Quotes about opening
page 3

Jacques Derrida photo
Nikki Sixx photo
Margaret Mead photo
Paulo Coelho photo
Henry James photo
Patti Smith photo
Sylvia Plath photo
Bertrand Russell photo
Ludwig Wittgenstein photo

“A man will be imprisoned in a room with a door that's unlocked and opens inwards; as long as it does not occur to him to pull rather than push it.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

Source: Culture and Value (1980), p. 42e

Marilyn Ferguson photo
Klaus Kinski photo

“I've solved the mystery: You have to submit silently. Open up, let go. Let anything penetrate you, even the most painful things. Endure. Bear up. That's the magic key! The text comes by itself, and its meaning shakes the soul… You mustn't let scar tissue form on your wounds; you have to keep ripping them open in order to turn your insides into a marvelous instrument that is capable of anything. All this has its price.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 72-73
Context: At a performance everything works out on its own. I've solved the mystery: You have to submit silently. Open up, let go. Let anything penetrate you, even the most painful things. Endure. Bear up. That's the magic key! The text comes by itself, and its meaning shakes the soul. Everything else is taken care of by the life one has to live without sparing oneself. You mustn't let scar tissue form on your wounds; you have to keep ripping them open in order to turn your insides into a marvelous instrument that is capable of anything. All this has its price. I become so sensitive that I can't live under normal conditions. That's why the hours between performances are worst.

Vladimir Nabokov photo
Robert Browning photo

“Open my heart and you will see
Graved inside of it, "Italy".”

"De Gustibus", ii.
Men and Women (1855)
Context: Italy, my Italy!
Queen Mary's saying serves for me
(When fortune's malice
Lost her Calais):
"Open my heart, and you will see
Graved inside of it ‘Italy.'"

Annie Dillard photo
Robert Browning photo
Abraham Lincoln photo

“Tis better people think you a fool, then open your mouth and erase all doubt.”

Abraham Lincoln (1809–1865) 16th President of the United States

Variously attributed to Lincoln, Elbert Hubbard, Mark Twain, Benjamin Franklin and Socrates
Misattributed
Variant: It is better to be silent and be thought a fool than to speak and remove all doubt.

Galileo Galilei photo

“Philosophy is written in this grand book, which stands continually open before our eyes (I say the 'Universe'), but can not be understood without first learning to comprehend the language and know the characters as it is written. It is written in mathematical language, and its characters are triangles, circles and other geometric figures, without which it is impossible to humanly understand a word; without these one is wandering in a dark labyrinth.”

From Italian: La filosofia è scritta in questo grandissimo libro, che continuamente ci sta aperto innanzi agli occhi (io dico l'Universo), ma non si può intendere, se prima non il sapere a intender la lingua, e conoscer i caratteri ne quali è scritto. Egli è scritto in lingua matematica, e i caratteri son triangoli, cerchi ed altre figure geometriche, senza i quali mezzi è impossibile intenderne umanamente parola; senza questi è un aggirarsi vanamente per un oscuro labirinto.
Other translations:
Philosophy is written in that great book which ever lies before our eyes — I mean the universe — but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written. This book is written in the mathematical language, and the symbols are triangles, circles and other geometrical figures, without whose help it is impossible to comprehend a single word of it; without which one wanders in vain through a dark labyrinth.
The Assayer (1623), as translated by Thomas Salusbury (1661), p. 178, as quoted in The Metaphysical Foundations of Modern Science (2003) by Edwin Arthur Burtt, p. 75.
Philosophy is written in this grand book — I mean the universe — which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometric figures, without which it is humanly impossible to understand a single word of it; without these, one is wandering about in a dark labyrinth.
As translated in The Philosophy of the Sixteenth and Seventeenth Centuries (1966) by Richard Henry Popkin, p. 65
Il Saggiatore (1623)
Source: Galilei, Galileo. Il Saggiatore: Nel Quale Con Bilancia Efquifita E Giufta Si Ponderano Le Cofe Contenute Nellalibra Astronomica E Filosofica Di Lotario Sarsi Sigensano, Scritto in Forma Di Lettera All'Illustr. Et Rever. Mons. D. Virginio Cesarini. In Roma: G. Mascardi, 1623. Google Play. Google. Web. 22 Dec. 2015. <https://play.google.com/store/books/details?id=-U0ZAAAAYAAJ>.

Leonardo Da Vinci photo

“Blinding ignorance does mislead us. O! Wretched mortals, open your eyes!”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.
Context: Blind ignorance misleads us thus and delights with the results of lascivious joys. Because it does not know the true light. Because it does not know what is the true light. Vain splendour takes from us the power of being.... behold! for its vain splendour we go into the fire, thus blind ignorance does mislead us. That is, blind ignorance so misleads us that... O! wretched mortals, open your eyes.

Mark Twain photo
Cassandra Clare photo
Hans Christian Andersen photo
Sadhguru photo
Vladimir Nabokov photo
Terry Pratchett photo
Bertolt Brecht photo
Paulo Coelho photo
Victor Hugo photo

“He who opens a school, closes a prison”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Also cited as Opening a school is closing a prison
This quotation has been attributed to Victor Hugo since the nineteenth century, but the earliest citations attribute the saying instead to French education minister Victor Duruy:
Déjà M. Duruy avait posé en fait, quouvrir une école, c'est fermer une prison (1865)
English translation: M. Duruy had already suggested that opening a school is closing a prison
Disputed
Source: Journal des Economistes, March 1865, p. 489 http://hdl.handle.net/2027/nyp.33433022399574?urlappend=%3Bseq=495

Thomas Mann photo
Helen Nearing photo
Jiddu Krishnamurti photo

“In oneself lies the whole world and if you know how to look and learn, the door is there and the key is in your hand. Nobody on earth can give you either the key or the door to open, except yourself.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

As quoted in Perfecting Ourselves : Coordinating Body, Mind, and Spirit (2002) by Aaron Hoopes, p. 64
Posthumous publications

Alexander Suvorov photo

“Fire opens the gates of victory.”

Alexander Suvorov (1730–1800) Russian military commander

From "The Science of Victory," 1796, quoted in Bragin "Field Marshal Kutuzov," 1944.

T. B. Joshua photo

“I have a covenant with God. I cannot ask for anything outside what is written in the covenant. What I will achieve in this world is in a book I am carrying everyday; I just have to open the pages. Outside the book is not mine.”

T. B. Joshua (1963) Nigerian Christian leader

Answering a question on temptation via Facebook - "TB Joshua Talks About Marriage, Deliverance And Personal Experience" https://www.naij.com/56634.html Naij (January 13 2014)

David C. McClelland photo
Fukuzawa Yukichi photo

“I think I have made it clear that I never intended to make enemies. But in an age when anti-foreign sentiment was running high, it was unavoidable that in my position as an advocate of open intercourse and free adoption of Western culture, I should make some adversaries.”

Fukuzawa Yukichi (1835–1901) Japanese author, writer, teacher, translator, entrepreneur and journalist who founded Keio University

Source: The Autobiography of Fukuzawa Yukichi (1897), Ch. XI.

Louis C.K. photo

“Every day starts, my eyes open and I reload the program of misery. I open my eyes, remember who I am, what I'm like, and I just go, "Ugh" …"”

Louis C.K. (1967) American comedian and actor

Louie &ndash; Season 1, Episode 3.
Louie

Mary I of England photo

“When I am dead and opened, you shall find Calais lying in my head.”

Mary I of England (1516–1558) Queen of England and Ireland

Said during her final illness, referring to England's loss of Calais to France.
Raphael Holinshed, The Chronicles of England, Scotland and Ireland, vol. III, page 1160 (1587).

Charlie Brooker photo

“The upper classes really shouldn't open their mouths on television. Whatever it is they're saying, all your brain actually hears is "Tra la la, I live in a bubble, tra la la, murder a fox, tra la la, Conde Nast Traveller, tra la la, Kensington High Street, tra la la."”

Charlie Brooker (1971) journalist, broadcaster and writer from England

They should know their place and keep quiet.
On Trinny Woodall and Susannah Constantine in What Not to Wear
[Screen Burn, The Guardian, 8 December 2001]
Guardian columns, Screen Burn

Gabriel Iglesias photo

“The first time I came here, I got the chance to meet some people, and they said, "You know what, Gabriel, have you ever been here, have you ever been to Chicago?" I'm like, "No, it's my first time." They said, "Well, you know, we'd like to take you out eat if you're down." And I'm like, "Well, hello!" [Audience laughs] "I'm very down!" They took me to a restaurant called Portillo's." [Audience cheers] You've heard of it? So, we get there, and it was, it was very, very good. The hot dogs were delicious, I had a chicken chopped salad, it was amazing. I had a beef dip, really really good. But it wasn't until the meal was almost over that these new friends of mine said, "We'd like for you to try something you've might not have ever had before." And I'm like, "That's not likely." I said, "So, what is it you want me to try?" And they said, "Well, they sell a thing here at Portillo's called a Chocolate Cake Shake." [Audience cheers] I said, "You had me at 'Chocolate'." They said, "Well, you gotta go to the special window and you gotta order it from the lady." I go, "Okay, cool." So, I get up and walk to the lady, and she's like, "Can I help you?" I said, "Yes, my friends are telling me that I need to try this thing, called a 'Chocolate Cake Shake'." "Okay, what size would you like?" "How good is it?" "You'll want a large." [Audience laughs] "Alright, can I please have a large Chocolate Cake Shake?" "No problem." [Imitates her entering the order in on the cash register] And I pay, and she turns around and walks over to this little refrigerator that's on the counter, and she opens it up, and she pulls out a piece of chocolate cake. And I'm thinking to myself, "She must have misunderstood what I said. I didn't ask for a piece of chocolate cake, I asked for a Chocolate Cake Shake." She must've heard what I was thinking, because she's walking by and she's like, "It's gonna happen." She walks over to the blender, she takes the freaking lid off, she just looks at me and does this. [Mimes the cashier turning her hand over, dropping the chocolate cake in the blender] And I was like, "NO!" And she's like, "Oh, yeah." [Mimes the lady pushing the button and the blender blending the cake] And she pours it, and she hands me this, like, 44-ounce chocolate shake, which is WAY more than anybody should be drinking. The straw was so thick, you could almost put your thumb in it, okay? So, I grab this shake, and I begin to attempt to drink it. So, I'm [Mimics him trying to suck the shake through the straw, making heavy "MMM" sounds], and I can see the shake coming up. [Still makes the "MMM" sounds, while using his finger to show how show the shake's coming up the straw] And it hit, and then, all of a sudden, [Mimics his nipples getting hard] "WOOOOO!"”

Gabriel Iglesias (1976) American actor

I'm Sorry For What I Said When I Was Hungry (2016)

Warren Zevon photo
Barack Obama photo
Barack Obama photo
Robert Frost photo

“Why make so much of fragmentary blue
In here and there a bird, or butterfly,
Or flower, or wearing-stone, or open eye,
When heaven presents in sheets the solid hue.”

Robert Frost (1874–1963) American poet

" Fragmentary Blue http://www.ketzle.com/frost/fragblue.htm", st. 1 (1923)
1920s

Hermann Hesse photo
Joseph Stalin photo
Friedrich Schiller photo
Barack Obama photo
George Washington photo

“The bosom of America is open to receive not only the Opulent and respectable Stranger, but the oppressed and persecuted of all Nations And Religions; whom we shall wellcome to a participation of all our rights and previleges, if by decency and propriety of conduct they appear to merit the enjoyment.”

George Washington (1732–1799) first President of the United States

Letter to the members of the Volunteer Association and other Inhabitants of the Kingdom of Ireland who have lately arrived in the City of New York (2 December 1783), as quoted in John C. Fitzpatrick, ed., The Writings of George Washington (1938), vol. 27, p. 254
1780s

Charles Perrault photo
Neve Campbell photo
Paul Erdős photo

“It is not enough to be in the right place at the right time. You should also have an open mind at the right time.”

Paul Erdős (1913–1996) Hungarian mathematician and freelancer

My Brain Is Open : The Mathematical Journeys of Paul Erdos (1998) by Bruce Schechter, p. 99

Bobby Fischer photo
Douglass C. North photo

“Schumpeter’s approach has an important implication for political behavior. If the constellation of economic interests regularly changes because of innovation and entry, politicians face a fundamentally different world than those in a natural state: open access orders cannot manipulate interests in the same way as natural states do. Too much behavior and formation of interests take place beyond the state’s control. Politicians in both natural states and open access orders want to create rents. Rent-creation at once rewards their supporters and binds their constituents to support them. Because, however, open access orders enable any citizen to form an organization for a wide variety of purposes, rents created by either the political process or economic innovation attract competitors in the form of new organizations. In Schumpeterian terms, political entrepreneurs put together new organizations to compete for the rents and, in so doing, reduce existing rents and struggle to create new ones. As a result, creative destruction reigns in open access politics just as it does in open access economies. Much of the creation of new interests is beyond the control of the state. The creation of new interests and the generation of new sources of rents occur continuously in open access orders.”

Douglass C. North (1920–2015) American Economist

Source: Violence and Social Orders (2009), Ch. 1 : The Conceptual Framework

José Saramago photo
Barack Obama photo
Theodore Roosevelt photo
Rabindranath Tagore photo
Terry Pratchett photo
Leonardo Da Vinci photo
Douglass C. North photo
Yuvan Shankar Raja photo
Thomas Jefferson photo
James Randi photo

“Sir, there is a distinct difference between having an open mind and having a hole in your head from which your brain leaks out.”

James Randi (1928) Canadian-American stage magician and scientific skeptic

Swift, 30 December 2005,. "McGill University Featuring Pseudoscience" http://web.archive.org/web/20110108172522/http://www.randi.org/jr/200512/123005museum.html#i8
http://www.fortwayne.com/mld/journalgazette/living/17126222.htm April 24, 2007.

Barack Obama photo
Rabindranath Tagore photo
Peter Ustinov photo
John Taylor (Latter Day Saints) photo
Barack Obama photo
Rainer Maria Rilke photo

“First a childhood, limitless and without
renunciation or goals. O unselfconscious joy.
Then suddenly terror, barriers, schools, drudgery,
and collapse into temptation and loss.Defiance. The one bent becomes the bender,
and thrusts upon others that which it suffered.
Loved, feared, rescuer, fighter, winner
and conqueror, blow by blow.And then alone in cold, light, open space,
yet still deep within the mature erected form,
a gasping for the clear air of the first one, the old one…Then God leaps out from behind his hiding place.”

Rainer Maria Rilke (1875–1926) Austrian poet and writer

Erst eine Kindheit, grenzenlos und ohne
Verzicht und Ziel. O unbewußte Lust.
Auf einmal Schrecken, Schranke, Schule, Frohne
und Absturtz in Versuchung und Verlust.</p><p>Trotz. Der Gebogene wird selber Bieger
und rächt an anderen, daß er erlag.
Geliebt, gefürchtet, Retter, Ringer, Sieger
und Überwinder, Schlag auf Schlag.<p>Und dann allein im Weiten, Leichten, Kalten.
Doch tief in der errichteten Gestalt
ein Atemholen nach dem Ersten, Alten...</p><p>Da stürzte Gott aus seinem Hinterhalt.</p>
As translated by Cliff Crego
Imaginärer Lebenslauf (Imaginary Life Journey) (September 13, 1923)

Henri Barbusse photo
Thomas Paine photo
Albert Schweitzer photo

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

Bertrand Russell photo

“Those who advocate common usage in philosophy sometimes speak in a manner that suggests the mystique of the 'common man.' They may admit that in organic chemistry there is need of long words, and that quantum physics requires formulas that are difficult to translate into ordinary English, but philosophy (they think) is different. It is not the function of philosophy – so they maintain – to teach something that uneducated people do not know; on the contrary, its function is to teach superior persons that they are not as superior as they thought they were, and that those who are really superior can show their skill by making sense of common sense. No one wants to alter the language of common sense, any more than we wish to give up talking of the sun rising and setting. But astronomers find a different language better, and I contend that a different language is better in philosophy. Let us take an example, that of perception. There is here an admixture of philosophical and scientific questions, but this admixture is inevitable in many questions, or, if not inevitable, can only be avoided by confining ourselves to comparatively unimportant aspects of the matter in hand. Here is a series of questions and answers.
Q. When I see a table, will what I see be still there if I shut my eyes?
A. That depends upon the sense in which you use the word 'see.'
Q. What is still there when I shut my eyes?
A. This is an empirical question. Don't bother me with it, but ask the physicists.
Q. What exists when my eyes are open, but not when they are shut?
A. This again is empirical, but in deference to previous philosophers I will answer you: colored surfaces.
Q. May I infer that there are two senses of 'see'? In the first, when I 'see' a table, I 'see' something conjectural about which physics has vague notions that are probably wrong. In the second, I 'see' colored surfaces which cease to exist when I shut my eyes.
A. That is correct if you want to think clearly, but our philosophy makes clear thinking unnecessary. By oscillating between the two meanings, we avoid paradox and shock, which is more than most philosophers do.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Source: 1950s, Portraits from Memory and Other Essays (1956), p. 159

Aleksandr Pushkin photo
Barack Obama photo
Jordan Peterson photo
Benjamin Disraeli photo

“No one, I think, can deny that the depression of the agricultural interest is excessive. Though I can recall periods of suffering, none of them have ever equalled the present in its instances. … the agricultural interest is suffering from a succession of bad harvest, accompanied, for the first time, by extremely low prices. That is a remarkable circumstance that has never before occurred—a combination that has never before been encountered. In old days, when we had a bad harvest we had also the somewhat dismal compensation of higher prices; but now, when the harvests are bad the prices are lower rather than higher…nor is it open to doubt that foreign competition has exercised a most injurious influence on the agricultural interests of the country. The country, however, was perfectly warned that if we made a great revolution in our industrial system, that was one of the consequences that would accrue. I may mention that the great result of the returns we possess is this, that the immense importations of foreign agricultural produce have been vastly in excess of what the increased demands of our population actually require, and that is why the low prices are maintained…That is to a great degree the cause of this depression.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech in the House of Lords on the state of agriculture (28 March 1879), reported in The Times (29 March 1879), p. 8.
1870s

H.P. Lovecraft photo

“It is just as ridiculous to get excited & hysterical over a coming cultural change as to get excited & hysterical over one's physical aging... There is legitimate pathos about both processes; but blame & rebellion are essentially cheap, because inappropriate, emotions... It is wholly appropriate to feel a deep sadness at the coming of unknown things & the departure of those around which all our symbolic associations are entwined. All life is fundamentally & inextricably sad, with the perpetual snatching away of all the chance combinations of image & vista & mood that we become attached to, & the perpetual encroachment of the shadow of decay upon illusions of expansion & liberation which buoyed us up & spurred us on in youth. That is why I consider all jauntiness, & many forms of carelessly generalised humour, as essentially cheap & mocking, & occasionally ghastly & corpselike. Jauntiness & non-ironic humour in this world of basic & inescapable sadness are like the hysterical dances that a madman might execute on the grave of all his hopes. But if, at one extreme, intellectual poses of spurious happiness be cheap & disgusting; so at the other extreme are all gestures & fist-clenchings of rebellion equally silly & inappropriate—if not quite so overtly repulsive. All these things are ridiculous & contemptible because they are not legitimately applicable... The sole sensible way to face the cosmos & its essential sadness (an adumbration of true tragedy which no destruction of values can touch) is with manly resignation—eyes open to the real facts of perpetual frustration, & mind & sense alert to catch what little pleasure there is to be caught during one's brief instant of existence. Once we know, as a matter of course, how nature inescapably sets our freedom-adventure-expansion desires, & our symbol-&-experience-affections, definitely beyond all zones of possible fulfilment, we are in a sense fortified in advance, & able to endure the ordeal of consciousness with considerable equanimity... Life, if well filled with distracting images & activities favourable to the ego's sense of expansion, freedom, & adventurous expectancy, can be very far from gloomy—& the best way to achieve this condition is to get rid of the unnatural conceptions which make conscious evils out of impersonal and inevitable limitations... get rid of these, & of those false & unattainable standards which breed misery & mockery through their beckoning emptiness.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 291
Non-Fiction, Letters, to Frank Belknap Long

Stanley Kubrick photo

“The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.”

Stanley Kubrick (1928–1999) American film director, screenwriter, producer, cinematographer and editor

Interviewed by Charles Reynolds, Popular Photography (1960)

“I think we should see whether we are wise trying to educate everybody to a high standard the way we are trying to do now. There has to be a high level of education so everybody is literate, but whether university education is necessary for everyone is open to question.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

"College Master Looks at His World: Author Davies Finds Youth Little Changed".
Conversations with Robertson Davies (1989)

Galileo Galilei photo
Morihei Ueshiba photo
Rainer Maria Rilke photo

“It seems to me that almost all our sadnesses are moments of tension, which we feel as paralysis because we no longer hear our astonished emotions living. Because we are alone with the unfamiliar presence that has entered us; because everything we trust and are used to is for a moment taken away from us; because we stand in the midst of a transition where we cannot remain standing. That is why the sadness passes: the new presence inside us, the presence that has been added, has entered our heart, has gone into its innermost chamber and is no longer even there, - is already in our bloodstream. And we don't know what it was. We could easily be made to believe that nothing happened, and yet we have changed, as a house that a guest has entered changes. We can't say who has come, perhaps we will never know, but many signs indicate that the future enters us in this way in order to be transformed in us, long before it happens. And that is why it is so important to be solitary and attentive when one is sad: because the seemingly uneventful and motionless moment when our future steps into us is so much closer to life than that other loud and accidental point of time when it happens to us as if from outside. The quieter we are, the more patient and open we are in our sadnesses, the more deeply and serenely the new presence can enter us, and the more we can make it our own, the more it becomes our fate.”

Letter Eight (12 August 1904)
Letters to a Young Poet (1934)

Claude Monet photo
Mark Twain photo
A. J. Cronin photo
Bert McCracken photo

“I kind of wanted to open it up a little bit more this time and kind of expose a little bit more of my vulnerable side. The most important thing for me was to share exactly how I felt because I'm sure there are thousands and thousands of people who can relate.”

Bert McCracken (1982) American musician

On his music and lyrics relating to the audience, interview in Susan Carpenter, Los Angeles Times (November 5, 2004) "Whisper To a Scream The Used's Heartfeld Lyrics Are Half-Sung, Half-Shrieked", Pittsburgh Post-Gazette, PG Publishing Co.

Leonardo Da Vinci photo