Quotes about paper
page 9

Charles Krauthammer photo
James Madison photo

“You will find an allusion to some mysterious cause for a phenomenon in Stocks. It is surmised that the deferred debt is to be taken up at the next session, and some anticipated provision made for it. This may either be an invention of those who wish to sell, or it may be a reality imparted in confidence to the purchasers or smelt out by their sagacity. I have had a hint that something is intended and has dropt from 1 which has led to this speculation. I am unwilling to credit the fact, untill I have further evidence, which I am in a train of getting if it exists. It is said that packet boats & expresses are again sent from this place to the Southern States, to buy up the paper of all sorts which has risen in the market here. These & other abuses make it a problem whether the system of the old paper under a bad Government, or of the new under a good one, be chargeable with the greater substantial injustice. The true difference seems to be that by the former the few were the victims to the many; by the latter the many to the few. It seems agreed on all hands now that the bank is a certain & gratuitous augmentation of the capitals subscribed, in a proportion of not less than 40 or 50 [per cent] and if the deferred debt should be immediately provided for in favor of the purchasers of it in the deferred shape, & since the unanimous vote that no change [should] be made in the funding system, my imagination will not attempt to set bounds to the daring depravity of the times. The stock-jobbers will become the pretorian band of the Government, at once its tool & its tyrant; bribed by its largesses, & overawing it by clamours & combinations. Nothing new from abroad. I shall not be in [Philadelphia] till the close of the Week.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

Letter to Thomas Jefferson (8 August 1791)
1790s

“I'm glad I don't have to explain to a man from Mars why each day I set fire to dozens of little pieces of paper, and then put them in my mouth.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Mary Wollstonecraft Shelley photo

“Lord Byron, who was writing the third canto of Childe Harold, was the only one among us who put his thoughts upon paper. These, as he brought them successively to us, clothed in all the light and harmony of poetry, seemed to stamp as divine the glories of heaven and earth, whose influences we partook with him.”

Mary Wollstonecraft Shelley (1797–1851) English novelist, short story writer, dramatist, essayist, biographer, and travel writer

Introduction http://www.rc.umd.edu/editions/frankenstein/1831v1/intro.html to the 1831 edition of Frankenstein

“This subject of Planning in the economic sphere is discussed in a separate paper. We will here deal only with the spiritual angle.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Planning for a Better World

Dana Gioia photo

“This is not work
but a kind of workmanship.
First out of paper, then from the body.
To provoke thought into form,
molded according to a measure.
I think of a tailor
who is his own fabric.”

Dana Gioia (1950) American writer

"Homage to Valerio Magrelli" (After the Italian of Valerio Magrelli), vi
Poetry, Interrogations at Noon (2001)

Mike Watt photo
Adolf Hitler photo

“In those countries, it is actually capital that rules; that is, nothing more than a clique of a few hundred men who possess untold wealth and, as a consequence of the peculiar structure of their national life, are more or less independent and free. They say: 'Here we have liberty.' By this they mean, above all, an uncontrolled economy, and by an uncontrolled economy, the freedom not only to acquire capital but to make absolutely free use of it. That means freedom from national control or control by the people both in the acquisition of capital and in its employment. This is really what they mean when they speak of liberty. These capitalists create their own press and then speak of the 'freedom of the press.' In reality, every one of the newspapers has a master, and in every case this master is the capitalist, the owner. This master, not the editor, is the one who directs the policy of the paper. If the editor tries to write other than what suits the master, he is ousted the next day. This press, which is the absolutely submissive and characterless slave of the owners, molds public opinion.
..
Yes, certainly, we jeopardize the liberty to profiteer at the expense of the community, and, if necessary, we even abolish it.
..
All my life I have been a 'have-not.' At home I was a 'have-not.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

I regard myself as belonging to them and have always fought exclusively for them. I defended them and, therefore, I stand before the world as their representative.
Speech to the Workers of Berlin (10 December 1940) (Wikisource)
1940s

Dane Cook photo
Walter Scott photo
Peter Greenaway photo
Stanislaw Ulam photo

“It is still an unending source of surprise for me to see how a few scribbles on a blackboard or on a sheet of paper could change the course of human affairs.”

Stanislaw Ulam (1909–1984) Polish-American mathematician

Prologue, p. 5
Adventures of a Mathematician - Third Edition (1991)

David Sedaris photo
Aaron Sorkin photo
Elia M. Ramollah photo

“Write and bulletin your thoughts on paper so it would be like bulletins in your brain too.”

Elia M. Ramollah (1973) founder and leader of the El Yasin Community

The Great Master of Thought (Amen- Vol.3), Observing management

Upton Sinclair photo
Janusz Korwin-Mikke photo
Alfred Horsley Hinton photo

“It is the subjects which might be imitated by pieces of paper of varying depth of color laid one over the other, which are the subjects that will give more readily the greater satisfaction.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Some examples in composition, p. 60

Alfred Horsley Hinton photo
Ai Weiwei photo
Suze Robertson photo

“No, absolutely not, I have never been what one calls a gifted child, never a dreamer. I didn't think of making fantasies with the pencil on the paper, although at school we learned to draw and play music of course. But in those days the piano was actually what I preferred most... But until my eighteenth year I have been hesitating long between both [painting and playing piano]..”

Suze Robertson (1855–1922) Dutch painter

version in original Dutch / origineel citaat van Suze Robertson: Nee, ik ben volstrekt nooit wat men noemt een begaafd kind geweest, nooit een droomster. Aan fantasie met 't potlood op 't papier dacht ik niet, al leerden we op school natuurlijk ook teekenen en muziek. Maar in dien tijd was de piano eigenlijk meer mijn fort.. .Toch heb ik tot mijn achttiende jaar tussen die beide lang gewankeld.
Source: 1900 - 1922, Onder de Menschen: Suze Robertson' (1912), p. 30

Orson Hyde photo

“Say, its only a paper moon
Sailing over a cardboard sea
But it wouldn't be make-believe
If you believed in me.”

Yip Harburg (1896–1981) American song lyricist

"It's Only a Paper Moon" (1933) (co-written with Billy Rose) - Nat King Cole version http://www.youtube.com/watch?v=-DotEKKX0ww

Tom Hanks photo
Ellsworth Kelly photo
Octavio Paz photo
Danny Morrison photo

“Will anyone here object if, with a ballot paper in this hand, and an armalite in this hand, we take power in Ireland?”

Danny Morrison (1953) British writer and politician

Speech to the Sinn Féin Ard fheis, 1 November, 1981.

Alexandros Panagoulis photo

“A match as a pen
Blood on the floor as ink
The forgotten gauze cover as paper
But what should I write?
I might just manage my address.
This ink is strange; it clots.
I write you from a prison
in Greece.”

Alexandros Panagoulis (1939–1976) Greek politician and poet

My Address, written in Military Prisons of Bogiati, 5 June 1971 – After beating.
Poetry, Vi scrivo da un carcere in Grecia (I write you from a prison in Greece) (1974)

John Fante photo
John Quincy Adams photo

“I can never join with my voice in the toast which I see in the papers attributed to one of our gallant naval heroes. I cannot ask of heaven success, even for my country, in a cause where she should be in the wrong. Fiat justitia, pereat coelum. My toast would be, may our country always be successful, but whether successful or otherwise, always right.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Letter to his father, John Adams (1 August 1816), referring to the popular phrase "My Country, Right or Wrong!" based upon Stephen Decatur's famous statement "Our Country! In her intercourse with foreign nations may she always be in the right, but our country, right or wrong." The Latin phrase is one that can be translated as : "Let justice be done though heaven should fall" or "though heaven perish".

Frederick Douglass photo
Paolo Bacigalupi photo
Germaine Greer photo
Salvador Dalí photo
John Updike photo

“Each morning my characters greet me with misty faces willing, though chilled, to muster for another day's progress through the dazzling quicksand the marsh of blank paper.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

“Marching through a Novel” in Tossing and Turning (1977)

Cedric Bixler-Zavala photo
Noam Cohen photo

“If someone today had the Pentagon Papers, or the modern equivalent, would he still go to the press, as Daniel Ellsberg did nearly 40 years ago, and wait for the documents to be analyzed and published? Or would that person simply post them online immediately?”

Noam Cohen (1999) American journalist

[Noam, Cohen, The New York Times, April 18, 2010, What Would Daniel Ellsberg Do With the Pentagon Papers Today?, http://www.nytimes.com/2010/04/19/business/media/19link.html, October 30, 2014]

Douglas Coupland photo
Ben Hecht photo

“The honors Hollywood has for the writer are as dubious as tissue-paper cuff links.”

Ben Hecht (1894–1964) American screenwriter

Books

Francis Marion Crawford photo
A. James Gregor photo
Freeman Dyson photo
Peter Greenaway photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Frank Wilczek photo
Henry Moore photo
Hilaire Belloc photo

“I had no idea what I was doing when I wrote Search. There was no carefully designed work plan. There was no theory that I was out to prove. I went out and talked to genuinely smart, remarkably interesting, first-rate people. I had an infinite travel budget that allowed me to fly first class and stay at top-notch hotels and a license from McKinsey to talk to as many cool people as I could all around the United States and the world.
I went to see Karl Weick, who had totally influenced my life. I had read his work a thousand times, and I'd never met him. I went to Oslo to talk with Einar Thorsrud, who had studied empowerment on oil tankers. I went to the Tavistock Institute in London, where the leading thinkers on organizational development were looking at why people work together effectively in team configurations under certain circumstances.
Word of the meeting got back to McKinsey USA, and I was invited to give a presentation to the top management of PepsiCo… The time was drawing near for the Pepsi presentation to take place. One morning at about 6, I sat down at my desk overlooking the San Francisco Bay from the 48th floor of the Bank of America Tower, and I closed my eyes. Then I leaned forward, and I wrote down eight things on a pad of paper. Those eight things haven't changed since that moment. They were the eight basic principles of Search.”

Tom Peters (1942) American writer on business management practices

Tom Peters (2001) "Tom Peters's True Confessions" in Fast Company, December 2001 ( online http://www.fastcompany.com/44077/tom-peterss-true-confessions, Nov 31, 2001).

Boris Johnson photo
Harold Innis photo
Jack Kerouac photo
Edward A. Shanken photo

“Twenty years ago I had been invited to a seminar on Hurdles To Secularism… There were four or five Muslim participants present in that seminar…. They were invited to speak next. But they all smiled and said that they had nothing to add to what their ‘Hindu brethren’ had already said so ‘loudly and so lucidly’. And then all of a sudden I saw some fireworks from the same silent and satisfied Islamic fraternity. They had all stood up, shaking with uncontrollable rage, and were shouting at the same time, “He is lying!” They were pointing their fingers at the gentleman who had been invited to speak by the president, and who had said only a few sentences…. This was the late Hamid Dalwai. I had heard of him. But this was the first time I saw him. He was a tall man with a slight stoop, a smiling face, and a rather relaxed self-possession. He was saying, “All that has been said about Hindu communalism today is nothing new. We have heard it for the nth time. The intention of the working paper of this seminar, however, was to highlight for the first time what has so far been ignored by all progressive people who swear by secularism. What I want to expose today is Muslim communalism which has already divided the motherland, and which is still strong enough to poison our body-politic…”
It was at this point that the Muslim gentlemen had stood up and started shouting… All hell now broke loose as the Islamic fraternity stood up again, and started shouting that they had not come to the seminar to be insulted by “a hired hoodlum of the RSS fascists”. JP could restrain them no more, and declared the proceedings closed with a note of anguish in his voice.”

Hamid Dalwai (1932–1977) Indian social reformer, thinker and writer

About Hamid Dalwai at a seminar. Goel, S. R. (1994). Defence of Hindu society.
About

Arthur Ponsonby photo

“That man was so much larger than life that there's no scale by which to measure him. Most of Wilson's dialogue, if put down on paper, seems either vulgar or obscene.”

Gene Fowler (1890–1960) American journalist

Gene Fowler, as quoted by Anita Loos, Kiss Hollywood Goodbye, Viking Press, New York, 1974, ISBN 0-670-41374-7: About Wilson Mizner.

Emil Nolde photo
Thomas Jefferson photo

“A good mathematical joke is better, and better mathematics, than a dozen mediocre papers.”

John Edensor Littlewood (1885–1977) English Mathematician

"Introduction to A Mathematician's Miscellany", p. 24.
Littlewood's Miscellany (1986)

Freeman Dyson photo
Paul Mason (journalist) photo
Leszek Kolakowski photo

“The proletariat thus shared its dictatorship with nobody. As to the question of the "majority", this never troubled Lenin much. In an article "Constitutional Illusions" (Aug. 1917; Works, vol. 25, p. 201) he wrote: "in time of revolution it is not enough to ascertain the ‘ will of the majority’ – you must prove to be stronger at the decisive moment and at the decisive place; you must win … We have seen innumerable examples of the better organized, more politically conscious and better armed minority forcing its will upon the majority and defeating it." (pg. 503) Trotsky, however, answers questions [in The Defence of Terrorism] that Lenin evaded or ignored. "Where is your guarantee, certain wise men ask us, that it is just your party that expresses the interests of historical development? Destroying or driving underground the other parties, you have thereby prevented their political competition with you, and consequently you have deprived yourselves of the possibility of testing your line of action." Trotsky replies: "This idea is dictated by a purely liberal conception of the course of the revolution. In a period in which all antagonisms assume an open character; and the political struggle swiftly passes into a civil war, the ruling party has sufficient material standard by which to test its line of action, without the possible circulation of Menshevik papers. Noske crushes the Communists, but they grow. We have suppressed the Mensheviks and the S. R. s [Socialist Republics] … and they have disappeared. This criterion is sufficient for us" (p. 101). This is one of the most enlightening theoretical formulations of Bolshevism, from which it appears that the "rightness" of a historical movement or a state is to be judged by whether its use of violence is successful. Noske did not succeed in crushing the German Communists, but Hitler did; it would thus follow from Trotsky’ s rule that Hitler "expressed the interests of historical development". Stalin liquidated the Trotskyists in Russia, and they disappeared – so evidently Stalin, and not Trotsky, stood for historical progress.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 510
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Joseph Meek photo
Dylan Thomas photo

“The hand that signed the paper felled a city;
Five sovereign fingers taxed the breath,
Doubled the globe of dead and halved a country;
These five kings did a king to death.”

Dylan Thomas (1914–1953) Welsh poet and writer

" The Hand that Signed the Paper Felled a City http://www.internal.org/view_poem.phtml?poemID=98", st. 1 (1936)

Joseph Joubert photo
Camille Paglia photo
Suzanne Vega photo

“I open up the paper,
there's the story of an actor
who had died while he was drinking,
it was no one I had heard of.”

Suzanne Vega (1959) American singer

Tom's Diner
Solitude Standing (1987)

Jacob Maris photo

“Almost all new French art [ French Impressionism ] has for me a flat, empty character without any distance and depth in colors. The paintings look like white sheets of paper with colors on it.”

Jacob Maris (1837–1899) Dutch painter

Bijna alle nieuwe Fransche kunst [Impressionisme] heeft voor mij een plat, leeg karakter zonder afstand en diepte in kleur. De schilderijen lijken witte velletjes papier met kleurtjes erop.
Quote of Jacob Maris, in: 'Veerpont - Jacob Maris', Frank van der Velden https://www.rembrandtcirkel.nl/ul/cms/attachment/file/document/6/0/7/607/607/1/veerpont.pdf; Vereniging Rembrandt, Spring 2005, p. 24
he lived for several years in Paris, till 1871

Sasha Pivovarova photo

“I have these large pieces of recycled brown paper stretched on my apartment wall and when I am not doing anything fashion-related, I'm drawing on it, playing with colour spectrums.”

Sasha Pivovarova (1985) Russian model

Interview with V magazine, quoted in "A supermodel life", The Sydney Morning Herald (25 November 2008) http://www.smh.com.au/lifestyle/fashion/a-supermodel-life-20090403-9o99.html

Chen Liang-gee photo
Ze Frank photo
Jacques Barzun photo
Hans Arp photo
W. Edwards Deming photo
Frederick Douglass photo

“You can be in love with that piece of paper if you want to, but that piece of paper doesn't love you,…”

George Goodman (1930–2014) American author and economics commentator

Source: The Money Game (1968), Chapter 7, Identity And Anxiety, p. 81

Abraham Pais photo

“Of course, relative citation frequencies are no measure of relative importance. Who has not aspired to write a paper so fundamental that very soon it is known to everyone and cited by no one?”

Abraham Pais (1918–2000) American Physicist

"Subtle is the Lord…" : The Science and the Life of Albert Einstein (1982), p. 90

Rod Serling photo
Angus Young photo
Italo Calvino photo
Julia Gillard photo

“Paper currency, guarded by proper regulations and restrictions, is the life of commerce.”

William Henry Ashurst (judge) (1725–1807) English judge

Jordaine v. Lashbrooke (1798), 7 T. R. 605.

Tristan Tzara photo
Augustine Birrell photo
Raymond Poincaré photo

“The annual payment [of German reparations] will very likely spread over some thirty years at least. It would therefore be fair and logical for the military occupation of the left bank of the Rhine and the bridgeheads to last for the same length of time…There is, moreover, something quite unusual in the idea of renouncing a security before the amount secured has been completely paid…After the war of 1870, the Germans occupied various French provinces until they received the last centime of the indemnity imposed on France…It is argued that even when the occupation ceased, it could be resumed in the event of non-payment. This option to renew occupation may look tempting to-day on paper. But its bristling with drawbacks and risk. Let us imagine ourselves sixteen or seventeen years ahead. Germany has paid regularly for fifteen years. We have evacuated the whole left bank of the Rhine. We have returned to our side of the political frontiers which afford no military security. Imagine Germany again prey to Imperialism or imagine that she simply breaks faith. She suspends payment and we are obliged to reoccupy. We give the necessary orders, but who will vouch for our being able to carry them out without difficulty?”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Memorandum to Clemenceau (28 April 1919), quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 428.

George Klir photo
Joseph Addison photo

“I don't know how easy that would be but I'd try just to lead an ordinary life again. Stay out of the papers.”

Mark Chapman (1955) American assassin

Mark Chapman http://news.bbc.co.uk/1/hi/entertainment/940986.stm

Erich Heckel photo

“I finished my first woodcut in Dresden in 1905 after the Xylographic art, cutting out of the hard boxwood the clean sketches with the slate pencil. Then followed the rounded iron, to arrive at the woodcut more freely through the simply ripped out sketch on the log (alder, lime tree, poplar), which would be utilized from here on out. Then finally came a short cobbler knife, and without a pré-sketch, the hand cuts freely into the wood a woodcut, just like it would work on paper with the pen.”

Erich Heckel (1883–1970) German artist

Heckel later summarized in this way his woodcut developments, mainly developed during his years in Die Brücke
Source: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 21; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p.12

Heather Brooke photo