Quotes about pause

A collection of quotes on the topic of pause, likeness, use, life.

Quotes about pause

Peter Singer photo
Lewis Carroll photo
Eoin Colfer photo

“So, what did you get for me?"
Angeline paused for a beat. "Jeans."
"What?" croaked Artemis.
"And a T-shirt.”

Eoin Colfer (1965) Irish author of children's books

Source: The Atlantis Complex

William Shakespeare photo
Brandon Mull photo
Terry Pratchett photo
Barack Obama photo
Kamala Surayya photo
Theodor W. Adorno photo
Marcel Proust photo

“We passionately long that there may be another life in which we shall be similar to what we are here below. But we do not pause to reflect that, even without waiting for that other life, in this life, after a few years we are unfaithful to what we have been, to what we wished to remain immortally.”

Nous désirons passionnément qu'il y ait une autre vie où nous serions pareils à ce que nous sommes ici-bas. Mais nous ne réfléchissons pas que, même sans attendre cette autre vie, dans celle-ci, au bout de quelques années, nous sommes infidèles à ce que nous avons été, à ce que nous voulions rester immortellement.
Pt. II, Ch. 2
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol. IV: Cities of the Plain (1921-1922)

Stefan Zweig photo
Jeff Buckley photo
Frank P. Ramsey photo

“It is worth pausing for a moment to consider how far our conclusions are affected by considerations which our simplifying assumptions have forced us to neglect.”

Frank P. Ramsey (1903–1930) British mathematician, philosopher

"A Mathematical Theory of Saving", The Economic Journal, Vol. 38, No. 152 (Dec., 1928)

Maria Callas photo

“[Serafin was] an extraordinary coach, sharp as a vecchio lupo [old wolfe]. He opened a world to me, showed me there was a reason for everything, that even fiorature and trills… have a reason in the composer's mind, that they are the expression of the stato d'animo [state of mind] of the character — that is, the way he feels at the moment, the passing emotions that take hold of him. He would coach us for every little detail, every movement, every word, every breath. One of the things he told me — and this is the basis of bel canto — is never to attack a note from underneath or from above, but always to prepare it in the face. He taught me that pauses are often more important than the music. He explained that there was a rhythm — these are the things you get only from that man! — a measure for the human ear, and that if a note was too long, it was no good after a while. A fermata always must be measured, and if there are two fermate close to one another in the score, you ignore one of them. He taught me the proportions of recitative — how it is elastic, the proportions altering so slightly that only you can understand it…. But in performance he left you on your own. "When I am in the pit, I am there to serve you, because I have to save my performance." he would say. We would look down and feel we had a friend there. He was helping you all the way. He would mouth all the words. If you were not well, he would speed up the tempo, and if you were in top form, he would slow it down to let you breathe, to give you room. He was breathing with you, living the music with you, loving it with you. It was elastic, growing, living.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

Cyril Connolly photo
Cassandra Clare photo
Bob Dylan photo

“Ron Rosenbaum: Why are you doing what you're doing?
Bob Dylan: [Pause] Because I don't know anything else to do. I'm good at it.
Ron Rosenbaum: How would you describe "it"?
Bob Dylan: I'm an artist. I try to create art.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Playboy Interview http://www.interferenza.com/bcs/interw/play78.htm (1978)

Virginia Woolf photo

“We may take advantage of this pause in the narrative to make certain statements. Orlando had become a woman — there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity.”

Source: Orlando: A Biography (1928), Ch. 3
Context: We may take advantage of this pause in the narrative to make certain statements. Orlando had become a woman — there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory — but in future we must, for convention's sake, say 'her' for 'his,' and 'she' for 'he' — her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark drops had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change of sex is against nature, have been at great pains to prove (1) that Orlando had always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.

Bruce Lee photo

“When our mind is tranquil, there will be an occasional pause to its feverish activities, there will be a let-go, and it is only then in the interval between two thoughts that a flash of UNDERSTANDING — understanding, which is not thought — can take place.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: Striking Thoughts (2000), p. 43
Context: Liberate yourself from concepts and see the truth with your own eyes. — It exists HERE and NOW; it requires only one thing to see it: openness, freedom — the freedom to be open and not tethered by any ideas, concepts, etc. … When our mind is tranquil, there will be an occasional pause to its feverish activities, there will be a let-go, and it is only then in the interval between two thoughts that a flash of UNDERSTANDING — understanding, which is not thought — can take place.

Eckhart Tolle photo
Karin Slaughter photo
Julian Barnes photo
Barbara Kingsolver photo
Charlaine Harris photo
Melissa de la Cruz photo
Gillian Flynn photo

“He pauses, and I know he is about to lie. The worst feeling: when you just have to wait and prepare yourself for the lie.”

Variant: The worst feeling: when you just have to wait and prepare yourself for the lie.
Source: Gone Girl

Kelley Armstrong photo
Richelle Mead photo
Sophie Kinsella photo
Richelle Mead photo

“He smiled at me… fondly. ʺAh, my daughter,ʺ
he said. ʺEighteen, and already youʹve been accused of murder, aided felons, and acquired a death count higher than most guardians
will ever see.ʺ He paused. ʺI couldnʹt be prouder.ʺ”

Variant: Ah, my daughter,ʺ he said. ʺEighteen, and already youʹve been accused of murder, aided felons, and acquired a death count higher than most guardians will ever see.ʺ He paused. ʺI couldnʹt be prouder.
Source: Last Sacrifice

Kathy Reichs photo
Richelle Mead photo
Rachel Caine photo
David Sedaris photo
William Golding photo
Cassandra Clare photo
Ray Bradbury photo
Primo Levi photo

“Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable.”

If This Is a Man (1947)
Context: Sooner or later in life everyone discovers that perfect happiness is unrealizable, but there are few who pause to consider the antithesis: that perfect unhappiness is equally unattainable. The obstacles preventing the realization of both these extreme states are of the same nature: they derive from our human condition, which is opposed to everything infinite. Our ever-insufficient knowledge of the future opposes it: and this is called, in the one instance, hope, and and in the other, uncertainty of the following day. The certainty of death opposes it: for it places a limit on every joy, but also on every grief. The inevitable material cares oppose it: for as they poison every lasting happiness, they equally assiduously distract us from our misfortunes and make our consciousness of them intermittent and hence supportable.

Cassandra Clare photo

“Very well," Magnus said. "Let us pause for a moment and consider—Oh, you have already run off Splendid.”

Cassandra Clare (1973) American author

Source: Vampires, Scones, and Edmund Herondale

Cassandra Clare photo
William Kent Krueger photo
Anne Fadiman photo

“To use an electronics analogy, closing a book on a bookmark is like pressing the Stop button, whereas when you leave the book facedown, you've only pressed Pause.”

Anne Fadiman (1953) American essayist, journalist and magazine editor

Source: Ex Libris: Confessions of a Common Reader

Edna St. Vincent Millay photo
Guillaume Apollinaire photo

“Now and then it's good to pause in our pursuit of happiness and just be happy.”

Guillaume Apollinaire (1880–1918) French poet

Commonly attributed, but source unknown. note: Uncertain

Jennifer Egan photo
Artur Schnabel photo

“The notes I handle no better than many pianists. But the pauses between the notes – ah, that is where the art resides.”

Artur Schnabel (1882–1951) Austrian pianist

Quoted in the Chicago Daily News, June 11, 1958.

Cassandra Clare photo
Lois McMaster Bujold photo
Joseph Heller photo
Albert Einstein photo

“He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Variant: He who can no longer pause to wonder and stand rapt in awe is as good as dead; his eyes are closed.

Richelle Mead photo
David Sedaris photo
Gertrude Stein photo

“For a very long time everybody refuses and then almost without a pause almost everybody accepts.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Composition as Explanation (1926)
Context: For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.
Context: No one is ahead of his time, it is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept... For a very long time everybody refuses and then almost without a pause almost everybody accepts. In the history of the refused in the arts and literature the rapidity of the change is always startling.

Richelle Mead photo
Richelle Mead photo
Cassandra Clare photo
Cassandra Clare photo
Richelle Mead photo
Albert Einstein photo

“Each kiss was like biting into the richest darkest chocolate and pausing to savour the taste.”

Sarra Manning (1950) British writer

Source: You Don't Have to Say You Love Me

Sylvia Plath photo
Graham Chapman photo

“Sir Beldevere: What makes you think she's a witch?
Peasant 3: Well, she turned me into a newt!
Sir Beldevere: A newt?
Peasant 3: [meekly after a long pause]… I got better.
Crowd: [shouts] Burn her anyway!”

Graham Chapman (1941–1989) English comedian, writer and actor

Source: Monty Python and the Holy Grail (Book): Mønti Pythøn Ik Den Hølie Gräilen

Rick Riordan photo
Alison Bechdel photo
Cassandra Clare photo
Mitch Albom photo
Cassandra Clare photo
Deb Caletti photo
Jane Austen photo
Nicholas Sparks photo
Cassandra Clare photo
Brian K. Vaughan photo

“Happy endings are bullshit. There are only happy pauses.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Source: Ex Machina, Vol. 10: Term Limits

Cassandra Clare photo
John F. Kennedy photo

“But Goethe tells us in his greatest poem that Faust lost the liberty of his soul when he said to the passing moment: "Stay, thou art so fair." And our liberty, too, is endangered if we pause for the passing moment, if we rest on our achievements, if we resist the pace of progress. For time and the world do not stand still. Change is the law of life. And those who look only to the past or the present are certain to miss the future.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Address in the Assembly Hall at the Paulskirche in Frankfurt
Variant: Change is the law of life. And those who look only to the past or the present are certain to miss the future.
Documents on International Affairs, 1963, Royal Institute of International Affairs, ed. Sir John Wheeler Wheeler-Bennett, p. 36.

Edward Norris Kirk photo
Philip K. Dick photo
Marianne Moore photo

“Poetry is a magic of pauses … not a thing of tunes, but of heightened consciousness.”

Marianne Moore (1887–1972) American poet and writer

Poetry and Criticism - American Peoples Encyclopedia , Groller , New York 1965

James A. Garfield photo

“Let us learn wisdom from this illustrious example. We have passed the Red Sea of slaughter; our garments are yet wet with its crimson spray. We have crossed the fearful wilderness of war, and have led our four hundred thousand heroes to sleep beside the dead enemies of the Republic. We have heard the voice of God amid the thunders of battle commanding us to wash our hands of iniquity, to 'proclaim liberty throughout all the land unto all the inhabitants thereof.' When we spurned his counsels we were defeated, and the gulfs of ruin yawned before us. When we obeyed his voice, he gave us victory. And now at last we have reached the confines of the wilderness. Before us is the land of promise, the land of hope, the land of peace, filled with possibilities of greatness and glory too vast for the grasp of the imagination. Are we worthy to enter it? On what condition may it be ours to enjoy and transmit to our children's children? Let us pause and make deliberate and solemn preparation. Let us, as representatives of the people, whose servants we are, bear in advance the sacred ark of republican liberty, with its tables of the law inscribed with the 'irreversible guaranties' of liberty. Let us here build a monument on which shall be written not only the curses of the law against treason, disloyalty, and oppression, but also an everlasting covenant of peace and blessing with loyalty, liberty, and obedience; and all the people will say, Amen.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Speech in the House of Representatives (1866)

Penn Jillette photo

“One does wish that Sartre would pause for a while to regroup his forces. The man really does write too much.”

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Ten, Sartre, p. 224

“My fathering had always taken the form of a friendly cloud that floated across the lives of the children, and paused occasionally to cast a shadow. That they would turn out to have their own weather, and that I would profit by the climate, was an immense satisfaction.”

John Leonard (1939–2008) American critic, writer, and commentator

"The Fathering Instinct" http://books.google.com/books?id=EbQbAQAAMAAJ&q=%22My+fathering+had+always+taken+the+form+of+a+friendly+cloud+that+floated+across+the+lives+of+the+children+and+paused+occasionally+to+cast+a+shadow+That+they+would+turn+out+to+have+their+own+weather+and+that+I+would+profit+by+the+climate+was+an+immense+satisfaction%22&pg=PA112#v=onepage, Ms. magazine, May 1974

Connie Willis photo

““How dare you contradict their opinions! You are only a common servant.”
“Yes, miss,” he said wearily.
“You should be dismissed for being insolent to your betters.”
There was a long pause, and then Baine said, “All the diary entries and dismissals in the world cannot change the truth. Galileo recanted under threat of torture, but that did not make the sun revolve round the earth. If you dismiss me, the vase will still be vulgar, I will still be right, and your taste will still be plebeian, no matter what you write in your diary.”
“Plebeian?” Tossie said, bright pink. “How dare you speak like that to your mistress? You are dismissed.” She pointed imperiously at the house. “Pack your things immediately.”
“Yes, miss,” Baine said. “E pur si muove.”
“What?” Tossie said, bright red with rage. “What did you say?”
“I said, now that finally have dismissed me, I am no longer a member of the servant class and am therefore in a position to speak freely,” he said calmly.
“You are not in a position to speak to me at all,” Tossie said, raising her diary like a weapon. “Leave at once.”
“I dared to speak the truth to you because I felt you were deserving of it,” Baine said seriously. “I had only your best interests at heart, as I have always had. You have been blessed with great riches; not only with the riches of wealth, position, and beauty, but with a bright mind and a keen sensibility, as well as with a fine spirit. And yet you squander those riches on croquet and organdies and trumpery works of art. You have at your disposal a library of the great minds of the past, and yet you read the foolish novels of Charlotte Yonge and Edward Bulwer-Lytton. Given the opportunity to study science, you converse with conjurors wearing cheesecloth and phosphorescent paint. Confronted by the glories of Gothic architecture, you admire instead a cheap imitation of it, and confronted by the truth, you stamp your foot like a spoilt child and demand to be told fairy stories.””

Source: To Say Nothing of the Dog (1998), Chapter 22 (p. 374)

Edvard Munch photo

“I was walking along a path with two friends — the sun was setting — suddenly the sky turned blood red — I paused, feeling exhausted, and leaned on the fence — there was blood and tongues of fire above the blue-black fjord and the city — my friends walked on, and I stood there trembling with anxiety — and I sensed an infinite scream passing through nature.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote of an entry in his Diary (22 January 1892), on the experience which inspired his famous painting, '(The Scream)' ('Shrik'), originally titled: 'Der Schrei der Natur' ('The Cry of Nature')
1880 - 1895