham Ryder for the very first time in his life] came over me in the given degree as came out of the Emerson’s Essays when they were first given to me I I felt as I have read a page of the Bible in both cases. All my essential Yankee qualities we re brought forth out of this picture and if I needed to be stamped an American this was the first picture that had done this – for it had in it everything that I knew and had experienced about my own New England – even though I had never lived by the sea – it had in it the stupendous solemnity of a Blake, [English religious painter] picture and it had a sense of realism besides that bore such a force of nature itself as to leave me breathless.”

Marsden Hartley (1877–1943) American artist

Quote in Somehow a Past, 1933-c, 1939, unpublished manuscript, Hartley Archive, Yale University; as cited in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 26
1931 - 1943

Life , Feeling , Nature , Sense

“I dispersed my objects in space and got them to hold together by making them radiate forwards, out of the picture. It's all an easy interplay of chords and rhythms made up of foreground and background colours, of conducting lines, of distances and of contrasts.”

Fernand Léger (1881–1955) French painter

Quote from Exhibition catalogue Fernand Léger, Paris 1972, p. 91
Quotes of Fernand Leger, 1970's

“The built house seems all so fit,- everyway as it should be, as if it came there by its own law and the nature of things,- we forget the rude disorderly quarry it was shaped from. The very perfection of the house, as if Nature herself had made it, hides the builder's merit. Perfect, more perfect than any other man, we may call Shakspeare in this: he discerns, knows as by instinct, what condition he works under, what his materials are, what his own force and its relation to them is. It is not a transitory glance of insight that will suffice; it is deliberate illumination of the whole matter; it is a calmly seeing eye; a great intellect, in short. How a man, of some wide thing that he has witnessed, will construct a narrative, what kind of picture and delineation he will give of it,- is the best measure you could get of what intellect is in the man. Which circumstance is vital and shall stand prominent; which unessential, fit to be suppressed; where is the true beginning, the true sequence and ending? To find out this, you task the whole force of insight that is in the man. He must understand the thing; according to the depth of his understanding, will the fitness of his answer be.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Law , Understanding , Nature , Housing

“Nobody at Magnum decides for the other what he should do and everyone is free to tell someone else: “Well, what about this story? I don’t like it for this and that reason — because of this picture.” It is extremely fruitful to have somebody to talk to as an equal. This give and take is a most profitable thing because we keep learning from each other. I keep learning from the younger members just as I learned from Bob [Robert] Capa and Chim [David Seymour] how to make picture stories. Cornell Capa, for instance, has a very keen journalistic sense; and as for the other photographer, each makes his own contribution. Everybody in Magnum has full freedom; there’s no doctrine, there is no school, but there is something that unites all of us very strongly — I can’t define it; it may be a certain feeling of freedom and a respect for reality.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Conversation. Interview with Byron Dobell (1957), pp. 34-35

School , Feeling , Reality , Sense

“To me, Pollock is the height of American painting. It's very lyrical. Gorky, who is very passionate, can copy a drawing or take a drawing and copy it exactly as a painting, and Miro can too, it's amazing. Miro can do a drawing to paint and that's another training in a sense. So there's a certain mannerism that comes in both of them [three], and probably everything becomes obvious in time. But I don't have that. The line is illustrated or the colour. I'm sure it has great feeling when they're doing it, but it's more towards defining something. It has a certain clarity because it's a complex thing. I'm a painter and my whole balance is not having to think about things. So all I think about is painting. It's the instinct for the placement where all that happens. I don't have to think about it. So I don't think of composition; I don’t think of colour here and there. Sometimes I alter something after. So all I could think is the rush... I cannot make a picture unless everything is working. It's like a state.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179

Feeling , Thinking , Sense , Passion

“…The one thing you've got to remember is to see the big picture. When things get tough, remind yourself why you fell in love with her in the first place. She's a special woman, and you were lucky to find her, just as she was lucky to find you. She's got a heart of gold, and you can't fake something like that.”

Nicholas Sparks (1965) American writer and novelist

Jeremy's father, Chapter 11, p. 147
2000s, At First Sight (2005)

Love , Heart

“The things we do first reflect clearly the elements that are most significant in our picture of ourselves.”

Eugene Kennedy (1928–2015) American psychologist

Eugene Kennedy (1978) A Time for Being Human http://books.google.com/books?id=qJeAlL3hBLMC&q=%22The+things+we+do+first+reflect+clearly+the+elements+that+are+most+significant+in+our+picture+of+ourselves%22&pg=PA187#v=onepage p. 187

“You have no right to interfere with my art. Your wife is not your property. I need her, in order to finish my picture, I must have her! I will sue you! [the woman returned by persuasion of the Castaings who supported Soutine].”

Chaim Soutine (1893–1943) painter

Source: Life with the painters of La Ruche, Vorobëv Marevna, Macmillan, New York, 1972, p. 156.
reacting to the husband of his model a railway gate-keeper; his wife had to pose a second session for Soutine's painting 'The siesta', in 1934

Art , Support

“How few of our young English impressionists knew the difference between a palette and a picture! However, I believe that Walter Sickert did”

Aubrey Beardsley (1872–1898) English illustrator and author

sly dog!
Table Talk" p. 64
Under the Hill and Other Essays (1904)

Dogs

“It is a dreadful picture—this picture of Italy under the rule of the oligarchy. There was nothing to bridge over or soften the fatal contrast between the world of the beggars and the world of the rich. The more clearly and painfully this contrast was felt on both sides—the giddier the height to which riches rose, the deeper the abyss of poverty yawned—the more frequently, amidst that changeful world of speculation and playing at hazard, were individuals tossed from the bottom to the top and again from the top to the bottom. The wider the chasm by which the two worlds were externally divided, the more completely they coincided in the like annihilation of family life—which is yet the germ and core of all nationality—in the like laziness and luxury, the like unsubstantial economy, the like unmanly dependence, the like corruption differing only in its tariff, the like criminal demoralization, the like longing to begin the war with property. Riches and misery in close league drove the Italians out of Italy, and filled the peninsula partly with swarms of slaves, partly with awful silence. It is a terrible picture, but not one peculiar to Italy; wherever the government of capitalists in a slave-state has fully developed itself, it has desolated God's fair world in the same way as rivers glisten in different colours, but a common sewer everywhere looks like itself, so the Italy of the Ciceronian epoch resembles substantially the Hellas of Polybius and still more decidedly the Carthage of Hannibal's time, where in exactly similar fashion the all-powerful rule of capital ruined the middle class, raised trade and estate-farming to the highest prosperity, and ultimately led to a— hypocritically whitewashed—moral and political corruption of the nation. All the arrant sins that capital has been guilty of against nation and civilization in the modern world, remain as far inferior to the abominations of the ancient capitalist-states as the free man, be he ever so poor, remains superior to the slave; and not until the dragon-seed of North America ripens, will the world have again similar fruits to reap.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Italy under the Oligarchy
The History of Rome - Volume 4: Part 2

Life , God , War , World

“Transformers is so belabored that it makes Pirates of the Caribbean: At World's End seem like a masterpiece of pacing. It makes that "classic" midsummer alien invasion movie, Independence Day, seem like a template for inventive plotting and solid character development. Even by Michael Bay standards, this movie is vapid. Yes, there are plenty of explosions, but those are a dime-a-dozen these days; even Discovery Channel's Mythbusters has them. Transformers isn't clean, big-budget fun; it's clean, big-budget tedium. For Transformers fans, I suppose this is a dream motion picture. For everyone else, it's a nightmare.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=591 of Transformers (2007).
One-and-a-half star reviews

World , Dreams

“I know when I was a kid, I used to look at these pictures and listen to the songs of the Gay Nineties, and I used to say to my mother, 'Oh, I wish I had lived then; it was so gay and so wonderful.' […] Now [the Jazz Age] seems very mysterious and wonderful to you, kids, and when you have kids, they'll say, 'Gee, Dad, those 50's, they were something.' […] I really think it goes in cycles. When your kids come in and say 'Gee, Dad, I wish we had done that,' and so on and so forth, it's the same thing. I don't think it's changed a great deal.”

Helen Kane (1904–1966) American actress

1959 interview. https://archive.org/details/HelenKaneInterview

Age , Thinking , Change

“The Christian god can easily be pictured as virtually the same god as the many ancient gods of past civilizations. The Christian god is a three headed monster; cruel, vengeful and capricious. If one wishes to know more of this raging, three headed beast-like god, one only needs to look at the caliber of people who say they serve him. They are always of two classes: fools and hypocrites.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

See the Positive Atheism http://www.positiveatheism.org/hist/quotes/jeffphony.htm site on the extreme unlikelihood of this quote being authentic. It actually contains some known phrases of Jefferson's, but they are compounded with almost certainly false statements into a highly misrepresentative whole. Jefferson's own opinions on Jesus, God, Christianity and general opinions about them were far more complex than is indicated in this statement.
Misattributed

God , People , Fools , Rage

“I am a Black revolutionary woman, and because of this i have been charged with and accused of every alleged crime in which a woman was believed to have participated. The alleged crimes in which only men were supposedly involved, i have been accused of planning. They have plastered pictures alleged to be me in post offices, airports, hotels, police cars, subways, banks, television, and newspapers. They have offered over fifty thousand dollars in rewards for my capture and they have issued orders to shoot on sight and shoot to kill.”

Assata Shakur (1947) American activist who was a member of the Black Panther Party and Black Liberation Army

To My People (July 4, 1973)

Men , Cars

“We dissect nature along lines laid down by our native language. The categories and types that we isolate from the world of phenomena we do not find there because they stare every observer in the face; on the contrary, the world is presented in a kaleidoscope flux of impressions which has to be organized by our minds—and this means largely by the linguistic systems of our minds. We cut nature up, organize it into concepts, and ascribe significances as we do, largely because we are parties to an agreement to organize it in this way—an agreement that holds throughout our speech community and is codified in the patterns of our language. The agreement is of course, an implicit and unstated one, but its terms are absolutely obligatory; we cannot talk at all except by subscribing to the organization and classification of data that the agreement decrees. We are thus introduced to a new principle of relativity, which holds that all observers are not led by the same physical evidence to the same picture of the universe, unless their linguistic backgrounds are similar, or can in some way be calibrated”

Benjamin Lee Whorf (1897–1941) American linguist

Whorf (1940) "Science and linguistics" in: MIT Technology Review Vol 42. p. 229-31.

World , Way , Communication , Nature

“.. it [his watercolor 'New Flower' ['Het Bloempje', 1880] is one of those pictures, I did my best to finish it highly, as the story is nice and pleasant [where] other pictures may be more necessarily rough or strong being paint in an other mood. But this new flower needed a tender hand and conspicuous attention for details.”

Jozef Israëls (1824–1911) Dutch painter

Quote from his letter, 23 Nov 1906, to E.D. Libbey in Toledo (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
E.D. Libbey was one of the initiators of the Toledo-museum; the watercolor was in his private collection till 1925
Quotes of Jozef Israels, after 1900

Flowers , Mood , Strong , Painting

“Painting in the chamber of a Prince who was indisposed, the Physician said, that he hoped bymeans of his Highness, to obtain also the favor of a picture by Salvator. The Prince made he request, and Salvator readily consented. The Physician then desired the Painter not to egin his picture till he had given him the idea, nd the design. Salvator made no reply; ut when the Physician called for pen and ink o write his prescription, he desired him to stop ill he should tell him what to write. The Docor, not comprehending his meaning, said * Signor Salvator, this is a business which conerns me, not you." "I would have you to know Mr. Doctor" replied Salvator, " that I can more easily instruct you in the cure of your tickt than you can me in the art I profess, being a much better Painter than you are a Physician.'*”

Peter Beckford (1643–1710) Governor of Jamaica

Hope , Art , Idea , Business

“Again, science has the power to silence heretics. Today it is the only institution that can claim authority. Like the Church in the past, it has the power to destroy, or marginalise, independent thinkers. (Think how orthodox medicine reacted to Freud, and orthodox Darwinians to Lovelock.) In fact, science does not yield any fixed picture of things, but by censoring thinkers who stray too far from current orthodoxies it preserves the comforting illusion of a single established worldview.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Human: Against Fundamentalism - Religious and Scientific (p. 19)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

Thinking , Silence , Science , Past

“Keep a picture of Sri Ramakrishna with you. Whenever lustful feelings arise, you should look at the picture intently. You will find that the senses will gradually be gathered in and the mind will be free from lust.”

Swami Adbhutananda Disciple

Reply when a devotee asked, "How can one overcome lust?"
Source: God Lived with Them, p.428

Feeling , Sense

“I know I must live in France, but I don't want to cut myself off from America. France is a picture already painted. America still has to be painted. Maybe that's why I feel freer there. But when I work in America, it's like shouting in a forest. There's no echo.”

Marc Chagall (1887–1985) French artist and painter

as quoted by Joseph A. Harriss, in 'The Elusive Marc Chagall', - the 'Smithsonian Magazine', December 2003 https://www.smithsonianmag.com/arts-culture/the-elusive-marc-chagall-95114921/
after 1930

Feeling , Painting

“Well, it's just a sense of personal satisfaction. Just like taking a good photograph or painting a picture or playing a good golf game or something, it's the thing in itself that justifies it.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

On writing.
Booknotes http://www.booknotes.org/Transcript/index_print.asp?ProgramID=1107 television interview (July 5, 1992)

Game , Sense , Painting , Personality

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996).
Three star reviews

Idea , Science , Summer

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

Question , Nature , Change , Time

“What I am after, above all, is expression. Sometimes it has been conceded that I have a certain technical ability but that, my ambition being limited, I am unable to proceed beyond a purely visual satisfaction such as can be procured from the mere sight of a picture. But the purpose of a painter must not be conceived as separate from his pictorial means, and these pictorial means must be the more complete (I do not mean complicated) the deeper is his thought. I am unable to distinguish between the feeling I have for life and my way of expressing it.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), pp. 409-410

Life , Way , Feeling

“And however one's mind may be elevated, and kept us to what is excellent, by the works of the Great Masters — still Nature is the fountain's head, the source from whence all originally must spring — and should an artist continue his practice without referring to nature he must soon form a manner, & be reduced to the same deplorable situation as the French painter mentioned by Sir J. Reynolds, who told him that he had long ceased to look at nature for she only put him out.For the last two years I have been running after pictures, and seeking the truth at second hand. I have not endeavoured to represent nature with the same elevation of mind — but have neither endeavoured to make my performances look as if really executed by other men….. There is room enough for a natural painter. The great vice of the present day is bravura, an attempt to do something beyond the truth.I am come to a determination to make no idle visits this summer, nor to give up my time to common-place people. I shall return to Bergholt, where I shall make some laborious studies from nature — and I shall endeavour to get a pure and unaffected manner of representing the scenes that may employ me.”

John Constable (1776–1837) English Romantic painter

3 quotes in Constable's letter to John Dunthorne (29 May 1802), from John Constable's Correspondence, ed. R.B. Beckett (Ipswich, Suffolk Records Society, 1962-1970), part 2, pp. 31-32
1800s - 1810s

Men , People , Truth , Spring

“The problem of meaning today is the problem of how the diverse and superficially self-contradictory experiences of men can be put into a consistent picture that will provide contemporary man with a convincing basis from which to live and to act.”

Carroll Quigley (1910–1977) American historian

Source: Tragedy and Hope: A History of the World in Our Time (1966), p. 1278

Men , Problem

“In nature, light creates the color; in the picture, color creates light. Every color shade emanates a very characteristic light — no substitute is possible.”

Hans Hofmann (1880–1966) American artist

As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.

Color , Nature , Light

“I have been surprised, excited and pleasantly shocked by these comics that are extensions of the songs that I have loved and therefore welcome these amazing stories of pictures and words because they are uncompromisingly inspiring. It shows you thought is a powerful, formidable essence and can have a breathtaking domino effect.”

Tori Amos (1963) American singer

On Comic Book Tattoo, http://www.toriamos.com/main_comic.asp

Love

“Film is such an extraordinary rich medium which can handle so many different modes of operation, combining together in the same place all these extraordinary disciplines which may be executed in their own right -- music, writing, picture making of all kinds, and I often feel that some filmmakers make films with one eye closed and two hands tied behind their backs.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Music , Feeling

“I… praise the newly opened halls of fossil mammals at the American Museum of Natural History. …teaching us about evolutionary trees by organizing the entire hall as a central trunk and set of branches… placing our brains in our feet and letting us learn by walking. …the chosen geometry of evolutionary organization… violates the traditional picture of life's history, thus illustrating… an important principle in the history of science: the central role of pictures, graphs, and other forms of visual representation in channeling and constraining our thought. …Words are an evolutionary afterthought. …My colleagues have actually done it. …They have ordered all the fossils into an unconventional iconographic tree that fractures the bias of progress. …so that we can preambulate along the tree of life and absorb the new scheme viscerally by walking… They have taken Colbert's radical idea and arranged all the fossils by their branching order, not their later "success" or "advancement."”

Stephen Jay Gould book Dinosaur in a Haystack

Groups that branch early appear early in the hall... Sea cows and elephants are at the end of the hall, horses in the middle, and primates near the beginning.
"Evolution by Walking", pp. 249-254.
Dinosaur in a Haystack (1995)

Life , History , Idea , Tree

“I, marry? Oh, I could never bring myself to do it. I would have been in mortal misery all my life for fear my wife might say, "That's a pretty little thing," after I had finished a picture.”

Edgar Degas (1834–1917) French artist

"Methods of Work" (p. 64)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Life , Fear

“[the 'Surfboards' - series works Noland made mid-70's] were almost like cut-out figures without being figurative… I think of them, in some way, as being like figures; they remind me of figures in vertical Cubist paintings. Even the small pictures have that kind of human proportion in the rectangles. It's not exactly a reference, but the relation of length to width in the rectangles is like a person.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, pp. 23-24
Conversation with Karen Wilkin' (1986-1988)

Way , Thinking , Painting , Personality

“I wonder [interviewer: I hear him saying quite soon] or that line [in the picture he is just working on] doesn't repeat itself. It's more or less the same, isn't it? on both sides, don't you think so? [(interviewer) 'Maybe it is!' - I dare to say; there is no escape; I have to give advice] (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik vraag me [af] - klinkt het al gauw, of die lijn zich niet wat repeteert [in het schilderij waaraan hij werkt].. .Het is zoo'n beetje hetzelfde, hè? aan alle bei de kanten, vindt-je niet? [interviewer: 'Misschien wel! ' waag ik te zeggen. Er is geen ontkomen aan; ik moet advies geven]
Quote of W. Roelofs, 1880's; recorded by an unknown interviewer, published in Elsevier's geïllustreerd maandschrift: verzameling van.., Oct. Nov. 1891; as cited in an excerpt in the RKD Archive https://rkd.nl/explore/excerpts/220, The Hague
1880's

Thinking

“You should always determine first what you want to say. It's a bad situation for a cartoonist to think of his pictures first…A cartoonist should get out of bed mad and stay mad. The cartoonist's function is essentially a negative one, and the cartoon that advocates something usually says nothing.”

Paul Conrad (1924–2010) German theologian

As quoted in One of the Few. (1960, June 13). Time, 75(24): 54.

Thinking , Madness

“The picture. A great plain, comprising the entire Jerusalem district, where is the supreme Commander-in-Chief of the forces of good, Christ our Lord: another plain near Babylon, where Lucifer is, at the head of the enemy.”

Ignatius of Loyola (1491–1556) Catholic Saint, founder of the Society of Jesus (the Jesuits)

No. 138.
Spiritual Exercises (1548)

Christ

“Picture by picture, these criminals are being identified and arrested, and we will not let any phony concerns about human rights get in the way of the publication of these pictures and the arrest of these individuals.”

David Cameron (1966) Former Prime Minister of the United Kingdom

On the 2011 England riots, August, 2011. (Andrew Sparrow. " David Cameron: Police can use water cannon to control riots http://www.guardian.co.uk/uk/2011/aug/10/david-cameron-water-cannon-police-riots", The Guardian, 10 August 2011. Retrieved 11 August 2011.)
2010s, 2011

Way

“A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so... the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. … At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)

Life , Color , Sense

“In the past scientists have repeatedly reached “intellectual closure” on inadequate pictures of the universe, and underestimated its scale.”

Frank Wilczek (1951) physicist

"Multiversality" (2013)

Universe , Past

“It was a real book—onionskin pages bound in what might have been actual leather. Miller had seen pictures of them before; the idea of that much weight for a single megabyte of data struck him as decadent.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 14 (p. 150)

Books , Idea

“The most important tool the artist fashions through constant practice is the faith in his ability to produce miracles when they are needed. Pictures must be miraculous; the instant one is completed, the intimacy between the creation and the creator is ended. He is an outsider. The picture must be for him, as for anyone experiencing it later, a revelation, an unexpected and unprecedented resolution of an eternally familiar need.”

Mark Rothko (1903–1970) American painter

Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, p. 168

Faith , Fashion

“The materialist theory of knowledge amounts, then, to this statement, that the human organ of cognition radiates no metaphysical light, but is a piece of Nature which pictures other pieces of Nature whose essence is explained when we describe it and bring it in connection with the whole Universe as the one Reality and the real Unity. Such a description demands from the epistemologist or philosopher that he should treat his subject in the same precise way as the animal world is treated by the zoologist. Should I be reproached with not following this precept immediately, I would point to Rome which, too, was not built in one day.”

Joseph Dietzgen (1828–1888) german philosopher

Excursions of a Socialist into the Domain of Epistemology http://www.marxists.org/archive/dietzgen/1887/epistemology.htm (1887)

World , Way , Nature , Knowledge

“Insanity — to have to construct a picture of one's life, by making inquiries of others.”

Philip K. Dick book Martian Time-Slip

Martian Time-Slip (1964)

Life

“I can look a whole day with delight upon a handsome picture, though it be but of a horse. It is my temper, & I like it the better, to affect all harmony, and sure there is music even in the beauty, and the silent note which Cupid strikes, far sweeter than the sound of an instrument. For there is a music wherever there is a harmony, order or proportion; and thus far we may maintain the music of the spheres.”

Thomas Browne book Religio Medici

Section 9
Religio Medici (1643), Part II

Beauty , Music , Horse

“President Reagan brought us to the ultimate: America As Total Television. During his governance the printed word simply ceased to matter. White House dynamos had once telephoned newspapers to complain about unfair reporting. Not anymore. Now they telephoned network bosses. Even then it wasn't poor reporting they complained about, but poor pictures.
A network reporter who thought her report on shortcomings in Reaganland would anger the President's cadres was amazed when the man in charge of propaganda thanked her for doing them a good turn. But, she said, that was a tough piece of reporting.
Oh, the words may have been, said the gentleman, but on television words didn't matter. What mattered were pictures. And the pictures had been wonderful.”

Russell Baker (1925–2019) writer and satirst from the United States

"'Star Wars' Mania" (p.346)
There's a Country in My Cellar (1990)

Housing , Anger

“The chief characteristic of the pin-hole photograph is that we get a general suppression of focus in all parts the picture is nowhere quite sharp.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60

Parting

“The scientific picture of the world championed since the Enlightenment is not just wrong but massively wrong. Indeed entire fields of inquiry, especially in the human sciences, will need to be rethought from the ground up in terms of intelligent design.”

William A. Dembski (1960) American intelligent design advocate

Source: 1990s, Intelligent Design: The Bridge Between Science & Theology (1999), p. 224

World , Intelligence , Science

“The power of memory - magic- myth - abstract beauty. I paint pictures that have never been seen before. Visions of another world. At once sensuous and intellectual.”

Stefan Szczesny (1951) German painter and sculptor

Mustique (2002)

World , Beauty , Memory , Painting

“There is little abstract art, today, and what there is is stammering and imperfect. It is an attempt to let the world speak for itself, instead of reporting the speech of mind excited by their picture of the world. The Greek, The Gothic, and the Renaissance artist set forth the world the way he saw it, felt it, and wished to have it; man wished above all to be nourished by art; he achieved his desire but sacrificed everything else to this one aim: to construct homunculus, to substitute knowledge for strength and skill for spirit. The ape aped his creator. He learned to put art itself to the ends of trade..”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

World , Art , Way , Knowledge

“All it takes is one good selfie and then send it around to all of the sites that post hot girls and maybe you’ll get chosen and they’ll pick you up. I mean it’s the little things too, see what’s trending, always see what’s trending. I don’t like to post selfies back-to-back-to-back. I don’t like to post professional photos back-to-back, or when it comes to colors, or if it’s too close or too far away or just like the littlest things. Everything matters, it really does. It can make a huge difference. If you’re going for modeling, like brand your page. If you’re trying to go for specific — if you’re not going for something. Like let’s say for me I’m a model and an actress, so I wanted to lean more towards both of those, so pictures of my food wouldn’t work because I’m not a blogger, or pictures of just random stuff that doesn’t make sense. People follow me for a reason and I know why they follow me.”

Antje Utgaard (1994) American actress

Social Media Star Antje Utgaard On Her Modeling Career, Instagram Tips & Being Compared To Kate Upton https://uinterview.com/news/social-media-star-antje-utgaard-modeling-career-instagram-tips-compared-kate-upton-video-exclusive/ (October 7, 2016)

People , Food , Color , Photo

“I am Beloved and she is mine. I see her take flowers away from leaves she puts them in a round basket the leaves are not for her she fills the basket she opens the grass I would help her but the clouds are in the way how can I say things that are pictures I am not separate from her there is no place where I stop her face is my own and I want to be there in the place where her face is and to be looking at it too a hot thing.”

Toni Morrison book Beloved

Source: Beloved (1987), Ch. 22

Way , Flowers , Grass , Help

“We must build a picture of the human soul that works. …a recognition that the enemy is within us and that Nature has placed it there. …for a reason. And we must understand that reason to outwit her.”

Howard Bloom (1943) American publicist and author

Who is Lucifer?
The Lucifer Principle: A Scientific Expedition Into the Forces of History (1997)

Soul , Understanding , Nature

“When I first painted a number of canvases grey all over (about eight years ago), I did so because I did not know what to paint, or what there might be to paint: so wretched a start could lead to nothing meaningful. As time went on, however, I observed differences of quality among the grey surfaces – and also that these betrayed nothing of the destructive motivation that lay behind them. The pictures began to teach me. By generalizing a personal dilemma, they resolved it.”

Gerhard Richter (1932) German visual artist, born 1932

Quote of Richter on his 'Grey Paintings', in a letter to nl:Edy de Wilde, 23 February 1975; as cited on collected quotes on the website of Gerhard Richter: on 'Grey-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/grey-paintings-9
1970's

Motivation , Time , Painting , Personality

“A social system does not move smoothly from one state of its culture to another… Something old must come apart in order for something new to come together. But for individuals within the system, there is no clear grasp of the next stable state - only a clear picture of the one to be lost Hence, the coming apart carries uncertainty and anguish for the members of the system since it puts at risk the basis for self-identity that the system had provided.”

Donald A. Schön (1930–1997) American academic

Schon (1971: 51) cited in: Hedley Beare, ‎Richard Slaughter (1994) Education for the Twenty-first Century. p. 15-16

“Picture you upon my knee,
Just tea for two and two for tea”

Irving Caesar (1895–1996) American composer and lyricist

"Tea For Two" (1925).

Tea

“For three hundred years the race had glazed windows. Then they shut themselves up in little air-conditioned boxes and stared at silly television pictures instead. One might as well be on Luna.”

Robert A. Heinlein book Farmer in the Sky

Source: Farmer in the Sky (1950), Chapter 16, “Line Up” (p. 161)

Box

“Analogously to Arnulf Rainer′s ‘overpaintings’, and extending thse with my own actionistic resources, the artist′s head should be in the picture, should become one with the picture, and disappear in it.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 12 (Gunter Brus inDie Schastrommel.Organ der österreichischen Exilregierung.Bolzano:ed. Gunter Brus,June 1972,no.8a, p. 57.)

“[commenting French Cubist art].. Trees are violated, humans become incapable of life; there is a coercion that leads to the un-recognazibility of the object, to a picture-puzzle. For here what counts is not a profane law, but a law of art.”

Paul Klee (1879–1940) German Swiss painter

Quote (April 1912); as cited in Kandinsky and Klee in Tunisia, Roger Benjamin & Cristina Ashjian; Univ of California Press, 2015, p. 106
In April 1912 Paul Klee spent 16 days with his wife Lily in Paris. They visited the exhibtion of the 'Salon des Independants' of 1912, where works were shown of Delaunay, Seurat and many Cubist works
1911 - 1914

Life , Law , Art , Tree

“Oh, it was a real shock when we saw the Creature. And you can see from the pictures in the book that I look a little awestruck, kind of taken aback when I saw it at first. I thought it was quite wonderful, extraordinary, and a little scary which of course is exactly what is was supposed to be.”

Julie Adams (1926–2019) American actress

WAMG Interview: Julie Adams – Star of CREATURE FROM THE BLACK LAGOON https://www.wearemoviegeeks.com/2012/03/wamg-interview-julie-adams-star-of-creature-from-the-black-lagoon/ (March 19, 2012)

Books

“Some of the pictures I work on a long time and they look as if I've knocked them out, you know, and there are other pictures that come off right away. The immediacy can be accomplished in a picture that's been worked on for a long time just as well as if it's been done rapidly, you see. But I don't find that any of these things prove anything really.”

Franz Kline (1910–1962) American painter

n.p.
1960's, Living Art, 1963

Time

“The rectangular picture-plane indicates the starting point of Suprematism; a new realism of color conceived as non-objective creation. The forms of Suprematist art live like all the living forms of nature. This is a new plastic realism, plastic precisely because the realism of hills, sky and water is missing. Every real form is a world. And any plastic surface is more alive than a (drawn or painted) face from which stares a pair of eyes and a smile. [1914]”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, cited in Artists on Art; from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 452
1910 - 1920

World , Smile , Art , Color

Quotes about picture page 13

Quotes about picture
page 13